Showing 20417 items
matching cross-cultural
-
National Vietnam Veterans Museum (NVVM)
Photograph, Rosemary Griggs
A black and white photograph of one of the Red Cross Staff at the 1st Australian Field Hospital, Vung Tau, South Vietnam, Rosemary Griggs mans the telephone in the Red Cross Hut. (note text is missing at the bottom of the photograph)photograph, red cross, 1st australian field hospital, vung tau, rosemary griggs, gibbons collection catalogue -
Whitehorse Historical Society Inc.
Furniture - Table
Small oblong table with bamboo legs and bamboo trim curved on two sides and crossed on two sides. A narrow wood shelf nailed to the lower cross supports. Table has been painted with brown shellac varnish.furniture, domestic, domestic-nursery -
Whitehorse Historical Society Inc.
Book - Bible, Red Letter Testament
Given to donor by her father, Sergeant Richard Osborne, who bought it while serving in Egypt (then in Palestine) during world War 11. Bible is a 'red letter testament' with Jesus spoken word printed in red.New Testament (Red Letter New Testament) with a wooden cover with cross and four small crosses engraved into cover. 'Jerusalem' written in black on front, 'Bethlehem' written on back. Red Letter Testament on leather covered spine.To Barbara With Love Daddy Xmas 1940.books, religion -
Robin Boyd Foundation
Booklet - Desk Diary, Patricia Boyd, 1976
Contains appointments, cultural events, dinner menus, phone numbers, addresses for 1976.Spiral bound Desk Diary 1976, covered in silver paper. -
Mont De Lancey
Book, Talbot Baines Reed, The Adventures of a Three Guinea Watch, c 1883
A vintage early 1800's adventure story for teenage boys with black lined illustrations. A boy is given a watch for his 13th birthday as he goes off to school. The watch narrates his own story as he changes 'owners' and travels to London, a pawn shop, a university, to the seaside, India and back to..... There are strong religious themes throughout.A vintage early 1800's brown hardcover children's book with the title The Adventures of a Three Guinea Watch printed in gold diagonal letter on the front cover with a black lined illustration of two boys playing with a fob watch sitting inside a large barrel. The spine has the title and RTS symbol for the publisher printed in gold lettering. The back cover has a black lined drawing of a boy reading a book in front of a bookcase with the heading: THE BOYS OWN BOOKSHELF printed in a banner above. There are flowers and butterflies too. The frontispiece illustration depicts a woman and a man with a boy in football clothes talking. It is covered with faded tissue paper. The title page has the title, author, publisher details and the same black lined illustration as is featured on the back cover. Throughout the book are many black lined illustrations. At the back is page of further Books for Boys published by The Religious Tract Society. The author,Talbot Baines Reed wrote school stories for boys. Pp. 226.fictionA vintage early 1800's adventure story for teenage boys with black lined illustrations. A boy is given a watch for his 13th birthday as he goes off to school. The watch narrates his own story as he changes 'owners' and travels to London, a pawn shop, a university, to the seaside, India and back to..... There are strong religious themes throughout.children's books, books, children's stories, adventure stories, teenage stories, boys' stories -
NMIT (Northern Melbourne Institute of TAFE)
Report: Ethnic background paper: Vietnam by Education Dept Victoria 1980
A4 size 30 page report with salmon coloured cover from the Child Migrant Education Services, Ethnic Education Services, Education Department, Victoria. It is intended to provide 'general information about the social and cultural background from which migrants from Vietnam come to Australia'.ethnic education services, reports, -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: BENDIGO PERFORMANCE OF ''MUSIC THROUGH CLAY''
Poster for Bendigo Performance of ''Music through Clay'' - ''ceramic instrument making workshops'' at the Old Fire Station with Judy Lorraine. Note date provided for May/June workshops. ''Make your own ocarinas and drums''. City of Greater Bendigo Cultural Grants Program and arts Bendigo. -
Bendigo Military Museum
Photograph - PHOTOGRAPH, SANDAKAN WAR CEMETERY, H Eisfelder, 1947
Sandakan- Panali, North Borneo were the places of the infamous Sandakan death march. Thousands of allied POWS died. Aust lost 1787 men. Refer to the Australian War Memorial for details. Three black and white photographs taken just after WW2 .1) Photograph showing two signs, a gate post and barbed wire gate. .2) Photograph of flat land, with an enormous number of white wooden crosses. The crosses in the foreground are marked unknown. .3) photograph of flat land, with numerous white crosses. The foreground ones are marked unidentified P.W of unknown nationality .1) Photograph of signs. “Sandakan War Cemetery Turn off at Mile 7 Other sign “ Australian War graves at Mile 8” Rear has a label. All three- Sandakan (North Bendigo) photo taken early June 1947 by H. Eisfelder. ww2, p.o.w, sandakan -
Ballarat RSL Sub-Branch Inc.
Memorabilia - Framed
Military Cross Citation; Military Cross; photographs x 2 This object relates to Douglas Ewart HARRIS. Douglas Ewart served in the Commander 11 Platoon 'B' COY The South Wales Borderers SRN 324910 before being discharged from duties as a Army Commissioned Lieutenant (LT). Douglas Ewart HARRIS was not a prisoner of war. Douglas Harris was awarded the Military Cross.collectables, ballarat rsl, ballarat -
Hellenic Museum
Juglet, 1800 – 1450 BCE
Cypriot White Painted Ware from Cypriot Middle/Late Bronze Age The slender conical neck with broad band’s over two cross-hatched diamonds, the loop handle with wavy line, broad band to lower neck, the depressed body with a pair of vertical bands centred with twin wavy lines flanked by two vertical wavy lines and two sets of friezes including cross- hatched diamonds, chequerboard and cross-hatched zigzag, to flat foot. cypriot -
Melbourne Tram Museum
Newspaper, The Melbourne Times, "Ride of a lifetime", 14/06/2006
Article titled "Ride of a lifetime" about the retirement of Norm Cross from Preston Workshops. Features a photograph of Norm standing in the doorway of W7 1010. Gives the story of Norm and his work at Preston Workshops, life at the Workshops, story's, W class trams, and United Group the then current occupier. Has a number of photos including tram 504, Clifton Pugh, workshop buildings, trams on jacks (W7 1031) and power lines on a pole.Yields information about Norm Cross, a well known tramway enthusiast and author, who passed away during 2024.Newspaper cutting from The Melbourne Times, 14/6/2006trams, tramways, preston workshops, substation, retirements, w7 class, tram 1010, tram 1031, norm cross -
Greensborough Historical Society
Book, The Plenty Valley Corridor: the archaelogical survey of historic sites, by Fiona Weaver, for the Ministry of Planning & Environment, 1989_
The Victorian Archaelogical Survey managed this study onbehalf of the Ministry for Planning & Environment. The study was intended to provide a brief history of Aboriginal and European occupation and use of the area and an outline of the geography of the chief areas of cultural heritage concern, with recommendations for protection of significant cultural sites and recommendations for further research, survey and consultation.115 p., photocopy, unbound. Illus., mapsplenty river -
Bendigo Military Museum
Award - MEDAL DFC, C.1944 - 46
Allan Frederick GOODALL DFC. Allan enlisted in the RAAF on 10.10.1941 No 409828 age 18 years. He was mustered as Aircrew on elisted and was designated as WO/AG ( Wireless operator Air Gunner) on 23.7.1942. he rose through the ranks from AC2, LAC, Sgt, F/Sgt, W/O, F/O to Flt/Lt on 1.3.1945. Embarked for England on 24.8.1942 and posted to RAF Station Bournemouth on 18 .11.1942, posted to MEC (Middle East Command) with 150 Sqd RAF flying Wellingtons from North Africa. On 21.12.1943 on a non operational flight from Africa to Italy his flight crashed into Mt Etna, they were coming out of a cloud when the Pilot saw Etna. Allan as least injured made sure his mates were okay and sheltered he walked down to a nearby village (Maletto) to get help. Allan spent from 21.12.1943 to 5.1.1944 in hospital with Abrasions. He was awarded the DFC (Distinguished Flying Cross) in 1944 for operations over Italy, at the time he was classed as Sqd Signals Leader. According to his records he flew 37 Operational sorties. He was discharged from the RAAF on 3.1.1946. The crew of the Plane were; Bruce Hayman (NZ) Pilot, Fractured leg. Allan Goodall Aust (WOP/AG) abrasions and injured wrist. Alan Warner (Aust) Navigator, Fractured Ankle. Y.F.Redknap (UK) injured shoulder. C.A. Carr (UK) Fractured Dorsal Spine. J.E. Ward (UK) Dislocated shoulder. Alfred Dugdale (UK) Deceased. Tony Moore (UK) Deceased. Both are buried at the Catania War Cemetery Sicily. Refer Cat No 1025P for his photo.543.1 Medal-Distinguished FLying Cross won by FO Alan F Goodall. Rear of medal is engraved "Italy FO Alan Goodall 1944" 543.2 Case-to suit DFC above. Case rear has a note "Alan's sister Jean, Mrs R.T Mitchell, 22 O'Dea Cres Kangaroo Flat 3555 471428." Written inside case in pen "F/O Alan Goodall Bendigo Won in Italy 1944 Presented by HRH Duke of Gloucester 13-11-1946"awards, dfc ww2, raaf -
Morongo Old Collegians
Badge
Coloured Beret Badge featuring the School Crest, consisting of royal blue circle, with white diagonal cross, with dark green background and golden lantern with white flame on top of cross, with the word "Morongo" written on blue scroll at the base. -
Morongo Old Collegians
Badge
Coloured Beret Badge featuring the School Crest, consisting of royal blue circle, with white diagonal cross, with dark green background and golden lantern with white flame on top of cross, with the word "Morongo" written on blue scroll at the base. education, school, morongo, geelong, girls, boarding, presbyterian, uniting, history, badges, private-girls-school, 1920-1994, kindergarten-year-12, sint-lucernae-ardentes, lucy shaw, gertrude pratt, dulcie brookshaw -
Bendigo Historical Society Inc.
Photograph - GREAT EXTENDED HUSTLERS MINE - PHOTOGRAPH OF STANFIELD LEGS
Black & white photograph of Stanfield Legs at the Golden Carshalton Mine and was later at Wattle Gully. Photograph shows the legs on a hill top with some bushes and grass. Cross braces on legs have a circular plate where the braces cross.mine, gold, great extended hustlers., great extended hustlers mine, photograph stanfield legs, wattle gully -
Hellenic Museum
Biconical Amphora, 750 - 600 BCE
Cypriot Bichrome Ware from the Cypro-Archaic PeriodWide mouth, the lip with black lines extending to shoulder, above twin vertical strap loop handles painted with crossed lines, and a frieze of alternating red and black crossed staffs and concentric circles between, encircling bands below. cypriot -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, c1918
Yields information about the form and style of the early Geelong trams and how they were used with trailers for football matches.Black and white photograph, printed onto card (inkjet printer?) of Geelong Cross bench tram No. 3, in the Geelong Depot yard, decorated with Australian flags and a "Help + Funds" = Red Cross during First World War. C1918?"Geelong Hist Soc / William Scott Collection." in ink.trams, tramways, geelong, depot, red cross, world war 1, tram 3 -
Bendigo Historical Society Inc.
Badge - Red Cross Voluntary Worker Badge numbered
BHS CollectionWhite Badge Blue outer writing Red Cross Voluntary Worker Badges Numbered 6425 9700 9071x2 9707 with number Inner circle red cross Back has metal pin attachment. Circle 4.5 circumference.badges, pins -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth Carriage Museum IV, c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'worth / Marcuse Reverse: B6 / Beechworth Nostalgia / BW - 07 (crossed out)ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Greensborough Historical Society
Map, Banyule City, September 1996
City of Banyule map, including clubs, leisure, cultural & heritage facilities and other features.Colour map, street index on verso.city of banyule, maps -
Federation University Historical Collection
Booklet, 2013 Victorian Indigenous Honour Roll, 2013
Valmai Heap was a one time cultural heritage officer with the Ballarat and District Aboriginal Cooperative.Soft covered booklet with information on the inductees to the Victorian Indigenous Honour Roll.victorian indigenous honour roll, aborigines, margaret tucher, harold blair, albert mullett, hyluss maris, fay carter, lovett brothers, laura bell, hebert austin, jock austin, beryl booth, valmai heap, jeanette powell, alfred lovett, leonatd lovett, frederick lovett, herbert lovett, edward lovett, ballarat and district aboriginal co-operative ltd -
Ballarat Tramway Museum
Slide - 35mm slide/s set of 7, Noel Simons, 29 Feb. 1972
Set of 7 transparencies taken on 29/2/1972 on Kodak mounts. 1208.1 - Bendigo 18 (en route to Quarry Hill) and 2 (Eaglehawk) in the early morning at Charing cross with the Alexandra fountain and the Fountain Plaza building in the background. 1208.2 - No. 2 descending View St. Photo taken after tram has passed the photographer. 1208.3 - as for 1208.2 at Mackenzie St. intersection 1208.4 - No. 26 ascending View St. with the ANZ bank, T& G in the background. 1208.5 - as for 1208.4, but at Mackenzie St. intersection. Photo taken after tram has passed the photographer. 1208.6 - No. 18 in View St. seen from the lookout tower in Rosalind Park. 1208.7 - No. 7 en route to North Bendigo in Nolan St. Photographed across the Centenary Oval.Information written on in blue ink and date stamped on purple ink. 1208.1 - "Nos. 18 and 2 in the early morning sun at Charing Cross." 1208.2 - "No. 2 descending View St. towards Charing Cross." 1208.3 - "No. 2 in View St. passing Mackenzie St." 1208.4 - "No. 26 in View St. just after leaving Charing Cross." 1208.5 - "No. 26 climbing View St. past Mackenzie St." 1208.6 - "No. 18 climbing View St. seen from lookout tower in Rosalind Park." 1208.7 - "No. 7 in Nolan St. heading towards North Bendigo. / Last picture of a Bendigo tram."tramways, trams, bendigo, charing cross, view st., nolan st., tram 2, tram 7, tram 18, tram 26 -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, 1915
William GUEST No 2756 enlisted on 15.9.1915 in the 8th Reinforcements 14th Batt AIF aged 25 years. Embarked for Egypt 15.9.1915. Embarked & joined unit Gallipoli 13.11.1915. Embarked for France 1.6.1916. He was wounded & captured by the Germans & died of wounds whilst in their hands in Feldlazarett 255 Bugnicourt France.Postcard photo, sepia, showing a soldier in uniform sitting legs crossed holding a crop. On rear: Hand written letter in black ink. “Mrs J Cotter Russell St Quarry Hill Bendigo” Zeitoun Egypt 1.11.15” “Dear Jess, Just a card to let you see that I am still alive by wishing you & family a Merry Christmas and a Happy New Year from your old pal. W Guest” photograph, 8th, dow -
Bendigo Military Museum
Award - MEDAL
Japanese Medal, Member of the Empire Red Cross, Meiji era with lapel rosettes and box.numismatics - medals, societies - red cross, japan -
Flagstaff Hill Maritime Museum and Village
Book, The Noughts and Crosses
This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Noughts and Crosses Author: Lilian Turner Publisher: Ward Lock & Co Date: 1917Label on spine cover with typed text PAT FIC TUR Pastedown front endpaper has sticker from Warrnambool Children's Library covered by a sticker from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, the noughts and crosses, lilian turner -
Seaworks Maritime Museum
Crest
Large Melbourne Harbor Trust crest featuring shield with Southern Cross flanked by seahorses"Prosperity Through Service" -
Seaworks Maritime Museum
Plaque, HMA Naval Dockyard Williamstown
Painted wooden plaque featuring anchor and crossed flags on blue background with gold outline "H.M.A Naval Dockyard Williamstown/ Deeds not words" -
Phillip Island and District Historical Society Inc.
Photographs, The Road to The Nobbies, Phillip Island
Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Black & White Postcard. View of the Nobbies Road with horse and trap about to cross bridge.The Rose Series No. 3427. The Road to The Nobbies, Cowes, Phillip Island, Victorialocal history, photography, photographs, postcards, black & white postcard copy, the nobbies, nobbies road, phillip island -
Glenelg Shire Council Cultural Collection
Document - Document - Photographic copy, n.d
Port of Portland Authority Archives