Showing 15073 items
matching gordon-brown
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Bendigo Art Gallery
Ceramic, UNKNOWN, (pair of tall vases), circa 1855
Mark on base, brush and brown underglaze colour "(Japanese character)". -
Federation University Historical Collection
Book, F. Pinkerton, Catalogue of the Library of the Ballaarat Mechanics' Instititute, 1886
The collection of the Ballaarat Mechanics' Institute is on the Heritage Victoria RegisterGreen covered booklet of 272 pagesWritten in Front 'Brown Hill Buninyong 17 Feb 1889'library, ballarat mechanics institute, books, buninyong, baallarat mechanics' institute -
Kilmore Historical Society
Work on paper, Illustrator H.G. Theaker, ARABIAN NIGHTS STORIES, 1934
Arabian Nights stories for childrenBlue cloth spine printed with title, author & publisher details. Spine worn, torn at upper extremities, cover worn at at extremities. Binding intact but cover starting to separate. Pen markings on front & rear covers. Pages yellowed, foxing to rear & front pages. Illustrated. 156pp. Poor condition.fictionArabian Nights stories for childrenchildren, fairytales -
Wangaratta RSL Sub Branch
Sewing Kit
Second War World Khaki cotton drill roll up sewing kit, also known as a housewife. The kit is incomplete except for two wads of khaki colour thread.Sewing kit made from Khaki cotton with bound edging.Pouch has two internal pockets with press studs and cloth ties at one end. Initials or crest in dark brown cotton stitched on front of itemwwii, world war 2, army, australian army, sewing kit, housewife -
The Beechworth Burke Museum
Animal specimen - Powerful Owl, Trustees of the Australian Museum, 1860- 1880
The Powerful owl is native to south-eastern and eastern Australia and is the largest owl on the continent. It is found in coastal areas and in the Great Dividing Range rarely more than 200 km (120 mi) inland. An apex predator in its narrow distribution, the Powerful owl is often an opportunist like most predators, but generally hunts arboreal mammals, in particular small to medium-sized marsupials. It is a typically territorial raptorial bird that maintains a large home range and has long intervals between egg-laying and hatching of clutches. Unlike most raptorial birds, male Powerful owls are larger and stronger than females and so the male takes the dominant position in the mating pair, which extends to food distribution. This example of a Powerful Owl show lighter brown coloured feathers and slight discolouration. The Powerful Owl has darker colourings and whiter feathers in real life. This example also show discolouration in the feet and they are brighter yellow in colour in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th centuryThis Powerful Owl has medium brown to dark grey-brown above, with white barring, and off-white front. The glass eyes are yellow, set in a dark grey/brown facial mask. The legs are feathered with yellow feet and talons. The specimen stands upon a wooden platform and has no identification tags attached. Swing-tag: n/a Metal tag: n/a Mount: no markings taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, powerful owl -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''NEW SONG IN AN OLD LAND''
Book. ALEC H CHISHOLM COLLECTION. 105 page hardcover book of Australian verse by various poets chosen by Rex Ingamells. Published in 1943 by Longmans, Green & Co. for the Jindyworobak Club. Printed by Brown, Prior, Anderson Pty Ltd, Melbourne. Catalogue sticker ''2057 ING'' on spine. Poets featured include - Mary Gilmore, Dorothea MacKellar, A. B. Paterson, Henry Lawson, Adam Lindsay Gordon.Variousbooks, collections, poetry, alec h chisholm collection, australian poets, poetry -
Eltham District Historical Society Inc
Photograph, George Coop, A day in Melbourne, the Hotel Windsor, Spring Street, November 1962, 1962
Viewed from Gordon Reserve adjacent to Parliament House. The Gordon Fountain in foreground.Digital TIFF file Scan of 35mm Ilford FP3 black and white transparencygordon fountain, gordon reserve, hotel windsor, melbourne, parliament house, spring street -
The Beechworth Burke Museum
Animal specimen - Little Friarbird, Trustees of the Australian Museum, 1860-1880
The Little Friarbird is a migrational bird, moving between northern Australia and the New South Wales/Victoria border in the spring and autumn times. It is primarily found near in forests and near water: rivers, wetlands. They eat nectar, bugs, fruit and seeds. They form monogamous pairs and nest close to water. They are not a threatened species. The Little Friarbird has a brown head, back, wings and tail. Its chest is light brown. Its legs, beak and face are dark grey. It has bright blue patches on its cheeks under the eyes. This specimen does not accurately match how the Little Friarbird looks because the specimen has lost clumps of feathers on its chest, neck and face. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century This Little Friarbird has blue patches on its cheeks, brown head, back and tail. The front and neck are a light brown. Its back is grey. It has serious pest damage to the back of its neck, which has no feathers. Above its eyes shows early signs of pest damage. The front of the bird has ruffled patches of feathers. It stands on a dark wooden stand. It has an identification tag hanging from its left leg. Label: 61a/ Blue faced Honey Eater / See catalogue page 19 taxidermy mount, taxidermy, burke museum, beechworth, little friarbird, australian bird -
The Beechworth Burke Museum
Animal specimen - White-Throated Treecreeper, Trustees of the Australian Museum, 1860-1880
The White-throated Treecreeper is a commonly small bird of the Climacteridae family, that has a loud, piping, whistle-like call. Living in permanent territories and rarely seen on the ground, this species is found in forested areas of south-east and southern mainland Australia. The name tree-creeper comes from their foraging patterns, in which they spiral up the trunk of trees (usually eucalypts for their preferrable rough bark) head-first, probing for ants or nectar with their long, curved beak.The females are distinct from males through orange marks on the sides of their face. The colour of these specimens differ from white-throated tree-creepers, whose plummage on the head and back is usually a dark gray-brown. The beaks of these specimens are also an orange-brown colour whereas these birds usually have a black beak. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This mount includes two White-throated treecreepers secured on a stick, one above the other. The top specimen is female, distinguished by a distinctive orange mark on the sides of its face underneath the eyes. Both specimens have white throat, chest and streaks on the flank. The top of the head and back are both a brown to dark-brown colour, with streaks of those colours on the flank as well. The stick and specimens are mounted on a wooden platform and a swing tag is secured around a part of the stick.Swing tag: 67a. / White-throated treecreeper / See catalogue, page 20 / Wooden Mount: 85taxidermy mount, taxidermy, burke museum, beechworth, bird, treecreeper, australian birds, white-throated, white-throated treecreeper, reynell eveleigh johns -
Stawell Historical Society Inc
Archive, Stawell Agricultural Society – Section Entries and Prize Winners Stawell Show 1924, 1924
Brown Cover - Brown Binding Minute Bookstawell -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - Mess dress
Colour photograph of Majors Gordon Cole and Ian Docking of 8/13 Victorian Mounted Rifles in mess dress at a dinner at Buna Barracks Albury 9 November 1991.military, dinner, vmr, officers, uniform, cole, docking, albury -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - Baines, Docking, Cole
The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Colour photograph of Majors John Baines, Ian Docking and Gordon Cole all of 8/13 Victorian Mounted Rifles at Dinner at Buna Barracks 25 May 1991cole, baines, dinner, docking, vmr -
Bendigo Military Museum
Document, Post WW2
Refer also to Cat No 3551.3.Gordon TILL's personal service history as a Signaller in 1/8 Battalion Royal Warwickshire Regiment WWI & 1st Mobile Coy, Australian Forces WWII. 36 pages.document, service, both wars -
Ringwood and District Historical Society
Badge, Ringwood Rifle Club embroided motif
Black pocket with gold and red embroidered motif with 'Rifle Club Ringwood' within scrolls. Crossed rifles on white square and crown above. +Additional Keywords: Harkin, Gordon -
Ringwood and District Historical Society
Letter, Results of East Ringwood Progress Association Community Fair Junior Art Competition 1960
East Ringwood Progress Association Community Fair Junior Art Competition results in 1960. Winners were Lyn Gordon, Helen Buchanan, Christine Tripovich and Y Peters. -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Honour Board - The Gordon Club Shield, honour shield
contains the name of the most improved member of the Pipes and DrumsThe Gordon Club Shield, its for the most improved member of the Pipes & Drums, it contains 17 mini shield. It contains award winner of 1994 and award winners after 2018 -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1995
Other number 03692.2Black and white photograph of Greg Fenner, Gordon Whalan and Liz O'Donnell at doorway of East End Hardware, now trading as Home Timber and Hardware Lakes Entrance Victoriabusinesses -
Bendigo Historical Society Inc.
Photograph - COLOUR PHOTO OF ALEXANDRA FOUNTAIN: VIEW STREET, BENDIGO, c2001
Colour photo of Alexandra Fountain, View Street, Bendigo - taken April 2001 - looking north to View Street - source Gordon & Wendy Willa, Deakin St LockingtonWendy Willaphotograph, streetscape, bendigo, alexandra fountain , view street , bendigo -
Bendigo Historical Society Inc.
Map - BENDIGO WEEROONA GASWORKS MAP/PLAN COLLECTION: CROWN ALLOTMENTS 13/14, 1942
Map: crown allotments 13 and 14, Sec. E. City of Bendigo, Parish of Sandhurst. Shows site of Bendigo Gasworks. Prepared by Garnel Gordon Birch Surveyor, 12.6.1942map, bendigo, bendigo weeroona gas works, bendigo, gasworks, gas company, plans -
Blacksmith's Cottage and Forge
Cake Stand, Beginning of the 20th Century
This cake stand was hand turned from osage orange wood. The wood was sourced from a grove of osage orange trees in the Fisken/Taverner Street area. This grove was planted by Mr A C Simon, an orchardist, who brought the seeds from North America in the 1860's to create a protective hedge for his plants The wood from these plants produces a beautiful toned affect of dark brown and yellow/orange when turned and polished. The significance of this cake stand is that it has been carved from the osage orange which grows well in Bacchus Marsh although originated in America. Mr Simon made many items from this wood. This gives it local significance.This polished wooden stand would have been used for cake to be displayed It consists of a round 'plate' of wood as the top, with a fine narrow turned wood pedestal and a round base. The stand is made of osage orange giving it the unique tones of dark brown and orange wood.turned wood, osage orange, food stand, food display, brown orange wood, wooden, cake stand, parlour item, table centre piece, polished wood, ornamental stand -
Nillumbik Shire Council
Clay: Leanne Mooney, Leanne Mooney, Tiles from the Boomerang Studio, 2002
'Tiles from the Boomerang Studio' is a prototype of the work 'Year 2052', created while Mooney was an Artist in Resident at Laughing Waters in the Boomerang studio in 2002. Records of flora were collected in and around the Gordon Ford garden in Laughing Waters Road. The work 'Year 2052' is made up of '77' tiles and was acquired by Geelong (Regional) Art Gallery in 2003. Whilst working at the Boomerang studio, local based artist Mooney noticed that “a battle raged in the bush between non-indigenous plants and indigenous plants”. She also noticed how humans “invade” land, changing the surrounding environment and causing irreversible damage. This work is an interpretation of the fragility and value of Nillumbik’s indigenous flora and of its conflict with introduced species. The title of the work (Year 2052) and look of these ‘fossilised specimens’ asks viewers to cast themselves into the future and to look back at today. “These tiles have been found; an incomplete record of flora collected in and around the Gordon Ford garden in Laughing Waters Road. The tiles appear to have been made at the beginning of the millennium. The viewer is asked to contemplate which species are missing”. Mooney works with collected indigenous items to emphasis the beauty of their natural shapes, while at the same time introducing selected materials of contrast or sympathy. Her work creates a great sense of “stillness and peace, of simplicity and connection with the natural world as well at the vanishing Australian bush.”This work is made up of seven handbuilt earthenware oval/round clay 'tiles' - (eight pieces - with one tile intentionally broken), brown in colour and bisque and blackware fired, giving a matt black ash coating on each of the tiles' surface. Each tile has an imprint of a floral specimen indigenous to the Laughing Waters area in Eltham. Each tile has an imprint of the following specimens: tiles, earthenware, flora, indigenous, bisque, boomerang, ford, laughing waters -
Phillip Island and District Historical Society Inc.
Framed Certificate, 27-02-1921
As written on CertificateFramed Bravery Award to Arnie Brown from grateful recipients he'd saved from drowning. Illuminated hand painted in water colours and gold. Signed by Robert Anderson and James Douglas.Presented to Mr Arnie Brown as a token of grateful thankfulness and appreciation of his prompt action in rescuing us from drowning when the dinghy was upset at Cowes, Phillip Island, Western Port Bay, 27th February, 1921. Mr. James Douglas. Mr. Robert Anderson. [signed] Robert Anderson J. Douglaslocal history, documents, certificates, certificate, bravery award -
Melbourne Legacy
Photograph - Photo, Legacy Camp Yea, 1928
Photograph made into a postcard of a group of people at Legacy Camp Yea in approx 1928. Seven men and 28 boys. Legacy has provided camps and outings for junior legatees for many years. A photo showing Legatees and boys attending a camp in late 1920s.Black and white photo a camp on a postcard."POST CARD" printed in Black ink. "Legacy Camp Yea 1928-30? Received from Josie Brown (sister of Alec and Ted Brown from Central Class?" in pencil on reverse. Legacy Camp Yea 1928-30? received from Josie Brown sister of Alec and Ted Brown from Central Class" in black ink. "D.S. Lee Yea" in black ink.camp, junior legatee outing -
Tarnagulla History Archive
Research file: Photocopies of financial records relating to New Yorkshire Mining Co
David Gordon Collection. File compiled by David Gordon. Copied from records held at PROV.. -
Tarnagulla History Archive
Copy photos: Pioneers
David Gordon Collection. David Gordon arranged for making of copies from the original and compiled this folder. Black plastic A3 display folder containing copy prints (colour photocopies) of the individual portraits of Tarnagulla Pioneers from the large framed collage hanging in the Victoria Theatre. -
Ballarat RSL Sub-Branch Inc.
War Medal 1939-1945
This object relates to John GORDON. He was born on 18/02/1870. John enlised on, 01/12/1914 in Carlton before being discharged from duties with the AAMC on 22/03/1919. John GORDON was not a prisoner of war. His next of kin is Ada GORDON (wife). John Gordon was awarded the British War Medal.first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat -
Rutherglen Historical Society
Photograph - Image, 1930-1931 (Approximate)
Donated by Mrs Lockwood, Bonnie, formerly HamiltonBlack & white reproduction, unframed. Group of eight people & a dog taken in front of McKay's Hotel, Main St. Rutherglen (at this time hotel is known as "Poachers Paradise". Man on doorstep unknown.)Written on back of photo: "In front of Rutherglen Hotel owned by Emily McKay. L to R Bonnie Hamilton (Lockwood) Ida McKay (Lawson) Amy Hamilton (nee Barrass) Emily McKay, Norman Glen Hamilton, Alma Gordon (nee McKay) George Gordon"emily mckay, bonnie hamilton, bonnie lockwood, ida mckay, ida lawson, amy hamilton, amy barras, norman glen hamilton, norman hamilton, alma gordon, alma mckay, george gordon, rutherglen hotel, poachers paradise hotel -
Ringwood and District Historical Society
Photograph, Crowning of Queen at first ball for Maroondah Hospital
Catalogue card reads, 'Crowning of Queen at first ball for Maroondah Hospital. Queen - Miss Barbara Gordon'. [no date]. -
Warrnambool RSL Sub Branch
Book, LONDON GOES TO WAR 1939
Hardback with dust cover Author Gordon Bromley Publisher Michael Joseph Ltd London 1974 ISBN 0 7181 1140 0 -
Lilydale RSL Sub Branch
Print - Framed Print, Spitfires over London
Framed print of painting by John Young entitled "Spitfires over London" showing three Spitfires flying over London with Tower Bridge in the background.Inscribed plaque reads " SPITFIRES OVER LONDON BY JOHN YOUNG PRESENTED TO LILYDALE RSL BY GORDON ANDERSON 1997.