This house in Carnon Street Greensborough was the home of Jessie Partington. It was demolished around 2005 for a block of units.Digital copy of black and white photograph.jessie may partington, jessie angus, jessie scholes, carnon street

House dates back to early 1930s. Situated adjacent to intersection of Main Road and Fitzsimons LaneBorn Digitaleltham, streets, main road, fitzsimons lane

House dates back to early 1930s. Situated adjacent to intersection of Main Road and Fitzsimons LaneBorn Digitaleltham, streets, main road, fitzsimons lane

House dates back to early 1930s. Situated adjacent to intersection of Main Road and Fitzsimons LaneBorn Digitaleltham, streets, main road, fitzsimons lane

House dates back to early 1930s. Situated adjacent to intersection of Main Road and Fitzsimons LaneBorn Digitaleltham, streets, main road, fitzsimons lane

House dates back to early 1930s. Situated adjacent to intersection of Main Road and Fitzsimons LaneBorn Digitaleltham, streets, main road, fitzsimons lane

House dates back to early 1930s. Situated adjacent to intersection of Main Road and Fitzsimons LaneBorn Digitaleltham, streets, main road, fitzsimons lane

House dates back to early 1930s. Situated adjacent to intersection of Main Road and Fitzsimons LaneBorn Digitaleltham, streets, main road, fitzsimons lane

House dates back to early 1930s. Situated adjacent to intersection of Main Road and Fitzsimons LaneBorn Digitaleltham, streets, main road, fitzsimons lane

House dates back to early 1930s. Situated adjacent to intersection of Main Road and Fitzsimons LaneBorn Digitaleltham, streets, main road, fitzsimons lane

House dates back to early 1930s. Situated adjacent to intersection of Main Road and Fitzsimons LaneBorn Digitaleltham, streets, main road, fitzsimons lane

House dates back to early 1930s. Situated adjacent to intersection of Main Road and Fitzsimons LaneBorn Digitaleltham, streets, main road, fitzsimons lane

House dates back to early 1930s. Situated adjacent to intersection of Main Road and Fitzsimons LaneBorn Digitaleltham, streets, main road, fitzsimons lane

Stawell Croquet Club House 1940-41 Sloane Street Stawell beside Drill Hall. stawell sport

Cuthbert House was located on Mair Street. It became the Church of England Girls Grammar School (CEGGS).cuthbert house, building, public, church of england girls grammar school, people

The house is located in Victoria Street. It was formerly the Presbyterian Manse and is now property of the Sisters of Mercy Convent.patrician house, victoria street, building, public, sisters of mercy

Students at a House Sports Day, 2000. Please contact [email protected] to request access to this record.event, herzl

Salinger's House Great Western. Front on View from road shows Winery and Shed. 1959stawell

Police Superintendents House Stawell West Corner of Griffin Street and Leslie Street with snow 1949stawell

Police Superintendents House Stawell West Corner of Griffin Street and Leslie Street with snow 1949stawell

Three Colour Photo of Police House Stawell West Corner of Griffin Street and Leslie Streetstawell

Scenes from Big Hill 1920’s shows rear of Court House in Patrick Streetstawell

Portrait of young Lady dressed u and with hat and gloves standing beside house gate c1910stawell

Royal Exchange Hotel without Verandah. Patrick Street Stawell near Court House. C1970stawell

The Digby Family on the front verandah of their home Sommerset House 21 Albert Street Port FairyBlack and white photographcottage, building, home, house

Originally built in the 1850s by Charles Souter from earth excavated from his property. It was a forerunner for a building style that was later to be synonymous with Eltham. The house is historically significant as the oldest mud brick building in the Shire of Nillumbik, as one of less than half a dozen buildings from the 1850s that survive in the Shire. It underwent several additions and alterations between c.1950s-1980s. It is also significant for its associations with Mervyn Skipper from the well-known Eltham family who was one of the founders of the artist's colony at Montsalvat. The house is architecturally significant because its north section was designed by the noted 'Eltham-style' architect, Alistair Knox, and the two long Oregon beams supporting the main floor were added by the noted 'Eltham-style' builder, Horrie Judd who built the southern room. A onetime tenant in the house, Judd built many Eltham houses and was a major builder of Montsalvat. The 1934 flood destroyed the south wall and the house remained unoccupied for some time. Sonia Skipper, one of Montsalvat’s builders who also worked for Alistair Knox oversaw rebuilding it. She employed landscape designer Gordon Ford, artist Peter Glass and Tim Burstall. The house originally had a cellar for making and storing wine, reputedly the first made in the district according to Alistair Knox in his book ‘We are what we stand on’ (p33). Water would seep into the cellar so Sonia’s father and then owner of the house, Mervyn Skipper bulldozed a channel outside to divert it. The Brocksopp family purchased the house in 1950 and added an outside door to the cellar and converted it into a gallery. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p51This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, falkiner street, mud brick building, mudbrick houses, souter house

The magazine was started in 1933 by Frank Packer as a weekly publication. The first editor was George Warnecke and the initial dummy was laid out by WEP (William Edwin Pidgeon) who went on to do many famous covers over the next 25 years. It is the most widely read magazine in the history of Australian publishing. During wartime despite printing restrictions, and it began publishing coloured photographic covers.This is an example of anAustralian women's magazine published during WW11.It gives practical advice on needlework / knitting and evidences the widespread interest in contemporary fashion. In doing so it shows what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests.A 32 pp magazine, titled The Australian Women's Weekly. On the front cover is a coloured drawing of a man and a woman sitting under a tree. The woman is pouring tea from a billy into the tin cup held by the man. A tethered horse is grazing to their right and a small brown and white dog is in the foreground. This illustration is signed WEP (William Edwin Pidgeon). The magazine contains advertisements, stories and recipes.The special 4 page peace supplement is missing from the centre.In handrwitten pencil on the front cover - Gibbs.australian-women's-weekly magazine-ww11