Fine Cotton Crochet Yoke. Square necked yoke for dress or nightdress. White crochet. Four petal flower leaf design. Mrs M Brame.stawell clothing material

Black & white photographnillumbik, diamond creek, horticultural show

Black & white photographnillumbik, diamond creek, horticultural show, four-wheeled carriage

PEOPLE DRESSED IN VARIOUS OUTFITS ATTENDING A FUNCTIONBLACK AND WHITE PHOTOGRAPH MOUNTED ON BROWN MAT BOARD, FANCY DRESS BALL.local history, photography, photographs, events and celebrations, fancy dress ball

IDENTITY UNKNOWN - DARK HAIRED LADY DRESSED IN FULL LENGTH WHITE/CREAM EVENING FROCK. WITH FEATHER BOA.ORIGINAL PHOTOGRAPH POSTCARD OF LADY FORMALLY DRESSED IN FULL LENGTH GOWN AND FEATHER BOA.DEC 1908 VICTA STUDIO CLUNES.local history, photography, photographs, costumes. female

ORIGINAL PHOTOGRAPH OF YOUNG LAD, DRESSED IN THE SUIT OF THE DAY, WHITE COLLAR - FOB WATCH CHAIN, LEANING AGAINST A BALUSTRADE.local history, photography, photographs, costumes - male child

BLACK & WHITE STUDIO PHOTOGRAPH OF A MAN DRESSED AS A SWAGGIE HOLDING HIS SWAGWITH COMPLIMENTS FROM HARD TIMES 1916 J. HORNBYlocal history, document, postcard, crick, shrigley, mc lennan & lazarus

THOMAS McINTOSH EMIGRATED FROM INVERNESS, SCOTLAND WITH HIS SISTER ELIZABETH AND COUSIN DONALD CAMERON FOUNDER OF CLUNES. THEY DROVE SHEEP TO VICTORIA FROM SYDNEY.BLACK AND WHITE PHOTOGRAPH COPY THOMAS McINTOSH IN HIGHLAND DRESS PLAYING HIS BAGPIPES.local history, photography, photographs, mcintosh, robbins, pickford, donald cameron

PHOTOGRAPH TAKEN DURING A BACK TO CLUNES.BLACK AND WHITE SNAPSHOT OF TWO PEOPLE DRESSED AS SWAGMEN -WITH OLD CLOTHES, SWAGS AND BILLIES. LUFFS CORNER STORE IN BACKGROUND.photography, events and celebrations, back to clunes

BLACK AND WHITE PHOTOGRAPH MOUNTED ON FIRM CARDBOARD OF YOUNG MAN FORMALLY DRESSED IN THREE PIECE SUITVAGUE? ON REVERSE SIDE OF PHOTOGRAPH . MIFS PALMER. BROWN BEAD 2 @ 2/- 1 @ 1/6 HAIR? FRIDAY NIGHTlocal history, photography, photograph, local personalities

GATHERING OF MEN AND WOMEN BEING PHOTOGRAPHED IN CLUNES TOWN HALL.BLACK AND WHITE PHOTOGRAPH MOUNTED ON GREEN MAT BOARD OF GROUP OF PEOPLE IN FRONT OF STAGE AT CLUNES TOWN HALL, LADIES AND GENTLEMEN DRESSED IN THEIR BEST CLOTHES. AUSTRALIAN COAT OF ARMS DISPLAYED. STAGE SWATHED IN OLD LACE AND MATERIAL CURTAINS.On Front: Hornby Clunesphotography, photographs, events and celebrations, town hall, advance australia

PHOTOGRAPH TAKEN AT BACK TO CLUNES..1 ORIGINAL BLACK AND WHITE PHOTOGRAPH. GREY MOUNTING. BACK TO CLUNES. PEOPLE WEARING FANCY DRESS COSTUME. 1920. .2 ORIGINAL BLACK AND WHITE PHOTOGRAPH. GREY MOUNTING. BACK TO CLUNES. PEOPLE WEARING FANCY DRESS COSTUME. 1920..1 On Front BACK TO CLUNES 1920. .2 On Front; BACK TO CLUNES 1920 On Reverse; Handwritten in pencil Back to Clunes 1920photographs, events and celebrations, back to clunes, back to clunes 1920

CELEBRATING CORONATION OF KING GEORGE V 1911. UNION JACK FLYING ON FLAG POLE. AUSTRALIAN FLAG ON TOWN HALL. POST OFFICE IN BACKGROUND.1 ORIGINAL BLACK AND WHITE PHOTOGRAPH MOUNTED ON CARDBOARD, CROWD SCENE IN FRONT OF CLUNES TOWN HALL, BAILEY STREET. .2 BLACK AND WHITE COPY OF ORIGINAL PRINTED ON MATTE PHOTOGRAPHIC PAPER .3 BLACK AND WHITE REPRODUCTION OF ORIGINAL PRINTED ON GLOSS PHOTOGRAPHIC PAPEROn Front; Handwritten in black biro "Coronation of George V June 1911" On Back; Sir Alexander Peacock in dress & withplumed hat is on the dais at front of hall A.J. (Pakeha) Kemson is just at near of Sir Alex, Phil Rowe is next. J. F. Weickhardt in light hat near pillar at rightevents and celebrations, coronation, king george

GOLF CLUB ASSOCIATES DRESSED AS SEVEN DWARFS IN BACK TO CLUNES PROCESSION TRAVELING ON TRAY OF TRUCK.BLACK & WHITE PHOTOGRAPH CLUNES GOLF CLUB ASSOCIATES ON TRAY OF FARM TRUCK REPRESENTING SEVEN DWARFS.local history, photography, photographs, events and celebrations, back to clunes.

BLACK & WHITE PHOTOGRAPH OF A YOUNG LADY DRESSED IN LONG DARK FROCK LARGE HAT, GLOVES AND SILVER FOX CAPE. STANDING IN FRONT OF BASHY TREE. PHOTOGRAPH MOUNTED ON STRONG DARK GREEN CARDBOARD.local history, photography, photographs, unidentified photograph

BLACK AND WHITE PHOTOGRAPH YOUNG GIRL IN FANCY DRESS DURING A STREET PARADElocal history, photography, photographs, events and celebrations

James Tissot is most famous for his artwork that depicts the European bourgeois society of the late 19th century. This societal period is often referred to as La Belle Époque, where affluent bourgeoisie living created a complicated mode of manners and dress. This subject matter used in his art made Tissot popular with the bourgeois society, however it made him unpopular with critics who deemed his works as of loose morals due to his subject matter. Tissot’s art style of Realism also put him at odds with his fellow artists and friends such as Degas and Manet who were greats of the European Impressionist movement. This print was made using the printmaking technique of etching, which allowed Tissot to make multiply prints of a particular artwork to sell on mass at a more affordable price to the general population who wished to emulate the bourgeoisie lifestyle of the wealthy.RealismRural City of Wangaratta Collection, Purchased with funds from the Wangaratta Art CouncilA rectangular portrait etching of a 19th century European young lady dressed in her best attire seated in a fashionable manner, printed in black ink on white paper. Obverse: J J Tissot/ 1883 (Artist's signature and date - located in the bottom right corner of the print)james tissot, 19th century, print, etching, portrait, tissot, wangaratta art gallery

This bowl is part of a series completed in 1994 on the subject of the sin of 'Vanity' / A smug looking woman flirts coquettishly with a manservant who helps her to put on her shoes / The people depicted on the bowl are dressed in 18th century costumes / The court of Marie Antoinette of France is evoked / The blue and white drawing is in the style of 18th century woodblock prints and was drawn freehand / The bowl is signed and dated on the base / The technique is traditional tin glaze (majolica, maiolica or delft) / Coloured oxides were painted onto a clear glaze which had been opacified with tin oxide, and then fired at 900 degrees / The bowl was exhibited at Christine Abrahams Gallery, Melbourne in 1994 / A bowl from the 'Vanity' series is held in the Collection of the Queen Victoria Museum and Art Gallery in Launceston, Tasmania. Copeland's parents are John and Betty Hipwell, one of the founding members of Potters Cottage (an influential ceramic collective that grew out of Nillumbik) / Copeland grew up surrounded by this artform. Reg Preston (another founding member of Potter's Cottage) introduced her to the Majolica technique which has influenced her ceramic work to this day / This bowl is characteristic of Copeland's speciality and mastery of the Majolica technique. This bowl is hand painted with an image of a couple flirting (man-left side and woman-centre) in 18th century French dress / Decorative circle and polka dot pattern along the rim and underside of the bowl / The bowl is predominantly painted in cobalt blue and orange colour using the Majolica (maiolica or delft) technique; a traditional tinglaze method of application. Coloured oxides are painted onto a clear glaze which has been opacified with tin oxide / The bowl is then fired at 900 degrees.Underside has in colbalt blue artist signature and date / 'A. Copeland . 1.9.1994'.copeland, earthenware, majolica, potters cottage, vanity, bowl, eighteen century, french, marie antoinette

Photograph of the sons of Emma and James Martin. Fred Martin on Left Joseph Emanuel Martin on right. Black and white photo of two young children. The children are the sons of James & Emma Martin. On the left is Fred Martin on the right is Joseph Emanuel Martin. Both are dressed in formal outfits with a balcony behind them. Left Fred Martin Right Joseph Emanuel ch. of James & Emma (nee Bennett) stawell portrait

Stawell Baptist Church Choir 1897. Twenty one members of the choir are grouped outside the doors of the Baptist Church. Black & white photo of group of people formally dressed outside the Baptist Church. Eight people are seated with thirteen standing behind. U.M. Harris Stawell Baptist Choir 1897.stawell

Cooper Bros Butcher Shop Main Street Stawell (beside ANZ bank) c1920. Photo with two men standing out the front on the verandah. Now the building is occupied by Newtons. Two black and white photos of a butchers shop with two people out the front. One of the men has a butchers apron on the other dress in a suit and hat. Cooper Bros Butchers.stawell business

Stawell Choral Society 1956 on Town Hall stage. Women dressed in evening gowns. Black and White Photograph of a Group of Male and Female Persons, Dressed in evening wear. Taken on a Stagestawell, choral

Hauttley Family MartinB/W. Little Girl sitting on a chaise lounge holding a wicker basket matching cape and dress with cut fringe, wearing white socks, black strapped shoes24 George Street Logo Plymouth Edith Huttley (Martin) mother of Ray, Madge, Lorna. Heath and Bullingham Photographershuttley, martin

HUttleyB/W. Studio Portrait of Wartime Bride in white, Groom in Uniform flanked by seated Bestman in Uniform and seated Brides Maid with short Sleeved dressKeith Donald, Lorna, Jack, Hazel Richhuttley

Stawell Ladies Cricket Team 1908 From Article Published Weekly Times, Sat 20 June 1908, P25Group portrait of ten ladies in matching white blowers with neck ribbon and older lady in darker dress seated at centre holding what appears to be a trophy. Two men at back.STAWELL LADIES CRICKET CLUB : PREMIERS OF THE WIMMERA DISTRICT FRONT ROW from left to right - M. Ross, M. Llewellyn SECOND ROW - J. Hawes, E. Heal (capt), Mrs Bush (pres.), Mrs Proctor, Mrs Neilson THIRD ROW - A. Lugar, E. Llewellyn, H. Hartley, H. Llewellyn, R. Heal MESSRS C. Proctor (scorer) W. Maddocks (umpire)stawell sport

Picnic in the bush. Probably Black Ranges. Church group.Black and White Photograph of a group of people in a bushland setting. Women wearing long dresses with large hats. Photograph cropped.Dear Mert, There's nothing like keeping up appearances so you see I got as near the Parson as possible. How do you do di de do how as you do de do di do etc. is Jimmy living where hes living now or has he gone away. From yours sinc. M the other side. P.S. don't run away with the idea that it was Jack I was edging up to. Forgot your number its late to go over home. stawell

Oval photograph of James Parry blacksmith as older gentleman. James Parry owned General Blacksmith Shoeing Forge in Lower Main St. Stawell. James and his family lived in a house close to the business. Letters 6.9.1994 from grand daughter & 20.11.1995 Gwenyth Parry Peace ( Enquiry file Parry) states grandfather James Parry had a glass eye. The result of some flying sheet from his forge.Black and White Portrait Photograph of James Parry. The photo is in an oval shaped dark rectangular card. He is dressed in a suit, vest and bow tie and has grey hair and beard.Back of photograph, written John (crossed out) James Parry.stawell portrait