Metal button. In the centre is a large cat like animal with the number 14 underneath. At the top is the word India and on the bottom the word Waterloo.bendigo, gold mining, qc binks

Metal button. In the centre is a large cat like animal with the number 14 underneath. At the top is the word India and on the bottom the word Waterloobendigo, gold mining, qc binks

Photograph No. 14. Sepia photograph of view of East end Pall Mall from the Court House. (Two Copies) Nicholas CaireN J Caireplace, landscape view, golden square

Negatives. Harry Biggs Collection. A sheet of negatives of downtown Eaglehawk. There are 14 small photos of shop frontages. 253 written on the front.photograph, streetscape, eaglehawk, harry biggs collection, eaglehawk

Discusses the new brutalism, as a revival of the rebellious spirit of early modern architecture, in the context of Reyner Banham's book "The New Brutalism", with the subtitle ethic and aesthetic. Boyd discusses the arguments of Banham and the new brutalism in the context of the subtitle. It concludes with a code to characterise the modern movement.Original manuscript of an article published in Architectural Review Vol 142, No 845, July 1967. pp. 9–11 and reprinted as ‘El triste fin del Nuevo Brutalismo’ in 'Cuadernos Summa Nueva Vision' (Buenos Aires), No’s 24/25, May 1969, pp. 51-53.Two copies. One typewritten (c/copy) pencil edits Second typewritten (p/copy). Both quarto, 14 pagesle corbusier, reyner banham, smithson, peter and alison smithson, modernism, brutalism, robin boyd, manuscript

THEO HARDEN, FRANK COLLINS & HARRY TOOLE AT THE OPENINGOF THE SUSPENSION BRIDGE OVER CRESWICK CREEK, CLUNES. 14/4/1986local history, photography, photographs, bridges

Brochure for auction of 59 lots in 'Roseview Estate', Blackburn South, 14 March 1959. Agent : Rex Real Estate Agency.Brochure for auction of 59 lots in 'Roseview Estate'auctions, roseview estate, blackburn south, holland road, gissing street, rosen street, constance street, rex real estate agency

North East Victoria District Ambulance Service, Committee of Management. All board members named on photograph.Colour photograph with cream matting in brown frame. One woman and 14 men in two rows - one row of five sitting.PHOTOGRAPHED ON 19 FEBRUARY 1985

Brochure given out to attendees at the launch of the Centenary Torch Relay on 20 April 2022 at the Shrine of Remembrance. It was published to inform reader of Legacy's mission. It was produced by Legacy Australia Inc. A record of the promotional material made to promote the Torch Relay to commemorate the 100th anniversary of Legacy.Colour printed A4 x 14 page booklet about Legacy given out at the launch of the Torch Relay in April 2022.relay, centenary, 100th anniversary

In the early 1980s the firm of Watson, James & Rogers merged with the partnership of Every & Every and became the iconic “Rogers & Every” as known today. The firm is still located on Bull Street. https://rogersevery.com.au/about/Will of Edwin Evans of Elwood St Bendigo bequeathing his estate to his wife Elizabeth Evans. Signed 14 April 1925.Signaturesedwin evans, elizabeth evans

Black and White photograph contained with Reg. Item 1902 - Photo Album from Keith Kings to Les Denmead 1970. Photograph of SEC Ballarat tram No. 17, in Wendouree Parade, adjacent to the Depot. Tram showing destination of "Victoria St". Has on the front panel, adverts for "The Age" newspaper, and "Mutual Homes". Tram fitted with dash canopy lights and stripes, but the white stripe has not been extended under the dash canopy lighting. Photo taken on 28/2/1962. On Agfa paper. Keith Kings No. M(m)(14) Scanning: i - image file, p - presentation file, b - back of photograph.Stamp in top left hand corner and handwritten number with "K.S. Kings No. M(m)(14) Copyright reserved". In blue ink "Ballarat / No. 17 / As converted to 'One-man' operation and fitted with dash lighting / Wendouree Parade at Depot / 28/2/62"trams, tramways, ballarat, depot, wendouree parade, tram 17

Partly completed form or report - Despatch Sheet - A4 printed sheet for Friday 14/10/2006? showing Run, driver number, start place, times in and out. kilometres travelled, class of tram, number, track and with remarks. Yarra Trams. Noted that it was found in Z3 142, which is shown on the sheet. On the rear of the sheet is a ink drawing showing lines to Preston Workshops with 142/Z? on the top right hand corner.In pencil "found in pencil" and date filled in with a ? along the top line.trams, tramways, operations, yarra trams, preston workshops

Allan Quinn obviously needed an identity card to enter Buenos Aires when he visited there as a sailor.A picture is created for what sailors had to do when entering foreign ports on visits and the requirements of local bureaucracies.The card with Allan Charles Quinn identity photograph is labelled: Ficha de identidad - Identity card and is printed in Spanish and in English.Written on it is: Allan Charles Quinn Australian Age 18 years Height 180cm Colour of hair Cendre Colour of eyes Blue Complexion white Nose reg Inside the card is photograph of Allan Quinn and the date of December 14 1946 at Buenos Aires. buenos aires, argentina, allan charles quinn (1928-1990)

This finely crafted skirt has been made at the Fletcher Jones clothing factory. David Fletcher Jones served in World War One and following this had an itinerant hawker's business in the Western District . In 1924 he opened a tailoring shop in Liebig Street, Warrnambool and began to specialise in the production of men's trousers. In 1946 he opened a shop in Melbourne and in 1947 the firm of Fletcher Jones and Staff Pty. Ltd. was registered. In 1948 a clothing factory was opened in Warrnambool and in the 1960s Fletcher Jones shops had extended to other states of Australia and later the merchandise was extended to men's and women's clothing. It was one of the best known businesses in Australia. The Fletcher Jones company was dissolved in 2011. This is a fine example of a Fletcher Jones item of clothing. The Fletcher Jones clothing business was one of the most important businesses ever to have been in Warrnambool and the factory gardens survive as a tourist attraction in Warrnambool.This is a reversible black, grey and white checked woollen, woman's skirt. It is fully pleated on a waist band which can be buttoned either side. There is a zip on the side next to the waist band.THE Two -Way SKIRT by FLETCHER JONES PURE NEW WOOL SIZE 14fletcher jones clothing company, warrnambool industries

Exercise Report on exercise Mapex 78. The exercise was designed to test the Army Survey Regiment in an intensive production phase of 30 days duration.A4 soft covered booklet, printed map of part of the Kimberley region of Western Australia on front and back covers, staple boundTop right hand corner of front cover "File on 788-2-14"royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.A pair of khaki coloured hard shoulder boards stiffed with cardboard inserts. On the underside of each board are two fabric strips for attachment to an epaulette.Stamped on the back of each in white ink: 'SMALL 14/15 1/2'army chaplain, uniform, major thomas b. williams

A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. All we known about J Budd is that he was a tool maker and retailer that operated a business in London between 1832 to 1864. There are many of his tools including decorative moulding planes of all sizes and designs for sale around the world and that his tools in particular moulding planes are well sought after by collectors of vintage tools. A vintage tool made by a known maker, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims etc or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant tool from the early to mid 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item. Moulding Plane J Budd London & No 14 opposite end Stamped J Heath (owner)flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, j budd

Shell for the Cannone da 75/46 C.A. modello 34. This gun fired a 6.5kg shell to an effective range/height 8,500 metres. Australians encountered these weapons in North Africa from 1941 to 1942. Brass shell with cast iron projectile.S M I 14-6-39 L.7 U.T.A.N FIRENZEworld war two, ww2, second world war, italian, north africa, north africa campaign, cannone da 75/46 c.a. modello 34, 75mm anti-aircraft round

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of females in various landscapes. The top half of the work features the ocean, coastline and breaking waves. Super imposed on this are images of: five seagulls; a blue portrait of a female face; and a female torso and head. In the centre of the work a female stands looking towards a house and the ocean in the distance. The lowest section of the work features the image of a female face in a blue and orange rectangle. To the left of her is a twig.Front: 14/16 Bridgewater Bay. Catherine Taylor '83 Back: 42

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of Bentinck Street from foreshore with a female face and top of vehicle in the foreground. The female has red hair and lips, yellow face and blue clothing. The vehicle is red and blue. An extensive patch of grass separates the woman and vehicle from Bentinck Street. The buildings have patches of green, yellow, white and red added. Behind the buildings is a clear light blue sky.Front: 10/14 Kingsley, Gordon & Catherine signature '83 Back: 44

Written on back of photograph, "14/2/87. North west corner of Eastland."

Hardcover w/ Dust JacketTwo corrigendums inside : one accompanies volume 14 the other volume 9biography, dictionary, australian biography, walsh st library

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. House in Zollikon, 1933-1934, Zurich, Switzerland. (Architect: Max Ernst Haefeli .)Zurich / House in Zollikon / M.E.Haefeli / 1933-4 / Encircled 14 (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide