Showing 1646 items
matching churchill island
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Churchill Island Heritage Farm
Domestic object - Mincer, hand operated, c. 1930
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...Cast iron Husqvarna hand mincer with adjustable vice, and removable internal attachment. "HUSQVARNA"amess house -
Churchill Island Heritage Farm
Domestic object - Liqueur Glasses, c. 1932
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...Set of nine mismatching liqueur stem glasses with French-embossed floral designsamess house, sherry glass, liqueur glass -
Churchill Island Heritage Farm
Functional object - Coal Box, c. 1930s
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...Copper coal box on casters with cushion vinyl lid, and rope trimming. Embossed with village scene. (Originally had leather top, but this was replaced by the donor) -
Churchill Island Heritage Farm
Ceramic - Cream Jug, c. 1950
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...This cream jug would have been used to hold cream for table use. This chintz transfer ware was made from 1930 until the 1980’s. The Rose time pattern was introduced in 1931. The Lord Nelson ware was made by Elijah Cotton, ceramic makers of Staffordshire, England.Ornate cream jug with large curved lip and generous handle with scrolling. Lord Nelson Ware, 'Rose time' series with purple and orange roses with green leaves on cream coloured background. Antique design. Matches milk pitcher 0288 china, lord nelson ware, amess house -
Churchill Island Heritage Farm
Ceramic - Pitcher, c. 1950
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...This pitcher (jug) would have been used to hold milk and due to its elaborate design, it was placed on the table. This chintz transfer ware was made from 1930 until the 1980’s. The Rose time pattern was introduced in 1931. The Lord Nelson ware was made by Elijah Cotton, ceramic makers of Staffordshire, England.Ornate fluted milk pitcher with shaped top and lip and scrolled handle. Lord Nelson Ware, 'Rose time' series with purple and orange roses with green leaves on cream coloured background. Antique design. Matches cream jug 0287 On base 'Lord Nelson Ware'china, milk pitcher, lord nelson ware, amess house -
Churchill Island Heritage Farm
Ceramic - Gravy Boat, c. 1910
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...This gravy boat would have been used to serve gravy or sauce, which could be poured over the meats by the diners, at the table. This gravy boat was produced by Pinnox and Unicorn, 'Wedgwood & Co Ltd', which was headed by Enoch Wedgwood, and was based in Tunstall, Stoke-on-Trent, England. This company is often confused with 'Wedgwood' which belonged to Josiah Wedgwood. The printed mark on the bottom of the boat indicates the boat is C1908+Small, rounded white ceramic gravy boat with black geometric, and gold floral pattern around rim. Gold gilt highlights on base and top rim and decorative handle. On base: Crown with 'Wedgwood & Co Ltd" Handpainted: 'v1'china, wedgwood, amess house -
Churchill Island Heritage Farm
Domestic object - Mincer, hand operated, c. 1920s
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...Cast iron Husqvarna hand mincer with adjustable vice, and removable internal attachment. "Husqvarna Sverige" -
Churchill Island Heritage Farm
Furniture - Bed, 19th century
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...Black cast iron four post bed with bronze bedknobs and canopy awning -
Churchill Island Heritage Farm
Ploughman 1875
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...Black and white copy of an artist's drawing showing a man ploughing a field with two horses. One in a series of three. Appears to be a print-out on thin card. Has been cut out along printed lines.Hand written on front: "Ploughman 1875" Artist's signature on front bottom left: "M. Caccianiga."ploughman, historical, farm machinery -
Churchill Island Heritage Farm
McKay Sunshine Harvester 1920
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...Black and White image showing a McKay sunshine harvester being drawn by a team of five horses with a man sitting at the front of the harvester. Appears to be a print-out on thin card. Has been cut out along printed lines.Handwritten on front: "McKay Sunshine Harvester 1920" Artists signature on bottom left "M. Caccianiga"farm machinery, mckay sunshine harvester -
Churchill Island Heritage Farm
Sundercut Stump Jump Plough 1925
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...Black and white drawing printed on thin card showing a Sundercut stump jump plough being worked with a team of six horses. A man sits on the plough, looking at the viewer. Appears to be a print-out on thin card. Has been cut out along printed lines.Handwritten on front bottom: 'Sundercut Stump Jump Plough 1925" Artists' signature under rear wheel on drawing: 'M. Caccianiga"stump jump plough, farm machinery -
Churchill Island Heritage Farm
Print - Print of Samuel Amess
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...Sepia and dark blue print of an old family photograph presumed to be Samuel Amess sitting holding a hat in right hand with a shaved face. -
Churchill Island Heritage Farm
Functional object - Wagon wheel
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...In the late eighteenth century wagon wheels were constructed by wheelwrights using timber felloes, hub and spokes that were held together by an iron outer hoop and iron nave bonds fitted by a blacksmith. The wheels hung from axle arms attached to the shaft of a two-wheeled cart or four-wheeled wagon. Horse-drawn carts and wagons were commonly used to move around people, goods and agricultural materials until the early twentieth century.Wagon wheel with wooden hub, spokes, and wheels, and steel bounded rings.farm machinery, wheel, horse drawn vehicle, wagon -
Churchill Island Heritage Farm
Furniture - Candlestick
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...Georgian era brass candlestick with square pedestal base and bulb-shaped centre. On Left.Nil. -
Churchill Island Heritage Farm
Furniture - Candlestick
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...Georgian era brass candlestick with round base, shaped stem tapered towards the bottom with a flared top. On right.Nil. -
Churchill Island Heritage Farm
Functional object - Pump, c. 1930
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...Farm pumps were used to drain or raise water in a variety of situations. The belt mechanism of this pump was a flat band encircling two pulleys which drove the pump. Belt driven pumps were easy to maintain. They did not need lubrication or collect grime and they did not rust. Their operation was relatively quiet with less vibration, again reducing maintenance. The engine would be powered by kerosene or petrol.Green pump with a white exhaust pipe angled vertically. Mounted on an untreated wooden stand.farm machinery, pump, belt driven -
Churchill Island Heritage Farm
Book, Western Port Pioneers and Preachers by Valda Cole
... Churchill Island Heritage Farm 246 Samuel Amess Drive ... -
Churchill Island Heritage Farm
Clothing - Lace Trim
... Churchill Island Heritage Farm 246 Samuel Amess Drive ...Amess Lace Collection -
Monbulk RSL Sub Branch
Book, William Heinemann, Sandakan : the untold story of the Sandakan Death Marches, 2013
The untold story of the Sandakan death marches of World War II. After the fall of Singapore, in February 1942, the Japanese conquerors rounded up tens of thousands of British and Australian soldiers and shipped them to prison camps scattered throughout Hirohito's newly won Empire. The fall of Britain's 'impregnable fortress' was the greatest humiliation in British military history, for which Churchill never forgave the Japanese. But nothing would surpass the wretched fate of some 2,700 British and Australian prisoners who were shipped to British North Borneo later that year. They landed in Sandakan, on the east coast of the island, after a 10-day voyage on a Japanese 'hell' ship, and were herded into a jungle camp some eight miles inland. Thus began the three-year ordeal of the Sandakan prisoners of war - a barely known story of unimaginable horror.Index, bibliography, notes, ill, p.688.non-fictionThe untold story of the Sandakan death marches of World War II. After the fall of Singapore, in February 1942, the Japanese conquerors rounded up tens of thousands of British and Australian soldiers and shipped them to prison camps scattered throughout Hirohito's newly won Empire. The fall of Britain's 'impregnable fortress' was the greatest humiliation in British military history, for which Churchill never forgave the Japanese. But nothing would surpass the wretched fate of some 2,700 British and Australian prisoners who were shipped to British North Borneo later that year. They landed in Sandakan, on the east coast of the island, after a 10-day voyage on a Japanese 'hell' ship, and were herded into a jungle camp some eight miles inland. Thus began the three-year ordeal of the Sandakan prisoners of war - a barely known story of unimaginable horror.world war 1939-1945 - prisoners of war - sandakan, japan - prisons and prisoners of war -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Woodfired Stoneware Platter by Tim Holmes, c1983
Tim HOLMES Born Wales Tim Holmes first became interested in pottery on a visit to New Zealand in 1969. After returning home he studied at the local art school, then enrolled at the Harrow School of Art in 1973. While there, he was introduced to Gwyn Hanssen Pigott's work, and returned to Australia to help her set up a pottery in Tasmania. He established his own Garden Island Creek Pottery in 1977, and started making wood-fired pottery, digging and milling his own clay. He used a two- chambered kiln, firing raw- glazed domestic stoneware in the first chamber and earthenware garden pots in the second. In 1988, he moved his pottery to the Potter's Croft at Dunalley on the east coast of Tasmania. He and his wife Tammy now run the Potter's Croft as a bed and breakfast with a craft gallery, and he is still making pottery using a wood-fired kiln. Garden Island Creek Pottery had its own impressed stamp, and work may also be impressed 'TH' or incised 'T. Holmes'. Tim Holmes was a visiting visitor to Gippsland Institute of Advanced Education (later Federation University) in 1983. He was a lecturer at 'Woodfire 86'.Woodfired Stoneware Platter tim holmes, ceramics, artwork, jan feder memorial ceramics collection, gippsland campus, artists, woodfire 86, garden island creek pottery -
Federation University Art Collection
Ceramic - Ceramic - -Stoneware, Doug Alexander, 'Platter' by Doug Alexander, 1974
Douglas ALEXANDER (1945-1981) Born Skipton, Victoria Doug Alexander studied Ceramics at the Ballarat School of Mines. In 1968 he was employed as a thrower and designer at Bendigo Pottery leaving that position to work and travel to New Zealand. He settled at Kerri Kerri, Bay of Islands in New Zealand and operated the Red Barn Pottery. In 1970 Doug Alexander returned to Australia establishing Spring Mount Pottery at Creswick where he used local clays to produce his work. He moved to Tharwa, ACT, in 1976 and established the Cappucumbalong Pottery. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Slab formed stoneware platter with impressed decoration finished with slips and oxide made at Spring Mount Pottery, Creswick.art, artwork, ceramics, alexander, doug alexander, red barn pottery, ballarat school of mines, ballarat technical art school, kerri kerri, spring mount pottery, creswick, cappucumbalong pottery, springmount pottery -
Federation University Art Collection
printmaking - Acquatint, Sara Bowen, 'Reeds/Juanbung' by Sara Bowen, 2008
Sara Bowen (1966 - ) Born England. Arrived Australia October 2006. Artists' Statement: Reeds/Juanbung is part of a series of prints centred on the looded country where the Murrumbidgee and Lachlan rivers meet. Unmapped and unmappable, with no fixed landmarks, it fascinates me. early drawings have evolved into abstracted curves of water that run over river banks and among islands of reeds. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Sugarlift acquatint with blind embossing.art, artwork, sara bowen, etching, printmaking, embossing -
Federation University Art Collection
Work on paper - Artwork - Printmaking, 'Mentor / Island Reminiscences' by Kaye L. Green, 1988
Kaye L. GREEN (1953- )Framed limited edition printArtist's Proofartwork, artist, kaye l. green, gippsland campus, kaye green, churchill -
Federation University Art Collection
Work on paper - Artwork - Printmaking, 'Volcanic Island' by Kenneth Jack, 1965
Framed six colour serigraph showing a volcano surrounded by water. Donated through the Australian Gifts Programme by Katherine Littlewood. Signed lrs "Kenneth Jack" Edition: 25/30kenneth jack, printmaking, volcano -
Federation University Art Collection
Work on paper - Artwork - Digital archive print, The Corry (from the series: Cake Walking in Scotland, 2015/2016), 2016
David FERRY (1957- ) Born in Blackpool, United Kingdom. David Ferry studied painting at the Camberwell Schools of Art and printmaking at the Slade School of Fine Art in London. He is currently Professor of Printmaking and Book Arts at the Cardiff School of Art, Cardiff Metropolitan University,Wales. He was Former Associate Professor of Fine Art Media, at the Long Island University, New York, USA, and former Head of Printmaking at the Winchester School of Art, UK. David Ferry was awarded a Fellowship of The Royal Society of Arts for his contribution in the foundation of the Curwen Print Study Centre in Cambridge where he became its first Artistic Director in 2003. In 2010 he was made Professor of Printmaking at the Cardiff School of Art and Design, and a full Fellow of the Royal Society of Painter / Printmakers (RE).Framed screenprint which forms part of a series called ‘Cake walking in Scotland’ which was printed 2015/16. It is a Digital Archive print with gold and silver leaf and glitter and varnish. "Upon entering a strange place, the visitor is disorientated. He looks for key markers that can act as signposts to help him find his way. These markers are taken from his past experiences, giving shape to his perceptions.’…’ Ferry was born in the seaside town of Blackpool and educated at London art colleges during the late 1970s at the height of British Punk. These early foundations continue to assert themselves in the mischievous and disruptive nature of his photomontage. He argues that early understandings of oneself, along with the characters and situations one encounters, shape our viewpoint. These act as familiar signposts that enable us to negotiate our understanding of the world. Employing what he refers to as a collage mentality, Ferry collides and layers fragments to explore his subjects.’ Writes Stephen Clarke on David Ferry’s work in ‘The Double Negative’. (htt05 April 2019)ps://www.roeandmoore.com/shop/the-corrie-by-david-ferry/, accessed One of an edition of 12.david ferry, printmaking, artist in residence, screenprint, art, artwork -
Royal Brighton Yacht Club
Life Ring, Vega Trophy (Mounted Wooden Life Ring)
Vega Trophy (Mounted Wooden Life Ring) Donor: Graham Noel During World War II when the Germans occupied the Channel Islands the local people went through very severe food rationing and were on the verge of starvation. Near the end of the war, the Swedish ship Vega was allowed by the Germans to deliver several shipments of food to the civilian population, easing the critical shortages of food on the islands. Further background detail can be found below. Graham Noel was born on the Islands and lived there during this harsh period. The trophy is awarded to the winner of the Combined Division AMS Aggregate Series. First Winner: Under Capricorn, P. Bedlington 2005/06 Vega – Further historical background Early in the Second World War Jersey was declared “unarmed” and the German military took over, taking quite a few lives in the process, through strafing the main harbour and a few other places which they needlessly considered threatening. A considerable number of locals evacuated to England before the Germans arrived, but more than 60% of the population remained and endured 5 years of very strict and difficult conditions. Not only was the population unable to contact relatives in the UK or elsewhere, but very quickly they found themselves subject to harsh curfews, strictly rationed foodstuffs, no fuel for vehicles, radios confiscated, and homes and hotels commandeered by the military. The military demanded first pick of all foodstuffs and kept meticulous records of all livestock forcing farmers even to show newborn calves and piglets to them, then claiming the new arrivals for their dinner tables. However there are many stories of farmers outwitting their masters when twin calves or suchlike arrived! Lawbreakers were quickly dealt with, mostly with lengthy prison terms in Jersey, but the more serious crimes were punished by being sent to some horrible French prisons, or even some of the notorious German concentration camps. All local Jews were dispatched to concentration camps, and even English born families were similarly shipped through France and on to Germany. Sadly, a considerable number of those deported did not make it back safely to Jersey. In June 1944 the locals were delighted to hear that the Allies had invaded Normandy and very soon they could hear the battles as the Allies worked their way along the French coast. Little did they know they would still have to wait another 11 months for freedom, having to put up with a very demanding German occupation force which was still determined to obey Hitler’s order to “Defend the Channel Islands to the death”. Now that France was in Allied Hands the local military commanders were unable to supplement their food supplies from France and even harsher demands were made on the local population to ensure that all branches of their still very substantial military force were reasonably well fed. As well as the military, Jersey farmers had to provide food for the Allied POWs and the many “forced labourers”, mainly of Russian, Polish and Italian backgrounds who had been directed to the island to build all the concrete bunkers. This included an underground hospital, all this complying with Hitler’s orders to ensure that the Channel Islands would never again be part of Britain. Many requests by the Jersey authorities for Red Cross assistance were rejected, but finally in December 1944 they agreed and on 30th December the Red Cross vessel “Vega” (Swedish Registry) arrived and delivered parcels to the civilian population. These parcels contained a variety of foodstuffs supplied mainly by Canadian authorities, desperately needed medical supplies, flour, oils and soaps, as well as tobacco from New Zealand. Vega made a further 3 or 4 trips and most certainly eased the desperate situation being faced by the locals. In fact, it resulted in the locals having slightly better food supplies than the military and many local farmers tell stories of having to protect their stock from marauding soldiers. Understandably Churchill was reluctant to send in an invading force to retake the Channel Islands, but by May 1945 it was clear that the Third Reich was finished and on May 9th the German Military surrendered, without a fight, to a large British landing force. On a slightly lighter note … in January 1945 Jersey stonemasons were seen in the main town square repairing flagstones … the Germans had never noticed that the name “Vega” had been formed in those flagstones! As a side note Vega is the name of the brightest star in the universe. Furthermore, throughout the occupation, despite German law that demanded confiscation of all radio sets, punishable by long prison terms or deportation to Germany, there were still many sets being listened to. The locals had a well refined news system for the dissemination of news of what was happening in the outside world. vega, graham noel, ams, combined division, aggregate