.1) & .2) Package issued as EYESHIELDS, Anti-Gas, MK.II. On back of package are instructions for action to be taken to avoid blisters as a consequence of a gas attack. Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details..1) Double layer of clear plastic eyeshields. Cloth & felt forehead pad. Black elastic & metal hooks for fastening around head. .2) Waxed crown cardboard storage packet. Black printing front & back.Printed in front on packet: EYESHIELDS, Anti-Gas, MK.II Printed in back on packet: Instructionswarfare, anti gas, eye protection

Album contains photos of the Elliott and Dibb wool sorting and blending operations; also six photos showing operations inside the Oriental Scouring Mills, Geelong. There were yellow sticky notes (non-contemporary, written by Gerald Van Rompaey) containing information on each photo scattered throughout the album. These have been removed for conservation reasons and their details transcribed here. The first note stated: "Michael's mother (the donor's mother, Mrs Elliott) said this album was got up as a promotional tool for an expensive overseas trip by Harold E. (her brother in law in 1950)". The 1st photo shows the skirtings in the reclass bins in the former Australian Estates Collins Street show floor. The 2nd photo is similar to the first; the 3rd photo shows the fleeces being reclassed. The 4th photo shows the wool sorters at work (Harold Elliott can be seen in the double breasted suit). The 5th photo is of more reclassing, and the 6th is similar. The 7th photo shows Harold Elliott with the sorters and the 8th photo is similar. The 9th photo shows the first and second pieces of the skirtings being sorted. The 10th photo is a general shot of full bales and the reclass bins. The 11th photo shows a double dumping press at work, compressing the already full bales for shipment. The 12th photo shows scouring operations at Oriental Scouring Mills in Geelong (the scouring has been contracted out by Elliott and Dibb). The 13th, 14th and 15th photos shows more scouring at the Oriental Scouring Mills. The 16th photo shows two men (Keith Dibb on the right) viewing the scoured wool. The 17th photo shows the scoured wool being pressed at the Oriental Scouring Mills, Geelong. The final six photos (the photos of the Oriental Scouring Mills operations) are all stamped on the verso with a photographer's stamp (Frazer Studios, Melbourne), suggesting that Elliott and Dibb commissioned a photographer to go to Geelong to take the photos. (a note from Gerald Van Rompaey identifying five photos has been found and is now located in supp. file 1417. It does not seem to identify photos in this album; the photos he identifies may turn up at a later stage.)Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the skirtings in the reclass bins in the former Australian Estates Collins St show floor. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the skirtings in the reclass bins in the former Australian Estates Collins St show floor. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows fleeces being reclassed. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the wool sorters at work (Harold Elliott can be seen in the double breasted suit). Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows wool being reclassed. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows wool being reclassed. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows Harold Elliott (double breasted suit) with the wool sorters. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows Harold Elliott (double breasted suit) with the wool sorters. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the first and second pieces of the skirtings being sorted. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the full bales and the reclass bins. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows a double dump wool press at work, compressing the already full bales of wool even smaller for shipment overseas. Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows two men (Keith Dibb on the right) viewing the scoured wool at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scoured wool being pressed at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph album front cover. Album compiled by Elliott and Dibb, wool merchants, 1950.Frazer Studios / (C.J. FRAZER) / 165 BOURKE STREET / MELBOURNE, C.1 / CENT. 4358woolclassing, wool processing, elliott and dibb oriental scouring mills, scouring, wool press, wool press - double dump

The sharpening stone can also be referred to as a whetstone, oil stone or honing stone. It is a well-worn double-sided sharpening stone retrieved from the wreck site of the Loch Ard. It is used to grind and hone the edges of metal blades and tools. ‘Natural’ sharpening stones like this one are quarried from ancient sedimentary rock that has metamorphosed from clay and volcanic ash to produce garnet crystals. Most modern stones are artificially produced, or ‘bonded’, abrasive stones, made by fusing clay and metal powder under heat and pressure. The softer yellow Corticule stone is found in thin vertical veins running through the more plentiful Belgian Blue rock. Coticule is a fine-grained and dense material that ‘cuts’ metal slowly but to a superior standard of sharpness and finish. The relatively coarser Belgian Blue is stronger and ‘cuts’ more quickly, but with a less polished finish. A double-sided whetstone is therefore valued for its increased durability (the harder BBW ‘backs’, or supports, the softer Coticule), and additional utility (the fine ‘grit’ of Coticule complements the coarser BBW to meet a range of sharpening needs). The blue-grey base of this stone is thinner than the remaining yellow Coticule on top. This suggests that the majority of grinding and honing work it has done on board the ship was for larger tools, rather than on surgical or shaving blades. Its rounded or spherical shaping may also be related to the ‘tumbling’ action of the sea on the ocean floor. History of the Loch Ard wreck: The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curle & Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. A sharpening stone is also called a whetstone, oil, or honing stone. The stone is a worn double-sided rectangular block with rounded corners. There is a clear delineation between its coarser Belgian Blue base (grey colour) and its finer Belgian Coticule face (yellow colour). It bears sedimentary encrustation over one-third of its surface. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, sharpening stone, whetstone, oilstone, double-sided stone, belgian coticule, belgian blue whetstone, oil stone, honing stone

Eagles on coins do not necessarily indicate that they are American eagles or coins from the United States but they are symbols of strength or power. The 10 Centimes was made at various mints and the mint mark appears as a single or double letter below the eagle.This pattern with Napoleon appears on bronze French coins from 1852 to 1865. This coin reflects the late 19th century history of France.A bronze 1855 French 10 Centimes. The denomination is on the reverse: " DIX CENTIMES" around an eagle with open wings. Above that is: "EMPIRE FRANCAIS" or French Empire. On the obverse is: "NAPOLEON III EMPEREUR BARRE 1855" around the head of man facing left.coin french-ten-centime napoleon

Rose Series postcard No. P 3276 titled "Swanston Street Melbourne", looking south from just north of Bourke Street. Has four W2 class trams in the view and a double decker bus waiting to cross. Yields information about the intersection of Bourke and Swanston Sts.Postcard - printed real photograph with Rose Stereograph Co. name on the rear. Two copies held.Has "K J Magor" stamp on rear.trams, tramways, w2 class, swanston st, bourke st, buses, mmtb buses, td5c class, leyland

Educational book used by Allan Johnson in Grade 4 in a Victorian Government School.Historical: Comparative education for teaching reading in Grade 4 at Victorian Government Schools. Provenance: Allan Johnson's family and education at the Bogong Primary School which was known to have a good library.Grey book with cloth on cardboard cover.In black: Victorian Readers / Fourth Book / emblem in middle of circle surround by double circle inside which is printed Education department Victoria / Bottom righthand side with lines above and below Second Edition Allan Johnson written in ink on cover page.education. reading. schools. victorian education department

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement, Challenge blankets, ElectracolourFirst Time Ever!/Clan Murray Challenge Blankets/Bring You New Colours Glowing like Early Morning Sunlight/Electracolour/from New Swiss Miracle Dyes/Still with the Super Luxury of Kitten-soft Double "Perma-Nap" Finishwool, blanket, blanket fever, challenge, advertisement, australian women's weekly

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for girls knitted garments.No. 526 / Patons KNITTING BOOK / FOR GIRLS FROM 6 TO 14 YEARS / No. / 526 / PATONS / BLUEBELL - SWIFTAKNIT - CAIRN / AZALEA DOUBLE QUICK / HIGHLAND SPORTS / PATYONYLE, 4 Ply / BEEHIVE, 4 Ply / TOTEM CATKIN / P&B / WOOLS / 2'-knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

These were worn by Mr Whiteman, Marjorie Burton's father, when he sang in the church choir. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. She came from a middle-class, working, church-going family. The invention of the dickey was to make the front of a full dress shirt a separate entity in itself, like the detachable collar, so it could be laundered and starched more easily than a traditional shirt with the front attached.Cloth dickeys simulated many different styles and were often often used in marching band or choir uniforms. However they are rarely worn now. These items are examples of a menswear accessory commonly used in the first half of the 20th century. Two silk white dickeys, men' shirt fronts. 2483.29 has tapes with press studs ant the top and bottom and 2 button holes. 2483.30 has 3 button holes and is a double thickness. Both have pleats.men's-clothing accessories shirt-fronts-dickeys burton-marjorie

This is the seventeenth issue of the annual Orbost High School magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". It belonged to Mary Gilbert, a former teacher at the school.This magazine is a useful reference tool.A yellow covered magazine with black print : Croajingolong Vol. 1 No. 17 1964. On the left side is the Orbost High School badge, a sheaf of corn inside a double oval. inside which is the school motto, " acti labores iundi".

This a cheaper version of The Durham razors. The Durham Safety Razor Co. was founded in New York,N.Y.c1908 by Thomas C. Durham. The first Durham Duplex U.S. Patent was filed in October 1906 and then in January and March 1907. By 1920 Durham-Duplex claimed eight million users. after many mergers a successor company Durham Duplex in Sheffield England still operates selling blades and knives with retractable blades.The Durham Demonstrator was a popularly used safety razor and hair trimmer of the first half of the 20th century before the use of electric razors.A Durham Demonstrator. This is a hair thinning and trimming resembling a straight razor which folds back into the handle. The handle is black plastic/ composite. It still contains the blade which is double edged. it has a built-in open comb safety guard.On handle: "To Be Used With/ Durham-Duplex Blades" on one side and "Durham Demonstrator" on the other. The blade is marked "Pat'd U.S.A. May, 28 07"razor durham-demonstrator grooming hair-trimmer

Greatcoat - Khaki colour woollen fabric with attached half belt. Inside pockets and lining to shoulders and sleeves - khaki colour with cotton fabric. Buttons Khaki plastic Double breasted. Maker's Label - Inside back below collar. On Maker's Label, Black ink print on cotton/polyester fabric "KINDRED MANUFACTURING/PTY LTD/QLD/D (Upwards Arrow) D/1983/???5-66-0? -1812/SIZE 100/TO FIT CHEST 100cm/NAME... SERVICE No....".uniform, australian army

Promotional poster style invitation to University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating student "Designers' Dinner '04". Styled to look like letterpress. The NOVEMBER 9 type likely to have been originally provided by Sovereign Hill, as they are acknowledged on related materials. The magnet front matches the limited edition badges produced by students this same year. (29172). This square format poster used a multiple choice quiz to provide details of the event. Invitees met at the Wharf opposite door 1 at the Melbourne Exhibition Centre (at 5.45pm) and were literally ferried to the dinner, returned at 11pm. Dress was "Smart Casual". Two colour (red and black), two-sided folded poster, magnet originally attached within. (probably with double sided tape). Magnet consists of a 'badge' style front, made with faculty badge maker, and magnet attached to reverse.university of ballarat, federation university, graphic design, multimedia

This copper and tin container was used for the storage and transport of cordite that replaced black powder in 1889 as a military propellant. The stamped of a government broad arrow and date 1903 show the item was made for the war department and not for commercial use. The container once empty of explosives was used for many years as a flour bin on board the crayfish ketch "Lady Brassey" by Mr Charlie Washbourne, Crib Point, Australia (on the Mornington Peninsula in Victoria). The ketch Lady Brassey was probably named after Anna or "Annie" Brassey (née Allnutt), Baroness Brassey (7 October 1839 – 14 September 1887) who was an English traveller and writer. Her bestselling book A Voyage in the Sunbeam, Our Home on the Ocean for Eleven Months (1878) describes a voyage around the world including a visit to Australia.The explosives container is an example of how explosive compounds were stored and transported at the turn of the 20th century. It is significate as it is in very good condition and an artefact from Australia's colonial history around the Federation, just as the country was gaining independence from Britain.Metal box with tin sides, copper top and base and round, double layered lid that has a folding, D shaped handle. Referred to as a cordite container or copper drum. Inscriptions are stamped onto the drum and are on a sticker under the lid.Handle stamped "S & Co. 1900" on lid. Base is stamped "R.G.D. 1903" (meaning the container seals are resistant to Rapid Gas Decompression (RGD)") Logo: triangular "(vertical arrow) / A T " between letters and date. Base also has blue plastic label "N.T. 55" Sticker: "B55". flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, copper container, gunpowder container, government issue container, r.g.d. 1903, lady brassey, charlie washbourne, crib point, baroness brassey, cordite container, copper drum, gun powder container, gun powder, black powder, black powder container, explosives storage, crayfish ketch

Unknown identities Possible early pioneer settlers of ElthamSmall hard cover cloth bound photo album with silver lettering on front cover "Stamp Photo Album" containing approx 8 double page spreads, 5 of which are used housing 35 miniature portrait photographsstamp photo album

Unknown identities Possible early pioneer settlers of ElthamSmall hard cover cloth bound photo album with silver lettering on front cover "Stamp Photo Album" containing approx 8 double page spreads, 5 of which are used housing 35 miniature portrait photographsstamp photo album

Unknown identities Possible early pioneer settlers of ElthamSmall hard cover cloth bound photo album with silver lettering on front cover "Stamp Photo Album" containing approx 8 double page spreads, 5 of which are used housing 35 miniature portrait photographsstamp photo album

Unknown identities Possible early pioneer settlers of ElthamSmall hard cover cloth bound photo album with silver lettering on front cover "Stamp Photo Album" containing approx 8 double page spreads, 5 of which are used housing 35 miniature portrait photographsstamp photo album

Unknown identities Possible early pioneer settlers of ElthamSmall hard cover cloth bound photo album with silver lettering on front cover "Stamp Photo Album" containing approx 8 double page spreads, 5 of which are used housing 35 miniature portrait photographsstamp photo album

Folded double-sided brochure advertising auction of residential allotments on Saturday, 11 October, 1919, with town photographs including residence of Mr. and Mrs. Williams on the estate, location map, terms of sale, and summary of local features and services.Subdivision includes Bedford Road and Williams Grove (later Lena Grove). (Agents) Knight & Harwood, 315 Collins Street, Melbourne, Phones Central 10615, 10616, in conjunction with Godbehear & Co., Local Agents, Ringwood, Phone Ringwood 49.

Two double sided flyer for James Warwick's Old Curiosity Shop in Ballarat. The front features a photograph of the exterior of the cottage, and the back gives an outline of James Warwick and his decorated house. .1) is in colour and .2) is on black and whiteold curiosity shop, james warwick

Large volume with dark green hard cover, leather spine and corners. 'Cash Book' in gold embossing on burgandy background on the spine. 107 numbered double-width pages, with printed column headings. Last entry on page 66.ballarat school of mines, cash book, finances

black and white copy of print showing Bendigo Gaol being completed. Six adult males and one field piece near buildings and entrance. Pedimented arched granite gateway. Two double storied buildings with barred windows.Batchelderorganization, government, bendigo gaol

White chemist label with dark blue printing and double line border on white gummed paper. Border has eight sides of unequal length.Name of W. G. Ross, Late D. Anderson, View Street Pharmacy, Bendigo.business, printers, cambridge press, cambridge press collection, w g ross, d anderson