A postcard with four colour photograph of attractions in an around Marysville in Victoria.A postcard with four colour photograph of attractions in an around Marysville in Victoria. This postcard was produced by Donovan Wilson as a souvenir of Marysville.Tree fern and Alpine Ash/ Goulds Memorial Drive/ Murchison St. Marysville/ Steavenson Falls Donovan Wilson Place/ Stamp/ Heremarysville, tree fern, alpine ash, goulds memorial drive, murchison street, steavenson falls, donovan wilson, postcard, souvenir

Written on back of photograph, "War Memorial Tree, North Ringwood State School - December 1972. Planted by Major General Beavis, 1955".

Catalogue card and back of photograph reads, 'Ringwood Arbour Day 1910. Cr. Rouget, Mayor of Lilydale opening the tree planting ceremony'.

Newspaper Clipping from "The Post", 21-6-1995. P5. New planning zoneLocal laws governing tree removal throughout Croydon may also be extended to Ringwood, Mr Turner from Maroondah Council said

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph of Ted Jenkins on a tractor pulling a load on a trailer. The Amess Barn is in the background.Catalogue number written in pencil on reverse. Written in pen on reverse '1940 The tractor shed (then) Ted Jenkins and the wheel Note Euclapt tree'churchill island, ted jenkins, amess barn

In 1979, a series of photographs of significant gardens in Kew (Victoria) were taken during a tour by Peter Watts, of National Trust Victoria. These were later purchased to add to the collection. In the case of each photo the colour had badly degraded over time. Original colour (degraded) positive photograph of the front garden and part of the colonnaded verandah of 'Merridale' (formerly 'Pomeroy'), 43 Sackville Street, Kew.Annotated in ink reverse: "Merridale 43 Sackville St Built 1884/5 / View of drive to portico / Entrance old trees and gardens"merridale, pomeroy, sackville street -- kew (vic.), gardens -- kew (vic.)

Postcard of early black and white photograph of the main street of Marysville in Victoria. This street is now known as Murchison Street.Postcard of early black and white photograph of the main street of Marysville in Victoria. This street is now known as Murchison Street.POST CARD PLACE/ POSTAGE/ STAMP/ HEREmarysville, victoria, murchison street, postcard, souvenir

Postcard of early black and white photograph of the main street of Marysville in Victoria.Postcard of early black and white photograph of the main street of Marysville in Victoria. This street is now known as Murchison Street.POST CARD PLACE/ POSTAGE/ STAMP/ HEREmarysville, victoria, murchison street, postcard, souvenir

CEMA Art Collection Winner of 1968 Portland Art Society Art Prize for the category Oil or similar medium.The painting depicts several tall, dead trees in the foreground with dense living trees in the background. The work has an interesting texture created through the use of clearly defined thick paint strokes. This technique is particularly evident in the foreground where it has been used to create the ground from which the dead trees stand. The work has a painted wooden frame with material mount and non-reflective glass.Front: R. ARENDSEN '67 (black, lower right) Back: RENNEE ARENDSEN "DEAD WOOD FOREST, MALLACOOTA" (1968) (typed) Stamp: KATRINA GALLERIES 485 CENTRE ROAD BENTLEIGH, VIC 97-6715 Yellow Sticker: 1967 Handwriting around back of frame.

Brendon Collier up at ladder against a tree trunk with a fire hose putting out a tree stump smoulderingcolor photoBrendon Collier 1985b.collier, 1985

Walter Withers was a significant Australian landscape artist and a member of the Heidelberg School of Australian Impressionists. In 1903 Withers bought 'Southernwood', a house on 2½ acres (1 ha) at Eltham, to which he added a studio. Because of ill health, he lived during the week at his studio in Oxford Chambers, Melbourne, and on weekends and holidays with his family at Eltham until his death in 1914. The Eltham rail bridge is a unique and valuable historic relic of an earlier steam locomotive transport era in the Diamond Creek Valley and has long formed an important part of a magnificent Eltham landscape. When built in 1902 it was close to the terminus point of the Heidelberg-Eltham rail extension, on the route of the proposed Diamond Valley Railway that was then planned to continue much further up the valley towards Kinglake. This bridge is situated in attractive river-valley parkland amidst the tall and spreading manna gums and candlebarks of the Diamond Creek Valley. The Alistair Knox Park river-valley landscape, of which the timber trestle bridge is an important visual component, has been classified by the National Trust. Large manna gum and candlebark trees adorn the adjacent creek banks, and historic Shillinglaw Cottage is also part of this much-prized Eltham landscape. Eltham is home to a historic wooden railway trestle bridge. Mainly of timber-pier and timber-beam construction, but varied by a few longer steel-joists spans on timber piers at the main stream channel, this substantial bridge has almost two hundred metres of timber deck. Built in 1902, it is the only railway bridge of predominantly timber construction that is still in regular use as an integral part of Melbourne's metropolitan electric railway network and one of extremely few timber rail bridges in the State that still carry trains. Apart from its important continuing social function as a carrier of rail transport for the Hurstbridge line, this impressive bridge and its beautiful parkland environs contribute much to the character of Eltham township and that town's special reputation as an historic centre of environmental and conservation concerns. This section of the Diamond Creek Valley was the subject of a Walter Withers painting in the earliest years of the twentieth century and has strong historic links with our Heidelberg School of painters. Watercolour painting on paper of Eltham's Trestle Bridge in the middle of the day. A small section of the wooden bridge is located to the left of the painting. The focus is predominately on the wattle, manna gum and candlebark trees that is to the right of the bridge. The golden hues typically represent the australian sunlight and landscape. "W.W" in gothic script on the lower right side of the painting. Not dated. withers, eltham, trestle bridge, railway, watercolour

Postcard of early photograph of the Forest of Arden near Marysville.Postcard of early photograph of the Forest of Arden near Marysville.POST CARD PLACE/ POSTAGE/ STAMP/ HEREforest of arden, marysville, forest, tree fern, postcard, souvenir, victoria

Black and white photographic image of a harbour with two long piers running into it and a shorter jetty with a building on it and circular jetty protruding from it. In the foreground are trees, a dirt road with an RACV sign bridging it to the foreground right and a railway track visible between the trees.Front: THE ROSE SERIES P. 10771/ COPYRIGHT (typed, lower left) THE HARBOUR, PORTLAND (typed, lower centre)

Glunkler was interned in Camp 3Water colour of two rows of huts. Each row has eight huts with the windows open. There is a single gum tree in the centre between the two rows and some tree in the background beyond a fence. Small gardens with stone edging are around the huts.Glunkler 1943

Colour photographs of Menzies Creek Hall damaged by a falling tree during a wind storm, 10th October 2016. In the first photo several cut logs in the foreground. The second photo shows a room bisected by the tree. Photos taken by Marian Matta.

Woodlands Homestead is the building in the photograph and the people standing at the entrance must have been invited by the former Shire of Bulla to visit the property when it became a tourist attraction. Des. Dumbrell, the gentleman wearing the light safari suit and standing in the front was one of the local councillors when Woodlands was opened to the public in the 1990. The park later became a home for retired racehorses.Woodlands Park became a popular tourist park within the area with many varied attractions which include the prefabricated homestead, native fauna and flora and mt. Gellibrand, the highest point in the park. A non-digital black and white photograph with a cream border, of a partial view of the entrance to a homestead built from stone with a galvanised roof. Nineteen people are gathered as a group at the main entrance. A palm tree is immediately behind the group with larger trees in the background.woodlands park, woodlands homestead, oaklands junction, shire of bulla

Art CollectionThe picture depicts trees with emus hiding amongst them. The trees are a cluster in the middle of a white background that gradually gets darker around the bottom and top edges. Mounted on a wooden backing which extends further then the picture, giving it a natural frame. No glass.Front: Malseed (brown paint, lower left.) Back: 1969- (Yellow circle sticker, top) 114 (small white sticker, top) Portland Art Gallery Trust (just short of top, white chalk) Nancy Malseed Environment 111 (1969) (strip of white paper, printed, top right) Malseed Environment 3 N.F.Scema, portland artists society, nancy malseed, female artist, women, women's art

Scene depicting a lake in the foreground with trees behind. The trees are reflected in the water. Top third of the image depicts a deep blue sky, highlighted in some areas with white. Mounted in cream matt, framed under glass in wooden frame with gold edging.Front: McL 90 (lower right) (white paint) Back: (no inscriptions)landscape

Coloured postcard of the Post Office Jetty, showing two buildings on jetty, boats moored, and steamer leaving the jetty. Shoreline edged with bluestone, small Great War Memorial cypress tree, surrounded by wooden tree guard. Lakes Entrance Victoriamemorials, waterfront, boats and boating

AN ETCHING OF VERY EARLY CLUNES. TREE GUARDS AROUND TREES ALONG CREEK BANK, ORIGINAL NAMED TULLAROOP CREEK.CLUNES TOWNSHIP, CRESWICK CREEK, DOUBLE STORY BUILDINGS AND MINE POPPET HEADS.TOWN OF CLUNESlocal history, photography, photographs, clunes township.

Carving of a large male head made by a patient of Mayday Hills Asylum. The sculpture has been roughly hewn from a single piece of wood.Mayday Hills Asylum was one of the three largest psychiatric hospitals in Victoria, and played an important role in the treatment of mental health illnesses from its establishment in 1867 to its closure in 1995. As part of prescribed treatment, many patients participated in craft activities were they were able to create an array of objects. A limb of a tree roughly carved into the shape of the man's face featuring heavy eyebrows, moustache and beard.beechworth, burke museum, mayday hills asylum, carving, wooden sculpture

This photograph was taken at sunset. It is of the Snowy River at Lochend.A black / white photograph of a river at sunset with thick trees and bushes on both banks. There are reflections in the water.on front - Eventide Lochend Howard D. Bulmer Photo. Lake Tyerssnowy-river lochend-orbost

The fallen tree Early 1920s Hoddles Creek Negative Black white Scanned at 600 dpi.fallen tree hoddles creek early 1920s

Item in the collection re H.B. Field 1st & 2nd AIF, refer Cat No 890P for his service details.Photograph sepia tone, copy of original showing 37 Soldiers in 4 rows, the background is trees.On photo at the bottom, " No 3 PLATOON B. Coy Broadmeadows 1917"photograph, ww1, malone collection

A history of the Big River valley and the townships of Enoch's Point and Darlingford, VictoriaPaperback. Cover has a photograph of a group of men sitting and crouching for a group photograph. There are trees in the background.for Doug - / With best wishes,/ John Pilkington / January 2000 To the memory of my parents,/ Ralph and Florence Pilkington Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779enoch point, darlingford, big river, victoria, australia, history, john keith pilkington

Vice-Chancellor Kerry Cox Plants an Olive Tree with International Students on International Harmony Dayharmony day, tree planting, olive tree, kerry cox

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. Ethel Mary Turner Ethel Turner (25th January 1872 – 8th April 1958) was an English-born Australian novelist and children's literature writer. She was born Ethel Mary Burwell in Doncaster in England. Her father died when she was two, leaving her mother Sarah Jane Burwell with two daughters (Ethel and Lillian). A year later, Ethel’s mother married Henry Turner, who was 20 years older and had six children of his own. Sarah Jane and Henry had a daughter, Rose. Henry Turner died suddenly, leaving Sarah Jane with nine children and little income. In 1879 Sarah Jane moved to Australia with Ethel, Lillian, and Rose; within the next two years she married Charles Cope and gave birth to his son Rex. Ethel Turner was educated at Paddington, New South Wales Public School and Sydney Girls High School she was one of the school's original thirty-seven pupils. Ethel started her writing career at eighteen, founding the Parthenon, a journal for young people, with her sister Lillian. Writing as “Dame Durden”, she wrote children's columns for the Illustrated Sydney News and later for the Australian Town and Country Journal. In 1891 the family moved to Woodlands, a large house in Lindfield, now Killara, which was then out in the country. Woodlands still stands today in Werona Avenue and is where she wrote “Seven Little Australians”. In 1896 Ethel married Herbert Curlewis, a lawyer. After living in Mosman, they built their own house overlooking Middle Harbour. The house, Avenel, is where Ethel Turner spent the rest of her years. She survived her daughter Jean Curlewis, who died of tuberculosis, by 28 years. Jean was also a writer of children's books, although not as popular as her mother. Jean's works include “The Ship That Never Set Sail”, “Drowning Maze”, and “Beach Beyond (1923)”. Her son Adrian, was a Barrister, Captain in WW2 and a Changi and Thai-Burma Railway POW and later a Judge. Ethel Turner died at Mosman on 8 April 1958 at 85. She is buried at Macquarie Park Her best-known work is her first novel, Seven Little Australians (1894), which is widely considered a classic of Australian children's literature and was an instant hit both in Australia and overseas. It is about a family of seven children growing up in Australia. The book, together with its sequels “The Family at Misrule” (1895) and “Little Mother Meg” (1902) that deal with the lives of the Wolcott family, particularly with its seven mischievous children in 1880s Australia. A companion to "Seven Little Australians", “Judy and Punch” was published in 1928. Like her stepfather, the character of Captain Woollcott was a widower with six children. The book was made into a feature film in Australia in 1939 and a UK television series in 1953. A 10-episode television series was made in 1973 by the Australian Broadcasting Corporation. Turner published a number of other books for children, short stories and poems. “Three Little Maids” (1900) is a strongly autobiographical novel about her family's migration from England to Sydney, Australia. Turner wrote more than forty novels. Some were about the mischievous Wolcott’s. Others were serialized, like her books on "the Cub", and some were stand-alone. The children she wrote about were all adventurous and independent. They frequently got themselves into sticky situations and got themselves out of them with very little to no adult help. Turner was awarded a number of prestigious literary awards and could be considered one of Australia's best-loved authors. She is listed on The Australian Women's Register. The Ethel Turner Prize for Young People's Literature is given annually under the auspices of the New South Wales Premier's Literary Awards. Ref Ethel Mary Turner, Biography: https://en.wikipedia.org/wiki/Ethel_Turner The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. A White Roof-Tree Author: Ethel Turner Publisher: Ward, Lock & Co Date: 1905Label on spine cover with typed text PAT FIC TUR Pastedown front endpaper has sticker from Warrnambool Children’s Library covered by a sticker from Corangamite Regional Library Servicewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, a white roof-tree, ethel turner

Postcard from the Jack Jenner CollectionBlack & White Postcard of the Baths at Mussel Rocks, Cowes. Pine tree in the sand at left of photograph.The Rose Series, P. 660. The Baths, Cowes, Phillip Is., Victoriacowes baths phillip island, phillip island, jack jenner collection

Donated by G. HaywoodBlack & White Postcard of view taken from Newhaven with Churchill Island in the background. Trees on foreshore."The Rose Series, P. 696" "Churchill Is., from Newhaven, Phillip Is., Victoria"view from newhaven, phillip island, churchill island, g haywood

Donated by Stan McFee from the Keith McIlwraith Collection.Black & White photograph of 22 members of the Phillip Island Band posed in front of tree with instruments.On Back: "Phillip Island Band 1932" Left to Right: Front row: H. Watchorn. N. McLardy, R. Scott Pres., H. Warren (Band Master), D. Robb, Ray Richardson, A Bauer, Middle row: A. Murray, Noel Cleeland, J. McLardy, R. De La Haye, C. Leeson, A. Towns, Goerson, W. Little. Back row: P. Double, B. West, A. Morrison, C. Williams, F. Towns, H. De La Haye, Keith McIlwraith.phillip island band, brass bands, keith mcilwraith collection, stan mcfee, phillip island