Showing 4412 items
matching 40
-
Ringwood and District Historical Society
Newspaper, Scrapbook Clipping, Library Collection, Ringwood, Victoria, `
``Newspaper clipping from "The Mail", P8 Ringwood North Primary School has had a big win at the Manningham Eistedfodd recently The 40 strong choir, under the guidance of teacher Pam Peake, and accompanist Marg Baker, won from six schools in the event, held at Bulleen Baptist Chuirch.` -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Painting, Oil, Deutscher Wald
This artwork was painted by Charlotte Rippert who was interned in Camp 3 with her whole family. The painting was painted in camp. Charlotte Rippert was a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.green and yellow forest with a natural path coming from the left side and 6 prominent trees along itBack: (in pencil) 'Deutscher Wald. gemalt in Tatura (Australia) Charlotte Rippert.', a sticker for the Tatura and District Historical Society Museum, another sticker that reads - 'Gerd Aberle, 40 London Street, Bentleigh Vic 3204. Artist Charlotte Rippert Camp 3 -
Kyneton RSL Sub Branch
brass plate, Cpl Alexander Burton Collection
This item is part of a collection of items relating to Cpl Alexander Burton VCBrass engraving mounted on board. Contains photo of Cpl A Burton recipient of the VC medal, image of the VC medal, and citation for three recipients of the VC including Cpl Burton. Corpl. Alex S Burton. VC Born at Prospect House Kyneton.1893 Won the VC at Lone Pine August 9 1915. Citation By his deeds he still lives. On back of board is a previous catalogue identification: KYNRSL 2012/40 vc, gallipoli, lone pine -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, c. 1878
This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 40% of original electroplating remains, with some verdigris. Edges of bowl are perforated by corrosion.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks -
Flagstaff Hill Maritime Museum and Village
Spoon, circa 1878
This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. 40% concreted sediment on bowl and handle. Only 10% of plate remaining with 10% verdigris.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks -
Flagstaff Hill Maritime Museum and Village
Spoon, circa 1878
This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. 40% of surface is covered with sediment. Balance is dark red with quantity of aqua-marine verdigris.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks -
Federation University Historical Collection
Book - Report, Reports of the Mining Surveyors and Registrars, 1867, 30/06/1969 - 31/12/1881
.1) 39 page report dated 30 September 1867 .2) 40 page report dated 31 December 1871 .3) 46 page report dated 30 June 1872 .4) 42 page report dated 31 December 1873 .5) 45 page report dated 30 September 1872 .6) 44 page report dated 31 December 1881gold statistics, mining survey -
Bendigo Historical Society Inc.
Book - STRAUCH COLLECTION - FRED P MORRIS AND OTHER BENDIGO HYMN WRITERS
Fred P Morris and Other Bendigo Hymn Writers, small soft covered book with 40 pages of Hymns & short history of the writers Fred P Morris, Robert Harkneww, Harold Francis, Wilbur Darby, Mrs H B Edwards, Harry Evely, Frank Geisler. Printed by D G Walker Bendigo. Written inside front cover D Strauch 477905 Index included.Keith Colechurch, history, hymns, bendigo-religion-music-hymns -
Bendigo Historical Society Inc.
Document - BUSH COLLECTION: BOOK (LOOSE-LEAF) - 'THE GUIDE LAW'
Book (loose-leaf) - 'The Guide Law' - Merle Bush. Numbered from p.20 to p. 43; each page has either a newspaper cutting adhered to page OR typed text. Frontispiece has heading 'The Guide Law' and lists p. 20 - p. 40 (with unknown 'number' notation) Attached to inside of back cover (paper clip) is another list of 'Guide Laws' - from 20 - 45.person, individual, bush collection - personal, bush collection, collection, girl guides association, clubs and associations, recreation, education, literature, general knowledge, girl guides, reading -
Bendigo Historical Society Inc.
Clothing - CREAM COLOURED SILK PARASOL
Clothing. Cream coloured silk parasol with 40 cm wooden handle with 4 cm diameter gold coloured metal knob at the end. Parasol has silk fabric with ribbed border stretched over eight ribs. Silk twisted cord wound around stick above the handle. Two ends of the cord have 14 cm tassels with 5cm twisted cord with 9 cm velour strands.Paper sticker on ferrule of umbrella, ''G Buongiovana Napoli''costume accessories, female, cream coloured silk parasol -
Whitehorse Historical Society Inc.
Equipment - Camera
The camera was used locally by the donorBlack electronic Agfa Optima camera with sensor and flash in a black vinyl carry zippered carry case. The lens is set in a recessed surround containing a light meter. The surround can be turned to indicate distance for personal, group and scene photos. The lens is described as Alpha Paratronic Dir Solitar 1.2/40. The back opens to contain the film. The orange button is to activate the flash, which folds down to the lens.photography, cameras -
Ballarat Tramway Museum
Slide - 27 mm sq slide/s, Lilian Butler, conductor 11 (R. Walker??) holding bag and cash tin, c1971
Has a strong association with some of the Ballarat tram crews.Kodachrome colour slide, white cardboard mount of conductor 11 (R. Walker??) holding bag and cash tin, marked 11C standing in front of No. 40 at the city terminus. Note the point bar in the bumper bar tow pin hole. Photo from the collection of Lilian Butler. Names based on list given in Reg Item 3425. Person does not appear on photograph Reg Item 3425 ballarat, tramways, trams, crews, motormen, conductors, city, points, tram 40 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Peter Bruce, mid to late 1960's
Black and white photograph of bogie tram No. 40, in bound on Albert St. Sebastopol at a stop picking up a lady passenger. Taken after tram has passed the photographer. Has destination of Lydiard St. Nth. Possibly taken mid to late 1960's as the roof ads do not appear to be all of SEC origin. Colour photocopy, laminated, of this photograph on display 5/2000 at 02-02-06trams, tramways, albert st, sebastopol, tram stops, tram 40 -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, Travis Jeffrey, 14/08/1971 12:00:00 AM
Colour photograph of Ballarat No. 40 turning from Drummond St. South into Sturt St, with the destination of Lydiard St. Tram has a SEC "Everything's under control in my all electric kitchen" and Eureka Tiles roof advertisements. Photo taken at Hospital corner. Has the liquor store on the south west corner of the intersection in the background. Photo on Agfa Paper and taken on Friday 14 August 1971.Stamps with faded green ink: "Photo by Chris Jeffrey / Number" with number "104PC/01" in blue ink and date stamp "Friday 14 August 1971" also in faded green ink.sturt st, drummond st sth, hospital corner, tram 40 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, The Courier Ballarat, 21/01/1989 12:00:00 AM
Has a strong association with the wedding of one of the Ballarat tramway Museums active volunteers at the time and yields information about the way the event was arranged.Black and White photograph of part of the wedding of Paul McDonald (BTPS Vice President at the time) and Melissa Phillips on 21/1/1989 using bogie trams 38 and 40 with wedding guests alongside. Photo used on the back cover of the BTPS 1988-89 Annual Report and noted in the General Manager's report as to the date and people. Published in The Courier at the time? See BTPS 1988-89 Annual Report tramways, trams, wendouree parade, weddings, btps, tram 38, tram 40 -
Ballarat Tramway Museum
Document - List, Wal Jack, "SEC Ballarat Rollingstock 1930- 1952", 1950's
Yields information about the SEC tram fleet and equipment up to 1952.Handwritten list of SEC Tramcars 1930 - 1952, titled "SEC Ballarat Rollingstock 1930- 1952" written to tram No. 40, listing number of wheels, former owner and class, arrival in Ballarat, Builder, Trucks, Wheel base, Controllers, whether fitted with dead man handle and remarks. Contained within Reg Item 5507 - Foolscap binder with green covers, black binding edge and metal clips. sec, tramcars, controllers -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Four decades on track", 10/01/2015 12:00:00 AM
Newspaper clipping from The Courier, Saturday 10 January 2015, titled "Four decades on track", report by Melissa Cunningham about the 40 years of operations by the BTPS / BTM. Looks at the history of the Museum, its future plans, solar panels, heritage tramways, Sovereign Hill. Quotes Roger Gosney and Peter Waugh. Has photos of 1, 27, 12, 18 and the interior of the display tram 39. btm, ballarat, btm depot, btps -
Bendigo Historical Society Inc.
Plan - MCCOLL, RANKIN AND STANISTREET COLLECTION: PLAN OF MONUMENT HILL BATTERY
Pale blue waxed paper plan. Written on back of plan ' Monument Hill Battery site, area desired by Bendigo Mines (Nell Gwynne) for disposal of mullock. Plan shows Ophir Street, Rowan Street, Written on bottom RH corner 'Bendigo Mines Ltd., surface plan, vicinity Nell Gwynne Shaft, Scale 1" = 40' Magnetic north marked, sand dumps and contour lines.bendigo, business, mccoll, rankin & stanistreet -
Melbourne Tram Museum
Newspaper, The Herald, "Jail protesters paint trams", 23/02/1972 12:00:00 AM
Newspaper clipping titled - “Jail protesters paint trams” The Herald, Wednesday, Feb 23, 1972 Photos and text of vandalised trams at Preston workshops 20 trams, 40 men worked for an hour to remove the signs - graffiti - . Tram services not affected. Most of the trams were at Preston for repair after flood damage last week. See TMSV Running Journal April 1972 for details of the event.trams, tramways, preston workshops, graffiti, pentridge prison, protest -
Melbourne Tram Museum
Document - Report, Melbourne & Metropolitan Tramways Board (MMTB), "Dynamic Braking on Tram No. 977", 10/09/1954 12:00:00 AM
Report on W6 class tramcar No. 977, 40 pages including appendices and charts, plus one bound drawing and one loose drawing, titled "Dynamic Braking on Tram No. 977". Dated 10 September 1954. Report looks at the effectiveness, wear, use and suitability of dynamic braking on trams. Gives results with comparisons to other tramcars. Document bound within a manila cover stapled with red adhesive tape.trams, tramways, preston workshops, reports, tramcars, w6 class, braking, tram 977 -
Bendigo Historical Society Inc.
Domestic object - Commode
A wooden commode, a cylindrical shape in two sections. The top section is possibly mass produced, it's 40 centimetres diameter and 27centimetres high, it has a hinged circular lid with a hinged toilet seat under it. Below is a space for a container. A hand made section has been added underneath to raze it 20 centimetres and includes a draw. An insert has fitted into the original structure to hold a smaller pot.commode, chamber pot -
Orbost & District Historical Society
album, Orbost Visitor Information Centre, 1997
The original slab hut was built in 1872 as a family dwelling on a site about 3 km upstream from the junction of the Buchan and Snowy Rivers about 40 kms from Orbost on the Yalmy Rd. No nails were used in the construction; it was all wired together. After a period in storage the Slab Ht was opened in its present location in Orbost as the Information Centre in 1987. This album documents an important event in Orbost.A photo album with a navy blue cardboard cover with gold embossing on the front and spine. It contains 32 photos of the 1997 10 year anniversary celebration of the establishment of the Slab Hut - the Orbost Visitor Information Centre. It also contains 3 postcards and 2 fridge magnets.slab-hut album orbost -
Port of Echuca
Photograph, Gem around 1931 at Lock 7 (Renmark/Wentworth, 1980
Details of the P.S Gem: Construction; Composite 40 h.p Tonnage : 228 Gross, 183 net. Length; 133.6 ft. Breadth; 20.7 ft. Depth; 6.6 ft. Date of Registry; Adelaide, 1876 No. 74,652 Built at Moama, N.S.W 1876 Owners: River Murray N. Co. Ref; 'The Register of Australian and New Zealand Shipping 1898' pp 55. This is a photograph showing a large paddle steamer; The Gem in midstream . It is situated near Lock 7 in South Australia even though the Lock is out of sight.A black and white photograph of the P.S Gem believed to have been taken about 1931. In the foreground is a small moored row boat.Written on the back in lead pencil, Gem around 1931 at Lock 7. (Ren / Went)paddle steamers, murray river, p.s gem, shipping, lock 7, renmark, wentworth, price family collection -
Bendigo Military Museum
Award - MEDAL SET, British War medal, post 1918 (estimated) Replica Victory medal post 2000
James Henry Wicks, Regt No 4626 enlisted in 14th Reinforcements to the 7th Battalian AIF on 12.7.15 age 40 years 8 months. Embarked for Eygpt 28.1.16, transfered to 57th Batt 2.4.16, embarked for France 17.6.16, transfer to 15 MG Coy 27.7.16, discharged from the AIF on 22.8.19. Refer 2060.2 re his brother Francis Charles Wicks KIA.Medal set, court mounted, set of (2) re J.H Wicks. 1. 1914-15 Star. 2. War medal 1914-19, replica not engraved."4626 Pte J.H Wicks 7 BN A.I.F"medals, military -
Tatura Irrigation & Wartime Camps Museum
Folder, Camp 4 Japanese Internees
Letters to Major Jim Sullivan, a camp officer at camp 4, from Japanese internees after war ceased. His friendship with the children of this camp resulted in a reunion, held 40 years later. Photocopied sketch of Jim Sullivan Camp 4 garrison. Artist Liang Hou Yu. Paper cutting concerning Major Jim Sullivan member of the 39th Infantry Battalion.Japanese internees. Clear plastic black back folder. Photo of Camp officer on the front of folder.internment camp, japanese internees, major jim sullivan, internment camp reunion, liang hou yu, 39th infantry battalion -
Ballarat Tramway Museum
Magazine, Association of Railway Enthusiasts (ARE), "Australian Railway Enthusiast - Vol 9, No. 4, December 1971", Dec. 1971
Copy of the Australian Railway Enthusiast - Vol 9, No. 4, December 1971, which contains seven photographs of the closure of the Ballarat Tramway System on 19/9/1971 by Greg Triplett. Item 579 refers for centre page photograph. Magazine has articles on the Beech Forest Narrow Gauge, The Atjeh Tram (Indonesia), cable cars preserved in Melbourne and a derailment at Yering Vic. in 1900. Ballarat Photos 1 - 40 in Lydiard St. 2 - Bogie car in Wendouree Parade from the wheat silos 3 - Intersection of Sturt and Lydiard Street from the Town Hall 4 - Tram at City Centre with Boer War (?) statue in front of the tram - night photo 5 - 35 at Sebastopol Terminus - night photo 6 - 42 at the Lydiard Street terminus - night photo 7 - 40 leaving Sebastopol as the last tram - night photo (see item 579) Second copy added 31-8-2017. Second copy has a "Technical Book & Mag. Co." yellow label on the front cover.trams, tramways, ballarat, closure, lydiard st, sturt st, sebastopol -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "All Aboard", 19/08/1971 12:00:00 AM
Has a good association with the final days of the SEC Ballarat system with the operation of the trams for schools (Ballarat North Technical College) and the things that could happen while on tour - 40 derails again.Newspaper clipping from The Courier, Ballarat, dated Thursday 19/8/1971, titled "All aboard". Features two photos of No. 40 and one of another bogie tram during a farewell tour of the Ballarat system the previous day by Ballarat North Technical school students. The lower photo features the school students while the upper photo shows No. 40 derailed near the corner of Sturt and Lydiard Streets with the Town Hall in the background. See Reg items 3765, 3766 for actual prints of the Courier photographs and Reg. item 1073 for another copy of the newspaper clipping. One of large group of newspaper cuttings from John Bainbridge, 7/4/02. Item has been folded for inclusion within a scrap book. Has a piece of plain paper Secured to the back of the portion that was not Secured to the scrap book itself. 2nd copy - clipped from newspaper - added 17-08-2006. In good condition.special trams, derailments, sturt st, charter trams -
Ballarat Tramway Museum
Magazine, Association of Railway Enthusiasts (ARE), "Australian Railway Enthusiast - Vol 29, No. 4, December 1991", Dec. 1991
Yields information about the personal views of the Ballarat tramway system and his photographs. Has a strong association with the author of the article.Copy of the Australian Railway Enthusiast - Vol 29, No. 4, December 1991, which has a front cover photograph of No. 40, west bound in Sturt St at intersection with Doveton St. (Photo by Glen Mills), centre page spread "Brisbane Traction Memories" - four photographs by Mick Morahan, a four page article with photographs by Chris Wurr "Ballarat Tramway Tribute "and on the inside rear page, a photograph of Elizabeth St. Hobart and King William St. Adelaide with trams. Ballarat Photographs: Page 14 - No. 31 at Mount Pleasant terminus Page 15 - No. 12 crossing Albert St. Sebastopol (has Skipton St. in the photo caption) Page 16 - No. 40 on the Dawson St. Crossover Page 16 - No. 26 and 27 crossing at the Bell St. Loop Page 17 - No. 17 at Sturt and Lydiard Sts Page 17 - Two trammies having a chat. Map of Ballarat provided by BTPS Ltd on page 15.trams, tramways, ballarat, recollections, lydiard st, sturt st, sebastopol -
Bendigo Military Museum
Document - TELEGRAMS WW2, July 40 - Jan 41
Item/s in this collection re B.J. Ruler VX40780 refer Cat. No 5790 for his service details.Telegrams - sent from camp to family and from overseas home to family. Paper has printed or handwritten message. Printed “ Commonwealth of Australia Postmaster - Generals Department. Office of Origin” Various places Australia. Abroad - places names have been deleted (Censored) One telegram “ No news for five weeks very worried all my love Margaret “ telegram, ww2, letters -
Lara RSL Sub Branch
Money, Phillipine Bank Notes, from 40's onward
Paper notes used for foreign currency. A collection of bank notes from Japan, Philippines, Malaysia, Military Notes, Hong Kong, China, East Timor and Vietnam.See photo filesbank notes, military notes