A small glass bottle possibly used for pills.Historical: This type of bottle is no longer used.Rectangular amber glass bottle with rusted metal screw lid.F. 93; G (above) M surrounded by 3 lines; all on base of bottle bottle, rectangular bottle, amber, domestic

Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. 18-Pounder Artillery Shells: The Great War Recycled and Re-Circulated Categories :Material Culture Machine Subscribe Share on facebook Share on twitter The intention of war is to kill, to maim and to destroy using, for example, the agency of 18-pounder artillery shells (so-called because they weighed 18 pounds). The shells were loaded in to the 18-pounder field guns used by the Royal Artillery and targeted to destroy German batteries and trenches as well as to shoot down aeroplanes. Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA In Under Fire, Henri Barbusse recounts how the incessant and diabolical din of war constantly bombarded the soldier body with the unendurable noise of bursting shells that caused pain to the ears (Barbusse 2010 [1933]: 207). The noise was so ‘monstrously resounding’ that one felt ‘annihilated by the mere sound of the downpour of thunder’ (Barbusse 2010 [1933]: 206). Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. People’s experience of the First World War did not end with the armistice. Whilst the noise of the artillery had ceased, the noise of war was remembered. Harry Patch on arriving home injured recalled being ‘jumpy for a while’ with the least noise prompting him to dive for cover (2009: 114). Something else materialised. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. The head-stamp of these particular shells displays the British broad arrow and the initials ‘EOC’ indicates that they were made at the Elswick Ordnance Company, England; the initials ‘CF’ signal that the charge was loaded with cordite, a standard propellant. Spent shells were illicitly scavenged from massive mounds by both soldiers and civilians alike to become personal souvenirs or to swap or sell. Spent artillery shells were crafted, often using a hammer and a bent nail. The crafting of trench art reflects the construction of an identity that offers momentary relief from the hell experienced in the trenches. The lid of an 18Pounder shell which has been adapted for use as an ash tray.Lot 27 1927, 18Pr, III, EOC, C/F, Defence broad arrow,

Refer map Cat N0 4577. Doug Dean collection, refer cat No 4575PPhoto, B & W, rectangular shape, Shows North side of Tobruk Harbour, black lines and numbered up to 34 have been added to the photo showing facilities, bomb craters can be seen, hand written in white on one side.On side of Photo, “78.E.ME/351 No 2 P.RU 14.3.42 F/36 (arrow)”tobruk, harbour, 1942

Frederick BIRKIN No VX32484, POW, died 1.7.42. Refer 184.54 for his service history also 183. 184.54 card set was originally held in the tin 182.2 with 183. .1) "Towntalk" Tobacco Tin, red in colour. .2) Polished metal Shaving Mirror, with loop in top for hanging..1) Scratched on face - "F. BIRKIN VX32484” .2) Inscribed 'Good luck Aussie'personal effects, smoking accessories, containers-commercial

Letter from the Department of Air, Area Finance Office to F.G.Davey advising that his pay books were enclosed for his future reference, no date recorded. Part of the collection re Frederick Gardner Davey DFC No 410533 RAAF. Refer Cat No 3536P for his service details.Proforma letter in black type on cream coloured paper, hand written details in black ink, handwritten signature in black ink, tear of section at the bottom of the letter has been removed.Hand written in black ink,”410533 F/O Davey F.G, 160916 - C335099”military, document, letter

Item issued to Flying Officer Geoffrey Wilkin NEVILLE No 438263 RAAF. Refer Cat No 3291 for his Service History.RAAF Kit Bag, blue canvas, white rope attached through brass eyelets. Identification details stenciled on. A white circle has RAAF No 1. F/O NEVILLE 438263 53 Forest Street Bendigo Vic K36/Q.military equipment, containers -personal, kit bag raaf

Written on back of photograph, "Arthur Broben, Jim Broben, Mrs. Trethowan, F. Dawes"

Written on back of photograph, "Cr. F. Corr". Photograph listed as "Alfred Seal, Upwey".

Written on back of photograph, "H. F. Pearson". Photographs listed as "Alfred Seale, Upwey".

The image on this coin shows a British monarch, the young Queen Victoria, at a time when Australia was a Colony of Britain.This coin represents the currency used in Australia in the 19th century.Coin, Queen Victorian Penny, 1874, Obverse shows the "Young Head" of Queen Victoria. Reverse shows Britannia. Coin well worn. Obverse: "VICT ----- D G " "BRIT - - - - G : F : D: " Reverse: "----- -NNY" 1874"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, coin, british coin, currency, penny, 19th century, queen victoria, young queen victoria, brittania, 1874

The image on this coin shows a British monarch, the young Queen Victoria, at a time when Australia was a Colony of Britain.This coin represents the currency used in Australia in the 19th century.Coin, Queen Victorian Penny, 1877, Obverse shows the "Young Head" of Queen Victoria. Reverse shows Britannia. Coin well worn. Obverse: "VICTORIA : D: G:" "BRIT - - - - -F : D :" Reverse: "ONE PENNY" "1877"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, coin, british coin, currency, penny, 19th century, queen victoria, young queen victoria, brittania, 1877

The image on this coin shows a British monarch, the young Queen Victoria, at a time when Australia was a Colony of Britain.This coin represents the currency used in Australia in the 19th century.Coin, Queen Victorian Penny, 1890, Obverse shows the "Young Head" of Queen Victoria. Reverse shows Britannia. Coin well worn. Obverse: "VICTORIA : D : G :" "BRITT : REG : F : D :" Reverse: "PENNY" "1890"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, coin, british coin, currency, penny, 19th century, queen victoria, young queen victoria, brittania, 1890

PHOTOGRAPH OF HORSE AND CART WITH TANK-WEICKHARDT'S TANKS.F.W. WEICKHARDT - CHAMPION TANKS ARE BEST 4000 GAL. C. F. SCHULZE. KATYweickhardt's tank factory, weickhardt

James Murgatroyd worked at Warrnambool Woollen Mills, Federal Mill, Tweedside, Collins Mills and set up looms for Alexander Spinning Mills Sydney, his son Fred Murgatroyd worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.Murgatroyd Photograph CollectionF Murgatroyd Yarra Falls: Yarra flood, early 1930's KODAK PRINTtextile machinery textile mills weaving mills textile mills, yarra falls mill, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills

Oil on composition boardSigned 'F. Verheesen 67', underlined in felt tipped pen - lower right corner

Owned by W.H.Arrowsmith, father of Ted Arrowsmith, and purchased by W.H Arrowsmith in the late 1940s and used by him until the late 1960s. He lived in 11 Maple Street Box Hill, 35 Cambridge Street Box Hill and Minna Street Blackburn.KODAK BROWNIE 620 Camera ANASTON black folding. Folds back into narrow case with handle. Box and instruction book included.ANASTON F/6.3 mount 370 Kodak London 100mm|DAKON shutter Brownie.photography, cameras

Blue cloth binding with embossing and gilt tooling. 389 pages.E Wiltshire 1918 (lh inside cover)|F Warren (top rh corner)books, fiction

Identity the families registered with the Church of Jesus Christ of Latter Day Saintssmall sheet of film Alphabetical Index REINHARDT - ALBERT F Church of Jesus Christ of Latter Day Saintsfamily, register, alphabetical

Pink card with black typing. It is a ticket for the Victorian Theatre at Sovereign Hill, Ballarat East.VICTORIA THEATRE SOVEREIGN HILL BALLARAT F 07 Balcony 20 DEC 1982victoria theatre, ticket, sovereign hill, ballarat

"Extract of Diary - Sgd J F BURTON 19 Feb 1942", "Points of Interest"maps, ballarat rsl, ballarat

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Black and white photograph of two servicemen at Albury Drill Hall, one in RAAF uniform and the other in 8/13 VMR uniform. Part of a collection of photographs collected during the life of the regiment and passed to the Heritage Collection when it was formalised in the early 1980s." Anzac Day Duties. John Larkin, ex F/Sgt. AG/ Alan Young."

The Gazetteer presents an extensive a to z list of Victorian towns and villages, lakes, rivers and creeks, islands, bays, hills and mountains, runs and other localities and features. Entries include latitude and longitude, populations, proximity to other towns, local industries, coach and mail runs, hotels, churches and schools.Bailliere's Victorian Gazetteer and road guide containing the most recent and accurate information as to every place in the colony. Brown hardcover book, on the spine: Victorian Gazetteer with map 1865. The first and last pages are advertisements. The book has 442 pages listing every place in the colony. The map is not included. Compiled by Robert P. Whitworth. Published by Bailliere, Regent Street Unreadable name on first page and the name of F. Houston in blue pen on first page geographic dictionary, colony of victoria

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Black and white photograph of a double-fronted Victorian weatherboard cottage. The projecting section was once a shop."F Barton bootmaker / Cottage Pakington Street / Bootmaker to E.J. Dunne 'Roseneath'." "25"historic houses -- kew (vic.), houses -- pakington street -- kew (vic.), f barton -- bootmaker

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small black and white snapshot of a cottage in Pakington Street, Kew."Mr Twiss's house ' Pakington St / Was F Bartons House / This part was the show stop"houses -- pakington street -- kew (vic.), f barton -- bootmaker, mr twiss

Student Using large magnifier. On reverse, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. D.1099.F."students, magnifier, student in class

Elizabeth Enid Granger (nee Webster) born Eaglehawk (1906-1965).Framed, oval photographic studio portrait. Hand coloured detail. Glass domed, photograph is flat. cl; Mrs E F Granger / Mayoress 1948 - 9. lr: Reg Brockelizabeth webster, mayoress granger, mayor granger, reg brock photographer, city of bendigo, city of greater bendigo portraits