Dark timber frame, burgundy matt board box display of twenty medals & bars, four badges, beret, L & R sleeves with insignia, cloth bages, photo & citation of WO11 Rayene 'Ray' Stewart Simpson DCM.Brass plaque WO11 Rayene 'Ray' Simpson, VC DCM 217622 Royal Australian Infantry, Australian Army Training Team, Vietnam.victoria cross, medals, vietnam., wo 2 ray simpson

Maroon colourded board with two square boards with Regiment emblem on it, attached to beginning and end of main board. Main board displays Battalion/Regiment name and the number "9" in Roman numerals with RAMs head in centre. Lettering Yellow9th Battalion Royal Australian Regiment. On Ensignia - Duty First9th battalion, honour roll

Film, DVD black printing on white and orange disk. 5th Battalion:The Royal Australian Regiment South Vietnam 1966-70. Tiger motifr and Coat of Arms motif front. NWM Touch Screen Film, DVD. For displayfilm, dvd, touch screen film, dvd

Found at POW camp 13 site post war by war time camp guardBrass button with Australian Military Forces around front edge, map of Australia in centre with a crown above. Has a brass loop on the back to attach to clothing. Contained in a black material covered display case with gold around edge.on front: Australian Military Forces and a map of Australia and crown. on back P J King Pty Ltd Melbbrass buttons, camp 13, military uniform accessories

Ornate frame of light green with gilt. Included in the frame is a black and white photo of lady wearing shawl (NA2623) on display in this cabinet in museum. It is thought that the lady's name is Mrs.S. Smith (nee Miss .S. Scott). See NP855photography, photographs / slides / film, domestic items, ornaments / decorative

Black and white, post card size reproduction of the East End of Rutherglen's Main Street, approx. 1900. Banner displayed across the street says "M.U.I.O.O.F Welcomes Old Brothers". M.U.I.O.O.F is the Manchester Unity Independent Order of Oddfellows.red boot shop, quon fruiterer, crockery ware & co, muioof

Pte E.A. Middleborough was killed in action in Egypt 31st October 1942 while serving with 2/32 Australian Infantry Battalion. Buried at El Alamein War Cemetery.Framed display containing 5 WW2 Australian medals and memorial scroll. Medals are; 1939-45 Star, Africa Star complete with 8th Army clasp, Defence Medal. War Medal 1939-45 and Australian Service Medal.Details on medals; VX35798 E.A. Middleborough

B&W photo of Belgrave Post Office, 1997. Internal shot showing counter area. Two adults (one with a small child) are being served. Postpaks are on display behind the counter on the left side. Posters are on the back wall.

Wood and Glass display box with green felt lining. Contains three black and white images of Mervyn Harris and his metalwork, along with a horseshoe, hammer, pliers and various other blacksmith tools and some printed description labels.

Laminated A3 fawn coloured poster for use in tram roof ad racks, featuring Souvenirs available for sale on the tram and making reference to display cases. Includes drawing of tram 33. Image added 20-12-2016.trams, tramways, btm, posters, roof ads

Yields information about two of the BTM volunteers and the horse tram biscuit tin and counter in the display centre.Colour photographs taken by Graeme Cleak on 11/3/12 of Merle Clowes and Carolyn Cleak holding the horse tram biscuit tin in the sales area within the display centre, No. 39. Printed on Fujichrome Crystal Archive paper.On rear of photograph is date "13.3.12" and who the photo taken by in ink.trams, tramways, btm, sales, tram 39

Display of items made by residents of Sandhurst Boys Centre, including children's furniture, pouffes, wrought iron magazine holders, small tables and stools, handbags, trays and small bowls. These are arranged in front of a stage with hand painted backdrop.bendigo, institutions, sandhurst boys centre, occupational therapy;

Embroidered shoulder titles were worn on the upper sleeves of uniform prior to the introduction of colour patches c.1990. Regular regiments used the numerical designations First, Second, Third and Fourth. CMF regiments used their territorial designation: Victorian, Queensland, New South Wales, Hunter River, South Australian, Prince of Wales's and 10th Light Horse. Australia’s defence plans and priorities changed after the Second World War. Decolonisation coupled with competing ideologies created an unstable situation in the Asia-Pacific region. Australia recognised it needed both regular and citizen forces. Six Armoured Corps regiments were formed in 1948, all with territorial titles reflecting their Light Horse heritage. In Victoria they were 4th/19th Prince of Wales’s Light Horse and 8th/13th Victorian Mounted Rifles. The 1st Armoured Regiment, formed July 1949, was the first regular RAAC regiment, followed by 2nd, 3rd and 4th Cavalry Regiments decades later. Unique collection of regimental titles worthy of preservation and display.Display board containing the badge and shoulder title of 8/13 Victorian Mounted Rifles flanked by the formation signs of 2nd Armoured Brigade. These are followed by the shoulder titles of Royal Australian Armoured Corps and eight other RAAC regiments.military, titles, uniform, ara, cmf

Rusted Tin Sign – "THIS LAND IS AURIFEROUS AND SUBJECT TO MINING CONDITIONS" This sign was required to be displayed in the vicinity of gold mining sites. From 1850'c to between the two world wars. Found near Rhymney Hill Great Westernc1966stawell

Document. A piece of paper typed on in red titled 'The Legend of the Saw'. Describes a miners saw in the pioneer times on the goldfields and what it was used for. Signed at the end - H. C. Appears to have been a label that was with the saw in some sort of display.mining, bendigo, eaglehawk

This padlock has been salvaged from the wrecked sailing ship SCHOMBERG. It is not known whether the padlock was a part of the ship’s equipment or if it was among personal effects or cargo. At some point in time the padlock has been mounted and sealed in resin, perhaps for both display and preservation purposes. ABOUT THE SCHOMBERG When SCHOMBERG was launched in 1855, she was considered the “Noblest ship that ever floated on water.” SCHOMBERG’s owners, the Black Ball Line, commissioned the ship for their fleet of passenger liners. She was built by Alexander Hall of Aberdeen. Overall she had accommodation for 1000 passengers. SCHOMBERG’s 34 year old master, Captain ‘Bully’ Forbes, (James Nicol Forbes) was born in Aberdeen in 1821 and rose to fame with his record-breaking voyages on the famous Black Ball Line ships; MARCO POLO and LIGHTNING. On this, the SCHOMBERG’s maiden voyage, he was going to break records. SCHOMBERG departed Liverpool 6 October 1855 flying the sign “Sixty Days to Melbourne”. She carried 430 passengers and 3000 tons cargo including iron rails and equipment intended to build the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, 90,000 gallons of water for washing and drinking, 17,000 letters and 31,800 newspapers. The ship and cargo was insured for $300,000, a fortune for the time. The winds were poor as she sailed across the equator, slowing SCHOMBERG’s journey considerably. Land was first sighted on Christmas Day, at Cape Bridgewater near Portland, and Captain Forbes followed the coastline towards Melbourne. Forbes was said to be playing cards when called by the Third Mate Henry Keen, who reported land about 3 miles off, Due in large part to the captain's regarding a card game as more important than his ship, it eventually ran aground on a sand spit near Curdie's Inlet (about 56 km west of Cape Otway) on 26 December 1855, 78 days after leaving Liverpool. The sand spit and the currents were not marked on Forbes’s map. The crew from the scouting party advised Forbes to wait until morning before trying to take the passengers to safety in the lifeboats because the rough seas could easily overturn the small vessels. The ship’s Chief Officer spotted SS QUEEN at dawn and signalled the steamer. The master of the SS QUEEN approached the stranded vessel and all of SCHOMBERG’s passengers and crew were able to disembark safely. The SCHOMBERG was lost and with her, Forbes’ reputation. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the SCHOMBERG. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Later one plunderer found a case of Wellington boots, but alas, all were for the left foot! Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo that was still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. In 1864, after two of the men drowned when they tried to reach SCHOMBERG, salvage efforts were abandoned. Parts of the SCHOMBERG were washed ashore on the south island of New Zealand in 1870, nearly 15 years after the wreck. The wreck now lies in 825 metres of water and the shape of the ship can still be seen due to the remaining railway irons, girders and the ship’s frame. A variety of goods and materials can be seen scattered about nearby. Flagstaff Hill holds many items salvaged from the SCHOMBERG including a ciborium (in which a diamond ring was concealed), communion set, ship fittings and equipment, personal effects, a lithograph, tickets, menu and photograph from the SCHOMBERG. This brass padlock is registered as an artefact in the SCHOMBERG collection. The SCHOMBERG collection as a whole is of historical and archaeological significance at a State level, listed on the Victorian Hertage Register VHR S612. Flagstaff Hill’s collection of artefacts from the SCHOMBERG is significant for its association with the Victorian Heritage Registered shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the SCHOMBERG. The SCHOMBERG collection is archaeologically significant as the remains of an international passenger ship. The shipwreck collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day. The SCHOMBERG collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural Brass Padlock lying in a wooden block and encased in resin. The wood encasing the padlock has seven man-made holes in it, perhaps used to hand as a display. There was a paper label with an inscription on the top and bottom of the wood immediately surrounding the padlock. the brass has tarnished. Recovered from the wreck of the Schomberg in 1974.Marked on block - "Recovered 1974 'Schomberg'"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, padlock, schomberg shipwreck, brass padlock circa 1855, object salvaged from shipwreck, captain bully forbes, 19th century security hardware, sjouvenir, security, brass padlock

Brown decorated timber frame, cream shadow box mounting card, booklet, photocopy text, glass. Black printed text reads -Autograph Book / Belonging to Geelong Supporter / Kenneth W. Cavey- and -Donated by / Peter Price / and Family-. There is a photocopy of a blue front cover of a booklet with the text -Autographs-. On the left of the display is an opened booklet with notes and autographs hand-written in pencil and pen. Display is protected by glass. Rear of frame has a Kardinia Picture Frames sticker and a fabric cord running horizontally which is used to hang the item.Autographs of 1934. Les Hardiman. Reg Hickey. Angie Muller. Bob Troughton. Clive Coles. Lou Daily. Alex McGregor. George Todd. George Moloney. Jack Walker. Jack Williams. Jack Metherell. Jack Carney. Len Metherell. Bill Kuhlken. Allan Everett. Jack Collins. Peter Hardiman. Tom Arklay. Joe Tucker. Jack Lyons. Norm Glenister. Gus Leishman.gfc 1934 team, geelong cats 1934

Until late 1925, all record players reproduced sound by purely mechanical means and relied on a so-called "amplifying" horn to efficiently couple the vibrations of the stylus and diaphragm to the space occupied by the listeners. In 1906, the Victor Talking Machine Company, Columbia's arch competitor, introduced a line of models in which the horn and other hardware were concealed within a cabinet, made to look like fine furniture rather than a mechanical device. They named the new style a "Victrola". It quickly proved to be very popular and successful. Other makers, adopting the distinctive suffix, introduced their own "-ola" internal horn machines, such as Edison's Amberolas and Columbia's Grafonolas. They were soon outselling the external horn models. At first, like nearly all other early record players, all Grafonolas were driven by a spring motor that the user had to wind up with a crank before playing a record. In 1915, Columbia began to introduce electric-motor-driven models, as a majority of urban areas had been wired to electrical grids. The electrified Grafonolas supported both alternating and direct currents from 110 to 220 volts. Electrified Grafonolas never gained the popularity enjoyed by the spring motor-driven versions due to substantially higher prices and a lack of electrical service in rural areas. Grafonolas were manufactured under the 1886 United States Letters Patent No. 341,214 which Columbia Graphophone company acquired through its predecessor American Graphophone Company. Two models were available; a portable table model and bigger stationary floor model, offering limited mobility through the application of casters. The most notable table models included Grafonola Favorite introduced in 1911 and Grafonola Savoy introduced in 1915. The most notable floor models included Grafonola Symphony Grand introduced in 1907, Grafonola Regent introduced in 1909, Columbia Mignon introduced in 1910, Grafonola Princess introduced in 1911, Columbia Colonial introduced in 1913. Various period Grafonolas were introduced in 1917 to cater to an increasingly prosperous clientele. Columbia Phonograph Company began to manufacture a series of ornate, limited edition period machines. These were highly priced (some as high as US$2,100 ) special orders that provided consumers with options to choose styles which matched their interior décor. Although the Gramophone does not have a large monetary value, it is of social significance as it demonstrates the progress made in audio reproduction from the first Edison cylinder machines to improvements that allowed ordinary people to be able to buy music discs and enjoy music in their own homes. Gramophone with internal horn, floor model, mechanically operated by a crank handle. Colombian Grafonola Princess (Type F2) brand. Gramophone is in a wooden display cabinet with room for record storage underneath and is complete with handle. Manufactured in 1911 by Columbia, USA."Columbia Grafonola Type 2 Made in USA"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, record player, gramophone, mechanical gramophone, floor model gramophone, gramophone record, columbia graphophone company, american graphophone company, columbia, grafonola, grafonola princess, music, playing music, audio reproduction, sound equipment, domestic entertainment, 1911 gramophone

Passchendaele Barracks Trust NR 22 - 663T.This is a brass belt buckle. The front has a round 3D badge displaying a star and half moon. On the half moon appears to have raised Turkish writing. On the rear, is a small rectangular coup, and, a rod that pivots. On that Rod are two metal prongs.passchendaele barracks trust, belt buckle, turkish

The Grinton Collection. Jack Grinton on the verandah of his home at Tragowel, he is holding a captured German Luger plus a shot gun. Refer Cat No. 1280 for Jacks service details. Photograph framed. Photograph - black and white photograph on paper depicting an informal full-length portrait of a soldier in uniform displaying three guns. Background timber building. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "B. Jack Grinton (with German Guns)".framed accessories, camera on the somme, ww1, 38th bn, grinton

The letter is a standard one that accompanied the "Commemorative Plaque" (655.3) when it was sent out to the next of kin. Refer William Edwin Cook 399.2, 398P, 401, 875.Note from the "King" re W.E Cook, copy for display. Yellowish paper with Red seal at the top. Under in Red also is"Buckingham Palace." Under the letter is a signature of the King "George R.I." The letter is in a black frame with gold edging.documents - letters, government - british

These are colour photo reproductions of original leaflets on photo paper.Photographs of propaganda posters. .1) "BEWARE THE MASK OF FRIENDSHIP" in colour. .2) The British Commonwealth of Nations together in colour. Displays marching servicemen. .3) The enemy has long ears. Don't talk. shows image of Jap Officer in colour.propaganda, leaflets, japanese

The wooden items are made from Banksia Bauerii. During the 1960's to the 1990's, local women made wooden items and jewellery of pressed flowers for sale at the Wildflower Show.The photo shows stuffed animals displayed on a sawn branch and leafed twigs. Items made from wood and Banksia cones can be seen in the top, left hand corner, and other small items can be seen hanging on a branch on the right.events, wildflower show

Bernhard Gerstle & his family (parents & siblings) were German nationals working in Tehran, Iran upon the outbreak of World War II. In 1941, after the installation of a pro-British ruler to the Persian throne, all German nationals were targeted as threats to national security. The women and children evacuated to Stuttgart, Germany via Turkey, while the men were handed over to British forces. Bernhard was taken by ship (the SS Rona) to Bombay & then to Australia (on the SS Rangitiki). He was then marched in to Loveday internment camp 10, South Australia. In January 1945 the German & Italian internees at Loveday were transferred to Tatura Camp 1. Bernhard remained there until after the war & his eventual release, on 29th August 1946. Bernhard chose & was granted permission to remain in Australia post-war, as did many civilian internees, after their examination by a Committee of Inquiry which investigated their political leanings & other criteria for their supposed suitability as Australian residents. The biography also recounts his employment post-war, marriage in 1952 & his later naturalisation as an Australian citizen. Other material includes Gerstle family history from the perspective of Bernhard's sister & family, who remained in Stuttgart; background on the Gerstle family's Russian origins; and a biography of Oskar Speck, famous kayaker, amongst other things, who was interned along with Bernhard & who became good friends with the family; a brief historical background of the Allied forces/Persia invasion; and extracts of Tatura Camp 3 internee Helga Griffin's book, "Sing Me That Lovely Song Again". Black plastic A4 display folder. CD soft case with CD. Folder contains printed biographical information regarding Bernhard Hermann Gerstle. CD contains copies of same documents and also copies of photographs of Bernhard & the Gerstle family. Folder: Bernhard Hermann Gerstle/ Gerstle Family/ Loveday and Tatura Internment Camps 1941-1946/ Sydney 1946-1978/ Compiled by Mary Henderson 2013 CD: BH Gerstle; 1941 - Interned by British/ 1941-1946 - Internee at Loveday SA, Tatura VIC/ Sydney 1946-1978. camp 1, tatura, loveday, world-war-two, internment-camps