The Dogtor knocked at 13 Spook Street and a faint voice said "Come in". Behind another door inside, came a faint child's voice "Help me" which led the Dogtor down a passageway. It was of course, Crafty Carson Carpetbag setting a booby trap to kill him by using a trick string and a huge stone. The Dogtor braced himself and pushed open the door...The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

Soft Cover Magazinearchitecture, australian architecture, walsh st library

Hardcover w/ Dust JacketPlain envelope, Australian Dictionary of Biography Subscription card and Corrigenda insidebiography, dictionary, australian biography, walsh st library

Hardcover w/ Dust JacketCorrigenda and subscription card insidebiography, dictionary, australian biography, walsh st library

Stawell Primary School 502 1975stawell education students

they also performed at the Athenaeum Theatre in 1987newspaper cutting in good conditionthe fabulous singlette, universal theatre, hocking & woods, wendy harmer

Black and white program : good conditionadvertisement of Ernest Hillier Chocolates story overviewthe life and death of sandy stone, athenaeum theatre, program, programme, barry humphries

Book bound in tan coloured cloth, gold lettering on the spine stating volume number and alpha codes to denote contents.non-fictionREFERENCE/ENCYCLOPEDIA FOR EDUCATIONAL PURPOSES encyclopedia, 1833

The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Purina 'fancy feast') from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters

One of three posters reproducing sections of a mural painting by Robert Ingpen located in the National Wool Museum, Geelongwool - history textile industry - history wool sales, ingpen, mr robert, geelong, victoria, wool - history, textile industry - history, wool sales

Series of eleven photos taken in 1984 planting trees and 1993 showing some graves and also the growth of trees.stawell

Series of eleven photos taken in 1984 planting trees and 1993 showing some graves and also the growth of trees.stawell

Series of eleven photos taken in 1984 planting trees and 1993 showing some graves and also the growth of trees.stawell

Series of eleven photos taken in 1984 planting trees and 1993 showing some graves and also the growth of trees.stawell

Series of eleven photos taken in 1984 planting trees and 1993 showing some graves and also the growth of trees.stawell

Series of eleven photos taken in 1984 planting trees and 1993 showing some graves and also the growth of trees.stawell

Series of eleven photos taken in 1984 planting trees and 1993 showing some graves and also the growth of trees.stawell