‘Strike anywhere’ or ‘Waterproof’ matches are still used today all around the world, including many developing countries and are widely used for camping, outdoor activities, emergency/survival /military situations, and stocking homemade survival kits. Anton Schrötter von Kristelli discovered in 1850 that heating white phosphorus at 250 °C in an inert atmosphere produced a red allotropic form, which did not fume in contact with air. It was suggested that this would make a suitable substitute in match manufacture although it was slightly more expensive. Two French chemists, Henri Savene and Emile David Cahen, proved in 1898 that the addition of phosphorus sesquisulfide meant that the substance was not poisonous, that it could be used in a "strike-anywhere" match, and that the match heads were not explosive. British company Albright and Wilson, was the first company to produce phosphorus sesquisulfide matches commercially. The company developed a safe means of making commercial quantities of phosphorus sesquisulfide in 1899 and started selling it to match manufacturers. Bryant and May was a United Kingdom (UK) company created in the mid-nineteenth century specifically to make matches. Their original Bryant and May Factory was located in Bow, London. They later opened other match factories in the United Kingdom and Australia. On 15th December 1909, Bryant & May, Australia’s first match factory at Church Street, Richmond, Victoria. was opened by The Honorable Alfred Deakin, Prime Minister of Australia, and Mrs. Deakin The Bryant & May Ltd factory in Church St Richmond is a listed building and has been converted to apartments following the closure of the Company 1980. Bryant & May's Ltd were influential in fighting against the dreadful disease known as Phossy jaw which was caused by white phosphorus used in the manufacture of the early matches. They were also the object of the 'Match Girls Strike' in London 1888, which won important improvements in working conditions and pay for the mostly female workforce working with the dangerous white phosphorus. The public were slow to purchase these red phosphorus sesquisulfide safety matches because of the higher price1 box of unused Bryant & May safety matches 'Greenlite' waterproof Greenlites / waterproof / matches / CONTENTS 47 / MADE IN AUSTRALIA BY BRYANT & MAY / E 2994 photograph of a man and woman beside a camp fire on the beachsafety matches, bryant & may pty ltd, phossy jaw disease, early settlers, moorabbin, bentleigh, cheltenham, lights, lamps, tobacco, white phosphorous, red, phosphorus sesquisulfide, swedish match pty ltd, pitt william, savens henri, cahen emile david , richmond victoria,

Photos of the lifeboat crewsRealism, historicalbalck & white photograph of (L-R) Steam ship, Couta boat, ALVINA & sunken mastsOn the reverse of 1 of 2- "Frank Ferrier 34 Beach St Queenscliff Gift "pilot steamer ALVINA in background- white ship in distance c1920"

One of 15 A3 sheets with copies of postcards on each page. Shirley Jones Collection.Copies of postcards: Left side from top to bottom: 1. Eastern Beach Cowes Phillip Island. 2. Postcard with 7 Souvenir photographs of Phillip Island. 3. Lovers Walk Cowes Phillip Island. 4. Cowes Pier taken from a boat. Right side from top to bottom: 1. Cowes Pier with many people at the end of the Jetty looking at a Sailing Ship. 2. Lovers Walk. 3. The Cowes Pier in the background with 3 children on the grass in the foreground. 4. Cowes Pier looking towards Cowes.Left side from top to bottom: 1. "Valentine Series 3395 - Eastern Beach Cowes". 2. "Phillip Island - photographed for H Gullifer The Corner Store Cowes" 3. "The Rose Series P654 - The Lovers Walk Cowes Phillip Island Vic". 4. "Cowes". Right side from top to bottom: 1. "Cowes Jetty Phillip Island Vic". 2. "The Rose Series P687 - The Lovers Walk Newhaven Phillip Island Victoria". 3. "The Pier Cowes Phillip Island. 4. "Cowes Pier Phillip Island - H Gullifer The Corner Store Agent Fairlam Photo".cowes eastern beach, lovers walk cowes, cowes pier phillip island, cowes jetty, shirley jones collection, thelma astbury

In 2021, the Department of Environment, Land, Water and Planning (DELWP) constructed two new groynes and a section of rock seawall at Apollo Bay to help manage the impacts of coastal erosion. The new 70-meter-long rock groynes run perpendicular to the shoreline and be located just south of the Milford St revetment and to the south of Milford Creek. Sections of rock seawall will be constructed between the two Groynes with an aim to protect the dune, walking path, cypress trees and road from erosion. Colour photograph of a coastal scene at Apollo Bay, featuring new rock groynes to protect the Great Ocean Road from erosion. apollo bay, beach, coast, groyne, rockwall

In 2021, the Department of Environment, Land, Water and Planning (DELWP) constructed two new groynes and a section of rock seawall at Apollo Bay to help manage the impacts of coastal erosion. The new 70-meter-long rock groynes run perpendicular to the shoreline and be located just south of the Milford St revetment and to the south of Milford Creek. Sections of rock seawall will be constructed between the two Groynes with an aim to protect the dune, walking path, cypress trees and road from erosion. Colour photograph of a coastal scene at Apollo Bay, featuring new rock wall and groynes to protect the Great Ocean Road from erosion. apollo bay, beach, coast, groyne, rockwall

Coastal scenes at Crayfish Bay, Victoriacrayfish bay, beach, coast, great ocean road, otways

Colour photograph of horses swimming at Warrnambool breakwater.warrnambool, horse, beach, coast, dawn

Colin COLAHAN (1897-1987) Born Australia Colin Colahan was a student of Max Meldrum, and was one of the first tonalist painters to have his work purchased by the National Gallery of Victoria. He contributed cartoons to 'The Bulletin'. Colahan was working in Paris in the 1920s and had a studio in Mont Martre. He returned to Melbourne by 1927. He next lived and worked in London in 1936 for the next 22 years. During World War Two his house in Chelsea was bombed and everything destroyed. Some photographs donated to Xavier College, his alma mater, are the only evidence of the destroyed work. Cola ham was an Australian War Artist after 1942, with over 90 of his works held by the Australian War Memorial. He moved permanently to Itsly in 1958. Images of a framed watercolour by Colin Colahan. Signed lr "Colin Colahan 1915"colin colahan, watercolour, boats, coast, beach

Winner of the Bayside City Council Acquisitive Award at the Brighton Rotary Art Exhibition, 2001.oil on boardbeach, children, leisure, lorraine burns, painting

Photograph of Port Fairy Surf Club members in March past at Surf Carnival at Apollo Bay 1963/1964Coloured Photograph surf club, beach, members, carnival, apollo bay

This photograph is of “The Crags” an area on the coast half way between Port Fairy and Yambuk. The name is an abbreviation of McKechnies Craigs/Crags owners of property in the vicinity. it is close to ancient aboriginal campsites but these are not accessible to the public. Because of the nature of the geology in this area this photograph shows a seascape that it is not possible to see now.Hand coloured photograph used as postcardThe Crags Port Fairyseascape, sea, beach, the crags, mckechnie’s crags or craigs

For the month of September, Cornish College was featured. The students were from the 2011 ELC3 group which shows them playing in the grass.The photo was taken by ELC Director Kirsten Liljegren.'Future graduates of Cornish College relish in the campus' rebirth' describes the photograph. As part of the Uniting Church, Cornish College was included in the 2012 calendar. A4 14 page calendar with sepia beach photo on cover. Uniting Church logo in top right hand corner. White writing in bottom section. Each month has a colour photograph, quote and dates.campaign_to_save_cornish, calendar, 2012, uniting church,

Letter: sent to Bendigo Historical Society 26th. October, 2007 by Beryl Margaret Carson, P.O. Box 39, Culburra Beach, NSW 2540. Re possessions of Mavis Jean Gould that relate to the Lansell family.Beryl Margaret Carsonplace, fortuna, family history, lansell, fortuna, bendigo

Wooden framed (handmade) etching of a depot depicting many buildings set our on an open field. Road bordering complex sandy beach & ocean waves. All coloured & etailed. Artist Eric R. Garrett.2nd advanced ordance depot, vung tau 1974

SMALL BLACK & WHITE PHOTOGRAPH OF SHIRLEY JAMES, ON LEFT, ANDJOAN PEAKE [NEE EASEY]. SHIRLEY JAMES WAS THE SUN BEACH GIRL C 1950 AND JOAN PEAKE [NEE EASEY] WAS MISS VICTORIA C 1950.local history, photography, photographs,

Black and white photograph showing newly constructed piers at entrance to Gippsland Lakes from ocean Bass Strait. Photo shows distress rocket set up on beach with two people. Lakes Entrance Victoriamachinery, ships and shipping, waterways, public works

Black and white photograph showing entrance to Gippsland Lakes from ocean Bass Strait. People in 1920s style dress on boardwalk. Kiosk on beach closed. Vegetation either side of boardwalk. Lakes Entrance Victoriajetties, ocean, waterways

2 copies with inscription below|1 x 9 x 14|1 x 12.5 x 17.5|View of Flagstaff and Rocket Shed from the Eastern Pier of Lakes Entrance, this was the New Works, (photograph 1906c - A Maclachlan)|Enlargement black and white 20.5 x 28|Also copy in Caire P01049Black and white photograph showing two ladies on Eastern Pier, view of beach, dune and flagstaff on right, entrance and northern end of pier and works buildings on left, Kalimna escarpment in background. Lakes Entrance Victoriajetties, boats and boating, waterways

Vessel went aground 26 April 1981Colour photograph of an aluminium dinghy swept into vertical position by surf breakers, on the beach. Three men trying to retrieve the dinghy, at the site of the stranding of the larger vessel Dageraard. The tow rope is visible. Lakes Entrance Victoriaships and shipping, fishing industry, shipwrecks

Three other photographs very similar, also newspaper cutting November 1985 in albumColour photograph showing bulldozer and rescuers on beach west of Western pier, attempting to re float the Posidon. Two fishing vessels standing by at sea, line of people holding long rope. Lakes Entrance Victoriafishing industry, ships and shipping, ocean

includes two other photographsColour photograph showing bulldozer and rescuers on beach west of Western pier, attempting to re float the Posidon. Two fishing vessels standing by at sea, line of people holding long rope. Lakes Entrance Victoriafishing industry, ships and shipping, ocean

'Moya Anne' from Port Phillip Bay 1980'sColour photograph of scallop fishing boat Moya Ann, beginning its entry into port. Sandy beach of coastline in distance. Photograph appears to have been taken from another vessel. Lakes Entrance Victoriafishing industry, ships and shipping, jetties

'Moya Anne' from Port Phillip Bay 1980'sColour photograph of scallop fishing boat Moya Ann, beginning its entry into port. Sandy beach of coastline in distance. Photograph appears to have been taken from another vessel. Lakes Entrance Victoriafishing industry, ships and shipping, jetties