Reproduction of Rose Series postcard No. 547 of Ryrie St Geelong with tram No. 7 east bound and another tram in the distance. Photo shows the tramway centre poles. Has the old Geelong Post Office (see reference) on the left side of the image.Yields information about Ryrie St Geelong.Reproduction of Rose series postcard No. P547 trams, tramways, geelong, ryrie st, geelong post office, tram 7

Printed black and white postcard of Alexandra Fountain Bendigo with an ex-Melbourne SEC tram on the right side, going to Eaglehawk. In the view are the National Mutual, Australian Mutual Provident Society, and the Armstrong Tyre Service station. Published by Valentine of Melbourne and Sydney.Yields information about Bendigo's Charing Cross and View St late 1940s.Postcard black and white, used - No. 6.Has a letter on the rear with two stamps dated 27-6-1949 to Ken Magor from Roy and Ken about their visits to the three provincial tram systems and the narrow gauge at Ferntree Gully. The weather had not been good for their visit. See rear image.tramways, trams, bendigo, charing cross, view point

Postcard of the Metalexport building in Warsaw, Poland. Metalexport was the sole exporter of textile machinery from Poland.Postcard of the Metalexport building in Warsaw, Poland, 1959. Metalexport was the sole exporter of textile machinery from Poland. Back of a postcard of the Metalexport building in Warsaw, Poland, 1959. Metalexport was the sole exporter of textile machinery from Poland.METALEXPORTtextile machinery, metalexport

Postcard advertising the Dandies, a collection of troupes, each of around a dozen performers that were popular in Australia throughout World War I. The Dandies were established in 1911 by Edward Branscombe.Unused postcard, yellowed white card printed in brown.the dandies, edward branscombe

Postcard advertising the Dandies, a collection of troupes, each of around a dozen performers that were popular in Australia throughout World War I. The Dandies were established in 1911 by Edward Branscombe.Unused postcard, yellowed white card printed in brown.the dandies, edward branscombe

Shows horse-drawn vehicles and one electric tram arriving at the terminus, late in the evening. Shows the little shed at the terminus, and buildings on either side of the Sturt St. People waiting around the tram stop. The tram seems to have a "color" light indicator above the driver. Titled "Sturt Street, Ballarat" in red ink in the top left-hand corner. On the rear of the card, has the stamp "R. M. Noy, Postcard collection", cancellation stamp of Ballarat East, 23.5.07, 1d Victorian stamp. Written to Miss Victoria Kemsey? of 225 Victoria Parade, East Melbourne, wishing her many happy returns on the day. Has the logo of WTP." in the top centre of the card. Divided back type. On rear of 2nd copy is a letter to Mrs Spronston of Skelton Cottage Avoca - date stamp not readable. 2nd copy has the publisher "JE" on the rear upper centre.Yields information about Sturt St Ballarat and demonstrates Australian printed colour photo postcards.Colour postcard of Sturt St taken from Grenville St looking down at the Grenville St terminus.Has in pencil $12 along top edge on rear and two stickers "P/U Ballarat" and "Ballarat Vic Tram" both of which had become loose by the time the item was stored.trams, tramways, postcards, sturt st, ballarat, grenville st

The postcard depicts a large group of young men and women posing inside the Beechworth Town Hall. They are attending the Back to Childhood Ball in Beechworth on 3 November 1937. Joining them is a small goat in the front row.The postcard provides insight into entertainment, leisure and recreation in Beechworth during the 1930s. It enriches the community's understanding of how entertainment has developed in Beechworth since the early twentieth century.Black and white rectangular postcard printed on card.Obverse: a memento of the Back To Childhood Ball "Beechworth" / 3.11.37 / Reverse: 3708 / POST CARD / KODAK / CORRESPONDENCE / ADDRESS ONLY / AUSTRAL / A / AUSTRAL / KODAK / N. R. McGEEHAN, (Flashlight Specialist.) / 154 HOTHAM ST., ST. KILDA. S. 2. /entertainment, entertainment album, beechworth, 1930s, goat, recreation, performance, leisure, back to childhood ball, social

Photo of the intersection of Sturt and Lydiard St Ballarat, with the National Mutual and Town Hall in view. Has an ESCo tram with a former horse trailer and another ESCo tram. The Clarks & Co. building is on the corner. See Reg Item 5128 for another version of this photograph/postcard.Demonstrates postcard printing mid 1910's and how they were used along with the use of former horse trams as trailers.Postcard - divided back, colour, Valentines and Sons of the intersection of Sturt and Lydiard St Ballarat. Printed in Great Britain. Has an embossed decorative border with a flower in the top right hand cornerOn the rear is a message to Lou from Les about arriving in Ballarat dated 1/7/1915. Has in pencil a "$4" price.ballarat, tramways, sturt street, esco, town hall, national mutual, trailers, horse trams

Book - titled "The Melbourne Tram Book" - 1st Edition, written by Randal Wilson and Dale Budd - 2003. Covers Melbourne tram history including cable trams, early electric trams, trams in art, historic fleet, colour schemes, tram types, and preserved tramways. Includes notes on the authors. Yields information about Melbourne trams history. Has a close association with two well known authors.Book - 84 pages including card covers, full colour printing on gloss paper, perfect bound with foldout covers containing four postcards that could be removed.melbourne, tramways, trams, history, randal wilson, dale budd

Postcard inscribed on reverse "Eltham 26.12.12"Digital file only Postcards scanned from the collection of Michael Aitken on loan to EDHS, 13 Feb 2018michael aitken collection, postcards, research (vic.), state school

Postcard inscribed on reverse "Eltham 26.12.12"Digital file only Postcards scanned from the collection of Michael Aitken on loan to EDHS, 13 Feb 2018michael aitken collection, postcards, research (vic.)

One of a collection of 11 photographs/postcards donated by Meg Davis & Nancy McHaffie from the estate of Brenda Higgins, grand-daughter of JD & Georgianna McHaffieSepia Postcard of a horse and gig with man and dog. Nobbies in the backgroundThe Rose Series P 666. Looking to The Nobbies, Phillip island, Victoria.the blowhole phillip island, phillip island coastline, horse & gig, meg davis, nancy mchaffie, brenda higgins

One of a collection of 11 photographs/postcards donated by Meg Davis & Nancy McHaffie from the estate of Brenda Higgins, grand-daughter of JD & Georgianna McHaffieBlack & White postcard of the Cowes Pier with Jetty Shed in the foreground.The Rose Series, P 672. The Pier, Cowes, Phillip Island, Victoriacowes pier, cowes pier phillip island, cowes jetty, cowes jetty shed, meg davis, nancy mchaffie, brenda higgins

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered flags. Handwritten message on back.Front: "Victory / and / Liberty" (embroidered) Back: "To Alice from Will / Best love / hope you are all well as it leave me at present / xxxxxx"wwi, postcard, embroidered postcard, carte postale

Set of 6 postcards produced for sale by Greensborough Historical Society. Postcards Frame 1, top to bottom: Fallen Soldier's Memorial, Main Street 1923; Greensborough Park Tea Rooms 1920s;Greensborough Railway Station 1920s. Frame 2, top to bottom: Stubley Motors 1930s; Greensborough Township early 1900s; Main Street Greensborough 1956.6 black and white postcards in 2 black timber frames, under glass.greensborough historical society, main street greensborough, greensborough station, stubley motors

A digital copy of a black and white postcard of a photograph taken of a bridge at Narbethong House in Narbethong.A digital copy of a black and white postcard of a photograph taken of a bridge at Narbethong House in Narbethong. This postcard was produced by The Rose Stereograph Company as a souvenir of Narbethong.narbethong, victoria, australia, postcard, rose series postcard, the rose stereograph company, narbethong house, wooden bridge, p. 2709

A digital copy of a black and white postcard of a photograph taken of a waterwheel at Narbethong House in Narbethong.A digital copy of a black and white postcard of a photograph taken of a waterwheel at Narbethong House in Narbethong. This postcard was produced by The Rose Stereograph Company as a souvenir of Narbethong.narbethong, victoria, australia, postcard, rose series postcard, the rose stereograph company, narbethong house, wooden bridge, p. 2710

A digital copy of a black and white postcard of Cathedral House and the Buxton General Store in Victoria.A digital copy of a black and white postcard of Cathedral House and the Buxton General Store in Victoria. The Buxton General Store was originally built in the early 1930s by Jack Preece. It also served as the local Post Office, cafe and petrol station. The store had a succession of owners until its closure in around 2018.CATHEDRAL HOUSE + STORE/ BUXTON/ HOME 46buxton, victoria, buxton general store, jack preece

A digital copy of a black and white postcard of a photograph taken in the grounds at Narbethong House in Narbethong.A digital copy of a black and white postcard of a photograph taken in the grounds at Narbethong House in Narbethong. This postcard was produced by The Rose Stereograph Company as a souvenir of Narbethong.narbethong, victoria, australia, postcard, rose series postcard, the rose stereograph company, p. 2707, narbethong house, wooden bridge

The text on reverse translates Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard

The text on reverse translates to Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard

A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.Just a Line from MARYSVILLE 1355 PRINTED PAPER/ MAILING NOVELTY TO OPEN RAISE FLAP VALENTINE'S "MAIL NOVELTY" POST CARD/ COPYRIGHT From Printed in Great Britain To Marysville Chalet/ Marysville/ Phone 12 Dear Nev. We had a good/ trip up, left Ballarat/ 1/4 to 2 & Ivy & Kev were waiting 1/2 hr for us &/ Kev took the lead through Melbourne & by cripes/ was I glad to get through it, our darn engine/ kept cutting out, at the stop signs, by cripes I felt/ like crawling under the seat. Its beautiful weather/ here, we done a couple of good walks, going fishing/ this afternoon, Merle & Valerie have mixed up with/ some of the young mob & seem to be doing alright./ Well hope every-thing is going OK down there./ Merle & Val are thinking of going horse riding./ The trees and ferns are gorgeous here, tall I have never/ seen so tall a trees. Well Nev must close now. Love from Mum. Xmarysville, victoria, postcard, souvenie, valentine publishing co, crossways cabaret (image 1), taggerty river (image 2), acheron way (image 3), black spur (image 4), nicholl's lookout (image 5), main street marysville (image 6), sugarloaf bay eildon (image 7), steavenson falls (image 8), cumberland falls (image 9)

One of 15 photographs and postcards donated by Mary KarneyBlack & White postcard showing Mr Cox in front of his beach hut looking out to sea."Looking for the boats" "Fisherman at Cowes" "Real photo series M 2384"cowes fisherman, mr cox beach hut, mr cox, phillip island, mary karney

One of 20 photographs/postcards donated by Mary KarneyBlack & White copy of a postcard showing sheep grazing on pasture in Newhaven Phillip Island, with gentleman in the distance."The Rose Series P. 685" "A Pastoral, Newhaven, Phillip Island, Victoria"pastoral scene, newhaven pasture, sheep, phillip island, mary karney