Enid Johnston was an student at the Ballarat School of Mines Technical Art School. The work depicted was reproduced in the Ballarat School of Mines Students' Magazine, 1939. White Flat is in close proximity to the Ballarat School of Mines so would have been a favoured site for drawing 'en plein air'.Line drawing with a tree as the central focal point. I post and rail fence runs from the left to the centre and a number of miners cottage are in the mid and back ground. ballarat technical art school, ballarat school of mines, art, johnston, enid johnston, white flat, e. gribble, max coward, enid johnston, r. mchutchison, violet d'angri, marian peirce, f.p. manning, w. rowe, kookaburras, caricatures, graham hopwood, geoege crawley, assaying room, don refshauge, ballarat technical art school, linda baily, nornie gude

Back to Eaglehawk Badge: Dated 1934 number 283. Round badge with blue print and surround on a light back ground, metal clasp at back. Box 625numismatics, badges-commemorative, back to eaglehawk badge 1934

Negative. The Foundation of Eaglehawk 1852,5 buildings on left,one building on right,lots of people and dogs. Tents in back ground. Also found in Box 87-2402.30.cottage, miners, foundation of eaglehawk., foundation of eaglehawk.

Glass Painted Advertising sign 'St. Filians'. Gold lettering with black shadowing on a red back ground. Approx. 50cm x 15cm. Black painted frame.

8410.1 - Short metal spike with tapered tip and flared head from repeated hammering. Tip appears to have been sharpened, then end ground to a new angle

The photograph was taken at the Ithacan Philanthropic Society's16th annual picnic. All who attended the picnic on that day were included in the photograph. The first picnic took place in 1918 at South Morang where 200 people attended. The picnics continue to be a popular social event on the club's social calendar attracting large numbers of the generations of Ithacan Australians in Melbourne.A mounted sepia photograph of a large group of men women and children gathered together in a large sports ground. There are two buildings behind them with trees growing in the background.

Black and white photograph of lift shaft, Central Deborah Mine, being built. Concrete framework of shaft above ground. Shed in background The date 1985 is on the back.mining, business, central deborah gold mine

Postcard, WW1, B&W image of a barren landscape between Corbie and Querrie. Indistinct tree in middle ground with a row of trees in the background. Copy G 20postcard, postcard, ww1, france, corbie, querrieu

Two black and white Photograph of helicopter operations. Photo 1. Two troop carrying Hueys in flight Photo 2. Two Hueys on the ground deploying troopsphotograph, huey helicopter, uh-1h helicopter

An original coloured painting showing a truck rolled over with its load rations on the ground. One soldier is holding a box and another soldier is drinking from a vessel.2 Transport Platoon RAASC South Vietnam. Rations on their way to Aussie troops in Nui Dat. One truck in the convoy swerved to avoid an American semi carrying ammunitions. The wheels found the soft muddy edge of the rice paddy, and ... into the mud!. My son Trooper barry "Jock" Tiernan is pictured as one of the men rescuing the load from the mud. the other soldier is Ray Heathcote, driver of the truck.painting, vietnam lest we forget, barry "jock" tiernan, ray heathcote

Image depicts a group of 10 unknown soldiers from Wangaratta in Victoria On grey mount original black and white photograph of 10 soldiers in three rows all wearing army coats and slouch hats. Row of tents in back ground.Top left corner - Wangaratta Bhoy's" Attached to rear - newspaper article entitled "Wangaratta's Own" returns wangaratta, ww2, army

PHOTOCOPY OF A PHOTOGRAPH OF CLUNES LANDSCAPE TAKEN FROM HILL STREET, TELEGRAPH HOTEL[KEEBLES] AND GOVERNMENT BRIDGE IN CENTRE GROUND, LOOKING TOWARDS CRESWICK AND SMEATON ROAD.local history, photography, photographs, clunes landscape

White yearbook with a cartoon image of 8 men and women standing on a target next to a sign that says Ground Zero. There is an orange title tat reads Geronimo '95Geronimo '95

The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous but ill-fated charge at the Nek on 7 August 1915 it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. The 8th Light Horse AIF was disbanded in 1919, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, superseding 16th (Indi) Light Horse.Pert of a rare collection of photographs showing 8th Light Horse (AIF) during WWI (1914-1918)Black and white photograph of men of 8th Light Horse Regiment on parade ground at Broadmeadows Victoria with tents and marquees in background. Photo glued to fluted card backing."The Last Parade of the 8th Light Horse in its second camp, Broadmeadows"8th light horse regiment, broadmeadows

Colour photograph. Courtyard on ground floor eastern side facing south into the cafe area and Lonsdale street. Outdoor seating area of the Cafe. Taken for the QMag Newsletterphotograph, outdoor furniture, cafe

‘A’ Squadron 8/13 Victorian Mounted Rifles conducted a parade at Buna Barracks, Albury on Sunday 1 May 1988 to mark the 103rd Anniversary of the formation of the Victorian Mounted Rifles and the 40th Anniversary of the linking of the 8th (Indi), 13th (Gippsland) and 20th (Victorian Mounted Rifles) Light Horse Regiments to form the 8th/13th Victorian Mounted Rifles. Colonel G K Howard, Director of the Royal Australian Armoured Corps was the Reviewing Officer. The Pipes and Drums of the 5th/6th Battalion Royal Victorian Regiment provided the music for the occasion. Following the parade Colonel Howard officially opened the Regimental Museum.Squadron Commander Major R. Morrison takes the parade from Adjutant Captain P. Williams. Members of the Regimental Association are formed up at the rear of parade ground.

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Colour photogtraph of ' A ' Squadron 8/13 Victorian Mounted Rifles parading at Buna Barracks Albury 1986. Lieutenant W. Russell is marching off parade ground.

This slide is part of a collection of visual resources used by Stuart Ascough while conducting training and technical advice at mills in China, India, Russia and Australia. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing wool bales stacked in a warehouse. A man wearing a shirt and tie is standing on the ground in between the bales.wool, industry, australia, australian wool board international wool secretariat, factory, wool bales, training

Black and white photograph of the South beach with the Bathing boxes and swings in the centre middle ground and six people walking across the the sand in the foreground taken for use as a postcardBathing boxes and Beach Port Fairybeach, bathing boxes, south beach, pea soup, boarding school bay, swings, ocean, sea

1. Large plant label that can be inserted in the ground. Wooden base with metal inscribed label screwed on. Metal stake screwed on. 2. Similar, painted red.1. Phytolacca dioica 2. Alectryon subcinereum Smooth Rambuton plants, labels, plant identification

Shield shaped plaque made from a red varnished wood. Located centrally is a large Afghanistan themed badge with Australian flag in the back ground with a scorpion in the front. infantry, plaque

Harry Gorry bid for & purchased on internet auction site. The seller's mother was putting these & other items up for auction. Her father/ the seller's grandfather was Dr. Bruno Koening, a German surgeon detained by Allied forces while fleeing New Guinea in 1941. He was detained & sent to be interned in Camp 3, Tatura. There he met the painter Cesare Vagarini & they became friends, thus 4 years later upon the end of the war Vagarini gave the surgeon the two paintings in thanks & in memory of their friendship. Dr Koening then passed the paintings down to his daughter, where they remained in the family for 60 years. The seller's mother decided it was time to sell & was happy that the paintings went to a good home, as the family was until now unaware of the connection between Vagarini and the Tatura Museum. Harry Gorry just happened to notice a familiar name in an auction that he came across by accident & purchased them for our benefit. (Most information copied from Tatura Bulletin article, April 2014).Watercolour painting, depicting barracks at Camp 3. Picture showing fencing posts & bare ground in foreground, and row of huts in background, with 4 trees behind them. at bottom left of picture. writing not legable.tatura, camp 3, vagarini