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Melbourne Tram MuseumPostcard - Shrine of Remembrance, St Kilda Road and W class trams, Australia Post, 1990
Postcard - an image of Shrine of Remembrance, St Kilda Road with three W class trams in the view. The postcard has had postage including international or worldwide prepaid. The stamp is 65c, the ANZAC tradition. The reference gives the date of the stamp as April 1990. Two of the trams: SW6 918 (Malvern Burke Road, Route 5), and SW6 944 (Toorak Glenferrie Road, Route 8). Another W class tram is behind.Demonstrates an iconic Melbourne image, the Shrine of Remembrance and W class trams in St Kilda Road.Postcard colour - Shrine of Remembrance, St Kilda Road and W class trams - with pre paid postage. Australia Posttrams, tramways, st kilda road, sw6 class trams, tram 918, tram 944, australia post, shrine of remembrance -
Moorabbin Air MuseumDocument (item) - Roland Jahne Collection - See Description for details
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Seaworks Maritime MuseumLine-throwing Rocket, England
Metal frame containing line which is attached to the rocket and grappling hook.WMA 13 (on line box) Remains of orange sticker with logo of some kind and the word '..ISTOL' visible/ On rocket the words 'SCHERMULY INTERNATIONAL/N0 2/ 41 MM LINE-THROWING ROCKET/A SCHERMULY ICARUS PRODUCT/MADE IN ENGLAND/ WARNING/ DO NOT FIRE WITHOUT A LINE ATTACHED/REGULATIONS REQUIRE TIME EXPIRE.../ROCKETS TO BE DUMPED UNDFIRED AT SEA/THEY SHOULD NOT BE USED FOR PRACTISE. -
City of Greater Bendigo - Civic CollectionLeisure object - Netball ball, Australian Diamonds Netball Team, 2014
The Australian Women's netball team the Diamonds, played England in Bendigo on Sunday October 19, 2014. 'Fresh from a four-Test Constellation Cup clean sweep against New Zealand last week, the Diamonds started the game at a blistering pace, with wing attack Madi Robinson running rings around her rivals. England tried to go with them but the trade-off was a high error count and while they settled in the second quarter they still trailed 29-17 at halftime'. www.theguardian.com/sport/2014/oct/19/australian-diamonds-crush-england-in-first-netball-testSigned 'Gilbert' netball in acrylic display case. Wooden base with plaque on front.Australian Diamonds Team / International Test Series Netball / Australian Diamonds V England / 19 October 2014, Bendigo Stadium / Score Australia 55 - England 37 (Signed) Caitlin Bassett, Laura Geitz, Kim Ravaillion, Madi Robinson, Caitlin Thwaites, Susan Pettitt, April Brandley, Courtney Bruce, Jo Weston, Gabi Simpson, Liz Watson, Stephanie Wood.city of greater bendigo sport, bendigo stadium -
Kiewa Valley Historical SocietyBook - Kiewa Valley Rifle Club, Club Scoring Book
The Kiewa Valley Rifle Club belonged to the Australian Rifle Clubs. They were in the Military District No. 304 and operated as early as the 1920's. In 1876, an Australian Rifle Team, consisting of shooters from N.S.W. and Victoria was the first team ever to officially represent Australia in any sport in international competition. In 1885, the first civilian Rifle Club was formed. In 1921 they were reconstituted as a purely civilian organisation where they have remained ever since.This scoring book is evidence that the Kiewa Valley Rifle Club existed from the 1930's, enabling its members to participate in a sport that had 12232 members and 313 Rifle Clubs in Victoria by 1939.Hard covered dark brown book with very yellowed pages that have come away from the spine. It has 200 pages titled "Match Record" with only about the first 40 filled in in ink with names and scores.The entries date from 1932 to 1937Inside front cover "Members that paid for Bulls Eye Trophy" followed by a list of 13 - very faint.kiewa valley. rifle. club. community. -
Kiewa Valley Historical SocietySewing Machine - Singer
Singer began to market its machines internationally in 1855. They began mass-producing domestic electric machines in 1910. Treadle machines were powered mechanically by a foot pedal that is pushed back and forth by the operator's foot. There were also machines belt powered, hand powered and eventually electric powered. Treadle machines were made into the 1950s but they were most common during the late Victorian years (up to 1901). This machine is c1894.This machine was owned and used by a resident of the Kiewa Valley. It was used for domestic sewing such as for making clothes for the family, making toys for eg. a fete and making useful items eg. a bag for school readersSinger Fiddle Base treadle sewing machine with decoration of flowers. Straight stitch. No stand. A little rusty.Top: 'the Singer Manufacturing'. Front: 'Singer' and the Metal Plaque 'The Singer MFC Cony'singer manufacturing co., clothes, sewing, domestic -
Federation University Historical Collection
Booklet, Ballarat School of Mines Student's Magazine, Second Term, 1903, 1903
Table of contents: Editorial, Bad language in Sturt Street, The Greatest Mining Camp on Earth, A method for estimating arsenic in ores, S.M.B. camp, Some engineering experiences, Some reminiscences of W. A., Science notes, Notes on Mt Lyell, Students afield, Estimation of titanium, Illustration - students' abroad - No. 1, Past students, Ballarat scientific and literary society, Students' reunion, News and notes, Special notice, A sentimental ditty, International atomic weights. Pale gray booklet of 20 pagesballarat school of mines, students' magazine, o. e. jager, obituary, alfred gersham johnston, w. b. blyth, s. b. vial,, d. w. b. arthur, s. radcliffe, r. j. allen, tom vincent, angus gibson, lew westcott, reg robin, r. a. suter, b. nicholls, cecil eeles, gerald young,, harold edgar, fred cooper, h. l. krause, len seal, r. m. stubbs, dave lilley, e. w. trend, austin woods, j. phillipson, j. brangan, e. prendergast,, w. j. lakeland, w. a. gosman, a. basil reid, students' reunion, alfred mica smith, dr salmon, j. b. pearson, e. shew, j. m. currie, h. alston,, h. irwin, f. j. martell, a. m. ritchie, professor dawbarn, a. m. ritchie, t. s. hart, j. a. reid, a. e. kerr, a. gillespie, thomas hart, frederick martell -
Women's Art RegisterBook, Whitney Chadwick, Women Artists and the Surrealist Movement, 1991
Explores the lives, ideas and artworks of women in the Surrealist Movement including Frida Kahlo, Meret Oppenheim Dorothea Tanning and Leonora Carrington, alongside their more well-known male counterparts.Booknon-fictionExplores the lives, ideas and artworks of women in the Surrealist Movement including Frida Kahlo, Meret Oppenheim Dorothea Tanning and Leonora Carrington, alongside their more well-known male counterparts.painting, drawing, collage, photography, surrealism -
St Kilda Historical SocietyPhotograph, Dog Water Bowl at the Dogs Bar, c. 1991
The Dog’s Bar was opened in 1989 by the late Donlevy Fitzpatrick, who is credited with creating St Kilda’s bar culture. In the 1970s and 1980s he campaigned successfully against liquor licensing laws that prevented customers from sitting outside or ordering drinks without food. The Dog's Bar was a significant live music venue, where local and international acts performed through the week without a cover charge. It has since had a succession of owners. colour photograph, unmountedDog Water Bowl at the Dogs Bar, Acland street, St Kildadog's bar, st kilda, 1970s, 1980s, donlevy fitzpatrick -
Robin Boyd FoundationDocument - Manuscript, Robin Boyd, Where the Money Went, 1965
Account of the international competition for the Sydney Opera House, in which Eero Saarinen claims responsibility for the outcome. The building costs progressively grow due to the redesign of the shells to conform to more conventional construction methods. Article concludes that, despite cost increase that will eventually be forgotten, the success of the Sydney Opera House will be determined by whether the initial vision will be carried through. A copy of the published article was in the Sydney Opera House scrapbook in the desk cupboard (item P1378.20).Original manuscript of an article published in The Australian on 20.09.1965. This is the second part of a three part series called 'This Opera House' published 18th, 19th and 21st September 1965 (see D174 and D176).Typewritten, quarto, 8 pagesPencil mark ups on first pageinternational architecture competitions, sydney opera house, jorn utzon, sydney opera house project, eero saarinen, design vision, cost of building, robin boyd, manuscript -
Villa Alba Museum
Decorative object - Wallpaper, Rural Town, 1850-1859
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. The Museum's Decorative Arts & Design collection includes items that provide a local, statewide, national and international context for the development of interior decoration and design in Melbourne. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample c.1850. Designer unknown. Pictorial design of a rural village in English style. Sample from a wallpaper shop in Melbourne of the period.decorative arts & design, wallpapers - 1850s -
Unions Ballarat
Common ground: Issues that should bind and not divide us (Don Woodward Collection), Fraser, Malcolm, 2002
Written by Malcolm Fraser who was a Liberal Party Prime Minister from 1975-1983. Chapter titles: 1. A Liberal's Approach 2. High Noon for Globalisation 3. Australia in the World 4. Sovereignty, International Law and Global Cooperation 5. The United Nations: Between Sovereignty and Global Governance 6. Human Rights and Responsibilities: Do We Live in a Humane World 7. Reconciliation: The Past We Need to Understand 8. Multiculturism Global and local politics and social issues.Book; 267 pages. Dustjacket: blue background; colour photograph of Malcolm Fraser; white and black lettering; author's name and title.btlc, ballarat trades hall, ballarat trades and labour council, politics and government, globalisation, humanitarian interventions, united nations, multiculturism, reconciliation -
Kew Historical Society IncTextile - Circular shot silk throw or shawl, Nineteenth Century
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Rust coloured oval, pure silk throw or shawl. The fabric is very fine and decorative rather than functional. There are no joins in the fabric as it is made of one piece. Its cultural provenance is unclear.table cloths, table covers, shawls, throws -
Kew Historical Society IncClothing - Manila de Manton, 1900-1930
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Large black silk fringed shawl (aka piano shawl) that incorporates large areas of pink embroidery. table cloths, table covers, manton de manilas - piano shawls -
Kew Historical Society IncClothing - Black Silk Embroidered & Fringed Shawl, c.1910
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity.Fitted black silk cape or shawl, joined at the neck, and incorporating embroidery of the same colour. The item includes extensive, double-row fringing. On examination of the piece, it would appear that it was constructed from a Manila de Manton (piano shawl). It has been provisionally dated to either the late-Victorian or Edwardian periods.fashion and textiles collection - kew historical society, shawls -
Kew Historical Society IncDecorative object - George V Jubilee 1910-1935
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity.White crocheted doily that commemorates the twenty-fifth jubilee year of the reign of George V (1910-35)1910 - 1935 / GEORGE V / JUBILEEdoilies - patriotic, commemorative souvenirs, ephemera, george v -
Kew Historical Society IncTextile - Fragment of Net and Tulle Fabric, 1880s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Length of heavily embroidered tulle with a border detail on three edges and one cut side. The pattern is of flowers and leaves. Machine chain stitch onto net. The floral centres are hand madelace, embroidery, tulle -
Kew Historical Society IncClothing - Lace Bodice, 1930s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream crocheted bodice with pearl buttons. A net band has been attached at the waistline to facilitate the garment being tucked in. There are some machine made elements hand tacked on but the garment is mainly hand made. Most of the garment is diamond mesh with picot. The yoke is crotchet mesh with applied daisy motifs. Large daffodils and daisy motifs are applied to the main body of the garmentlace, women's clothing -
Kew Historical Society IncClothing - Lace Jabot, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Net jabot with 3 machine made filet inserts. Edged with machine made tape lacelace, women's clothing, jabots -
Kew Historical Society IncClothing - Lace Jabot, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Coffee coloured smaller and larger frills to wear at the neck. Chemical lace daisies sith the net cut away with a punch. The machine was set precisely to repeat the design with lock stitch and then satin stitch around the edgeslace, women's clothing, jabots -
Kew Historical Society IncClothing - Linen Waist Band and Lace Drops, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Curved white cotton band with pin tucked rectangular inset front and back. It curves downward to enable the two bobbin lace panels to hang downwards. Has four crotched buttons. The stiches used are plait stitch, cloth stitch, and mesh stitch.lace, women's clothing -
Kew Historical Society IncClothing - Lace and Net Sleeve Cuffs, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cotton voile sleeves edged with broderie anglais. In poor condition, may have been removed from another garment. Probably hand worked, it is an example of cut worklace, women's clothing, sleeve cuffs, engageantes -
Kew Historical Society IncClothing - Lace Collar, 1950s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. White lace gathered onto tape which can then be sewn onto a garmentlace, women's clothing, collars -
Kew Historical Society IncClothing - Lace Bow, 1920s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream net bow edged with lace, gathered at the centrelace, women's clothing -
Kew Historical Society IncClothing - Lace Collar, 1910s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Lace collar attached to the neckline of a garment. It is narrow over the back , widens at the shoulders and tapers down in a triangular shape to a point on either side at the front. lace, women's clothing, collars -
Kew Historical Society IncClothing - Lace Collar, 1880s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream lace collarlace, women's clothing, collars -
Kew Historical Society IncClothing - Silk and Lace Scarf, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Rectangular silk panel edged with lace at either end.lace, women's clothing -
Kew Historical Society IncClothing - Chemisette, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. A fine cotton chemisette with collar and front opening edged with tape lace and then edging lacelace, women's clothing, bodices, chemisettes -
Kew Historical Society IncClothing - Lace Collar, 1870s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream collar. Panels of locked stitch lace onto netting are alternated with cut work. The neck edge is bound with fabric to attach the collar to a garment lace, women's clothing, collars -
Kew Historical Society IncClothing - Sleeve Cuff
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. One of a pair of muslin cuffs as worn by maids. Hand sewn.women's clothing, sleeve cuffs
