significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a goannasigned: R ROGERS Bush Ka (lower right)

Newspaper clipping from dated 15-4-1991 (possibly the Herald Sun), about the cessation of trams using Victoria St for shunting (safety) to cease and all services to continue to Queensberry St or Melbourne University. Notes the stop opposite City baths was to close.Has date written in pencil along lower edge.trams, tramways, swanston st, closure, victoria st, melbourne university, queensberry, tram stops

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Walking female nude with open book, letters swarming from book and Ex Libris in the swarm.Signed Ricardo 2019 lower right beneath imagebookplates, australian bookplate design awards, ed jewell, keith wingrove trust

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.Abstract of person in profile in three colours.Initialled in lower right corner of print + impress stamp.

Portland Town Council. Opalotype or opaltype is an early technique of photography. Opalotypes were printed on sheets of opaque, translucent white glass; early opalotypes were sometimes hand-tinted with colors to enhance their effect. The effect of opalotype has been compared "to watercolor or even pastel in its softer coloring and tender mood."[1] "Opalotype portraits...for beauty and delicacy of detail, are equal to ivory miniatures."[2] The basic opalotype technique, involving wet collodion and silver gelatin, was patented in 1857 by Glover and Bold of Liverpool. Opalotypes exploited two basic techniques, using either the transfer of a carbon print onto glass, or the exposure of light-sensitive emulsion on the glass surface to the negative. Opalotype photography, never common, was practiced in various forms until it waned and disappeared in the 1930s. "Milk glass positive" is another alternative term for an opalotype. Opalotype is one of a number of early photographic techniques now generally consigned to historical status, including ambrotype, autochrome, cyanotype, daguerrotype, ivorytype, kallitype, orotone, and tintype. This and many other historical photographic methods are now considered alternative photographic techniques and are practised by a small number of dedicated artists.Monochrome portrait photograph of a man in a three piece suit. He has a patterned tie on and wears a medallion on his right lapel. He is clean shaven. Yellowish halo around the figure. Opalotype.Front: Br _______/Melb. (Signature, pencil, lower right)mr sutton, sutton, opalotype, portland town council

Dale HICKEY (31 July 1937- ) Born Melbourne, Victoria' Dale Hickey studied design and illustration at Swinburne Technical College, Melbourne, graduating in 1957. In 1968, his work was exhibited in the inaugural exhibition at the National Gallery of Victoria’s Southbank site, The Field, which showcased Australian paintings, sculpture and conceptual works. A large-scale retrospective of his work was held at Ballarat Fine Art Gallery in 1988. More recently, in 2008, The Ian Potter Museum of Art, University of Melbourne presented Dale Hickey: Life in a Box, which brought together 36 key works from the artist’s 40 year career. Dale Hickey lives and works in Melbourne. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.'Apple' by Dale Hickey was part of the 'Imaging the Apple' travelling exhibition which toured from 2004 to 2005. It depicts a red apple with a pale blue and yellow background. Lower Right corner is signed: Dale Hickey 08art, artwork, dale hickey, hickey, apple, fruit, imaging the apple, still life

Signed and dated, lower right under printed image 'Kees Hos '66 Title and edition 2/25 in lower right under image

ScreenprintSigned and dated 'VP 82' in lower right corner under printed image. Edition 23/70 in lower left under printed image.

ScreenprintSigned and dated 'Eduardo Paolozzi 1995' in lower right under printed image. Edition 19/30 in lower left under printed image.

LithographSigned and dated 'Paul Partos 1985' lower right corner under printed image. Edition A/P, lower left corner under print.

Colour serigraphSigned 'Hodaka Yoshida' in lower right corner under printed image. Edition E.A (Artist's Proof) lower left under printed image.

Two coloured lithographSigned and dated 'T. Coleing '79' in lower right under printed image. Edition 11/22 lower left under printed image.

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawing of stem and flower detaisl. At far left is back view detail of an orange flower with paler, yellow edges to petals. At centre is a stem detail, depicting a long stem with a large leaf and flowering stem partnered and situated at staggered intervals up the central stem. Flowers are yellow with red centres. On right are three details of a flower (t-b): top view of flower; side view of flower; and side view of emergent bud. Mounted in double matt (white on faun), framed under glass in wooden frame with gold details.Front: Daviesia latifolia (lower left) (pencil). CEW (lower left in image, signature) (maroon pencil). Back: 19 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem and detailed views of flowering plant in coloured pencil. On left is a stem view with small pink pea flowers and no leaves. On right (t-b): flower buds; side view of stem with flowers; front view of flower; rear view of flower with sepals. Each view is numbered in pencil and with typed numbers and letters on white paper affixed to surface of paper. Mounted in double matt (white on apricot), framed under glass in gold wooden frame.Front: CEW (signature, lower left in image) (maroon pencil). Daviesia brevifolia (lower right) (pencil). Back: 20 (top left) (pen)cema, botanical, collin woolcock, botanical drawings, woolcock collection

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Flower and stem view on left, depicting two stalks shooting from a central stem. All three stems are brown with small hairs. Green leaves with rounded ends and a brown central vein with a sharp protruding point are staggered up alternatue sides of the stem. One stem has two flower buds and two flower blooms (each are in clusters). On right are (top-bottom) top view of flower, side vire of flower, top leaf vire, stem detail, bud views. Printed numbers on paper are glued to the surface of the image, with the same numbers also written in pencil. Mounted in a double matt white on pale tan) in a gold painted wooden glazed frame.Front: Pultenaea daphnoides (lower left) (pencil). CEW (signature, lower left in image) (purple pencil). Back: 28 (upper left) (pen)collin woolcock, botanical, cema, botanical drawings, woolcock collection

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.View of flowering plant with stem and flower details. On left is a view of stem with three smaller stems bearing long, thin green leaves and ending in clusters of pea flowers (apricot in colour). On right (t-b): stem detail with leaves; end view of leaf depicting curve; top view of flower; side view; rear view. All views are numbered in pencil and typed numbers on paper affixed to surface of paper. Mounted in double matt (white on apricot), framed under glass in wooden frame with gold detail.Front: CEW (signature, lower left in image) (maroon pencil). Dillwynia sericea (lower right) (pencil). Back: 39 (upper let) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Pencil study of a flowering plant. Leaves grow from a central stem. Five red flowers in full bloom are attached to the leaves, and there are four buds. Leaves are grey-green and have serrated edges. Mounted in a double matt (cream on olive) in glazed timber frame with gold paint.Front: CEWoolcock (signature, lower left in image) (purple pencil) Bossiaea walkeri (lower right) (pencil) Back: 56 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, botanical drawings

CEMA Art Collection. Part of "A Community View: 150 years in Portland Screenprint Exhibition". Part of Angela Gee residency 1983 and 1984.Screenprint of torso and head of a woman. The woman is wearing a long-sleeved top, a large necklace, and a brown hat with large feathers. The background is yellow wit light brown wallpapered patterning. No Matt. Wooden frame with gold edging and glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left, stamp) 1/20 A Gee The Organist (lower centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions)

Black front cover. Photograph of flames on the lower right hand corner of the front cover. Back cover has the blurb about the book.non-fictionHow the media covered Australia's worst peace-time disaster and the survivors' storiesblack saturday, media coverage, survivors, bushfire

An early black and white photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s. This postcard was produced by the Valentine Publishing Co Pty. Ltd. as a souvenir of Marysville.An early black and white photograph of Steavenson Falls in Marysville in Victoria.VALENTINE'S POST CARD A GENUINE PHOTOGRAPHsteavenson falls, marysville, victoria, valentine publishing co, postcard, souvenir

An early black and white photograph of an old timber track that leads to the Michaeldene track.An early black and white photograph of an old timber track that leads to the Michaeldene track. The Michaeldene Walking Track is a popular walking track near Marysville in Victoria. Sections of this mostly flat circuit follow old tramline alignments, which in places reveal the original timber sleepers on which the big logs were transported to the nearby sawmill. This photograph was published by the Valentine Publishing Co. Pty. Ltd. as a souvenir of Marysville.timber track, michaeldene track, walking track, marysville, victoria, souvenir, timber tramway

An early colour tinted photograph of Keppel Falls near Marysville in Victoria.An early colour tinted photograph of Keppel Falls in Marysville, Victoria. Keppel Falls are named after the Keppel Family who were one of Marysville's earliest pioneering families. This photograph was produced by Valentine Publishing Co. Pty. Ltd. as a souvenir of Marysville.marysville, victoria, photograph, keppel falls, waterfalls, souvenir, valentine publishing co, keppel lfamily

FRANCIS JOSEPH PALMER No V65132. Refer 1425 for Service History.Colour illustrated certificate with red seal of City of Bendigo right lower corner. Framed with brown & gold coloured edge, plastic frame.“The Citizens of Bendigo express deep thankfulness To F J PALMER”documents-certificates, civic mementoes-presentations, bendigo, palmer

giftMiniature of a monument with three masted ship at top of long column and sailor saluting on lower pedestal with brass plaque featuring Russian inscription."владивосток (Vladivostok)" Russian inscription on brass plaque under sailor "PMA 0174" tag associated: "PMA 0174/ Marble Russian Souvenir/ Port of Melbourne Authority/ 60"

Colour photograph of the Diamond Creek Trail bridge over the Diamond Creek near Eltham Lower Park; Main Road bridge in backgrounddiamond creek trail, bridges, eltham, main road