Photograph of the Electric Supply Co. (ESCo) Bendigo water tram in front of the depot with two workmen. The tram has been modified with rail scrubbing blocks to clean the head of the rails. Photo by Peter Duckett about 1947.Yields information about the first Bendigo track cleanerPhotograph - Black & White - Bendigo water car - track cleaner - about 1947Details the image on the rear of the print in ink.bendigo, tramcars, esco, water tram, scrubber tram, bendigo tramways, depot

A golden, red and white clock in the shape of a circle. Raised dots indicate time blocks. There is a golden stage attached to the clock. On the face of the clock, the make of clock is unclear, at the bottom of the face of the clock are the words 'alarm 8 days'.Metal clock with Braille and printed numbersassistive devices, swiss

To assist with blind and visually impaired people signing documents, a signature guide creates a rectangular block of space that fits most signature areas on paper. This is a generic example and requires that the plate is held with one hand, whilst signing.1 metal plate with rectangle holeassistive devices, royal victorian institute for the blind

Painted red band on top, white band with block letters & now unpainted band on base- was red. Galvanised sheet back- with 4-3mm dia holes in corners. See p55 of K.S. Kings " The Ballarat Tramways"Demonstrates a tram stop sign made for a specific stop for use by School children.Semi circular tram stop sign, galvanised steel sheet metal.trams, tramways, tram stops, secv, ballarat, schools

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of freehand drawing of a two storey building. The building is predominantly made up of numerous black lines and cross-hatching. Sections of the building have blocks of green or brown colour. The background is blue and white and features the text "Portland's 150th" in black at the top of the work.Front: Kingsley (upper centre) Stephen Rietman (lower centre) (pencil) Back: 33

This butter mould/pat may have been manufactured post 1967(year post codes appeared in Australia) however the post code was only stamped on after it was machined. This type of butter mould was used by rural families to fashion home/farm made butter. This period was in most rural regions a time of self sufficiency where any domestic type implement which could be fashioned by the family would be crafted with skill. Shopping for goods required catalogues from stores located in major rural towns and cities and involved lengthy waiting times. Travelling to and from these specialised stores was not pleasant due to the relatively poor quality of the roads and the lengthy times taken. The small general stores in the Kiewa Valley could not cater for all the needs of the valley. The 1960's was a time when facilities especially goods and services started to improve drastically. The S.E.C. of Victoria with its Kiewa Hydro Electricity Scheme provided not only an improvement of facilities in the valley but also a increase in the population. This increase resulted in a greater demand for local produce. This item is one of many domestic food processing implements used by Kiewa Valley households in the mid 1900s, whether on the farm or in the small towns and hamlets. Self sufficiency was the key to survival during these early times. Where ever possible supplies from within the valley were preferred to that brought in by travelling salesmen or traders. This butter mould and butter pat was commonly used to fashion "home" made butter throughout the valley and in some cases supplied to "outside" regional towns. Although this method of production was phased out by better access to goods from nearby cities the revival of the good organic home grown produce in the 1980s saw a greater demand of this type of farm based produce.This well crafted circular wooden butter mould could also be used as a butter pat.The handle in the middle of the mould was not added after the crafting but has been fashioned from the initial block of wood when the bowl was crafted. The bowl structure has a rim around the edge.The top of the handle has an ink stamp "T. & W. Dav" on the top line and "Tawonga 3697" underneath.domestic food preparation, wooden butter pat, butter mould circular, dairy industry

This story was written by Brenda Johnson and details her time in Orbost from 1959 -1966 settling on land at Lake Road in Newmerella.This book is a useful and interesting reference tool on life in Newmerella in the mid 20th century.A thin stapled paperback book of 31 pp. It is titled "The Orbost Story 1959 to 1966 Lake Road Newmerella Victoria". The cover is shiny silver with black print. In the centre is a black/white photograph of the block with numbers ( 2 3 ?) carved into a tree. There is a Land Rover in the background.Stapled inside back cover - "Bob Johnson" with telephone details and email address.newmerella-history johnson-brenda rural farming

This Jack plane was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. The Jack plane is a woodworking tool. The blade protrudes through the base. A layer of timber is shaved off the article being worked as the plane is pushed along the area. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Jack plane, part of the W.R. Angus Collection. This jack plane is a medium sized plane. It is a rectangular block of wood, curved handle joined into top of one end, large shaped space in the centre with long straight metal blade inserted into the space, protruding through the base.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, jack plane, woodworking plane, medium plane, woodworking tool, hand tool

Condition of sale by private contract dated 18th. December, 1928 between H. A. Wilkinson and D. R. Hay for block of land at corner of Creek and Haman Streets Bendigo described in Miner's right certificate No. 30714 together with 5-roomed dwelling for the price of 340 pounds.organization, business, h.a. & s.r wilkinson real estate

Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back

Black and white photo of Michael McDonnell and his family outside their family home in Whitehorse Road (south side, four blocks from Rooks Road.) c1925. Molly (mother) and Michael and their four children - Leo, Eileen, Jack and Frank in front .|Original on CD ROMmcdonnell, family, michael, molly

Gives details with an index of the rules for Motorman, Conductors and both types of employees together. Has an "Issued to" form inside the front cover - no entries. Has printer details on inside title sheet and on rear sheet and print stock details "FTY 18-8,-6475 on inside front only." 3068.1 - As above, but printed in 1943 - FTY 18-8.F1927/43. On inside of front cover has a list of Route Numbers for Ballarat - see image 2, and marked as issued to R. Courtney. The government printed H.E. Daw. Added 19/1/2007. See Reg. 1260 for March 1948 version and 9534 for another versions with By-Law 1 inserted as part of the item with a 1940 date. See btm8078.4 for another copy.Demonstrates aspects of the way the SEC issued rules to employees on how they should behave and perform their duties safely. Yields information on particular items and operations. Also yields information on a route number system, not generally used for the public.Booklet with green cloth covers, titled in gold block "State Electricity Commission of Victoria - Tramways - Rules Governing Employees - May 1936"on heavy card with inside paper covers on heavy paper and 24 pages printed both sides, with stitched pages with white cotton. 3068 - On outside cover and inside cover sheet "Accountant" in ink., 3068.1 - On top of first page - "R. Courtney".trams, tramways, secv rules, rules, motormen, conductors

Block mounted, colour photograph from a slide, scanned and reproduced on an A3 size sheet and mounted on a foam backing of No. 14 at the depot mid 1990's. Tram has a Peters Ice cream roof advertisement for the Lake Lodge. From a photo from Warren Doubleday.trams, tramways, depot, btm, tram 14

Yields information about SEC Ballarat tram No. 21 - one of a series of official photographs early 1950 or earlier and the appearance of the tram.Digital Image of SEC Ballarat No. 21 in the 1950 or earlier in the depot yard with the toilet block in the background. SEC Official photograph. See Reg Item 4568 for the CD. 4526.1 - - same photograph from the Wal jack Album - see i2 and i3 for front and rear details.trams, tramways, secv, ballarat, depot, tram 21

Colour photograph. Ground floor facing south towards Lonsdale street in what was to be the cafe and in 2015 is the Breacan office. Entrances show access corridors to former towers. White besser blocks in foreground. New structure for roof seen with tarp. Taken during restoration inspection.building construction, historic buildings, cultural structures and establishments

A colour photo of a Victorian style weatherboard house with block detail to the front, 2 chimneys with brick and render finish, galvanised roofing and 2 simple posts to the veranda. The property has a picket fence with a central path and a rose arch. There are 2 children walking up the street.houses, suffolk road, victorian style

A large steel curved bladed silage or hay knife with a tapered handle and a bent pointed sharp end. It was used to cut hay when it is dry. Blocks were cut for the ? or stack as needed for stock feed. Silage is an animal feed cut and stored while still green.agricultutal tools, hay knife, agricultural equipment

Agfa Colour slide, cardboard mount, by Keith Caldwell of 7 March 1960 - of the sleeper transport car No. 15 westbound in Victoria St at intersection with Brunswick St - now St Vincent's Plaza. Tram appears to be carrying old brake blocks back to Preston Workshops..1 - hand stamped "12 Mar '60"trams, tramways, st vincent's plaza, victoria parade, work trams, service tramcars, brake blocks, tram 15

Cardboard cut out (drawing) of the shape of a Radiax Truck, brake Block holder. Has the title drawn onto the shape, along with ink sketches, marks etc. Has been cut from a Sandringham to Black Rock Section poster. The first section is partly detailed.trams, tramways, brake blocks, radiax truck, sandringham, black rock

Demonstrates the method of recording who built the tramcar body.Oval shaped brass plate engraved with words "DUNCAN & FRASER BUILDERS ADELAIDE" in open block engraving. Also has two 3mm holes below letters D & F for mounting. engraving filled with black ink. See also item 851 for an enamelled versionOn rear in pencil "Bendigo original No.17"tramways, trams, builders' plate, duncan & fraser, bendigo

Set of 12 blocks of The Met Daily tickets for use between Jul 1989 and June 1990 All blocks of 20 tickets except the Zone 1 daily and daily concession which are blocks of 50. Each block stapled at the top to one or two staples, to a stub and heavy brown cardboard backing. .1. Zone 1 Daily – J952951 to 953000 – $2.50 .2 Zone 2 Daily - B353041 - 60 - $1.80 .3 Zone 3 Daily - A871661 - 80 - $1.80 .4 Zone 1 Daily concession – E279051 - 100 - $1.30 .5 Zone 2 Daily concession – A984901 - 20 - 90c .6 Zone 3 Daily concession – A998121 - 40 - 90c .7 Zones 1, 2 and 3 – Daily – A910001 - 20 - $5.30 .8 Ditto – concession B 315621 - 40 - $2.00 .9 Zones 1 and 2 – Daily – A972041 - 60 - $4.30 .10 Zones 2 and 3 Daily – A322981 - 323000 - $3.60 .11 60 Plus daily – E752021 - 40 - $1.00 .12 City Saver – A185041 - 60 - $5 with a map of the available CBD area on the back. - has space for 10 punch marks. Items .1 to .11 are all July 1989 to Jun 1990, with dates along the sides. See also Reg item 258 for other examples.trams, tramways, tickets, the met, ptc

Letters cover recommendations to support the application of Alfred G Ferris for a Soldier Settlement block dated 1919 - 1920, signed by local dignitaries. Alfred G Ferris No 2156 AIF, Refer cat No 4183.3P for his service details.Letters, 5 pages on ruled paper, hand written in ink, stapled together with metal staple.soldier settlement, post ww1, qualification certificate

This article is about the recovery of stolen vehicles from the Kalparrin Lake after it was drained as a part of the Stormwater harvesting project. Other items recovered included a safe, shopping trolleys, an engine block, five bicycles and hundreds of tennis balls.The Stormwater will be used to water parklands and create a wetland at Kalparrin.A small newspaper article featuring a colour photograph.kalparrin reserve, stormwater harvesting, stolen cars

Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848Back Stairs series of colour photographs taken outside the J Kitchen & Sons Administration Building, Ingles St, Port Melbourne. Details where possible are on the back of the photographs. industry - manufacturing, built environment - commercial, built environment - industrial, demolitions, j kitchen & sons pty ltd

Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848The roof series of colour photographs taken inside, and from, the J Kitchen & Sons Administration Building on Ingles St Port Melbourne. Details on the back of photographs. .01-.10 - views on and from the roof, including the water system shed.industry - manufacturing, built environment - industrial, built environment - commercial, demolitions, j kitchen & sons pty ltd