Bendigo Weekly from Thursday, April 17, 2003. Snippets of Bendigo History, the Pall Mall story - part 5 by Edith Lund. This article concentrate mainly on the businesses that occupied Allan's walk during the years. The clip is in a folder.newspaper, bendigo, bendigo weekly

Sunday Herald Sun from December 17, 2000. Article by Jim Murphy on Mike Walsh plans to rename Exhibition Street, Melba Boulevard or Melba Avenue and erect a statue to honour Dame Nellie Melba. The clip is in a folder.newspaper, herald, article

Sandhurst Trustees Company receipt No. 4320 for the sum of £21/17/6, dated Sept 12th 1932. Money paid by Mr Babidge on Account of Estate W G Bently. Yellow Duty Stamp attached, initialled and 12.9.32.document, w. babidge collection - sandhurst trustee company receipt, estate w g bently

EIG School - Ralph Birrell Collection - Latrobe Uni Construction, 1965-69. Workman using hacksaw. Markings In red on top left corner 17 on right corner APR67M7, in yellow in centre of top edge Made in Australia.Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection - latrobe uni construction, 1965-69. workman hacksaw

Envelope dated 8/6/21 containing share documents, letters and copy of will pertaining to Stanley Richard W Davis deceased 28/9/17 of 36 Horne St Elsternwick. Shares transferred to Lillian Edith Davis.bendigo, industry, cohn bros brewery, stanley richard w davis. lillian davis

Blue coupon, dated June 13th 1877 asking Mr. Lewis, Treasurer to pay Wm. Rowe, Sect. the sum of £17/4/6 for District Levies. Signed by Roly Daniel, C. R. and Wm. Rowe, Secretary.societies, aof, correspondence, ancient order of foresters no 3770 collection - to pay, court king of the forest, a.o.f., b.u.d., mr lewis, wm rowe, roly daniel

Photograph - black and white. Photo of St.Andrews Presbyterian Church, Bendigo. Written on left hand corner of photo No.17. large tree on left edge. Two well pruned treeson footpath. Two storey mansion to the right of the church.buildings, church, st.andrews presbyterian., st. andrews presbyterian church, bendigo.

Sworn valuation and report of A. C. Huggins situated in Mitcham Road, Mitcham for 17 October 1923. Land of 2 acres, part under orchard (Cherry), weatherboard house of 6 rooms in fair order. Value 1,450 pounds.Sworn valuation and report of A. C. Huggins land values, huggins, a. c., mitcham road, mitcham, price, charles s.

Yields information about Ballarat 's tram operations and Stones Corner.Negative and Digital image of the Wal Jack Ballarat Negative file of No. 17 loading passengers at Stones Corner, the intersection of Victoria St and Main St. A Caltex service station is on the right hand side and the State Savings Bank of Victoria. trams, tramways, victoria st, bridge st, main st, stones corner, tram 17

Paper alphabetic Directory of Residents of Bendigo District, 1916 - 17, possibly comprised of paid resident listing. Light green card cover, stapled. Nine pence cost noted on cover. Printed by Reed & Cop. Printers, Bendigo. directory, 1916-17, bendigo residents

Yields information about Ballarat No. 17 passing the SEC depot in Wendouree Parade during the early 1960's.Negative and Digital images of the Wal Jack Ballarat Negative file of No. 17 passing the depot in Wendouree Parade carrying passengers. Has an Electric Cooking Roof advert. Photo shows the cycle rack. Photo early 1960's.trams, tramways, depot, wendouree parade, tram 17

A Prince 'Precision Spectrum' demonstration tennis racquet, with Prince 'Duratac' synthetic handle grip, and Prince 'Duraflex 17' synthetic gut strings. Materials: Graphite, Composite Materials, Paint, Ink, Plastic, Synthetic Gut, Synthetic materialtennis

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Waterfall scene near the Buchan River’ : Views of Victoria (General Series), No.39 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Buchan River is a tributary of the great Snowy River, which extends itself from Port Ricardo, on the Gipps Land coast, to considerably beyond Mt. Kosciusko, in New South Wales. It is comparatively but a stream, but, like most of the smaller rivers in Victoria, it contains some beautiful scenery, peculiar to itself. Our present illustration is characteristic of its scenery, and is taken from a creek close to the River.’nicholas caire (1837-1918), buchan river, landscape photography - victoria

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Aboriginal Natives of Victoria hop gathering’ : Views of Victoria (General Series) No.50 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The growth of Hops has of late years occupied the attention of farmers in most of the colonies, and with the most encouraging results. It has been introduced with considerable success on most of the Aboriginal Stations in Victoria. Our illustration represents a group of natives gathering Hops on the Station at Bairnsdale, in Gipps Land.’nicholas caire (1837-1918), bairnsdale, aborigines, landscape photography, first peoples, aboriginal and torres straight islander

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Crystal Brook, in the Cape Otway Ranges’ : Views of Victoria (General Series) No.53 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: 'The subject of the present illustration was discovered by one of our operators exploring the Cape in search of scenery. It is situated about four miles from the coast, and is surrounded by dense foliage on the one side, and rocky boulders on the other. This spot being unknown to the settlers, the title we have given to it is highly suggestive of such a romantic and secluded spot.'nicholas caire (1837-1918), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.'Sylvan Dell, near Loutitt Bay’ : Views of Victoria (General Series) No.54 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘Sylvan Dell is one of the favourite resorts for visitors who are in search of the romantic. The peculiarly slender and upright foliage which is seen near the foreground is that of the myrtle tree. Dogwood, brush, staghorn, ferns, and wattle make up the background. Considerable difficulty is experienced in reaching the Dell, in consequence of the precipitous hills and dense scrub which surround it.’nicholas caire (1837-1918), lorne (vic), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Straus’ Falls, Cape Otway Ranges’ : Views of Victoria (General Series) No.55 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘These Falls were discovered some time since by a gentleman named Straus, and were so named in memory of him. They comprise a succession of falls, rapids, and cataracts varying from 10 feet to 60 feet, making a total of 250 feet from the fall to the bed of the stream. These waters probably form a tributary to one of the adjacent rivers.’nicholas caire (1837-1918), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Mount St. George, Addis Bay’ : Views of Victoria (General Series) No.56 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘Addis Bay is situated to the north-east of Appollo Bay, and very near Cape Patten. This mountain is 6,000 feet high, and commands one of the finest views on the Cape Otway Ranges. The ascent is a somewhat difficult one, but visitors to this locality not unfrequently make this a favourite outing.’nicholas caire (1837-1918), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Cumberland Creek, near Point Sturt’ : Views of Victoria (General Series) No.59 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Cumberland Creek is so named from the close resemblance it bears to the place bearing that name in the mother country. The present illustration represents the precipices and hills which surround the Cumberland Creek. The soil around the hills is mostly sandstone rubble, hence the only vegetation identical with the spot is the inevitable sword grass and salt scrub, which frequently exist where no other vegetation can be found.’nicholas caire (1837-1918), landscape photography

24 slides of Garden Week 1985, 1-17 Garden Week at Burnley Campus, 18-24 damage to the turf. 34 photographs of Garden Week 1986 at Burnley. Mostly flower arrangements and damage to the turf. 1 scanned.garden week, 1986, flower arrangements, turf, 1985

Document. Cohn Bros. Collection. 17 black & white labels for soft drinks (6), cordial (1), juice (1), soup (1), peeled tomatoes (1), sauce (4), pickles (1), and 6 O'clock Lager (2).organization, business, cohn bros, cohn bros. collection, brewers, cordial & aerated water manufacturers, labels

Hand written data on the safety cage. The first page is a memorandum to Mr J H Seymour from the International patent & Trade Marks Office informing Mr Seymour that the Provisional Specification of his invention has been accepted in Victoria, dated 17 Oct 1892. The second page is a copy of a card from John H Seymour, City Foundry, Wattle St. Sandhurst outlining the safety cage, the lives it has saved and orders will receive prompt attention and further information may be had from the above address. W. Holmes, Printer. The third page is to Miss Kingerlee from Allan Llewellyn with reference to the memorandum and card dated Sept 1, 1972. He says he copied the memorandum and card for her and Mr F Fitzpatrick has the originals. The fourth page is a typed copy of Claim Holders and expenses.document, gold, safety cage, memorandum - safety cage, edwd waters, j h seymour, international patent & trade marks, city foundry, w holmes, miss kingerlee, mr frank fitzpatrick, allan llewellyn, jno t caldwell, geo staley, neil walker, a n hamilton, william holland, j w weddle, jas lawes, wm hopwood, jas lawes, wm parker, r w pollard, wm nan & co, hope & co, mrs morgan, j w & g williams

Celebrating the centenary of settlement after George Bass landed at Westernport. Held on 10-17 April 1926.HistoricalLarge black and white photos, mounted on brown cardboard, of well dressed group of men and women outside Cowes School and watching two men playing marblesBack to Phillip Island 1926. Cowes Stste School [ 1282 ]photographs, centenary celebrations 1926, cowes state school, back to phillip island 1926

Personal communication from Europe to relative (Aunt Elsie) in San Remo dated 17/06/1951Aerial view of San Remo coastline with row of various Pine Trees across foreground. Hills in background. Pier at top left. Shows town area of San Remo in Italy, Europe.San Remo - Riviera Dei Fiori - Panoramaphotography, photographs, aerial view - coastal view - san remo europe, black & white photograph, comparison views san remo, aerial