Index, ill, p.600.non-fictionWorld War II was the most intensively photographed conflict in history. Military adn press photographers, propagandists, camera-wielding soldiers and civilians - all took the opportunity to record the tumultuous events of 1939-45. World War II in Photographs features 900 clearly captioned images selected from a wide variety of sources. Every major theatre of conflict is covered, from the icy seas of the Arctic Circle to the jungles of the South Pacific, from the deserts of North Africa to the steppes of Russia.world war 1939-1945 - history, world war 1939-1945 - pictorial works

The book is signed by the author. The dustjacket is missing & the hard cover of the book is damaged along the edges & the top of the pages appears water damaged.My Vietnam is a pictorial journey seen through the cameras of over 80 Australian veterans of the Vietnam conflict. 1961-1975 - participation, australian, vietnam war, 1961- 1975 - pictorial works, australian national serviceman, nui dat, 12th field regiment, royal australian artillery

The book is signed by the author. The dustjacket is missing & the hard cover of the book is damaged along the edges & the top of the pages appears water damaged.My Vietnam is a pictoria journey seen through the cameras of over 80 Australian veterans of the Vietnam conflict. 1961-1975 - participation, australian, vietnam war, 1961- 1975 - pictorial works, australian national serviceman, 12th field regiment, royal australian artillery

Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Robert Salzer Foundation, 2012.hand coloured photographSigned on verso, lower righthand-coloured, tracey moffatt, self portrait, desert, cameras

It is believed Private C SMITH is one of the soldiers featured in this photograph. Private John Claude SMITH 2020 was born 2/8/1893 at Wangaratta He was employed by the Railways and trained in Liverpool, NSW. He enlisted on 8/2/1915 and embarked on 9/8/1915 from Sydney on the "Runic". He served with the 18th battalion on the western front and was discharged on 27/5/1919. Many soldiers going off to the war had a photograph taken of themselves in uniform, often a studio portrait taken by a professional; many also carried a photograph of a loved one with them. But most people were still rather formal and camera-conscious, and smiling for the camera was not usual. Timber frame containing image of two soldiers within a map of Australia below a crown in top centre position with Union Jack and Red Ensign flags in the background. Back has been re-mounted with chipboard. Has wire hangings on the back.ww1, north wangaratta, 18th battalion

Nillumbik Prize 2018 finalist. The artist lives and works in Nillumbik. A juxtaposition of the mechanical (digital camera) with the hand painted. Each turning page exposes the artist’s own experiences and responses to his environment. The book unfolds into a sequence of pages that opens up to a landscape. digital photographs and hand painted (detailed/cropped) images of trees on paper, encased in an archival box.

USA Patents - September 25, 1894 to September 8 1898 June 21 1898 to January 1908. April 29 1908.For a camera that is over 100 years old it is in relatively good condition

The camera is in very good visual condition it has a serial No. 362528

Photo - Bertha Leviny (seated centre) with five of her daughters L-R: Gertrude, Hilda, Mary (standing), Dorothy and Kate. Her grandson James Leviny is at Bertha's knee. The pet dog is an Australian terrier. Bertha was the wife of noted colonial silversmith and jeweller, Ernest Leviny. Together, they raised a family of ten children in their home Buda, Castlemaine. The five unmarried daughters pursued their interests in various creative pastimes linked with the Arts and Crafts Movement of the late nineteenth and early twentieth centuries.One of the few photographs of Bertha Leviny and her daughters taken together after the death of Bertha's husband, Ernest, a prominent Australian silversmith. The Leviny daughters were artistic in their own right, following the principles of the Arts and Crafts Movement. Three of the daughters entered works in the 1907 Exhibition of Women's Work held at the Exhibition Buildings, Melbourne.Silver gelatin, toned print. Black and white photograph of a group of six women, a child and a dog. The women are seated on and around a garden bench with the tennis pavilion in the background. All are smiling at the dog which is standing on its back legs in the foreground. The little boy's face is blurred from movement during the exposure.Handwritten in ink (verso): "At Buda 1906"bertha leviny, mary leviny, gertrude leviny, hilda leviny, dorothy leviny, kate leviny, james leviny, australian terrier dog, kodak box brownie camera, edwardian costume, buda, 1906, photograph, portrait, leviny women, castlemaine

The frame belonged to the Till family and had a photo of Alwyn Till in Royal Australian Air Force uniform. The photo was removed and kept for safety in the photographic department of the Society. The frame is kept for Regimental display.Brass frame with RAAF insignia on top of the frame which has a leaf pattern stamped on it.photography, camera accessories

Photograph folder provided by Dicksons Pharmacy ; used to contain developed filmsBeige printed folder; provided by Dicksons Developing & Printing Service for Miss McDougal of Healesville, 1936Dicksons Pharmacy. Est. 1850photography, camera accessories

Type of folder issued by Kodak with developed printsBrown cardboard folder. Pictured at centre: cream cameo below cream oblongKodakphotography, camera accessories

Black and beige paper folder to hold developed prints and negatives, stitching at top and base edges. Pictured: lady on horseback being photographed.Kodak. Prices from 1/6photography, camera accessories

Black and white photograph of Bernard Martin c1980s. He was an agent for the Nunawading Credit Union Co-operative in the 1980s.martin bernard, camera action nunawading, nunawading credit union co-operative, credit unions

Black leather-look covered box, with broken handle on the top with view finder, winder and viewfinder on the left-hand side,, Art-deco design on front with lens and two smaller glass lens 620Brownie

Black leather-leather look (Vinyl) rectangular box. Main lens and 2 viewfinder lenses on the front. Black leather handle, one view finder and metal opening latch on the top. One view finder and a winder key on the right hand side. Red film counter viewing window on the back, with markings (see below)No.2 Brownie / Use film No. 120 / Made in US by Eastman Kodak Co. Rochester NY

This postcard was sent by "O.G." to J. Gawler on 7 February 1915 from an Army camp in Egypt. The postcard appears to have been hung up by a thumb tack as there is a small hole at the top centre of the card. This item is representative of the letters and postcards that were sent home to war by servicemen during the First World War and was a way to maintain a connection to their loved ones during difficult and uncertain times. Postcards were a very common form of communication in the first World War. This postcard also records places for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1 and many had passed through Egypt.The front image of the postcard is a photograph of a camp of white canvas tents lined up in rows in front of a pyramid. Several soldiers can be seen walking throughout the campsite. On the reverse is a message written in black ink. There is also a small hole in the top centre of the postcard.Message on reverse of postcard is dated 7.2.15 and says: "This is a view of part of Mena camp where the 1st Australian Division has been camped. We have had fine weather and very cold nights. Weigh nearly 11 stone now. O.G." Addressed to: "Mr J M Gawler, Collins St, Melbourne"world war one, war correspondence, souvenir

Postcards were a common form of souvenirs for soldiers who were travelling around Europe either during World War 1 or just after, before returning to Australia. The link to Legacy is not known but there are many postcards are in the collection.Postcards were a very common form of communication in the first World War. Postcards may also record places for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1 and travelled by troop transport ship.The front image of the postcard is a photograph of a ship at sea.Front of postcard: UNION- CASTLE LINE INTERMEDIATE STEAMER "GLOUSTER CASTLE." 8,000 TONS.war correspondence, souvenir

Postcards were a common form of souvenirs for soldiers who were travelling around Europe either during World War 1 or just after, before returning to Australia. The link to Legacy is not known but there are many postcards are in the collection.Postcards were a very common form of communication in the first World War. This postcard also records Gallipoli for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1 and many had served at Gallipoli.The front image of the postcard is a drawing of soldiers standing on a beach. One man in uniform can be see standing in the foreground, while several others are amassing on the shore. Six ships can be seen on the sea horizon. There is a small hole at the top of the postcard, most likely from a thumb tack.Front of postcard: "PREPARING TO EMBARK ON THE LAST STAGE OF THEIR VOYAGE TO THE GALLIPOLI PENINSULA: SOME OF THE AUSTRALIAN TROOPS / WHOSE LANDING THERE WAS A SPLENDID FEAT OF ARMS."war correspondence, souvenir

Postcards were a common form of souvenirs for soldiers who were travelling around Europe either during World War 1 or just after, before returning to Australia. The link to Legacy is not known but there are many postcards are in the collection.Postcards were a very common form of communication in the first World War. This postcard also records the war for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1 and many had served at Gallipoli.The postcard's image depicts a field of white canvas tents line the background. Several people can be seen cutting wood in the foreground, standing just behind a wire fence. world war one, souvenir

A postcard depicts five soldiers standing near a cannon in winter time. They are wearing jackets and hats to protect them from the cold as freshly fallen snow rests on the surrounding foliage. Postcards were a common form of souvenirs for soldiers who were travelling around Europe either during World War 1 or just after, before returning to Australia. The link to Legacy is not known but there are many postcards are in the collection.Postcards were a very common form of communication in the first World War. This postcard also records the war for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1.The postcard's image depicts five soldiers standing near a cannon. They are wearing jackets and hats to protect them from the cold as freshly fallen snow rests on the surrounding foliage. A small hole can be seen at the top centre of the card, most likely from a thumb tack.world war one, souvenir, cannon, soldiers

A post card sent from France to Australia in 1918, presumably from a soldier son to his mother while on leave from the fighting in France.A record of correspondence from France to Australia in 1918. Postcards were a very common form of communication in the first World War. This postcard also records places for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1.Post card with a coastal panoramic view and beach houses. At the back of the post card is the written wishes. Front side: Printed, 35 / LE CROTOY. - La Plage. / Edition de la Menagere / ND. Phot. Back Side: handwriten mark, x / printed, Carte Postale / IMP. PHOT. NEURDEIN ET CIE. - PARIS. / Correspondance / Adresse, Stamped Postal Sticker from the Republique Francaise valuated in 10c Postes. / Handwritten text: 13/1/18 Dear Mater This is a snap of where I am now. We are in the house marked x, and are very comfy. Love to all Lee / Mrs W. Elsum 42 Parker St. Williamstown Victoria Australia. war correspondence, souvenir

Postcards were a common form of souvenirs for soldiers who were travelling either during World War 1, or just after, or while returning to Australia. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.Postcards were a very common form of communication in the first World War. This postcard also records Gallipoli for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1 and many had served at Gallipoli.Postcard showing black and white image of the bridge at Rodah, Guizeh (Giza). Several figures and a tram are also pictured crossing the bridge. A black postal stamp in the top left quadrant of the postcard indicates it was posted from Cairo. The back of the postcard contains a message. Based on the date and location it was posted from, the text could be Egyptian Arabic or it could be Pitman shorthand.Front - “(Guizeh) Nouveau grand pont de Rodah - (Guizeh) New large bridge at Rodah.” Back - “J/15/1912/ CARTE POSTALE / M J?. Hinaul / 20 Rue de Landrecies/ Le Cateau (Nord)/ France/ Ghino Dukich, 21 Rue Nubar Pacha - Le Caire, Egypte/ Serie A No. 25. Reproduction interdite” Stamps - Postes Egyptiennes/ Un Millieme”souvenir, war correspondence