Small decorative bags containing dried lavender, rose petals and other fragrant flowers and leaves were used to add fragrance to linen and clothing. They were also used to repel insects and help preserve the textile pieces. Fragrant bags were used to freshen the air in rooms and even as a deodorant inside special pockets in ladies' undergarments. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” It was a tradition for brides to have a 'glory box' containing linen and embroidered articles to take to their new home. Many of the items were made by Daisy, a skilled dressmaker. Daisy began her apprenticeship at two shillings and sixpence per week at Miss A. E. Emery's dressmaking establishment at 150-152 Liebig Street, Warrnambool. Considered to be the leading house of fashion in Warrnambool, Miss Emery employed about eight young women who worked long hours to sew elaborate gowns for clients, including wives of graziers who would attend the race carnivals and social functions in Warrnambool. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is significant for its association with a ‘glory box’ or hope chest’, a tradition of single ladies making and collecting a range of linen and other domestic items in preparation for their future marriage. The item is a fine example of early 20th-century needlework and handmade domestic items.Lavender bag, white crocheted squares, back to back, with a border and a swan design incorporated in crochet. Part of the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, handmade, craft, manchester, linen, haberdashery, needlework, crochet, lavender bag, fragrant bag, insect repellant

Ormond Andrews (b 1894 d 1987) was an original ANZAC who enlisted from Orbost. He lived at 19 McLeod Street in Orbost and opened Andrews Mensland in Nicholson Street, Orbost. From Allan McKenzie - "The other person in the photograph with Orme is my grandfather, George Piper from North Fitzroy Vic who was a pilot with the RAAF in WW1. Orme and George were very good friends in later life."This item is a reminder of a well-known Orbost identity.Two framed b/w photographs of Orme Andrews. 2420.1 is a photograph of two airmen in uniform - one standing (most likely George Piper). Orme Andrews is sitting. The frame is painted wood. The photo is inset with an embroidered mount and has a hanging wire. 2420.2 is a wooden framed photograph of Orme Andrews as an older man. He is wearing a suit and has an air force badge on the lapel of the jacket. It has a stand.2420.1 - has label written in pen -Mr Orme Andrews 2420.2 - has label - Mr Orme Andrews 1894-1973andrews- orme

Mrs Clare Roper wore this dress to a garden party at Buckingham Palace when she was invited there to represent the Lions Club.The Roper Family is one of the pioneering farming families of the Kiewa Valley. They built and used Ropers Hut on the High Plains. The dress worn by Clare Roper has historical significance as it represents the importance of the CWA which Claire Roper was involved with as President thus being invited to Buckingham Palace. The dress also shows the fashions of the time and indicates ladies living in the small country towns still viewed fashion as important. Since we know it was Clare Ropers dress it is well provenances, is in reasonable condition and has very good interpretive capacity. This brown shirt waister dress has an 'A' line skirt with an inverted pleat on the lower half of both the front and back. The dress has a 'Peter Pan' collar, matching belt, pockets and short sleeves. There are 3 bound button holes and buttons, gold set with pearls, only one is complete. The front top, cuffs and pockets are embroidered with cream lace. There is a press stud and hook at the neck. There is also a side zip opening in the skirt.kiewa, farming; ropers hut; lions club; clothing; clothes; dress; clare roper; high plains; buckingham palace;

This cape may have belonged to RAN Telegraphist Norma Ashton Kilfoyle, however the date of her service is not consistent with the style of the article (which has buttons which suggest this cape was issued post 1952 during the reign of Queen Elizabeth II). It is possible, though not confirmed, that this cape was worn by Norma Kilfoyle in a later role after the Second World War.Black thigh-length nurses cape with red satin lining. Fastened along centre with four gold buttons and one press stud at chin (second button from the top is missing). Two slits at waist height on both left and right allow arms through from the interior to the front. Embroidered manufacturer’s label on interior at base of neck, below which there is an ink inscription. Sewn in fabric swatch on interior right.Handwritten inscription reads “KILFOYLE”. Manufacturer’s label reads “[Australian coat of arms]/A Quality Garment/BY/Australian Government Clothing Factory”. Interior sewn in label reads “33643/Kilfoyle/Cloak F Bara/[indiscernible characters]”. Buttons read “[Queen Elizabeth crown over the Navy anchor]/AUSTRALIA” and on interior “STOKES/MELB”cape, second world war, world war two, world war ii, navy, royal australian navy, ran, women, telegraph, communications

Elaine Donnellon, the donor of the photograph is the daughter of Shelia's sister Matilda. Thomas Coughlan and Shelia Whelan were married 03-09-1947. Not highly significant but typical of a mid 20th century portrait taken in a photographer's studio. The style of the wedding finery is representitive of the fashion of the period.Studio Portrait on original mount. Thomas Coughlan bridegroom, dark double-breasted suit,orange-blossom buttonhole. Shelia Whelan bride, embossed satin bridal gown with train and leg-o-mutton sleeves,a lace insert at the neckline, finished with a dainty locket. An embroidered full lengh veil and ruched head-dress with orange-blossom is complimented by a floral trailer-bouquet and horseshoes. Portrait backdrop, curtain and chair. Bottom right-hand corner, hand written, "Mendilnohy/Melb."studio portrait, 1947, thomas coughlan, shelia whelan, orange blossom, embossed satin, wedding gown, double breasted suit, veil, trailer, bouquet

This blazer was worn by Elaine Cooke when she attended the Ballarat Teachers College. The Ballarat Teachers' College was established after the Victorian State Government and the State Education Department decided to establish two provincial teachers' colleges, at Ballarat and Bendigo. On 04 May 1926 W.H. Ellwood (Principal), Miss A. Bouchier, and Mr A.B. Jones, welcomed the first enrolment of 61 students to undertake the one year course. In 1927 the College moved to the former Ballarat East Town Hall in Barkly Street, which was remodelled for their use. It closed in December 1931 due to the Great Depression. In 1946 Ballarat Teachers' College reopened and relocated to the Dana Street State School. It was originally planned to open as a women's college, for whom the residence at 130 Victoria Street was purchased, but the decision was made to admit resident men from Ballarat. Mr T.W. Turner was appointed as Principal in 1951 and directed the introduction of a two year course for the Trained Primary Teachers' Certificate. The former one year course was terminated at the end of 1951. In 1958 the College was relocated to a custom built facility at Gillies Street, in close proximity to the Ballarat Botanical Gardens. Numbers increased with the introduction of the Trained Infant Teachers' Certificate course under the guidance of Mary Egan. With the introduction of a three year Diploma Course in 1968 accommodation became cramped. The introduction of the Diploma of Teaching (Primary) led to the Trained Infant Teachers' Certificate being discontinued in 1969, and the end of the Trained Primary Teachers' Certificate in 1969. Secondary Art and Craft students began studies at Ballarat Teachers' College in 1969 under Mr Ted Doney. In 1971 Mr D. Watson was appointed Principal. The State College of Victoria was proclaimed by Order in Council on 24 July 1973, and Ballarat Teachers' College became a constituent college of the State College of Victoria, and was known as State College of Victoria, Ballarat. By 1975 the College moved to Mount Helen as part of the Ballarat College of Advanced Education. Pre service teachers currently undertake their studies on the Mount Helen Campus of Federation University. ("Ruffians Attempted to Carry of the School Tent: A History of State Education in Ballarat", 1974, p73-4.)Blue woollen blazer with Ballarat Teachers College lapel pin and embroidered pocket. The edges are bound, including the two side pockets and the breast pocket and the sleeve cuffs have the binding 10.5 cm from the edge. The blazer has three front buttons. The body is unlined but the sleeves are lined with a cotton fabric. The hem edge is bound and hand stitched in place, whilst the back neck facing is cut with pinking shears.Hand written with pen on white tape - E. Cookballarat teachers' college, blazer, elaine cook, costume, textiles, uniform, embroidery

Dark green school uniform blazer size 15. Single breasted. Three dark green buttons. Breast pocket on LHS with white and green embroidered school emblem showing an emu and a kangaroo on either side of an open book with a golden three layered crown above it with two ribbons. Motto: OMNIA IN CHRISTO. Two pockets either side of front. Split at lower back. St Vincent College, Junortoun.TEE DEE quality uniform ware. Labels inside neck and inside LHS.costume, male, school jacket

Clothing. Cream coloured sleeveless silk baby's dress.Straight line dress gathered skirt sections on sides. Separate fabric pieces form shoulders.V shaped neckline back and front. Centre of front neckline has six pin tucks over sown with blue and pink embroidered cross stitch. Back opening to waist fastened by two press studs. Border of blue and pink flowers around lower edge of dress.costume, children's, baby's dress

Embroidered by hand. Top edged in gathered, coffee coloured lace, 4.5 cm wide. An opening at the base is also edged in the same patterned lace.Four metal press-studs close the shoulders and neck of the cover. Padded and lined with art-silk featuring butterflies and floral designs in dark - grey and white. The initials M.B. are satin stitched on the back, while fine running stitches outline a pattern on the front, emphasising the padded effect.Hand stitched, the initials M.B. give the only indication of ownership.manchester, trimmings, pink satin hot water bottle cover

Golden Square High School in the city of Bendigo, was established in temporary accommodation at Camp Hill Primary School in central Bendigo in 1960. With the completion of the new school's buildings, it moved to Golden Square in 1962, providing for Forms 1 to 6, now known as years 7 to 12. In 1978 it became a 7–10 school and was one of the original feeder schools to Bendigo Senior High School. In 1986, a Hearing Impaired Unit was established and in 1990 it underwent a name change to become Golden Square Secondary College. The Golden Square Secondary College campus closed on 28 November 2008. It merged with Kangaroo Flat and Flora Hill secondary colleges as part of the implementation of the Bendigo Education Plan. Its buildings were demolished. (Wikipedia https://en.wikipedia.org/wiki/Golden_Square_Secondary_College) This uniform collection belonged to Anna Matthews, daughter of the donor, who attended GSSC as part of the last group enrolled before the school closed in 2008. Golden Square Secondary College dark green sport singlet with with V neck and arm holes with yellow trim. LHS of singlet has tapering diagonal geometric white and yellow stripes. Fabric has self patterned geometric pattern. Size 16. White embroidered letters "Golden Square Secondary College" on RHS and red iron on "6" (10 cm) on LHS. Iron on "6" (20 cm) centre back.White tag 1." SPORTS SERVICE 2 WALKER STREET BRAESIDE VICTORIA 3195 03 9580 3511 MADE IN AUSTRAKIA" Tag 2 "Polyester" Washing instructions.gssc, golden square secondary college, uniform, bendigo education plan., sports singlet

The context in which the hat was made and worn assists in establishing its potential historic significance. 'Bailliere's Victorian Gazetteer and Road Guide containing the most recent and accurate information as to every place in the Colony' (1870), describes the village of Vaughan as being located on the road from Daylesford to Castlemaine. In 1870 the Vaughan was deemed to be entirely a gold mining area, gold having been discovered in the district in 1853. Intriguingly the entry in the Gazetteer claims that the electoral division of Vaughan began at the junction of the Middleton Creek and the Loddon River, so perhaps the cap might have belonged to a member of a significant local family. In 1870, Vaughan had a population of about 1000 persons and included almost 300 dwellings. Articles from newspapers, published on Trove refer frequently to a Mr Middleton as a litigant in court cases before the Vaughan Court in the 1860s. By the 1870s, the Mt Alexander Mail, in an article on ‘Mining: The Pioneer Wheel’ describes the success of Mr Middleton and his Middleton’s Reef Gold Quartz Mining Company, which had built the largest water wheel in the Colony. The wheel was 20’ in diameter and 2’ wide. Quartz mining as practiced by companies such as Middleton’s had become necessary after the exhaustion of alluvial quartz mining deposits in the 1860s. So we can probably establish a link between the cap and a significant mining identity in the period in which the article was made. The historical significance of the cap is only one part of the story. Caps such as the Middleton example can also be items of aesthetic significance as they were typically, examples of women’s work, using published patterns in magazines such as the Ladies Home Magazine. While women might follow or adapt a published pattern, their choice of materials reflected what was available locally. The fine hand stitching on this example is evidence of high quality domestic needlework. The maker crafted the cap from five triangular pieces of cotton cloth, each piece lined with a faded yellow net. The net provides some stiffening for the cap and has a functional purpose in that it anchors the hand-stitched, looped design of yellow silk ribbon that decorates the surface of the cap. Gentleman’s smoking (lounging) cap believed to have been made in c.1860-69. The conical hat is made of a dark green cotton fabric embroidered with narrow ribbon of a paler green silk. The unlined rimless hat is made of four pieces of fabric. There is no evidence of the hat at one stage featuring a tassle. The original donation record noted that the cap had been made for, and was worn by, a Mr Middleton, of Vaughan in Central Victoria. Nilhats, smokers hats, men's clothing

This Belt was presented by the City of Essendon on occasion of presentation of the New Colours 25 November 1956Used to carry the Battalions colours Physical Description Green felt sash with red leather lining. Sash had gold trim and an inscribed silver plate on the face. The battalions battle honours are embroidered in spun gold thread on red silk banners in front of a lightly coloured wattle bush. The regimental badge is spun gold/ silver and red silk. Inscriptions and Markings This Belt was presented by the City of Essendon on occasion of presentation of the New Colours 25 November 1956This Belt was presented by the City of Essendon on occasion of presentation of the New Colours 25 November 195658/32 bn, 5/6rvr, dcoy, uniform

Black and white photograph of Emily Margaret Matilda Lee and David Carstairs on their wedding day, she is wearing a dark dress, tight waist, bodice gathered from shoulders to waist and embroidered centre panel, long sleeves with tight cuffs. Fine chain necklace with heart shaped locket, plain unadorned hairstyle. He is wearing a three piece suite, white shirt and dark necktie. Lakes Entrance Victoriaclothing, genealogy

Mrs William Wright operated a shop at 95 Liebig street Warrnambool around the turn of the 20th century, where she sold clothing as well as a large range of embroidery and needlework requirement.Some of the work listed in advertisements include shadow work,princess applique and Mount mellick work. She was an experienced and talented needleworker and held classes in a range of work. Mrs Wright advertised that her students had success at local shows in items such as shadow work,, embroidered blouse, best cosy, canvas work, novelty pincushion,floss silk work.Her name was Martha but she always traded under her husband's name. She died in 1952. This dish is a a simple reminder of Mrs Wright This pin dish provides a link with one of Warrnambool's early shopholders and needlewomen. She is featured in a soon to be released publication about women in Warrnambool called Silent Lives. The dish itself is a pleasing little example of a pin dish.Small white plate with gold edging and gold text. It is a rectangular oval shape but all edges are rounded.With compliments Mrs Wm Wright Warrnambool in gold in middle of plate .Made in Czechoslovakiawarrnambool, mrs wm wright, mrs william wright shop, mrs wright liebig st

University of Ballarat is a predecessor institution of Federation University Australia. Academic gowns distinguish between the University's senior office holders and our graduates. Federation University's Chancellor wears a blue robe that is trimmed with gold and features a gold embroidered frog at the shoulder and gold oak-leaf braid below the arm hole. The Deputy Chancellor and the Vice-Chancellor also wear blue robes, with gold trims and different designs inclorporating the gold oak-leaf braid, ord or tassels. The members of the university Council wear black robes with a sole of gold. Our graduates wear black robes, with either a black trancher cap or bonnet (for professional octorate) with stoles, linings or trims in the colour of their discipline. Large black photograph album with sticky pages. Includes photographs of 2000 recipients of University of Ballarat Honorary Doctorates:- Mary Atkinson, Jeff Kennett , Chancellor David Caro, academics and graduands.mary atkinson, jeff kennett, graduation, honorary doctorate, university of ballarat, david caro, kerry cox, mary akers, academic regalia, michael aderman

Uniform issued to "WO1 D.M.FIELD" 313679, REGIMENTAL SERGEANT MAJOR.Jacket - Khaki colour wool serge fabric, Battle dress style, belted at the waist with metal buckle. Brown plastic buttons. Collar shoulder epaulettes, two front pockets with button down flap. Shoulder sleeve insignia black colour with red embroidered lettering "ROYAL AUSTRALIAN CORPS OF TRANSPORT". Light Khaki colour cotton twill fabric pocket lining. Manufacturers white cotton fabric label - left pocket lining.Manufacturers information on two labels. Black ink print - "REGIMENTAL NO/ NAME" Red ink print - "M.TX Size 7" On pocket lining - purple ink stamp - "D^D/ MADE IN AUSTRALIA/ 1954" uniform, army, battle dress, wo1 dm field

.1) Made by William TIBBETT No 978 1st AIF while convalescing in hospital in England, also on hospital ship on way to Australia and at out the Army depot in Caulfield 1918. .2) Same inscription as above). Refer 488P for his service history also 573..1) Embroidered Rising Sun badge, mounted & framed. White plain cloth background, King's Crown (multi coloured) & Rising Sun (red/pink) stitched over stitched scroll (glass frame & gold coloured 4 sided frame). .2) Australian Coat of Arms with kangaroo, emu stitched in brown thread, 6 State emblems represented, wattle flowering branches in background on being background cloth, glass in wooden frame.1) “Australian Commonwealth Military Forces”handcrafts- embroidery, military history, rising sun-coat of arms

Black & white photograph of Addie Keating dressed in theatrical costume as Romeo. Photograph is mounted on grey board. On the back is written: To my dear friend Ethel from Loving Yours Addie. In the photo she is wearing black tights and shoes, a long decorated jacket with an embroidered wreath on the front, a large lace collar and a hat with a feather in it. She has long hair. The background of the photo is a garden setting. 'Romeo' is signed on the front of the photo.W. Vincent Kelly. Mitchell St. Bendigophoto, individual, female, photograph, addie keating, romeo, w vincent kelly

Clothing. Infant's ivory coloured waisted silk dress. High round neckline with one cm lace trim. Bodice extends to short sleeves with 2.5 cm eyelet lace at hem. Embroidered leaves and vines at centre frfont of bodice. Eyelet lace around waistline (1.5 cm) with gathered skirt. Centre back opening (22 cm) fastened at neck with one press-stud and ribbon tie at waist ( Ribbon missing).costume, children's, infant's ivory coloured silk dress

Clothing. Infant's ivory coloured waisted silk dress. High round neckline with one cm lace trim. Bodice extends to short sleeves with 2.5 cm eyelet lace at hem. Embroidered ribbon bow and flowers at centre front of bodice. Eyelet lace around waistline (1.5 cm) with gathered skirt. Centre back opening (22 cm) fastened at neck with one press-stud and ribbon tie at waist (Ribbon missing).costume, children's, infant's ivory coloured silk dress

Textiles, pink cotton lingerie or stocking bag with fold over envelope style flap at back over opening. Front has overlay of cream coloured tapestry fabric with pulled thread work embroidered with pink cross stitch and line patterns. Three decorative 2 cm pink satin ribbon bows in three corners. Fourth ribbon detached (stored in bag). 4 cm gathered cream lace edging on four sides.textiles, domestic, pink cotton lingerie bag

Textiles. Cream coloured cotton pillow sham. Centre panel (60cm X 32cm) made up of six pieces of scalloped edged embroidered fabric. Scalloped edges stitched together to form one horizontal and two vertical lines of open circular shapes (2cm). Centre panel edged with threading ribbon. (No ribbon). Pillow sham has border of lace (10cm) with floral pattern.Old box 75, Yellow label 183.textiles, domestic, cream coloured cotton pillow sham

Clothing. Child's white linen dress. Wide round hemmed neckline. Dress made up of two pieces of fabric. Dress is straight to below the waist (35cm) and then widens to the hem (51 cm). Sleeveless with arm holes edged with one cm lace. Front of dress is cotton fabric with alternating vertical stripes of embroidered fabric and floral patterned lace. Back opening (16cm) with placket, fastened with two metal press-studs.costume, children's, child's white linen dress

Part of the small collection of uniforms in DAHC's possession. Like most of these uniform this one stems from the 1950's. The shoulder insignas indicate a "Genie" division (Engineering Corps).Many of the 1950's period uniforms came from people that had been discharged after having served in the Dutch East Indies (now Indonesia) during the Indonesian Indepence War.Part of Dutch army uniform: (1) dress jacket with (2) cotton dress belt, (3a) leather belt with (3b) cross belt, (4) khaki tie and (5) cap with names W. van Reed//Dorland on the inside. Jacket has brass buttons, NL lion embroidered on sleeve, "genie" emblem on shoulder strap and rank sign (one star - Lieutenant) on collar. Note: match box "Drogist Lucifers" left in pocket.(1) Label jacket text "Maatkleding, Maison Jordi & Cie, tel 4608, Amersfoort" and rank indication (Lt). (5) Cap has names W van Reed & Dortland. "Drogist Lucifers" on matchbox in pocket.

Title and List of Band Members. "38th BATTALION, NORTHERN VICTORIAN REGIMENT BAND 1955" Back row L. to R.: J. GRIFFITHS, ........... ............, L. FRANK, E. STANLEY, K. HOCKING. Second back row: J. DORBIE, J. BOLAND, A. CARTER. Third back row: A. SWIFT (BAND MASTER), L. PHAIR, W. ALLEN, A. TRAYES. Third front row: I. DEAUROGH, R. TREVASKIS, M. McDONALD, A. BISHOP, R. SWIFT, R. MITCHELL. Second front row: N. MILLAR, N. MARCHINGO, L. ELLIS, M. LAMBERT, R. CHRISTIE. Front row: H. MEEK, A. THOMPSON, J. RIPPER, G. WILKINSON, F. GILBERT, V. GREGOR, K. JINKS - DRUM MAJOR"Photograph, black and white on paper, a group photograph of a Regimental Band on parade, standing on grass. Cloth insignia - red background with white embroidered lettering above photograph. List of band members - black ink type written on white card below photograph. Mount - double mounted, exterior dark red colour cardboard, inner cream colour cardboard. Frame - timber with brown varnish finish, glass front and cardboard backing.Cloth Insignia Lettering "NORTHERN VICTORIAN REGIMENT".passchendaele barracks trust, framed accessories, photograph, 38th battalion, regiment band

Recent (?), representative, Spanish Army uniform item worn by Spanish Legion troopsKhaki fur/felt with red piping. Red edged gold tape on right side. Dark brown leather adjustable chin strap attached with two 16mm diameter buttons embossed with crowned eagle surmounted with a cross, ie Spanish Army. Red 60mm long red cotton tassel attached to front of crown. Embroidered Spanish Legion light tan badge on front of crown. Light tan leather sweat band inside. Blue stamp on sweat band "J. BENOLIEL, TALLA, 56"(circled) Black rubber stamp "56"headgear

Black & white wedding photograph. The wedding party consists of 4 males and 4 females. The men are wearing 3-piece suits. Three of them have flowers in their buttonholes and the 4th one is wearing a clergyman's collar. The bridegroom is sitting on a chair beside the bride who is wearing a long white dress with a long veil. She is holding a large bouquet. The bride and the lady standing on the other side of the groom are wearing a medallion and brooch. The lady to the right of the bride is wearing a plain, long white dress, a white hat, a cross and brooch and she is holding a large bouquet. The lady on the groom's left is wearing an embroidered dress, slightly shorter, a white hat and is holding a large bouquet. The 4th lady is wearing an embroidered dress, gloves, a wide brimmed, dark hat and a cross and brooch. She is sitting on a chair. Photo is mounted on brownish board. Stuck to the back of the board is a notice: Molony & Co., Photo Enlargers and Picture Framers, 44 Honeysuckle Street, Bendigo.W. Vincent Kelly Mitchell St. Bendigophoto, group, wedding, foster & wilson collection, photograph

Clothing.Woman's cream coloured long sleeved silk bodice. High round neckline with 4 cm stand up collar. Semi-circular yoke front and back (13cm radius). Collar and yoke have embroidered net over silk fabric. Kimono cut long sleeves have cuffs of embroidered net over silk from shoulder to wrist along top of sleeve (33cm X 4 cm). Sleeves and front of bodice have all over vertical pin tucks. The front of the bodice has cotton tape ties stitched across from centre front to side seams at waist level gathering the fabric to form a peplum effect at the front. The tails of the cotton tapes tie across the back from the side seams. Full length front opening fastened with nine press-studs between collar and waist and a metal hook and eye at the waist. The back of the bodice has vertical pin tucks across the shoulders and below the yoke extending 9 cm below the yoke.costume, female, woman's cream coloured silk bodice