Textiles, pink cotton fabric handkerchief bag. Front has an overlay of cream coloured tapestry fabric embroidered with cross stitch and lines of pattern. One corner is turned down to represent at purse flap to form a 17 cm opening. Bag has a 4 cm frilled lace edge (cream coloured) on three sides plus around the turned down flaps. 2 cm pink ribbon bows on three corners plus on turned down flap. Hand made.textiles, domestic, handkerchief bag

Wide neckline, rounded at the back, and a deep V shaped front. Short sleeves, edged with a one cm band of scalloped edge lace. This edging also trims the back neckline. Front neckline is trimmed with six cm deep scalloped edge, broiderie anglaise, featuring an embroidered floral design, and cutwork. A casing at the waistline, one cm wide, appears to contain elastic, which is now perished. Machine stitched side seams, which are slightly to the back, rather than at the sides.costume, female, white linen lace trimmed camisole

Two 2cm cotton fabric covered buttons close the waistband of the drawers, at the centre front. A 33cm wide gathered panel at the centre front, fastens to the waistband with two 1.5cm plastic buttons-(possibly replacement for original buttons). This gathered panel may suggest that these drawers were worn during a pregnancy. The 75cm long legs are trimmed with two bands of floral embroidered, and cutwork lace-eight cm deep lace. waistband is 6.5cm deep. Machine stitched, no seams.costume, female, white cotton, lace trimmed drawers

Clothing. Child's cream coloured silk nightdress. Wide scooped neckline with casing and lace trim. Skirt tightly gathered into casing at waist. Centre back opening (27cm) fastened with cotton tape ties at neckline and waist, (V shaped lace insert on bodice front). Skirt has inverted V shape embroidered insert at centre front from waist to hem. Item finished with decorative stitching. Raglan set short sleeves trimmed with pleated fabric.costume, children's, child's cream coloured silk nightdress

The pram is light in weight. Made of black vinyl with a metal frame. A handle with wooden grips is used to push the pram from behind. It has four spoked wheels with rubber tyres. The hood can be unlocked and folded down as can the handle which folds over the top of the pram body for ease of transport. The pram contains a soft kapok fitted mattress with white heirloom lace frilled cover and a soft pillow covered with a white cotton pillowcase with a chicken and flowers embroidered on it.None

A Spalding 'Pancho Segura Autograph Model' wood tennis racquet. Ribbon reinforcements around shoulders and shaft. Model name & endorser signature printed across throat. Manufacturer's name printed across base of head. Grip wrapped with perforated leather. White butt cloth. Wreathed 'S" logo embroidered on butt cloth and printed on shaft. Red plastic reinforcement around shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Leather, Ribbon, Cloth, Threadtennis

A Spalding, "Pancho Gonzales" Tournament Model tennis racquet, featuring whipping around shoulders, leather handle grip with perforations, and a white embroidered butt cloth . Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cloth. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leathertennis

This hat was worn by D. P. Bright, whilst serving in the Royal Australian Navy, presumably on the H.M.A.S. Leeuwin.Sailor's hat with removable ribbon which sits on exterior band with machine embroidered inscriptions, tied in a bow at the back. Hat is piqued, stiffened white cotton with two white eyelets on both left and right side. Dark navy band on exterior with brown leather lining on the interior, with cotton bow on interior back. On interior of hat, the hat contains a plastic lining on which there is an inscription. On either side of the inscription is a strip of beige coloured cotton lining in the shape of a semi circle (see photos).On ribbon, "H.M.A.S. LEEUWIN" On interior, "BRIGHT. D.P. HONDEN"; crossed out is the inscription "D.P. BRIGHT" Manufacturer's label reads "HILLS HATS PTY.LTD./SYDNEY N.S.W. 1972/R.A.N. 20476 6 5/8 /No./NAME/MADE IN AUSTRALIA"royal australian navy, navy, sailor, leeuwin, melville, cape leeuwin

From Rosemary Cameron - This quilt has been made in 100% wool to celebrate the diversity, durability and beauty of pure wool, especially the lightweight cool wools. The woollen patches were kindly donated by Mr. David Jones, managing Director of Fletcher Jones and Staff which were pre-cut samples of European Fabrics in various weights, textures and colours. I had the task of creating a design around the fabrics available, some of which I only had to sample. I chose to surround my design with dark shades to encompass at the top of the quilt, the lightness of the sky and the trees, in the middle the warmth of summer, the dryness of central Australia and at the bottom the rick tones of Opals, our mineral wealth and the internal heart of earth. To add excitement and texture to this design I chose 31 Australian Wildflowers including all the Australian Floral Emblems, some unusual wildflowers and favourite small wildflowers. Twice life size, these flowers have been made of silk wool and cotton, embroidered, painted and beaded by our creative and talented Hamilton Quilters, their results are fantastic! The brilliance and timeless quality of these Australian Wildflowers intensify and complement the colours of the Wool Quilt. The Quilt was hand pieced and hand quilted at quilting bees. It has a woollen batting, binding and backing which was a delight to work with and very easy to quilt. The flowers were assembled and attached in small working bees. To the fifty-two Hamilton Quilters who have worked on this quilt for six months thank you for you hard work and creativity especially Joan H. Lyons for her time, enthusiasm and knowledge when difficulties arose. Joan M. Lyons has worked with me on various stages of this Quilt, her help and support has been tremendous. To my family who have tolerated scraps of wool and silk, photographs, wildflower books and specimens and drawings which have at times almost taken over our house, a year from ideas to completion, thank you for your support and help in many ways.Multi coloured patchwork quilt with native flowers protruding from centre in a diamond shape.Embroidered on back - "The Celebration Quilt" Made in 1990 by The Hamilton Quilters, Designed by Rosemary A.O. Cameron. Made of Pure Wool. Beryl Anderson, Joan Askew, Bett Basham, Marilyn Baulch, Rau Blaby, Pauline Boyd, Aileen Beckwith, Dorothy Beveridge, Ros Brommell, Rosemary Cameron, Gwen Cook, Anne Cordner, Kaylene Cowland, Elaine Denby, Barbara Dolman, Rosalie Duffield, Helen Fry, Glennys Gardner, Nola Gunning, Margaret Irvine, Bev Jeffrey, Emma Jensen, Betty Lacy, Helen Lampard, Joan H. Lyons, Joan M. Lyons, Elaine McDonald, Carole McEwan, Joy McLeod, Joyce McLeod, Mary May, Joan Mallinson, Susan Mason, Anne Menzel, Val Mills, Betty O’Brien, Di Pettigrew, Therese Read, Sherry Robertson, Lee Rowland, Irene Saddler, Nanette Templeton, Glenys Tindall, Liz Wallis, Ruth Walter, Marion Warburton. Alison Waterman, Pat Wilmot, Nola Malcolm, Ann Nicholls, Margaret Rowe, Jill Hillier.celebration, flowers, hamilton quilters, quilt, native flowers

Geoffrey Blainey was the inaugural Chancellor of the University of Ballarat. It is assumed this is the first graduation in 1995 at the Chancellor does not wear the University of Ballarat Chancellor's Academic regalia. Another possibility is when Geoffrey Blainey was awarded an honorary doctorate. Academic gowns distinguish between the University's senior office holders and our graduates. Federation University's Chancellor wears a blue robe that is trimmed with gold and features a gold embroidered frog at the shoulder and gold oak-leaf braid below the arm hole. The Deputy Chancellor and the Vice-Chancellor also wear blue robes, with gold trims and different designs inclorporating the gold oak-leaf braid, ord or tassels. The members of the university Council wear black robes with a sole of gold. Our graduates wear black robes, with either a black trancher cap or bonnet (for professional octorate) with stoles, linings or trims in the colour of their discipline. Two images of University of Ballarat Chancelor Geoffrey Blainey in academic regalia. .1) Coloured photograph of Geoffrey Blainey addressing the audience at a University of Ballarat Graduation Ceremony .2) Black and white image of of Geoffrey Blainey doffing his cap at a University of Ballarat Graduation Ceremonyuniversity of ballarat, geofrey blainey, blainey, chancellor, graduation

In the Words of donor, Betty Stone , … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” Baby's Crocheted Bonnet - This finely crocheted bonnet was made by Sarah (nee Chamberlain) Lees and is at least one hundred years old. Due to the condition of the original ribbon ties, they have been replaced with new ribbon. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with families of Chamberlain, Dale and Lees. These families are listed in the "Pioneers' Register" for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch.Baby bonnet, white, fine crochet, white decorative piece over crown, ribbon ties are replacement for worn ties. Made c.1912 by Sarah Lees (nee Chamberlain), from the 'Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, baby bonnet, c. 1912, sarah chamberlain, sarah lees, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, handmade, handcraft, crochet, baby clothes

Long sleeved pink silk bodice lined with pink and mauve cotton fabric. Front of bodice made of pieces with a centre seam. Centre panel insert of cream coloured embroidered net narrowing from 28 cms across high neckline to 18 cms at waist. Five black velvet bows are attached vertically at centre front from below the throat, 6 cms apart. Velvet bows hand stitched to centre front. Front panel has rounded shape dipping below the waist. On either side of front insert are two wide vertical tucks Stand up collar of embroidered net (6 cms) has two pieces of wire inserted at LHS of back opening and in front of LH shoulder. Matching wire pieces on RHS are missing. Wire pieces are hand stitched in place. The bodice has a back opening fastened with six buttons and button holes plus a hook and eye at the top below the collar. One button is missing. Buttons are white with wheel spoke pattern. Strip of hemmed silk fabric is tied to the top buttonhole. Cotton lining consists of four pieces across the back and two pieces across the front with centre seam and two darts on either side. Full gathered set in sleeves from the shoulder are gathered into a tightly fitted 20 cm lower sleeve just below the elbow. The upper sleeve has a fitted lining of mauve cotton fabric shaped to the elbow and then forming the fitted sleeve along the lower arm. The fitted lower sleeves are covered with cream coloured embroidered net and have a 10 cm opening on outer edge fastened with three buttons and button holes. Hand and machine stitched.costume, female daywear, silk bodice

Beautiful soft cream silk dress, with a random silk embroidered three petal flower over the fabric. Round neckline with overlaid square yoke of embroidered lace on a net background. Two 7cm wide bands of the lace are gathered over the shoulder armhole edge. These frills, and the scalloped edges of the front and back lace yoke are trimmed with 4 cm long decorative silk tassels.(one missing). Long sleeves, tapered in at the wrist are trimmed at the wrist with a 4.5cm wide band of lace, part of which is threadedwith two rows ofsoft pink silk ribbon insertion. Soft pink silk, folded into three 2.5cm tucks-overall width 6cm trim the high waistline, with a 7cm diameter rosette at the left front, and a bow(?), and tails, trimming the back waistline. This is severely damaged. Four metal hook and loops fasten the back lace collar, and nine metal hooks and eyes fasten the bodice. Bodice and sleeves are fully lined. Bodice is boned with thirteen 12-4 cm long ''bones''. Skirt is in two tiers; Top is 38cm deep, and made from the plain embroidered silk. A 5cm deep band of lace, with scalloped edges then joins the 36 cm deep ;lower panel of beautifully embroidery and pulled threadwork. Hem is faced, and finished or hemmed with french knots. Dress , which is hand stitched is fully lined with cotton. The lower 36 cm deep tier of the underskirt is trimmed with three .5cm tucks, and two 8cm bands of cutwork lace in a floral and geometric pattern. An oval shaped pocket is sewn into the front of the ''petticoat'' lining. This pocket contained some plant material, included in attached bag.costume, children's, cream embroidered silk and lace dress

Churchill Island Heritage Farm has a large photograph collection dating from the mid nineteenth century to the last decade. This photograph shows two members of Margaret Amess' household at Tynefield.Sepia photograph of a wedding portrait of a bride and groom standing in the apse of a cathedral.Catalogue number written in pencil on reverse. Written in pen on reverse: 'Mary Clay (nee Hennebery) was maid to Margaret Amess at "Tynefield" Elwood until she married the gardener./ Mary was auntie to the donor Joyce Hurle. The two oil paintings donated by Joyce had originally been given to Mary by M Amess as had the supper cloth embroidered by MA and damask dining table cloth used by her.'margaret amess, churchill island, photograph, wedding portrait

Churchill Island Heritage Farm has a large photograph collection dating from the mid nineteenth century to the last decade. This photograph shows two members of Margaret Amess' household at Tynefield.Sepia photograph of a wedding portrait of a bride and groom standing in the apse of a cathedral.Catalogue number written in pencil on reverse. Written in pen on reverse: 'Mary Clay (nee Hennebery) was maid to Margaret Amess at "Tynefield" Elwood until she married the gardener./ Mary was auntie to the donor Joyce Hurle. The two oil paintings donated by Joyce had originally been given to Mary by M Amess as had the supper cloth embroidered by MA and damask dining table cloth used by her.'margaret amess, churchill island, photograph, wedding portrait

Northern District School of Nursing trainee nurse's base uniform from 1972Nurse's one piece dress in yellow with yoke and central front chest panel in white. Dress fastens with full back zip to waist and metal hook and eye. There are two pockets at sides below waist. There is a gusset to each side of back to sleeve. There is a long sleeved, waist length jacket, satin lined, with round neck with five yellow buttons and button holes at front. The fabric is of stretch cotton. Dress has a white label with 'Florgale Uniforms, Permanent Press' and washing instructions printed in red and blue and stitched to left rear neck facing. A trade mark, a ball in red and blue with the word 'Koratron' is also on this label. The jacket has a white label stitched to the lining at base of neck with 'Florgale Uniforms, Melbourne, Sydney" in gold. 'SW' and a female figure in long dress is embroidered in navy blue on the label.nurses uniform, northern district school of nursing, dress, jacket

The Burse (AKA a "corporas-case") is a type of folder used to carry the corporal to and from the altar. It is made out of two square pieces of cardboard laid one on top of the other, then bound together along one edge to form a hinge. Sometimes, an extra purificator may be placed inside the pall. The other item is a Chalice Veil which is placed over the chalice, paten, and purificator when the vessels are prepared for the Eucharist and placed on the altar; it is removed before the Consecration. Both are Green with gold embroidered cross and trim (Epiphany and Ordinary Time).flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, burse, chalice veil

The Burse (AKA a "corporas-case") is a type of folder used to carry the corporal to and from the altar. It is made out of two square pieces of cardboard laid one on top of the other, then bound together along one edge to form a hinge. Sometimes, an extra purificator may be placed inside the pall. The other item is a Chalice Veil which is placed over the chalice, paten, and purificator when the vessels are prepared for the Eucharist and placed on the altar; it is removed before the Consecration. Both are Purple with white embroidered cross and trim (Lent or Advent).flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, burse, chalice veil

Clothing. Camisole. Fine cotton, fine cotton lace at neck and circular lace inserts front and back, Cotton tie through casing above 5 cm peplum. Embroidered lines above and below lace inserts on front and back. Side opening for 13 cm above peplum. Cotton tape through the casing tied on the LHS at the waist. U shaped neckline edged with lace. Fine cotton tie through lace around neckline. Tied at front. Sleeveless. Arm holes edged with 15 cm lace.costume, female, underwear

Fine white cotton, round neck with three embroidered cotton panels inserted in bodice. Gown front is one piece of fabric from shoulder to hem, with a panel sewn across the front (12cm X 3 cm) giving the appearance of a bodice and skirt. This panel extends into long ties which tie at the back. Long sleeves are edged with lace and braid. This braid also edges the bodice panels, and fine lace edges the neckline. Narrow pleats between the lace bodice panels, give fullness to the bodice.Written in ink on inside of bodice panel - A. Geuer. (Merle's Grandmother)costume, children's, baby's white cotton nightgown

The Rev A W Pederick was a chaplain who served in the New Guinea Campaign during WWII. His service included the Kokoda Trail. Brown leather carry case with a brown metal base, a carry handle and two lockable latches on the font. The box has a blue velvet lining. The box holds a paten, diameter 12.0 cm, and a wafer tin which are held in pouches in the lid. Two bottles with cork and silver lids are in fitted compartments inside the box which also contains a small white embroidered cloth. There is embossed gold lettering on the front of the box. The box also holds a letter from the Rev Douglas W Risstrom."CHAPLAIN A. W. PEDERICK" inside the lid: "The gift of the Methodist Padres Auxiliary of Australia"portable communion set, rev a w pederick

The design was offered by 'Better Homes and Gardens' magazine to celebrate the year 2000. The embroidery was done by Valda Arrowsmith and Valerie Birkett.Embroidered sampler in a wooden frame. The design was offered by 'Better Homes and Gardens' magazine to celebrate 2000. The design interprets all the inventions of the 20th century. It was worked in cross stitch by Valerie Birkett and Valda Arrowsmith. Their initials are above the Australian flag. The alphabet in capital and lower case is along the top with numbers 1-10 below them. Underneath are many 20th century inventions including television, sewing machine, radio etc. The Australian flag is at the centre on the lower edge. There is a border of wattle around the four edges.handcrafts, embroidery

“All Irusagi robes of office are highly symbolic. Generally black or dark blue, they are richly jewelled and embroidered; each one individually designed for its owner, as he, or she, takes office at the central court. The miniature is a record of this office. This, the Armourer’s Robe is typical of the richly decorated formal styles of the 10” to 12" Centuries Post Imperium. The symbolism is obvious: oversleeves of silver, to indicate one of the metals used in the making of weapons; decorative daggers, indicative of the famous throwing and fighting knives; studs, symbolising protective armour; and touches of red alongside the predominating metal, to represent the shedding of blood, (a minor theme, because bloodshed is undesirable). The Void, the centre of Irusaqu worship is always shown on this Robe, because all fighting men or women have a deep religious responsibility to obey the Voidic code. Lastly, the jewel, with its elongated triangle, forms the ancient symbol of Man, at the base of the Void, but not subordinate to it.” -Inga Hunter

Items in the collection of SQD LEADER "SHANE WRIGHT". Enlisted RAAF 1982 Regiment number 0323963/ 8194842. Became radio technician on Electrical systems on Orion and F111. 1990 became Electrical Systems Specialist promoted to Sgt. 1996 Commissioned as an Officer. Postings: HQ Logistic Command. Aerospace Equipment Systems. OTS as Specialist Military Training Flight Command. 2005 Promoted Sqn Leader. Posted Executive Officer RAAF Williamtown. 2018 Discharged from RAAF.1. 2. 3. Service dress style, dark blue colour wool/polyester fabric. 1. Jacket - collar, four front patch pockets with button down flap. Buttons - gold colour plastic with shank and raised emblem - crown and wings - RAAF. On right pocket, metal RAAF Badge, above metal name badge. Above left pocket - service ribbons. Blue and yellow ribbon - long service with three rosettes, black, red, white ribbon - Defence medal. Sleeves - three rank stripes, black and blue ribbon. Lining - dark blue polyester fabric with concealed pocket. White colour cotton/polyester fabric. Manufacturers label inside left side. 2. Belt - fabric with gold colour plastic buckle with dark blue plastic buttons and strap belt keepers. 3. Trousers - waist band with belt loops, fob pocket, two side pocket and one inset back pocket. Nylon and metal zipper fly and metal closer. Lining - dark blue polyester fabric to waistband and pockets. White colour cotton/polyester fabric. Manufacturers label on back pocket lining.. 4. Shirt - light blue cotton/polyester fabric. Long sleeves, collar, shoulder epaulettes with fabric rank slides - 3 stripes, black and blue ribbon - Sqdn Leader. Top left sleeve - dark blue and white oval shoulder patch, embroidered - wings and "AIR FORCE". Clear plastic buttons. Manufacturers label - illegible. 5. Tie - dark blue colour necktie. polyester/wool. 6. Cap - peaked, Service dress Officer, dark blue colour fabric with black cloth band around exterior of cap. Black colour patent leather chinstrap secured by two gold RAAF buttons around the front half of the brim. RAAF badge on front, Queens Crown with red insert over gold coloured wings over laurel leaves. Interior - black sateen fabric with clear plastic lining. Brown leather look sweatband, White cotton manufacturers label.Manufacturers information - black ink print. 1. "A73/ADA/VICTORIA 2003/ NSN:/ NAME: / SERVICE NO:/ 70% WOOL, 30% POLYESTER/ LAUNDRY INSTRUCTIONS/ DRY CLEAN ONLY/ PRESS ON ORIGINAL CREASES/ USE DAMP CLOTH OR MEDIUM/ TO HOT STEAM IRON/ MADE IN AUSTRALIA" 3. "A72/ADA/ VICTORIA 2003/ NSN:/ NAME: SERVICE NO:/ 70% WOOL 30% POLYESTER/ DRY CLEAN ONLY/ MADE IN AUSTRALIA" 1. 3. Handwritten blue/black ink "S. WRIGHT/ 40594" 5. Black label white embroidered print "NOONE/ IMAGE WEAR/ MADE IN / AUSTRALIA/ 2002" 6. "MOUNT CASTLE PTY LTD/ BRISBANE 1999/ SIZE 59^". Handwritten black ink "S. WRIGHT"uniforms, raaf, service dress, shane wright

Items in collection re David Dixon RAN R112262, refer Cat No 5215.5 for his service details. Four Baseball caps - with peak, navy blue cotton fabric. 2. With red peak and strap. 3. Corduroy cotton fabric.Embroidered gold thread, grey thread on illustrations. 1. "HMAS SYDNEY/VUNG TAU/FERRY" below red and gold emblem of an anchor. 2. "HMAS BRISBANE/DDG-41" with ship "DICKO" on back and "THE STEEL CAT" on back. 3. "HMAS SUCCESS/OR 304" with ship "DAVID" ON BACK. Handwritten inside "1997/LSMM DIXON/R112262" in black ink. 4. "HMAS YARRA/DE45" with ship on a fabric badge.uniform, headwear, navy

Uniform issued to Keith Daniel RAN, refer Cat No 1468.9 for service details.1) Jacket wool black colour with “Australia” on upper sleeves, embroidered gold anchor and 3 gold stripes on left sleeve, right sleeve has crossed rifles with “QMG” .2) Shirt cotton white with insignia. .3) White shirt-no collar, navy trim white & blue bindas .4) Trousers cotton white .5) Black tie satin ribbon (in front left trouser pocket) .6) Navy bib-white & blue trim. .7) Navy Bib blue trim .7) White bib-navy trimQMG” Quarter Master Gunner”uniforms, ran

This jumper is part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This woolen jumper was presumably a winter addition to the GPU.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. Navy blue ribbed knitted jumper with stitched navy cotton elbow patches, rectangular in shape. Similar rectangular shaped patches on the left and right shoulder, bearing two epaulettes, stiched at one end and fastened with velcro and the other. The left shoulder carries an Airforce embroidered patch at the top of the arm. Arm cuffs have external seam for approximately 100 mm from the end, indicating that the jumper may have been worn with cuffs folded over. Synthetic strip of black fabric on the interior collar behind a cream coloured label.Label on interior of collar reads: “CALCOUP KNITWEAR/291083/ 06/01 / 8405/661468799 / SIZE: 115cm-125cm/SERVICE No........./ NAME........../MACHINE WASHABLE GENTLE CYCLE/Fasten shoulder straps before/washing. Warm machine wash,/inside out on medium cycle./Do not bleach./Warm rinse. Normal spin./Doi not tumble dry./Dry in shade. Warm iron./ Dry Cleanable A/80% Wool 20% Nylon”camouflage, general purpose uniform, airforce, uniform, australian defence force

The Burse (AKA a "corporas-case") is a type of folder used to carry the corporal to and from the altar. It is made out of two square pieces of cardboard laid one on top of the other, then bound together along one edge to form a hinge. Sometimes, an extra purificator may be placed inside the pall. The other item is a Chalice Veil which is placed over the chalice, paten, and purificator when the vessels are prepared for the Eucharist and placed on the altar; it is removed before the Consecration. Both are Red with gold embroidered cross and trim (Holy Week, Pentecost and feasts of martyred saints).flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, burse, chalice veil