Showing 7462 items
matching pencil
-
Federation University Art Collection
Bookplate, 'Ex Libris Fiona Tiller'
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.A book with sheet music is shown amongst a violin and two flowersPencil name on the back Fionabookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, 'This book belongs to Louise Read'
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.A patterned leaf is depicted between two flowers.Pencil name on back Readbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, 'This book belongs to Amy Gatherode'
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.A person wearing a yellow and red check shirt is depicted wearing a hat with dangling corks.Pencil name on back A Gatherodebookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Bookplate depicts a koalapencil signature Cindy Pittbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, 'Ex Libris Doina Cetea'
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Flying ducks in sepia tones are depicted within an irregular shaped borderPencil signature below printbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The solid shapes of printmaking materials fan out in a pattern around the centrally placed intials J GPencil signature bottom rightprintmaking, bookplate, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Prue Acton
Signed in pencil Irena Sibley -
Federation University Art Collection
Bookplate, ‘Ex Libris John Gartner’
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A printmaker holds a life drawing print in front of a printing press.Pencil marking 07 or 09printmaking, australian bookplate design award, keith wingrove memorial trust, bookplate -
Federation University Art Collection
Bookplate, Irena Sibley, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.An eagle is depicted perching on a limbPencil signature Irena Sibleybookplate, printmaking, australian bookplate design awards, keith wingrove memorial trust -
Federation University Art Collection
Work on paper - Bookplate, Jack, Kenneth, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A paddle steamer is shown on a riverPencil signature Kenneth Jackbookplate, printmaking, australian bookplate design awards, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A nude woman stands in the doorway of a room with desk and shelves filled with booksPencil signature appears to be Severinbookplate, printmaking, life drawing, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.One nude woman and three women in low cut dresses are depicted with two bearded men wearing party hats.Pencil signature 77/80bookplate, printmaking, life drawing, australian bookplate design award, keith wingrove memorial trust -
Federation University Historical Collection
Photograph - Black and White, untitled composition
Paul Lambeth's photography classblack and white photograph adhered to cardin pencil under image "B+"composition -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1960s (?)
The photo is of "The Balconies" overlooking the back of the Wonderland Range. The photo of typical of those taken by the Forestry Commission at that time.Photo shows a woman standing on a rocky platform which protrudes out over a well-treed valley. Another rock almost forms a canopy overhead. Part of the rock on which the woman is standing on is in shade, she is in the full sun."No. 5" written in pencil on the back.scenery, lookouts -
Orbost & District Historical Society
book, Water For the Thirsty Inland, 1945
Water For the Thirsty Inland was published by The Murrumbidgee Valley Water Users Association as a case for diversion of part of the Snowy River waters to the Murrumbidgee. In 1950 The Murrumbidgee Valley Water Users Association and the League established the Murray-Murrumbidgee Development Committee to ensure the Snowy Scheme was completed.This book is a significant research tool for the history of the diversion of the Snowy River.A 44 pp book, titled Water For The Thirsty Inland. On the front cover is a coloured print of a painting of a river (Snowy River?) from the mountains to the flats. The text of the title is white with a black shadow. The book contains b/w photographs and the print is black and green.Some pencilled notes on back.snowy-river murrumbidgee-valley-water-users' irrigation -
Orbost & District Historical Society
writing box, Early 1900's
This item belonged to Daisy Close, born 1899, at Murrangowar. She was the mother of Ethel Pike. Daisy Close married Ed Jensen who lived at Murrangowar. The Jensens were farmers. The wristing set was probably used at home rather than at school.This book, together with a book awarded to Daisy Close form part of the history of the Close family who were early settlers at Murrangowar in the late 19th century.A black rectangular box -probably cardboard covered with leatherette. The top folds out and inside the box lid are pockets. In the main section is a compartment for an inkwell. The inkwell has a an ink bottle. The box is lockable with a small metal key.There is a pencilled inscription which is unreadable.writing-set stationery close murrangowar -
Bendigo Military Museum
Administrative record - LEAVE PASSES, WW2, 1944 - 1945
On the 1945 Leave Pass the HQ Staff had the carbon paper in the book back to front. The reverse writing can be seen on the back. Refer also Cat No 3344..1) AMF Leave Pass for VF508825 Cpl WARREN I M, dated 25.8.1945, Sydney. .2) AMF Leave Pass for VF508825 Gnr WARREN I, dated 25.6.1944. Watchley Battery..1) & .2) “Completed in pencil”administrative record, leave, pass -
Port Melbourne Historical & Preservation Society
Poster - RSL membership subscriptions, Don't let a sub wreck your RSL memberSHIP, 1940s
Given to PMH&PS by the local RSL Branch on their closure in May 1998Small RSL poster 'Don't let a sub wreck your RSL memberSHIP - subscriptions now due'. Photo shows sub stalking a ship marked 'RSS&AILA'. Yellowed, fly specked.'4' in pencil below photosocieties clubs unions and other organisations, returned services league, rsl -
Port Melbourne Historical & Preservation Society
Pamphlet - P&O Orient Lines, Chusan, 1960s
P&O Orient Lines promotion for First and Tourist Class passage on the Chusan. Red and black on white.Some figuring in pencil on backtransport - shipping, chusan -
Port Melbourne Historical & Preservation Society
Document - Scorecard, Nott Street School
Pink Sports Day scorecard headed U/12 GIRLS, used by Katrina Taylor of Nott Street School - dirty and in poor conditionScores entered in ink and pencileducation - primary schools, nott street state school -
Port Melbourne Historical & Preservation Society
Photograph - Swallow and Ariell employees in company yard, 1930s - 1940s
Photo belongs to Charles FORBES, late 30s/early 40s. Came into possession of niece Pat Hamilton GREEN, who donated it to PMH&PS.Faded photo of 5 Swallow & Ariell employees (male) in company yard (cropped by mask on negative into shape of Australia) Bottom left is Charles FORBES.In pencil on back: "Swallows Workers"industry - manufacturing, swallow & ariell ltd, charles forbes -
Port Melbourne Historical & Preservation Society
Document - Delivery docket, A E HOCKING for repaired magneto, 8 Jan 1923
Found in pages of item 588 (Town Clerk's Reports); probably related to the running of the pumphouseDelivery docket from A.E. HOCKING of Crockford Street for repaired magneto, signed by George BEAZLEY on behalf of Port Council, 1923Small figures on back in pencilsandridge lagoon, engineering - canals and drainage, george beazley, a e hocking -
Port Melbourne Historical & Preservation Society
Document - Quotation, Port Melbourne Council from W&A Pentland, coachbuilders, 13 Dec 1921
Found in pages of item 588 (Town Clerk's Reports); with reference to pp. 137 and 1391921 quotation to Council from coach builders W&A Pentland of Ingles Street, for water cart 'similar...to one owned by Messrs Swallow and Ariell' £163Notation in pencil lower lefttransport - horse, parks and gardens, w & a pentland, swallow & ariell ltd -
Churchill Island Heritage Farm
Photograph - Photograph of people on wagon
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of four people arranged on a black wagon with red wheels, hitched to a pair of black horses.catalogue number on reverse in pencilchurchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of three people
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of three people standing in the herb garden behind Rogers Cottagecatalogue number on reverse in pencilchurchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of people walking on dirt road
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of large dispersed group of people walking along a red dirt road beside the Churchill Island shoreline, with a boy in blue posing for the cameracatalogue number on reverse in pencilchurchill island, photograph -
Churchill Island Heritage Farm
Photograph - Colour photograph of man working on machinery
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This photograph shows the restoration of the Stationary Baler at Churchill Island.Colour photograph of a man working on a maroon H V McKay Stationary Baler in a machinery shed. [catalogue number on reverse in pencil]churchill island, photograph, stationary baler, sunshine -
Churchill Island Heritage Farm
Photograph - Colour photograph of woman sitting on bed
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This photograph shows the extensive involvement and assistance of volunteers at Churchill Island throughout the decades.Colour photograph of a woman in a period costume, sitting on the bed in Rogers Cottages, brushing her hair. [catalogue number on reverse in pencil]churchill island, photograph -
Churchill Island Heritage Farm
Photograph - Colour photograph of woman sitting in chair
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This photograph shows the extensive involvement and assistance of volunteers at Churchill Island throughout the decades.Colour photograph of a woman in a period costume, sitting in a chair in Rogers Cottage in front of the fireplace. Left side of photograph has not been fully developed. [catalogue number on reverse in pencil]churchill island, photograph -
Churchill Island Heritage Farm
Photograph - Colour photograph of couple sitting in chair
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This photograph shows the extensive involvement and assistance of volunteers at Churchill Island throughout the decades.Colour photograph of two people sitting in Rogers Cottage in front of the fireplace. The woman is wearing period costume. Left side of photograph has not been fully developed. [catalogue number on reverse in pencil]churchill island, photograph