Scene setting article for an RAIA national convention in Sydney. Discussion of the idea of time lag and Australian design and the nation's biggest buildings having been designed in the USA.This was an article for Sydney Morning Herald Architecture Convention feature. An extended article of the same title was published in "Architecture in Australia", vol 56, no 3, June 1967, pp 454-465.Typewritten (c copy), quarto, 6 pagesfrancis greenway, edmund blacket, motels, william wardell, minoru yamasaki, united states, robin boyd, manuscript

Five photos on a page from an albumView at mena cairo egypt jan 1915 "the square" Alexandria june 1915 street scene Alexandria june 1915 natives arriving for coins at colombo nov 1914 resting on manoeuvres ... desert egypt feb 1915ww1, world war 1, mena, cairo, egypt, pyramid, alexandria, street, native, colombo, 1914, 1915

Photograph shows a rural scene with large gum tree (scar tree or canoe tree) in foreground and farmland in background. This is on Bonds Road Rosanna near the Rosanna Golf Club.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.canoe tree, first nations, bonds road rosanna

Around 1878 a series of photographs were taken from the newly completed Ballarat Town Hall tower. These photographs replicated the scenes of Ballarat around 135 years later.A series of digital images taken from the Ballarat Town Hall tower by Lisa Gervasoni. Buildings include the Ballarat Post Office, showing the newer buildings of the University of Ballarat's Arts Academy behind it. Streets shown at Sturt Street, Camp Street and Lydiard Street. One black and white image is also printed onto paper. university of ballarat, ballarat townscape, arts academy, camp street, ballarat post office, sturt street, lydiard street, ballarat streetscape

Photo taken from the Post Office tower. Both horse drawn carts and electric trams can be seen. Advertising for Suttons Pianos, Organs & Music dominates the scene.sturt street, ballarat post office, streetscape, suttons, garden, vehicle, trams, commerical, public

A post card showing a scene from Gallipoli. Postcards were a common form of correspondence in World War 1. They were also good souvenirs as cameras weren't commonplace.Postcards were a very common form of communication in the first World War. This postcard also records Gallipoli for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1 and many had served at Gallipoli.Postcard with an image of ANZAC Cove. Several soldiers can be seen standing along the beach, while boats and supplies line the shore. world war one, gallipoli, souvenir

"The Association was officially launched in November 1967 with the aim of preserving and maintaining good relations and understanding within the cattle industry and between that industry and all bodies and organisations with which the industry is associated in the spheres of Government, and land use and marketing." (ref Mountain Cattlemen's Association web-site) Since 1972, the Mountain Cattlemen’s Association of Victoria, have produced a journal, “The Voice of the Mountains”. This journal commemorates the activities and history of the previous twelve months and bygone years of cattlemen and their families. This item was used in the library of Orbost Secondary College. The journals form a part of Victoria’s history and are a useful research tool.Two copies of a 48 pp book covered in clear contact. On the front cover is a coloured photograph of a scene at Bogong. In black print it is titled :"Voice of the Mountains, Journal of the Mountain District Cattlemen's Association of Victoria,1981 Edition 5" and is priced at $2.50.journal-voice-of-the-mountains cattle-industry cattlemen-history

Collection of World War One PhotosCollection of Post/Greeting cards collected by a Lara family from World War OneDark Blue Photo album A3 (20 Pages) containing greeting cards/photos taken during the the First World War. Some cards are coloured. Cards show various scenes from England, Belgium, Malta, Sudan, Egypt and AthensNo inscriptions or marking on the covergreeting post cards album brussels athens egypt sudan cartoon

The Illustrated War News, Volumes Part 10,12 & 28.Magazine collection, cover, paper slightly glossy, front and back has white, red, black and purple print, illustrated B & W and purple war scenes, 48 pages plain white, illustrated with B & W and Sepia tone photographs. .3) Stamped on front cover in purple, “10 d “ (10 pence)photography, illustrated war news, 1914 - 15

From back cover: World War I in Photographs is an astonishing visual account of the Great War recounting the loss, the tragedy, the courage and the horror of military action in vivid detail.Soft, lightweight cardboard cover, white print on black background front, spine, & back. Sepia & black & white photos of WWI scenes, six on front, one on back. 159 pages, cut, plain, white. Illustrated. Black & white photos.books-military-history, photography-photographs, photographs ww1

From back cover: World War II in Photographs is an innovative visual account of the major events of the greatest conflict of the twentieth century, the Second World War.Soft, lightweight cardboard cover. White print on black background, front, spine & back. Sepia & black & white photos of WWI scenes, six on front, one on back. 159 pages, cut, plain, white. Illustrated, black & white photos.books-military-history, photography-photographs, photographs ww2

This an advertisement / souvenir for Merrangbaur House in Lakes Entrance. Merrangbaur was in , Lakes Entrance and stood on the on the Prince's Highway, about a kilometre from Lakes Entrance. It was destroyed by fire on the early morning of December 15, 1935. The original residence of the Roadknight family, the first white settlers in the Lakes Entrance district, Merrangbaur House had been conducted as a guest house for many years. Much of the furniture was lost, although a portion of the building, consisting of the ballroom and several bedrooms, was saved Mrs. Anne McInnes, aged more than 80 years, the mother of the proprietress, Miss McInnes, was the only guest sleeping in the house when the fire began and had to be assisted from her blazing bedroom on the ground floor. She was carried through a window by members of the fire brigade and spent the remainder of the night at the house of a friend. Miss McInnes was in Melbourne on a business visit arranging for Christmas bookings, when she was informed of her loss. (info. from The Argus Melbourne Monday December 16 1935)This item is associated with tourism in East Gippsland in the early 20th century.A black / white photograph / postcard.There is a photograph of a Lakes Entrance scene in each corner with a banner for "ROADKNIGHT'S MERRANGBAUR HOUSE' in the middle.In a circle is "FIRST CLASS ACCOMMODATION TARIFF 30/- WEEKLY". It has a note that "Coaches for Buchan Caves call at Merrangbaur daily".merrangbaur-lakes-entrance roadknight-lakes-entrance postcard-lakes-entrance

Bendigo Operatic Society booklet for the Production of Oliver dated 25.6.1973. Capital Theatre , View Street ,bendigo - A Souvenire Programme of The Society's Twentieth Year of Production - Picture of small boy on front cover 28x21cm newspaper clipping of a scene from the playtheatre

The print, a reproduction of an etching of the port of Vathi in Ithaca as it would have appeared in the nineteenth century, when the island was a British protectorate. A variety of sea vessels are depicted in the print, including the large sailing ship. The smaller boat could be a caique used for fishing or transporting people and goods between the islands. The soldiers appear to be in the British uniform worn during the 1800s.A reproduction print of a black and white etching of a harbour scene. Four larger sailing ships are in a bay with a smaller craft in the foreground near the shore. At the water's edge there are soldiers and other people looking out to the ships in the harbour. Mountains loom up in the background.

Six small white china plates with decorative pierced edges and gilding around rim, centre of plates showing scenes of three female figures in Grecian style costumes, 3 plates showing figures with a musical instrument & 3 shown with fruits.domestic equipment, food consumption, plates

Certificate of Appreciation from the Council of the Borough of Eaglehawk to J Green Esq upon his retirement from the Mayoral Chair mounted on card and printed in black, red, blue and gold. Bordered with handpainted floral decorations, a mine scene, and topped with an eagle.person, individual, john green

A fully decorated Boch Delfts wall plate depicting a scene with water, sailing boats, a small dinghy, distant land with village and a glimpse of shore in the foreground. The whole is encircled by a ribbon of blue. The broad outer edge is decorated with leaf and flower patterns.The marks "Boch" and "Delfts" encircled by flower patterns cover a small central area on the back.

A wall plate by Boch depicting a village scene of people relaxing in front of acottage. There are adults and children, music, listeners, games and a dog. The image is achieved using Delfts blue colouring. The rim at the back has had holes pierced to accommodate hanging.The words Boch and Delfts are decoratively applied on the back of the plate.

Elaborate Silk like Fabric Year Memorabilia with a female figure in green dress with mustard coloured hat in middle:Months of the Year listed either side. Water scene in background. Words in three languages saying "Happy New Year" in red writing.Vietnam So K.D.1196 B.T.T Neay 11-9-70 in green print ; bottom right hand sidememorabilias

See inscription. Gift from Vietnamese Captain to an Australian Captain in 1968Orange, yellow and red colourful Painting. Water scene with ten sampans featured floating: four in foreground and six gathered together in background. Mountain range in background. Three people featured on three sampans. Painting done on board. Wooden frame.Bottom RHS of painting front: "To Capt Goodchild/ From Capt Trung & 10 M.I.D/ June 1968 Vietnam" On frame at back: 5538383 Major Bernard Goodchild 15.01.34 - 01.08.2021, Enlistment date 1965 Discharge 1990, Corps RAAMC, 1st Australian Special Service Civil Affairs Unit, Vietnam (southern zone) 21.06.1967 - 25.06.1968painting, vietnam, goodchild, trung, sampan

Framed in black plastic. Three photos of scenes featuring soldiers walking through the jungle; at a memorial site; in a bush setting. Australian Military medal centre listing names of those who had died. Story printed in gold at the bottom of the photograph.battle of long tan

Erith Lane would have been named after Eliza Erith, the wife of Thomas Hand of Mountain Grange. The house made of slabs and bark pictured (centre) is where the family lived before Mountain Grange was built. Mabel Hand, Thomas and Eliza's youngest daughter stated that she was born in the bark hut in 1881 and they moved into the new home the same year. Cherry Farm, the roof visible behind the centre building, was the home of William Hand, son of Thomas and Eliza. He lived here with hs wife, Harriet Toghill, before moving to live at Mountain Grange after 1905.Black and white photograph showing a scene under heavy snow. Two cottages and a rooftop visible. Snow laden vines forming the front fence. Taller trees visible in the background. Reverse of photograph has handwritten description by John Lundy-Clarke.Erith Lane under snow. House in passion fruit Ivory’s holiday home 1921. Building in centre was Hand’s 28’ by 22’ house of slabs and bark. The first house on top of the whole Dandenong Range built 1871. Large roof behind it was “Cherry Farm”.eliza erith, eliza hand, mabel hand, thomas hand, william hand, erith lane, kalorama, snow, mountain grange, cherry farm, harriet toghill

1913 scene looking up to Mountjoy Guest House at the Kalorama Gap (FiveWays). Post Office and tea rooms with white picket fence. Jeeves Coach on the road. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974. The Gap Kalorama 1913. ‘Mountjoy’ guest house. Mount Dandenong North Post Office. Jeeves coach.fiveways, mountjoy, post office, mt dandenong north, the gap, jeeves, coach

Scene depicting a lake in the foreground with trees behind. The trees are reflected in the water. Top third of the image depicts a deep blue sky, highlighted in some areas with white. Mounted in cream matt, framed under glass in wooden frame with gold edging.Front: McL 90 (lower right) (white paint) Back: (no inscriptions)landscape

A group of 26 photographs collected by Ralph Andrews, father of Michele Spencer donor. Michele sent the photographs with a covering letter explaining how her father had kept to collection for many years so she felt they should go to a good home for safe keeping. Michele's husband's uncle, Frank Spencer, was the Post Master at Cowes for many years.219-01. Photograph of lady standing on rocks at San Remo 219-02. Photograph of rocks at Back Beach San Remo 219-03. Photograph of rocks at Back Beach San Remo 219-04. Photograph of the San Remo Camping Ground 219-05. Photograph of Merv Horkings in tent at San Remo Camping Ground 219-06. Photograph of Merv Horkings in tent at San Remo Camping Ground 219-07. Photograph of three men on the beach at San Remo 219-08. Photograph of coastal scene San Remo at low tide 219-09. Photograph of rocks at San Remo 219-10. Photograph of shoreline with trees at San Remo 219-11. Photograph of Jetty at San Remo with boats moored 219-12. Photograph of the back view of a man on the beach at San Remo 219-13. Photograph of coastal scene looking towards the eastern entrance to Westernport 219-14. Photograph of Merv Horkings standing outside a tent at the San Remo Camping Ground 219-15. Photograph of people standing and sitting on rocks at San Remo 219-16. Photograph of coastal scene looking towards the eastern entrance to Westernport 219-17. Photograph of foreshore with rocks and lonely tree on land at San Remo 219-18. Photograph taken from San Remo looking towards Newhaven with breakwater. 219-19. Photograph of rock platform at San Remo 219-20. Photograph of coastal scene at San Remo 219-21. Photograph of the breakwater at San Remo 219-22. Photograph of a man sitting on the beach at San Remo with groyns on the foreshore 219-23. Photograph of coastal scene at San Remo 219-24. Photograph of coastal scene at San Remo 219-25. Photograph of the San Remo Punt 219-26. Photograph of a vehicle waiting for the Punt to travel across to Newhavensan remo coastline, san remo punt, newhaven-san remo punt, san remo camping ground, ralph andrews, frank spencer, michele spencer

This is a scene of Cape Conran, East Gippsland. It appears to be a copy of a postcard which was one of a collection of commercial post cards available to tourists or East Gippsland residents to send to friends or relatives. Cameras in the early 20th century were not a common family possession and a postcard was a common souvenir and way of sending a short message. Postcards are a valuable research tool in the social and environmental history of a community.A black / white photograph of the ocean with rocks in the background. It appears to be a copy of a postcard and has been hand trimmed.cape-conran