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matching 1950s
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Surrey Hills Historical Society Collection
Photograph, 7 Sunbury Crescent
7 Sunbury Crescent was the home of Mr and Mrs Albert Tacey, associated with the Tacey family butchers at 629 Canterbury Road from 1888 – 1950s. Lucy Myra (MS Sparkes) was the wife of Albert Arthur Tacey (1902-1959) who worked in the family butchers business from the time he left school at 14 until 1952. They bought their Sunbury Crescent home at the time of their marriage in 1923 and had 3 surviving children – Elaine Merle, Frank Newman and Donald Arthur. Courtesy: Mrs Elaine McKenzie, nee Tacey, their daughter.A black and white photograph of a weatherboard Californian Bungalow style home. A wire fence is across the front. The photo is very out of focus.(mr) albert tacey, sunbury crescent, surrey hills, butchers, 1923, californian bungalow, weatherboard, (mrs) lucy tacey, (miss) lucy sparkes, (mr) frank newman tacey, (miss) elaine merle tacey, (mr) donald arthur tacey -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white:, 1952
The photograph is taken in Mr. Spartel's home in St. Kilda. The MDNS uniform worn under her white gown was a dark grey cotton frock with a belt. The grey stiffened and brimmed felt hat had a light grey hatband with a red Maltese cross attached in the centre. Sister J. Faust is about to redress a wound on Mr. Spartel's abdomen. The photograph is a record of wound care being given by MDNS trained nurses in a patients home during the 1950s. This photograph appeared along with an article in The Sun newspaper Oct 17 1952.The Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885, provided wound care to their patients, who ranged in age from the very young to the elderly. As research developed better products and dressing materials, the methods and medication applied to wounds changed. MDNS received Royal patronage in 1966 and as Royal District Nursing Service (RDNS), the Education department developed programs, such as the Wound Specialist program, and the Leg Ulcer Management Program, to provide their Trained nurses (Sisters) with methods of best quality care. The Sisters liaised with the patient’s Doctors and hospitals to provide information on the progress of patient’s wounds and to receive any change of wound care from the Doctors. When RDNS introduced Wound Care Specialists they carried out assessments and provided advice and support to the District Sisters working in the field. On the left of the black and white photograph is Mr. George Spartel, who has dark short curly hair and is lying on his bed. His shoulders and head are resting on the white pillow with his head against the wooden slatted backrest of his bed. His torso is bare and part of a white wound dressing can be seen on his upper abdominal area. A dark grey covering is over the lower portion of his body. He is smiling and looking up at Sister J. Faust from Melbourne District Nursing Society (MDNS) who is standing to the right of his bed.Sister Faust, who has dark curled hair, has her arms raised behind her neck as she reaches the ties on the white gown she is wearing over her uniform. She is wearing her grey brimmed uniform hat. Behind her is a wooden table, with a dark coloured radio on its right, and a jug with a doily over it, on the right.mdns, melbourne district nursing society (1885-1957), nurses, mdns uniforms, rdns, royal district nursing service, rdns wound care, mr george spartel, sister j. faust -
Melbourne Legacy
Slide, Operation Firewood, 1960s
Colour slide of three legatees and a map in a forest. The caption identifies Ken Brumbrell and Graham Fogarty. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of a view of Legatees during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Hand written on front 'The deamon drivers out from Picola / Ken Bumbrell / Graham Fogarty' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, legatees -
Melbourne Legacy
Slide, Operation Firewood - Picola Hotel, 1960s
Colour slide of five legatees and a lady (presumably a Legatee's wife) in the Picola Hotel after collecting wood from the area. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of Legatees at the Picola Hotel during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Hand written on front 'Picola Hotel' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, legatees -
Melbourne Legacy
Slide, Operation Firewood - Euroa, 1960s
Colour slide of two semi trailers loaded with wood and several cars in a forest near Euroa. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of two semi trailers and cars in a forest near Euroa during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Hand written on front 'Transport off. Euroa - Firewood' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, semi trailers, wood, forests -
Melbourne Legacy
Slide, Operation Firewood - Eildon, 1960s
Colour slide of a dark red truck beside a pile of cut wood in a timber yard near Eildon. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of a red truck in a timber yard during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Hand written on front 'Cutting last loads / Eildon' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, trucks, wood -
Melbourne Legacy
Slide, Operation Firewood - Eildon, 1960s
Colour slide of a dark red truck beside a pile of cut wood in a timber yard near Eildon. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of a red truck in a timber yard during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Hand written on front 'Cutting last loads / Eildon' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, trucks, wood -
Melbourne Legacy
Slide, Operation Firewood - Eildon, 1960s
Colour slide of legatees loading a semi trailer beside a pile of cut wood in a timber yard near Eildon. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of legatees loading a semi trailer in a timber yard during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Hand written on front 'Eildon - Firewood / Quick loading' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, semi trailers, wood -
Melbourne Legacy
Slide, Operation Firewood - Howqua, 1960s
Colour slide of a legatees in overalls in the bush to collect firewood having a break near a table of food. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of a group of men beside a semi trailer loaded with wood in Eildon during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Handwritten 'Lunch picnic, Howqua / Mansfield group' and '20' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, legatees -
Melbourne Legacy
Slide, Government House Christmas Party 1960, 1960
Colour slide of a lady in an orange dress and two legatees at Government House in 1960. She is in 5 photos taken that day so may have been a legatee's wife. Melbourne Legacy held an annual Christmas Party for Junior Legatees and Widows at Government House for many years. Junior Legatees were given gifts. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of a Legacy Christmas party held at Government House.Colour slide of a lady and two legatees at a Legacy Christmas Party at Government House, in a cardboard Kodak mount with red printing.Handwritten 'Xmas Party, Govt House Party 1960' in blue ink.christmas party, government house party -
Melbourne Legacy
Slide, Government House Christmas Party 1960, 1960
Colour slide of a lady in an orange dress and three legatees at Government House in 1960. She is in 5 photos taken that day so may have been a legatee's wife. Melbourne Legacy held an annual Christmas Party for Junior Legatees and Widows at Government House for many years. Junior Legatees were given gifts. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of a Legacy Christmas party held at Government House.Colour slide of a lady and three legatees at a Legacy Christmas Party at Government House, in a cardboard Kodak mount with red printing.christmas party, government house party -
Melbourne Legacy
Slide, Government House Christmas Party, 1960s
Colour slide of Governor Delacombe and a group of boys at Government House in the 1960s. Major General Sir Rohan Delacombe became Governor of Victoria in 1963. Melbourne Legacy held an annual Christmas Party for Junior Legatees and Widows at Government House for many years. Junior Legatees were given gifts. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of a Legacy Christmas party held at Government House.Colour slide of Governor Delacombe with a group of boys at Government House Christmas party in a blue Agfacolour plastic mount.christmas party, government house party, governor of victoria, rohan delacombe -
Melbourne Legacy
Slide, Social Function at Legacy House, 1962
Colour slides x 2 of a function at Legacy House in 1962. The slides show the food laid out in the Level 2 function room. It shows that in the 1960s the walls were painted blue and pink. Was a social function for legatees and their wives. There are 11 slides that appear to be the same function. One mentions President Lobb so it was 1962. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of a social function for Legatees and their wives.Colour slides x 2 of tables of food for a social function at Legacy House in the 1962, in a cardboard Agfacolor mount with blue and white stripes on the reverse.Handwritten '2' and '3' in pencil.legatee function, wives -
Melbourne Legacy
Programme - Document, programme, Junior Legacy, Coronation Rally, 06/1953
A programme for a showing of film footage of Queen Elizabeth's coronation a couple of weeks after the coronation. In the 1950s few households had televisions so although the Coronation was broadcast, many people may not have had the opportunity to watch it live. A screening at South Melbourne Town Hall on 23rd June 1953 was for Junior Legatees. Approximately 1,200 children attended with their mothers (from 'History of Legacy 1953' at 01491). The Governor Sir Dallas Brookes was unable to attend due to illness and his wife, Lady Brookes spoke and read a message from him.Junior Legatees pledged allegiance to the Queen at rallies and classes, so they would have been excited to see the Coronation screened.White paper programme with a colour photo of the Queen and black type, folded in half.coronation, gala performance -
Melbourne Legacy
Photograph, Annual Demonstration, 195
Black and white photo of ballerinas on stage during an Annual Demonstration. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of ballerinas on stage.junior legatees, demonstration, annual demonstration, girls classes, ballerinas -
Melbourne Legacy
Photograph, Annual Demonstration, 195
Black and white photo of ballerinas on stage during an Annual Demonstration. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 197s, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of ballerinas on stage.junior legatees, demonstration, annual demonstration, girls classes, ballerinas -
Mission to Seafarers Victoria
Negative - Negative strip, Black and white, Ilford, 1953-58
The 9 photographs taken by reverend C.J. Edldridge-Doyle (called Bill Doyle), depict the 3 mission buildings around 1953-54. There are three photographs per buildings. On the envelop, he wrote a message to Pearl (from a photography lab) ordering glossy prints in 8x10 inches. with a PS message: "You'll be glad when we go to England". The archives still holds 4 prints of this size (2 of the Port Melbourne building, 2 of the Williamstown building). Reverend Eldridge-Doyle was chaplain between 1953 and 1958, then in 1960 he replace Padre Oliver for a year before Perry Mitchinson.The photographs depict the three mission's buildings used from 1943.2 strips of 9 black and white Ilford negatives with the beige colour wide envelope where they were kept.Written in blue ink on the envelope is written instructions to print the images addressed to Pearl from Bill Doyle. "PS: You'll be glad when we go to England. Dear Pearl, Sorry to be such a confounded nuisance. Do you think you could do 2 of each of these in 10x8 glossy? The ones of Port Melbourne appear to me to show had camera shake but may be ok. Could I have them tomorrow? Bill Doyle"bill doyle, pearl, negatives, mission's buildings, port melbourne, williamstown, melbourne, mission to seafarers, 1950s, v.b. merlin, 2 greenwood st, reverend c.j. eldridge-doyle, claude james eldridge-doyle -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International - 1953 mexico evening dress
Colour photograph of an exhibit at the Dior Exhibition at the National Gallery of Victoria.dior, exhibition, national gallery of victoria, ngv international, fashion, designer, gowns, dress, french navy, 1950s, 1960s, silk, organza -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
Colour photograph of an exhibit at the Dior Exhibition at the National Gallery of Victoria.dior, exhibition, national gallery of victoria, ngv international, fashion, designer, gowns, dress, 1950s, 1960s, grey, wool, pleat -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
Colour photograph of an exhibit at the Dior Exhibition at the National Gallery of Victoria.dior, exhibition, national gallery of victoria, ngv international, fashion, designer, gowns, dress, 1950s, 1960s, red, silk, strapless -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
Colour photograph of an exhibit at the Dior Exhibition at the National Gallery of Victoria.dior, exhibition, national gallery of victoria, ngv international, fashion, designer, gowns, dress, 1950s, 1960s, pink, silk, rosettes -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
dior, exhibition, national gallery of victoria, ngv international, fashion, designer, gowns, dress, 1950s, 1960s, textured, tulip, mauve -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
dior, exhibition, national gallery of victoria, ngv international, fashion, designer, gowns, dress, 1950s, 1960s, cream, beaded, two fabrics -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
dior, exhibition, national gallery of victoria, ngv international, fashion, designer, gowns, dress, 1950s, 1960s, bronze, stripes, red roses -
Thompson's Foundry Band Inc. (Castlemaine)
Document - Sheet Music for Brass Band, Chappel & Co Ltd et al, Blueberry Hill, 1940
Blueberry Hill is considered a blues standard, made popular by Fats Domino. The song was first published in 1940 with the music composed by Vincent Rose (1880-1944), and lyrics written by Larry Stock and Al Lewis. This arrangement is by Alan Fernie and was released by Obrasso Verlag AG. The tune was originally written for the 1941 western film "The Singing Hill" where it was first performed by Gene Autry.Sheet music for cornet printed in black ink on white A4 paper. 20 Parts for Brass band: Soprano Cornet Solo Cornet Repiano Cornet 2nd Cornet 3rd Cornet Flugelhorn Solo Horn 1st Horn 2nd Horn Euphonium 1st Baritone 2nd Baritone 1st Trombone 2nd Trombone Bass Trombone Eb Bass Bb Bass Percussion Drum Kit Timpani & Glock non-fictionBlueberry Hill is considered a blues standard, made popular by Fats Domino. The song was first published in 1940 with the music composed by Vincent Rose (1880-1944), and lyrics written by Larry Stock and Al Lewis. This arrangement is by Alan Fernie and was released by Obrasso Verlag AG. The tune was originally written for the 1941 western film "The Singing Hill" where it was first performed by Gene Autry. obrasso-verlag ag, blueberry hill, fats domino, gene autry, the singing hill, blues, rhythm and blues, rock and roll, vincent rose, alan fernie, 1950s, al lewis, larry stock -
Port Melbourne Historical & Preservation Society
Photograph - Sandridge Beach, 1871
Photographed in 1872 by William PATERSON as one of a series for the Melbourne Exhibition of 1873; original mount hanging in Engineering Department at Port Melbourne Town Hall at 19-9-1994 but now in Port Phillip,City Collection. This set of original prints belonged to Town Clerk Syd ANDERSON, then to his daughter-in-law Phyllis ANDERSON (donor). Accompanied by list of captions, both hand written and typed (the latter a partial listing).View of Beach and piers from Sugar Works, c1871, showing Railway and Town Piers and two jetties in between (caption refers to Donaldson's Jetty), Pier Hotel, gates and some of the yard of the Victorian Sugar Works, and site where Morley's Coal Depot will soon be built, its timber stable and workshop occupied at the time by Carl SEISMAN, mail contractor and owner of the Royal Mail Hotel next door (unseen). The first curved roofed shed can be seen at Town Pier; this remained until demolition in the 1950s. The Post Office Boat House is also visible just before the first small jetty (which is at the place where Alfred LINGHAM's Marine Hotel - the first in the area, 1840 - had its jetty). In the extreme distance Watson's Baths are just visible."P. Anderson" ink, on back.:"7" ink, on face, upper left.piers and wharves - town pier, piers and wharves - railway pier, piers and wharves - donaldson's jetty, sydney sims anderson, town clerks, carl frederick julius seismann, bay street, business and traders - hotels -
Federation University Art Collection
Painting - Artwork - painting, 'Grass Seeds' by Barbara Weir, 1999
Barbara Weir (b. 1945-03/01/2023) Born: In the region of Utopia, North East of Alice Springs, formerly known as Derry Downs Station Language: Anmatyerre and Alywarr Country: Atnwengerrp, Utopia Region, North East of Alice Springs, Northern Territory One of the Stolen Generation, Barbara Weir was removed from her Aboriginal family at the age of nine, and she was raised in a series of foster homes. Reuniting with her mother, Minnie Pwerle, in the 1960s, Weir eventually returned to her family territory of Utopia, 300 kilometres northeast of Alice Springs. Active in the local land rights movement of the 1970s Barbara Weir was elected the first woman president of the Indigenous Urapunta Council in 1985. Barbara’s career as an artist was inspired by the dynamic community of artists at Utopia and the work of her adopted auntie Emily Kame Kngwarreye. Highly experimental in her approach, Barabara Weir tried many mediums before travelling to Indonesia in 1994 with other artists to explore batik technique. She returned full of ideas on how to develop her own style which has since evolved to a more expressive abstract form. Grass Seed is part of her Dreamings and is associated with women’s ceremony and the activity of food gathering of local seeds, grasses, berries, potato, plum, banana, flowers and yams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Barbara Weir's paintings include representations of particular plants and "dreamings". Inspired by a small grass found in Utopia called Lyaw, Munyeroo or Pigsweed, Barbara's Grass Seed paintings consist of a series of small brush strokes that overlap and weave to create a swaying effect. This Dreaming tells the story of grass seed that is part of the bush tucker found in the region of Utopia. This seed is collected, crushed to a fine powder and is then used to make a bread, very similar to damper. The people of Utopia were still using this seed as late as the 1950s. During that time the seed grew in abundance but as the years passed there were very few good seeds to be found due to bullocks roaming the land and eating the grasses. The people then began to eat a substitute that the white man provided, and today very few Aboriginal people collect these seeds. art, artwork, barbara weir, aboriginal, dreaming, stolen generation, acrylic on linen -
Eltham District Historical Society Inc
Postcard - Photograph postcard, Greensborough Road, Eltham, c.1925
Rare postcard showing view looking down Bridge Street with the Eltham Obelisk in situ in its original location. The Obelisk War Memorial was unveiled 3 August 1919. Subsequent to the unveiling provision was made of a stone retaining wall topped with a chain link and granite stone boundary. Along with the use of the name Obelisk Corner, the Bridge Street bridge was also known as Obelisk Bridge. The Obelisk was relocated to the fornt garden of the Eltham RSL sub-branch in the mid 1950s as a result of road widening and corner improvements. The Bridge Street Bridge was replaced with a new concrete bridge in 1956-1957.Digital file only Postcards scanned from the collection of Michael Aitken on loan to EDHS, 2 Sep. 2022michael aitken collection, eltham, postcards, bridge street, bridge street bridge, obelisk, obelisk corner, eltham cenotaph, eltham obelisk, war memorial, main road -
Waverley RSL Sub Branch
Print H.M.A.S. Quickmatch, H.M.A.S. Quickmatch
HMAS Quickmatch (G92/D21/D292/F04), named for the quick-match, a fast burning match used for lighting cannon, was a Q class destroyer operated by the Royal Australian Navy (RAN). Although commissioned into the RAN in 1942, the ship was initially the property of the Royal Navy. Quickmatch served with both the British Eastern Fleet and British Pacific Fleet during World War II. In the 1950s, the destroyer was converted into an anti-submarine frigate. In 1957, Quickmatch operated in support of Malaya during the Malayan Emergency. The ship remained in service until 1963, and after use as an accommodation ship, was sold for scrap in 1972Framed print of the H.M.A.S. Quickmatchhmas quickmatch, h.m.a.s. quickmatch, quickmatch -
Waverley RSL Sub Branch
Plaque Insignia of H.M.A.S. Quickmatch
HMAS Quickmatch (G92/D21/D292/F04), named for the quick-match, a fast burning match used for lighting cannon, was a Q class destroyer operated by the Royal Australian Navy (RAN). Although commissioned into the RAN in 1942, the ship was initially the property of the Royal Navy. Quickmatch served with both the British Eastern Fleet and British Pacific Fleet during World War II. In the 1950s, the destroyer was converted into an anti-submarine frigate. In 1957, Quickmatch operated in support of Malaya during the Malayan Emergency. The ship remained in service until 1963, and after use as an accommodation ship, was sold for scrap in 1972Plaster insignia crest of H.M.A.S. Quickmatch on wooden plaqueH.M.A.S. Quickmatchhmas quickmatch