Class and two transportable room photos laminated upon pink cardboard. Top, [a] Class with caption ,Golden Square School, 1189, 1954, V1. [b] Side view of transportable class room. [c] Diagonal view of Transportable class-room.bendigo, institutions, golden square primary school

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Long silk taffeta skirt made of patchwork silk pieces/panels with a matching silk scarf. The patchwork panels are in shades of pinks, purples and blues. The skirt is secured with clear plastic press-studs. A narrow internal border of lace is attached to the basque.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), fashion design, fashion -- 1980s

22 slides, 14 of the same plant and the remainder of other flowering plants. 4. Kniphophia uvaria. 5. Camellia white cv. 6. Camellia pink cv. 7. Fuchsia cultivar 'Charm Rose Purple.' 8-10 Acacia podalyriifolia. plants, flowering plants, kniphofia uvaria, camellia, fuchsia, acacia podalyriifolia, native garden, rhododendron, azalea indica, acanthus mollis, bear's breaches, grevillea, banksia spinulosa, hairpin banksia

The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. This framed work is considered by him to be the most significant botanically. Boronia pilosa – Hairy boronia. [Wikipedia says it’s a plant in the citrus family Rutaceae and is endemic to south-eastern Australia MH] Pultenaea subalpina - Rosy Bush-pea. Grampians endemic listed as endangered and only found on the tops of Mt William, Major Mitchell Plateau and Mt Rosea - named for the Rosy Bush-pea that grows on its top! This is the only rose-coloured bush pea in the entire genus, which occurs right across Australia!! We have plants ready to plant in the WAMA endemic garden! Boronia latipinna - Grampians Boronia. Grampians endemic only found on the higher peaks of the central Grampians ranges - listed endangered. NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife art, wildflowers, Marianne Wehl, Marianna Wehl, Flower paint, Botany, works on paper, von Mueller, Baron von Mueller, Ferdinand von Mueller, Henrietta D'Alton, WAM, Wild Art Museum Australia, Wildlife Art Museum AustraliaGift of Barbara Crick in memory of Marjorie and Lachlan McLennanThree small paintings of pink wildflowers mounted together in original frame. The central image is an oval, flanked by two rectangular images. The frame is probably original – smooth gloss olive green simulating wood or bamboo. It has a new backing paper.Each image LL ' MW' (underlined), central image has signature obscured by oval vignetted matt. On the reverse side it is marked in black felt pen, “McLennan 106 Bennet Rd (4)” This refers to preparation (rematting / framing?) for exhibiting at Horsham Art Gallery in 1981.wildflowers, flowers

Ada Lyon, nee Apted (1898-1962) was a member of the Eltham War Memorial Trust which in 1945 decided that a WW2 memorial in Eltham should include a baby health centre, a children's library and a pre-school centre. Ada Lyon worked tirelessley as a member of the women's auxiliary to raise funds for the memorial. The third and final stage of the Memorial was opened in November 1961. Following her death the following year; a memorial sundial was erected in recogintion of her work for the War Memorial Trust. Words on the plaque read: "To the memory of Mrs Ada Lyon in recognition of her work for this Trust".The sundial recognising the local contribution of Ada Lyon is of local historical significance in not only recognising a woman for her contributions during an era when women were generally unrecognised publically but is also a reminder to current generations of her work and that of her peers to iniate the war memorial in honour of local enlistments in WW2.Roll of 35mm colour negative film, 10 strips. Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity.Kodak Gold 100-5ada lyon, eltham war memorial, sundial

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. 13 A3 size gloss paper sheets folded. Photograph on one side and profile information on other pages. Grey A3 cover paper sheet folded for program. Writing in red ink. All enclosed in grey and pink coloured folder.performing arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, buc, ballarat university college, graduate exhibition, 1992, fiona bennett, miranda crellin, peter ghin, andrea hearn, nerissa heath, joanne hyland, kimbra jeffries, brigid kelly, robert macleod, sandra moon, grainne o'boyle, howard tostivan, samantha trinder, kruse collection

A photo taken during set-up of the Wildflower Show in 1985. The child on the left with the pink top and curly red hair is Kristy Miller (who in 2009 became a school teacher at Halls Gap Primary School). The child on the right with a white outfit and red hair tied in a ponytail is Nadia Miller (who currently, 2010, manages the Pomonal Store). The identities of the other children are unknown.The photo shows five children involved in painting activities on the floor. Stands with floral displays can be seen in the background."85 9 27" imprinted date on bottom, right of photoevents, wildflower show

Clothing. Cream coloured silk baby's dress. Sleeveless with yoke at front and back. 2cm white embroidered ribbons form shoulders. LHS has opening with press stud fastener. Yoke front and back edged with .4cm scalloped lace. Cut work open pattern at lower edge of yoke front and back. Bottom of dress edged with .4cm scalloped lace.Front yoke has three pin tucks with embroidered pink and blue flowers and green leaves. Lower LHS of skirt has embroidered posie of pink and blue flowers and green leaves tied with a blue ribbon.costume, children's, baby's dress

Clothing. Girl's pink silk and lace dress with short kimono cut sleeves. Square neckline edged with coffee coloured lace. Sleeve hems edged with coffee coloured lace. 12 cm diameter circular lace inserts below neckline front and back and over each shoulder. Horizontal decorative lace pieces 4 cm X 26 cm on each hip with skirt gathered underneath the lace. Rosettes of pink and blue ribbon at each edge of the lace with three satin ribbons attached and falling to the hemline. Hem is edged with 4 cm coffee coloured lace. Unlined.costume, children's, girl's pink silk and lace dress

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Studies of stem and details of a plant. On left is a study of a stem with short, narrow leaves (in clusters of 2 or 3) and pink flowers, with large pale pink petals and a darker centre. On the right are detailed studies with typed letters affixed to the paper surface. "b1" is a front view of a flower. "b2" is a side view of a flower. "c" is a leaf and stalk detail. "d" is a seed detail. "b3" is a back of flower view. On far right are erased letters in pencil, and one also on the left next to a typed "a". Mounted in a double matt (pale grey on mauve) in glazed timber frame with gold paint.Front: Burtonia scabra (lower right) (pencil) CEW (signature, lower left of image) (mauve pencil) Back: (no inscriptions)cema, botanical, collin woolcock, botanical drawings, woolcock, woolcock collection

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Playing cards featuring Onkaparinga sales mottos and picturesOnkaparinga Pure Wool Blankets/Australia’s Best/Rugs, Blankets, Piece Goods, Men’s and Boy’s Clothing/Made from Pure Wool In White Pink Blue Green And Primrose/The Home Of The Famous Onkaparinga Pure Wool Products/White And Coloured Blankets Give Individuality And Charm/Made In Australiablanket fever, wool, playing cards, advertisements, onkaparinga

This magazine was produced and published by Orbost High School as a part of the 75 year celabrationsOrbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. This magazine is a useful reference tool for the history of the school.Two copies of a 48 pp magazine with a light pink/orange cover. On the front cover is a photo of the Orbost High School. In the centre is the school badge. The text is in maroon print. The book, produced for the 75 year celebration, contains a history of the school, photographs and articles.Inside the front cover of 2415.1 in pen - David F. Nixon 9/2/88education-orbost orbost-high-school

A colour postcard with six colour photographs of attractions in an around Marysville in Victoria. This postcard was produced by Stanley Mullen Pty Ltd. of Melbourne as a souvenir of Marysville.A colour postcard with four colour photographs of attractions in an around Marysville in Victoria.Greetings from Victoria The Yea River, Tallangi/ Resting, Fernshaw/ The Rapids, Watts River/ Waterfalls, Sylvia Creek/ Tram Track, Warburton/ Bush Bridge POST CARD Stanley Mullen Pty Ltd., Melbourne Printed in Germany Date Stamp-CARLTON NORTH-VICTORIA/ -2FE10 French stamp Ma soer voudrait favie/ les memes exchanges/ que moi. Son/ addresse est./ Miss. B. Coleman/ 95 Richardson St/ N. Carlton/ Avee mes meilleurs/ souhaits/ Votre tres devouee/ R. Coleman STAMP/ ON/ BACK Monsieur A. Rochet/ 22 Rue Longue,/ Lyon/ Rhone/ Francemarysville, victoria, yea river, tallangi, fernshaw, watts river, waterfall, sylvia creek, warburton, bridge, stanley mullen, postcard, souvenir, tram track

This felt rat is significant because it is a unique, handmade mascot carried by an Australian soldier at Tobruk. The soldiers were called 'the rats of Tobruk'. He gave it to an ambulance driver, a local Frankston woman, who treasured it.This is a handstitched felt toy rat. It is made from light brown and pale green felt with pink embroidery thread blanket stitching. The facial features are made from felt. It has a pale green grograine ribbon neck tie. The stuffing is very firm.This item is handmade with no inscription or markings.1942, england, trench art, australian soldier, rat of tobruck, felt toy, handstitched, blanket stitch, ambulance driver, j pickles, f a n y

Two Lady's Tickets for Diamond Creek Show, Season 1924, Diamond Creek Horticultural Society stamp on verso; one Member's Ticket for Diamond Creek Horticultural Society, Season 1924. Two Lady's Tickets for Diamond Creek Show, Season 1924: black print on buff card, Diamond Creek Horticultural Society stamp on verso; one Member's Ticket for Diamond Creek Horticultural Society, Season 1924: black print on pink card Signed H. J. Blackdiamond creek

This paper which is a supplement to the Warrnambool Standard presents events and information regarding the Acme Field Days. The Acme Field Days are held each year at Allansford beginning in 1982 and continuing to the present day. Exhibitors and companies from all over the state display their wares at the field days and the three day event usually attracts large numbers of visitors, many of whom come from the agricultural industries. A record of a local event which contains articles and farm practices of the time as well as a comprehensive collection of advertisements from local businesses.Newspaper with coloured photograph on man head and shoulders shot in overalls, with sprig of green across right side of page. Text in brown. Date in brown at bottom of page. Back cover has bright blue border with pink and black text. 32 pages Warrnambool Standard. Acme Field Days Wednesday March 11, 1987warrnambool, warrnambool standard march 1987, acme field days 1987

World War 1 post card from Australia to a soldier overseas.This card demonstrates to relationships during this time and the artwork of the period.Rectangular paper card with a picture of hands reaching to touch between the stems of flowers. A horse shoe with a county scene of a house, sheep, horse and man walking down the road from a tall building. The colours are pink, red, yellow green brown and blue.On the front Medium font " Many Happy Returns across the top and in blue are font "Wishes true I send to you. For pleasures many Troubles few". Along the bottom edge. On the back written in fine ink the words "My Dear Little lovy Duck Bill wishing you a Happy Birthday. Hope you are all well remember me to all with love to you Gooby & my only one J.J. x xww1, art, post, card, greetings

Mirrabooka means Southern Cross. The Melbourne Movie Club was established for those interested in Moving Pictures and all its branches. 'A place to go to spend a few leisure hours, a select dance, parties, picnics, amusements, to learn the art of picture acting and make up, to take part in the Company's productions, dramatic art, to have a jolly good time, etc.' The Melbourne Movie Club has a spacious premises at 184 Exhibition Street, Melbourne, with a floor space of 10,000 square feet, where scenes and sets were erected for the use of Club Members. The Club had full moving picture producing equipment such as big light plant, stage effects, scenery, and cameras. The Melbourne Movie Club saw themselves ad the nursery and basis for a National Film Industry. .1) The secretary was Burnard W. Morey (AICA), the director was L. Morton, and the Managing director of Mirrabooka Films was James Weston. .2) The Managing Director was Louis Morton, the director was Ivan Morton, the Manager Robert Spencer and the organiser and Producer was W. Winford.Two booklets relating to the Melbourne Movie Club. .1) Eight page white booklet of the Melbourne Movie Club - The Mirrabooka Films Pty Ltd. The booklet discusses the place of film in Australia. .2) Eight page pink booklet of the Melbourne Movie Club.melbourne movie club, movie, theatre, james weston, mirrabooka, mirrabooka films, burnard morey

Messrs. Cameron & Sutherland to Miss G. Alice Jones. Pink paper dated Decr 5 Sept 3, 4, Decr 17 & 18 and Aug. 1927. Re Morning Light Syndicate and Hire Purchase agreement Form. Total cost £3.13.6.miss g. alice jones - solicitor - account, messrs cameron & sutherland, morning light syndicate, mr bloomfield

Great Eastern & Birds Reef N. L. Syndicate to Miss G. Alice Jones. Pink paper dated Nov 3 1933. Re Defaulting Members. Cost £1.1.0. "R693 delivered 3/7/34" written in the top left corner.miss g. alice jones - solicitor - account, great eastern & birds reef n l syndicte, mr leeds mccoll rankin & stanistreet

Document. Greeting Cards. Green card, getting darker green as it nears the bottom. Has embossed pink thistles on the front. Outlines of leaves and 'Hearty Greetings' in gold. Ripple edges on card. Card & insert held together with a very pale green ribbon.person, greeting cards, malone collection, malone collection, greeting cards

Two sheets of two blank cheques for Bendigo Sewerage Authority House Connections. Bank is Commonwealth Bank of Australia, Bendigo. Printed part date on the cheques is 192-. Printed by Cambridge Press, Bendigo. Cheques are pink with brown printing and a decorative left edge.business, printers, cambridge press, cambridge press collection, bendigo sewerage authority, commonwealth bank of australia

Music book, Hochzeitstag auf Troldhaugen by Grieg (Jour de noces - Wedding-day) Opus 65, No.6. Faded pink cover with "Grieg" in bold red print; the large "G" is in Gothic type, heavily ornamented. Edition Peters No. 2922 (German)Olive M. Walter Grassmere Cavendish

Documents: Machinery file - Red White and Blue Extended Gold Mining Company No Liability, loose leaf attached in Manilla folder(pink) - folder - Red White and Blue Extended G. M. Co. N.L. sundry papers - inside main folder.MCCOLL RANKIN AND STANISTREETorganization, business, gold mining, mccoll rankin and stanistreet

Document: McColl, Rankin & Stanistreet Collection: Central Deborah Gold Mine NL, Pink manilla folder containing pay roll tax returns, for 1941, 1943 and 1949. Written on front ' Central Deborah N.L. Pay roll tax registered No. 8748.'organization, business, central deborah gold mine, mccoll, rankin & stanistreet collection: central deborah gold mine nl, gold mining, taxation

Four badges must be attained for the 2nd Class merit badge: Devotional; Physical; Educational; Social. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia.MOK248.1 - MOK248.3 pink coloured cover Methodist Order of Knights handbook for passing the 4th Class merit badge. The book has typed, unnumbered pages and there is a sketch of a jousting knight on the cover. The book is held together with three staples and the binding is of adhesive fabric. methodist order of knights