Notes for a talk - how can we solve the problem of sprawl? We have to find our own answers, not solutions provided by others.Talk notesHandwritten (pen), quarto, 1 (folded, part of a page) pageMiss. Swinchatt' written in pencil on back of folded pagevon hertzen, reston, elliston, prefabrication, le corbusier, sprawl, robin boyd, manuscript

Appears to be a talk to architecture students about success and failure in architecture according to whether you are an architect ('a doer') as well as a talker and a writer, and the influence attached to all three.Talk notesHandwritten (pencil), quarto, 2 pagesHandwritten and torn second pagefrank lloyd wright, walter gropius, le corbusier, henry moore, alexander calder, albert einstein, buckminster fuller, robin boyd, manuscript

Discusses the future of art galleries in Victoria and the needs to improve in order to produce a better atmosphere and quality.Handwritten (pencil), quarto, 1 pagesHandwritten with a lot of edits and markings and very densegallery, whitney museum, robin boyd, manuscript

In what appear to be working notes for his commissioned book ‘New Directions in Japanese Architecture’, Boyd is sourcing journal articles (journal, page numbers and dates) covering the key recent buildings of contemporary Japanese architects.Working notes for his commissioned book ‘New Directions in Japanese Architecture’.Quarto, 1 page, double-sided page of handwritten (pencil) notes.Deletions and notes throughoutnoriaki kurokawa, kenzo tange, kiyonori kikutake, kazuo shinohara, yoshinobu ashihara, koshi kawashima, takeo sato, daiichi kobo, sachio otani, masato otaka, arata isozaki, k. maekawa, tatsuhiko nakajima, hiroshi oe, fumihiko maki, junichiro ishikawa, hiroyuki iwamoto, murano & mori, junzo sakakura, robin boyd

Draft of a brief screenplay. Sequence of vignettes involving seven sets and several characters. Story about an artist who paints black square paintings, including mystery, fight, theft of painting and death of the artist. After artist James A dies, H puts on A's strange sunglasses to discover that through the sunglasses, the black square paintings appear like conventional images eg landscapes. Value of paintings increases.Handwritten (pencil), quarto, 2 pagesscreenplay, contemporary art, drama, kazimir malevich, robin boyd, manuscript

A plan of double storey small apartment/house.Handwritten (pencil), quarto, 1 pagessketch plan, robin boyd

Critique of Donald Leslie Johnson's book on Griffin. Boyd does not think it compares well to the first such book, written by James Birrell called "The Architecture of Walter Burley Griffin".Original manuscript for a book review of "The architecture of Walter Burley Griffin" by Donald Leslie Johnson. However, this is puzzling as the book appears to be published in 1977 (perhaps a 2nd edition)Typewritten (c copy), foolscap, 6 pagesUnderlining of Walter Burley Griffin on second pagejames birrell, donald leslie johnson. a yankee in the kangaroo's court, prairie school review, robin boyd, manuscript

Critique of book and works by Herbert Bayer, who was part of Bauhaus movement and he moved to Aspen Colorado in 1946.Book Review for Architectural Forum, vol 130, no .2, March 1969, pp.76 - 77Typewritten (p/copy), quarto, 4 pagesherbert bayer, bauhaus, robin boyd, manuscript

Piece discussing and defending the construction of the Sydney Opera House and Jorn Utzon. Boyd recounts how the impatience of Sydney and necessity to show the progress of the building have resulted in premature construction and inflation of the cost. Piece ends with questioning whether the Opera House will be worth it. A copy of the published article was in the Sydney Opera House scrapbook in the desk cupboard (item P1378.19).Original manuscript of an article published in The Australian on 18.09.1965. This is the first part of a three part series called 'This Opera House' published 18th, 19th and 21st September 1965 (see D175 and D176).Typewritten, quarto, 10 pagesjorn utzon, sydney opera house, sydney opera house project, international architecture competition, cost of building, robin boyd, manuscript

Account of the international competition for the Sydney Opera House, in which Eero Saarinen claims responsibility for the outcome. The building costs progressively grow due to the redesign of the shells to conform to more conventional construction methods. Article concludes that, despite cost increase that will eventually be forgotten, the success of the Sydney Opera House will be determined by whether the initial vision will be carried through. A copy of the published article was in the Sydney Opera House scrapbook in the desk cupboard (item P1378.20).Original manuscript of an article published in The Australian on 20.09.1965. This is the second part of a three part series called 'This Opera House' published 18th, 19th and 21st September 1965 (see D174 and D176).Typewritten, quarto, 8 pagesPencil mark ups on first pageinternational architecture competitions, sydney opera house, jorn utzon, sydney opera house project, eero saarinen, design vision, cost of building, robin boyd, manuscript

Article questioning the assessment of the success of the Sydney Opera House by three main categories: will it work; artistically, is the vision exciting; what does the project do for Australian culture? Article concludes that the true worth of the Sydney Opera House is in its audacity, presence on the global stage, and its patronage to the arts. A copy of the published article was in the Sydney Opera House scrapbook in the desk cupboard (item P1378.21).Original manuscript of an article published in The Australian on 21.09.1965. This is the third part of a three part series called 'This Opera House' published 18th, 19th and 21st September 1965 (see D174 and D175).Typewritten, quarto, 8 pagesinternational architecture competition, utzon, sydney opera house, sydney opera house project, cost of building, robin boyd, manuscript

Boyd questions the public's and architect's architectural taste - especially developing a style that would define Australian Architecture. He addresses the lack of commissioning of Modern Architects while Modern Architecture became the main preference in architecture 30 years prior to the written text. Frustrations towards people selecting styles that are 'familiar' rather than trying to be 'avant-garde'. Otherwise, Boyd challenges architects looking towards American Architecture as precedents.This appears to be a unpublished lecture. It is marked up for presentation with slides (indicates LIGHTS) when delivering a speech.Handwritten (pencil), quarto, 15 (page numbers on centre top up to 16, page 10 missing) pagesSpots of coffee stainsaustralian school, architecture, american embassy in new delhi, walter richmond butler, robin boyd, manuscript

Notes regarding sculptural form of Opera House design and Utzon's professionalism; and relationship with ARUPHandwritten, quarto, 1 page. Over a letter from Travelodge confirming cancellation of reservationjorn utzon, sydney opera house, sydney opera house project, arup, bucky, buckminster fuller, robin boyd, manuscript

An account of the protest march from the Sydney Opera House to NSW parliament house.Typewritten, quarto, 3 pagesjorn utzon, sydney opera house, sydney opera house project, robin boyd, manuscript

A summary of the tension and treatment between those who support or are against the Sydney Opera House. Names of international architects who were in support of Utzon were mentioned. Highlights the 'tall poppy syndrome' among the conservative architects and politicians, as well as accusations towards RAIA for not supporting Utzon.Typewritten, pencil edits, foolscap, 2 pagesPencil editsjorn utzon, sydney opera house, sydney opera house project, paul rudolph, sigfried giedion, louis kahn, raia, neville gruzman, robin boyd, manuscript

The aftermath of Utzon's resignation from the Sydney Opera House project. The NSW Minister of Public Works, Davis Hughes, despite being involved with Utzon's resignation, requested Utzon's drawings; however, Utzon was continuing to hold the drawings until he received payment (approx $500,000).Typewritten (c copy), quarto, 1 pagesjorn utzon, sydney opera house, sydney opera house project, davis hughes, raia president ron a. gilling, robin boyd, manuscript

The Flying Dogtor treats Granny Goanna after being bitten by Crafty Carson Carpetbag. Crafty then disappears and the bush children start looking for him while the Dogtor directs them from the air. Polly Possum stumbles into Crafty's hideout and is caught.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 3 pagesPage 2, crossed out paragraph top of page for 'Narrator'. Paper tear on top of front page.the flying dogtor, robin boyd, crawford productions, manuscript, ohm2022, ohm2022_4

Polly Possum escapes and runs to Granny Goanna's cottage. The Dogtor holds a conference with the bush children, on how to catch Crafty. In the meantime, Crafty is having his own conference with his nasty friends. The Dogtor leaves to summon the police. Meanwhile, Crafty and friends start a grass fire to drive out the bush children.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 4 pages.Page 2, crossed out paragraph top of page for 'Theme'.the flying dogtor, robin boyd, crawford productions, manuscript

Crafty Carson and his nasty friends started a grass fire which started to spread. The flames were raging and the bush children watched in horror. Granny Goanna was unwell and in the homestead. The bush children tried to call the Dogtor but flames had damaged the radio. The fire then reached their store of fireworks and 'Boom!'.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 4 pages.Page 2, 'Man' handwritten in between 'Old' and 'Redback'.the flying dogtor, robin boyd, crawford productions

Granny Goanna's homestead was burning. The Dogtor couldn't land his plane. Granny and the children were in despair. The Dogtor finally found a bag of the best 'Scientific & Industrial Research Seed for Rainmaking'. He steered the plane over the clearing, tipped the bag out and hoped for the best...The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 3 pages.Page 1, 'then' handwritten in between 'badly' and 'they'. Page 2, 'burned' crossed out with pencil and replaced with 'pulled' written in pencil.the flying dogtor, robin boyd, crawford productions, manuscript

The flames closed in on the house and Granny and the children were terrified. But meanwhile, high in the sky above them, exercising his powers in scientific rainmaking, was The Flying Dogtor. The sky was filled with rain and it put out the fire. Crafty Carson Carpetbag and Old Man Redback, with the help of Elvis Evil Eagle, got a hold of the rainmaking powder and schemed to start a flood.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 5 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

Crafty Carson Carpetbag, Old Man Redback and Elvis Evil Eagle stole the rainmaking kit from The Flying Dogtor's plane. Elvis Evil Eagle (aka The Bodgie Bird) flew up again and sprinkled the powder into the clouds. The rain started filling the gully and the creek flooded into the homestead. The Flying Dogtor jumped in his plane to confront Elvis Evil Eagle.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

The Flying Dogtor and Elvis Evil Eagle crashed mid air and the Dogtor helped Elvis gain control and rescued him. Thee Dogtor then tried to loosen a pile of logs that were blocking the creek and making the flood worse, but the effort sent his plane into a spin.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 3 pagesPage 1: spelling correction, hand writtenthe flying dogtor, robin boyd, crawford productions, manuscript

Elvis resumed pouring the rainmaking powder onto the clouds and the Dogtor could not loosen the logs that were blocking the creek bed. Because the Dogtor had been so nice to Elvis, in the end, Elvis helped the Dogtor dislodge the logs and the flood subsided. But Crafty Carson Carpetbag and Old Man Redback lay waiting, scheming, planning their next nasty surprise.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

List of bush children characters in The Flying Dogtor series. Some of these are illustrated on the reverse side of item D194.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, foolscap, 1 pagethe flying dogtor, robin boyd, crawford productions, manuscript

After the fire was distinguished and the flood subsided, on his way flying home, the Dogtor heard voices repeatedly on his radio "Calling Flying Dogtor". A sick voice asked for the Dogtor's help in the main street of Ghostville, the old mining town across Dry Gulch Gully, now a ghost town. He got to the abandoned address, 13 ("unlucky number") Spook Street. The Dogtor is about to open the door...The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesPage 1: Left hand side has been amended and is attached with tape. Written corrections on right hand side.the flying dogtor, robin boyd, crawford productions, manuscript

The Dogtor knocked at 13 Spook Street and a faint voice said "Come in". Behind another door inside, came a faint child's voice "Help me" which led the Dogtor down a passageway. It was of course, Crafty Carson Carpetbag setting a booby trap to kill him by using a trick string and a huge stone. The Dogtor braced himself and pushed open the door...The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

There was an enormous crash and Crafty thought he had finally squashed the Dogtor but he was not harmed when the great stone fell, using his stethoscope to open the door. Crafty was hiding behind a shed in the yard waiting for the dust to settle. The Dogtor used his teeth to catch Crafty by the end of his tail but Crafty twisted and escaped through an opening in the back fence. He slipped into an old mine shaft and planned his next trap for the Dogtor.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 3 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

Paperback sketchbook2 House of Ideas Inserts in front coverwalsh st library

SoftcoverPublication of Boyd's Boyer Lecture Radio seriesboyer, australia, social issues, scientific issues, cultural issues, walsh st library