Professor Alan Merry commissioned the work from New Zealand artist Heke Collier as a gift to the College at his retirement from Council. This artwork was carved by Heke Collier in May-July 2016. It is made from native New Zealand Rimu timber. Heke named this carving Mauri Ora which translates to vitality, well-being or the healing life-force. Tihei Mauri Ora (breath of life) is a well-known Māori saying that was uttered by the first human being. Māori believe that all people and all things have mauri. This carving symbolises the many shapes and forms of mauri with reference to the Māori creation story, and the spiritual and natural worlds. Māori refer to the heavens as Ranginui the sky-father and according to the Māori creation story, Ranginui was pressed against Papatūānuku the earth mother. Their children did not like living in the cramped, dark space between them. One of their sons Tāne separated Ranginui and Papatūānuku to allow light and life into the world. The central male figure carved into Mauri Ora (above) is Tāne. To his right (far right) is his mother Papatūānuku and to his left (far left) is his father Ranginui. Papatūānuku gives birth to all things including human kind and provides the physical and spiritual basis for life. The takarangi (spiral) design in the carving (to the left of Tāne) symbolises the life cycle. Whenua, the word for land also means placenta - organ that nourishes the baby in the womb. Women are associated with the land (whenua) because the land gives birth to people and so do women. In tribal history women have had influence over land and men. Papatūānuku is depicted in the carving to the right of Tāne. Ranginui played a pivotal role in the birth of the sun, moon, planets, stars and constellations – collectively called Te Whānau Mārama (the family of light). Human life and knowledge were said to originate in the realm of Ranginui. Tāne ascended the heavens to retrieve three baskets of knowledge: te kete-tuatea (basket of light), te kete-tuauri (basket of darkness) and te kete-aronui (basket of pursuit). Ranginui is depicted in the carving to the left of Tāne. Tāne had many different roles, and he was given different names to reflect these roles. He is called Tāne-mahuta as god of the forest, Tāne-te-wānanga as the bringer of knowledge, and Tāne-te-waiora as the bringer of life, prosperity, and welfare. His teachings and knowledge are relevant in contemporary times, and the cell-phone carved into his left hand represents this. Tuatara feature in the Māori creation story and some tribes view Tuatara as kaitiaki (guardians) of knowledge. Given that they have lived for more than 220million years. There are birds or manu surrounding Tāne in the carving, who represent Tane’s voice or the voice of the forest. The flax or harakeke depicted in the carving represent the family unit and reinforce the importance of kinship ties. There are plants, ferns, and birds carved into Mauri Ora play an integral role in the life-cycle which represent rongoa Māori or Māori medicine. Traditional Māori carving in Rimu, a native New Zealand wood, with paua insets.merry, alan, anzca council, collier, heke, kaiwhakairo, master carver, rimu

Cordite Wagon - 18½-inch (460mm) gauge wagons came from the Commonwealth Explosives factory at Maribyrnong in Melbourne’s western suburbs. Both have gun-metal wheels, as avoiding sparks was understandably a priority in an explosives factory. Both wagons also have water tanks to drip water on the wheels as an added precaution. Cordite, an explosive used in artillery, was manufactured and pressed into thin sheets, which still contained a quantity of acetone solvent from the manufacturing process. The sheets of cordite were laid in racks of perforated trays in the cordite wagons, which were hand-pushed to the cordite drying-house where the trucks were coupled together in rakes and warm air was blown through them. The acetone, being very volatile, was evaporated out of the cordite and recovered to be re-used in the manufacturing process. Historic - Industrial Narrow Gauge Railway - Commonwealth Explosives factory, Maribyrnong, Victoria, AustraliaCordite Wagon - Rectangular yellow wagon made of wood and brass with aluminium traysThe number 77 is on the endspuffing billy, wooden wagon, 18½-inch gauge, explosives, maribyrnong cordite factory, maribyrnong explosives factory, puffing billy museum, industrial narrow gauge railway

End opening Wagon Gauge: 17 inch (430mm)Historic - industrial Narrow gauge RailwayEnd Opening Wagon - Made from wood and steel with one end that openspuffing billy, four wheel wagon

Used by internees at Camp 3. Given as a gift to son of a Stanhope dairy farmer by a German internee when they delivered milk to Camp 3 in WW2Handmade wood and metal toy/model gun. Piece of rubber nailed on the endLA 5 No 134 T 14 cal CY Dunlopgun, toy, camp 3, tatura, ww2 camp 3

Made by Karl Kirsch at Camp 3Square wooden buckle with cut out centre prong. Dark wood. Lacqueredbuckle, wooden, kirsch k, camp 3, tatura, ww2 camp 3, costume, accessory, clothes

Small wood block with photographic plate. Head shoulders image of an unknown minister. glen iris presbyterian church

Small wood block with photographic plate. Head shoulders image of an unknown minister. glen iris presbyterian church

Small wood block with photographic plate. Head shoulders image of an unknown minister. glen iris presbyterian church

Small wood block with photographic plate. Head shoulders image of an unknown minister. glen iris presbyterian church

Small wood block with photographic plate. Head shoulders image of an unknown minister. On back "Wilson"glen iris presbyterian church

Wood block with photographic plate. Exterior image of a single storey building with a verandah.glen iris presbyterian church

Wood block with photographic plate. Head and shoulders of unknown man in a collar and tie.glen iris presbyterian church

Sterling silver commemorative trowel with a turned wood handle, engraved decorations and inscription"Presented to F. J. Cato Esqe on the occasion of his laying memorial stone S. Malvern Methodist Church Oct. 8th. 1904"cato, f. j., south malvern methodist church

Round varnished turned wood offering plate with dark red felt lining.

Slates were used in the junior grades at primary school probably from the 1900's to the early 1940's. The children wrote on the slate with a special slate pencil. A small slate framed with wood and a piece of string through a hole at the top and knotted.school, education, teaching, writing, george evans collection

Colour Photograph: Brick Home with Tile roof, Wood and wire Fence in front.On Reverse: 25 Seaby Streetseaby street, john m bennett

Used as a wrapping paper dispenser in the Houghton Department and Haberdashery Store Yarrawonga perhaps about the 60'sOld shop fittingMetal and wood structure. Metal uprights with a wooden top and base and metal blade Canberra 24 emblazoned into metal

See Ref. No. 4362Wood Wedge - gold coloured disc in centre. Brass label stating the award.V.S.M.A. Recorder Ensembletrophies & awards, education

Belonged to Margaret Scarletts mother Mrs Ord,mother of flower farm Ely Road South Box Hill.Grey slate bound by shaped wood. Hole in top . Slotted corners (brown)nilschool, equipment

Coloured photo of Wood Turners' Display on Heritage Week Open Day 1997.nunawading and district historical society, heritage week 1997, gardiner, bob, wood turning

Coloured photo of Wood Turners' Display at Heritage Week Open Day 1998.nunawading and district historical society, heritage week 1998