The Charlton Presbyterian Church was built in 1871 by James Patterson, a contractor and grazier of Nardoo Park, Woosang. Photo was taken after cyclone which hit Charlton in 18th December 1934. Trees have fallen over the white picket fence in front. Broken tree limbs lie and the nature strip. Buildings from the left, Dew's Bakery, Presbyterian Hall, Church and Manse. High Street Charlton west end.charlton presbyterian church, james patterson, church, presbyterian, pastoral care, storm

A large thick, heavy green hardcover Girl's Own Annual Volume 46 with a large square picture depicting two women walking in the snow holding bunches of holly. The title is in red print and there is holly surrounding the illustration. The spine has the title printed in gold lettering, holly leaves and Vol 46 in black type at the bottom. It is a 1924 edition of this series. The end papers show green tinted woods and a stream. The coloured frontispiece is of a woman decorating a Christmas Tree from the story - The Christmas Fairy. Tissue paper protects this page. The contents of the book are for girls and women with stories, knitting and sewing patterns, handy home hints, factual information and more. There is an emphasis on Royal Family life. Inside is a 1997 religious bookmark for a Ekankar Seminar, Brisbane Australia. A bookplate is pasted at the front of the book. non-fictionThe contents of the book are for girls and women with stories, knitting and sewing patterns, handy home hints, factual information and more. There is an emphasis on Royal Family life.books, children's books, awards, adventure stories, family life fiction, family life

Photocopy of brochure celebrating the opening of Blackburn Presbyterian Church (now The Avenue Uniting Church) 21 February 1960. Includes history of the Blackburn and Blackburn South churches and detailed description of the new building.Photocopy of brochure celebrating the opening of Blackburn Presbyterian Church (now The Avenue Uniting Church) 21 February 1960. williams, jessie, blackburn presbyterian church, the avenue uniting church, blackburn, blackburn south presbyterian church

View from Monash Avenue of St Matthew's Anglican Church with snow covering ground. The church was built in 1903, but this photograph is post 1935 as the Church Hall can be seen behind the trees on the left.olinda, church, st matthew's church, anglican church, st matthew's anglican church, monash avenue, snow

Black embossed leather bible with soft protective edges and gilt text on the spine. Coloured maps and gilt edges. Handwriting inside the front cover."Methodist Church of Australia Victoria and Tasmania Conference. Presented to Stella Marion Opie on the occasion of dedication as Deaconess of the Methodist Church at Wesley Church Melbourne 27th February 1951"methodist deaconess stella marion opie

Pictorial history of early years of settlement in Box Hill up to 1930 including photographs of houses, schools, churches, people, entertainment, wars, transport, commerce, government and the City. 87 pageshistory, box hill, photographs, houses, schools, churches, people, entertainment, war, transport, commerce, government

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Holy Trinity Church Choir in 1937. During this period the Vicar was Rev. Roscoe Wilson and the Organist and Choirmaster was A.G. Reed. Dorothy Rogers identified her husband Victor Rogers as standing to the left of the Verger; and her son George Rogers in the front row second from right."Holy Trinity Church Choir, ca.. 191. Rev Roscoe Wilson Vicar, A.G. Reed Organist & Choirmaster. Victor Rogers (left next to Verger) Back Row. George Rogers (2nd right front row)"holy trinity church choir, high street (kew), dorothy rogers

This painting was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The Church was operated by the Mission to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This painting is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The painting is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this painting to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Painting, oil on board, behind glass framed with wood. Portrait of a child dressed in white, kneeling in prayer, within a dark room. The artist, P Butcher, titled the picture "The Infant Samuel". This object is part of the St Nicholas Seamen's Church Collection. Painted at centre bottom edge "THE INFANT SAMUEL.", and right bottom edge "B. BUTCHER"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, painting, oil painting, religious painting, infant samuel, p butcher

The Bendigo Rats of Tobruk Association donated a memorial window to the St John's Presbyterian Church, Bendigo. 12 April 1987.1. Single A4 size sheet, printed on one side only. At top there is the Rats of Tobruk Association crest. Title as above. A grainy picture of two soldiers walking in a town with a palm tree. Caption states St. Anthony's Church Tobruk 1941. Bottom half is a summary title "Siege of Tobruk April-Dec 1941" 2. Single A4 size sheet, printed on one side only. At top there is the Rats of Tobruk Association crest. Title as above. A grainy picture of two soldiers walking in a town with a palm tree. Caption states St. Anthony's Church Tobruk 1941. Bottom half is a summary title "Siege of Tobruk April-Dec 1941" 3. Single A4 size sheet, printed on one side only. At top there is the Rats of Tobruk Association crest. Title as above. A grainy picture of two soldiers walking in a town with a palm tree. Caption states St. Anthony's Church Tobruk 1941. Bottom half is a summary title "Siege of Tobruk April-Dec 1941"Nilww2, tobruk, bendigo

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates In 1905, the land was vacant in Balaclava Road, north side, from Kooyong Road east to the right of way, except for one house. A block of this land was acquired by the Presbyterian community and a timber church erected there in 1910. In time, a larger church was required. After several years of fund raising led by George Kinross, a new red brick St Stephen's church was built in 1926 to the design of architects Haddon and Henderson. George Currie was the builder and the cost of construction was £5,100.From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates: St Stephens has architectural importance as a noteworthy example of a Gothic Transitional design in the Arts and Crafts eclectic manner (see Stylistic Typology in National Trust's Historic Church's Study}. The facade treatment successfully combines Christian symbols with Gothic forms in the Arts and Crafts mode (comparable with Haddon's Presbyterian Church, Malvern (1906) and Haddon and Henderson's Oakleigh Church (1928). It is locally important as an example of Robert Haddon's work in Caulfield, where he also lived (4 Glenferrie St q.v.).Page 27 of Photograph Album with one photograph of a drawing or perhaps a postcard of St Stephen's Presbyterian Church. It has a large block of formal writing in the bottom right corner which looks official.Hand written: 27 [bottom right]trevor hart, caulfield north, balaclava road, george kinross, haddon and henderson, george currie, st stephen's, 1900's, 1920's, gothic transitional, christian symbols, arts and crafts, robert haddon, stylistic typology, gothic, presbyterian church, architects, drawings

The architect of St Paul's was L. Terry. Image of St Paul's Church, Ballarat from a lithograph. It shows a church and bell tower behind a picket fence.ballarat, church, st paul's, st pauls, anglican, l. terry, st paul's anglican church

Negative print. St.Theresa's Church, Kennington,Bendigo. Three priests standing with 23 boys and girls outside the church.cottage, miners, st.theresa's church, kennington, st.theresa's church, kennington

Slide. Bendigo Buildings & Churches. Extensions to Sacred Heart Cathedral, with Golden Square Methodist Church top centre.slide, bendigo, bendigo buildings & churches., bendigo buildings & churches.

Round acrylic Uniting Church of Australia lapel pin. The pin has the church's logo in black, white and red.

From Till collectionTHE TILL COLLECTION SIGNIFICANCE STATEMENT|The significance of the Alwyn Till Collection is that Alwyn was born in Mitcham in 1921. He attended Mitcham Primary School and Box Hill Boys High School. He served his Community mainly through his activities within the Christ Church Anglican Church Mitcham. He joined the Royal Australian Airforce in World War II in September 1939. He trained as a Pilot in Australia and Canada, was posted to England and saw action in Europe. He was shot down over France and rescued by and then joined the French Resistance and while fighting with them was fatally shot. A Baron fighting with him wrote to his mother to inform her of his death.|Alwyn's parents were Evaleen Victoria Till (nee Maggs) and Sydney Norman Till who first lived in Creek Road Mitcham, before moving to 573 Whitehorse Road Mitcham. His father served in World War I where his eyesight was damaged and he was taught by the then Blind Institute in suitcase making of which we have two examples in this collection. He died in 1931. Alwyn took over responsibility for his mother and sister Alison. We can understand how devastated his mother and sister would have been at the news of Alwyn's feeling that he must serve his country in World War 11.|His letters home were so precious to them that they carefully kept all his correspondence, notices of death and condolences from friends. After Alison's death in 2007 her relation Joan Walker transcribed each of Alwyn's letters home into two bound volumes. The executors, Joan Walker and Anne Drew deposited the original letters with the Whitehorse Historical Society. Due to their significance as historical documents of one serviceman's complete correspondence with his family the Whitehorse Historical Society Committee after consultation with the donors deposited the original letters with the State Library of Victoria. The Whitehorse Historical Society retains the copies.|Alison and her mother kept many family memorabilia and personal items which make up this significant collection as they show how people lived, worked and served in the local community and municipality.|This collection represents the love and devotion of the women to their families during the course of two world wars. The father was disabled as a result of World War 1 and died an early death and a son who thereafter took on the responsibility as head of the family at an early age. This young handsome charismatic son served his community in peace time and gave his life in World War 11. This mother and sister were devoted to his memory.Soft cover Book entitled 'A History of Christ Church Mitcham'. Black writing on white background with Picture of the church.books, religion

Part of The Tim Shambrook Collection for 'This is Vermont'. P.27.Sepia photo of St. Lukes Church and Memorial Machine Gun, Vermont C.1930, showing wooden Church.st. lukes anglican church, vermont, shambrook, tim

Also one other copy donated by Vera Bennett, and one other copy taken by Olav Doderlund, donated by Glenice Soderlund.Colour photograph of the concrete brick St Nicholas Anglican Church on corner of Church and Mechanics Streets, Lakes Entrance.celebrations, religion

Large Front Door Key from First Church of England Stawell Building, Christ Church, now demolished.stawell

LOANED BY MRS. MARSHALLSEA TO COPY.3 BLACK AND WHITE PHOTOGRAPHS OF THE METHODIST CHURCH, SERVICE STREET CLUNES. NOW THE WESLEYAN CHURCH AT WESLEY COLLEGElocal history, photography, photographs, churches - wesley

As the man at the back is holding onto a sheaf of wheat, it seems to suggest that this photograph was taken at a Harvest Festival celebration. The diverse group of men, women and children dressed in formal clothing indicate that the event was a church function.A mounted sepia photograph of a group of men, women and children standing behind a hedge near a bluestone building. There are girls in the front row wearing white pinafores over their dresses. A man at the back is holding a sheaf of wheat. Grey and cream mounting 4.5cm x 5.5cm.clothing and dress, churches, schools, festivals and celebrations, children, george evans collection