Used SEC 2/6 weekly ticket, ticket numbers B 209600. Originally printed and stapled into blocks of 20 tickets. The ticket is printed on a manila 210gsm card and printed using red ink to give day numbers, monthly, week number, transfers, and day of the week, excluding Sunday. Numbered on the right end of the ticket. Static number (1 - 7) on left indicates maybe the day of the issue. The ticket has been nipped in the day spaces 8 times and has been nipped for the month of April and week 1. On the rear of the ticket is the details of the ticket use, allowing the passenger one return journey between City and section 3 or 4. Not available on Sundays. The ticket was located on a tram behind a sandbox during maintenance works. Possibly lost by the original user.Yields information about the use of SEC Ballarat weekly tickets.Medium weight manila card weekly ticket used by the SEC Tramways in Ballarat - No. B209600.trams, tramways, tickets, weekly tickets, ballarat, secv tramways

Set of four photographs of Bendigo trams and infrastructure photographed by Peter Duckett, early 1950 1 - Bendigo 19 at North Bendigo terminus - tram has destination of Golden Square 2 - Birney No. 30 leaving the depot for North Bendigo 3 - Depot entrance from Arnold St (now Tramway Ave) across Hargraves St 4- North Bendigo terminus overhead wiringYields information about Bendigo trams early 1950sSet of four black and white photographs by Peter Duckett.Details the image on the rear of the print in ink.bendigo, tramcars, bendigo tramways, overhead, double trolley wire, terminals, quarry hill, charing cross, tram 19, tram 30

Photograph of Dad who was Robert William Sewell (Bill) and Joe Smerdon standing in front of a four wheel tram, possibly in Wendouree Parade at Gardens Loop. Bill has a conductor's bag. The tram has a white bumper indicating that it was taken during or just after the Second World War. The tram has a destination of 'City'.Yields information about World War 2 tram crews and their uniforms.Black and white photograph Dad and Joe Smerdon on a working dayballarat tramways, tram crews, conductor, motorman, drivers, bill sewell, joe smerdon, world war 2, uniforms

Photograph of the SEC football team c.1945. 25 men, including one wearing a tramway uniform.Yields information about the SEC Ballarat Football team. Black and white photograph by Lassalle Studios. In ink: 'Tramway Football team. Back row 5th from one end with a hat on is my Dad'.ballarat tramways, tram crews, bill sewell, uniforms, football, sports, sec

Yields information about the impact of a snow storm in Wendouree Parade.Photo of an ex HTT Bogie tram travelling northbound in Wendouree Parade, near Windmill drive Nth, during a snowstorm. Photo taken prior to fitting red battery lamps and white triangles etc. Between 1946 & 52. Some suggestion of 1948. See also item 290. Two copies on file 289.1 and 289.2 289.2 - added 1/8/1997 - ex BTM display. Original donor unknown. Photo area slightly different to that of 289.2.trams, tramways, ballarat, bogie trams, wendouree parade, snowstorm

Yields information about the impact of a snow storm in Wendouree Parade.Photo of an Ex HTT bogie tram (see also item 289) in Wendouree parade, just north of present BTM depot junction, with crew standing in front of tram brushing snow off front after a snowstorm. Approx date between 1946 and 1952, possibly 1948. See Reg. Item 2793 for another print of this photograph.On rear in pencil "26/88" plus other markingstrams, tramways, ballarat bogie tram, wendouree parade, snowstorm

Yields information and history of the Western Hotel through photographs, in the form of a laminated table mat.Plastic placement with a reproduction of a Post War II(?1946 colour scheme),of tram No.13 turning into Ripon Street North travelling to View Point. Street scene highlights Western Hotel on a wet afternoon, by clothing on street walkers & bare branched trees, late Autumn to early spring. Reverse of side of plastic placemat portrays Western Hotel in Victorian Centenary year of 1938. Images rescanned 29/10/2013.trams, tramways, ballarat trams, secv, sturt st

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. An early example of swimwear from when men were able to legally swim topless in the 1930s. The fashion originated in France in the early 1930s, and slowly caught on in other countries, although was often controversial. In Australia this was less so, and by 1940 it was common attire at the beach. Pair of dark blue, woollen bathing trunks. Front skirted flap. White woollen belt with silver-coloured metal buckle. White label with blue stitched text attached to rear. Label: "Alpha" Size: SMswimwear - men's, alpha swimwear, alpha - menswear designer

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Cropped photo shot of Alma Figuerola at an art exhibition. The photo was in her personal photo album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Alma Figuerola and fellow artist John Farmer, admiring what may be Max Meldrum's painting 'Chair'. The photograph is from the Alma Figuerola photograph album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of women's fashion accessories, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. Black silk embroidered with flowers compact with and internal mirrorfashion accessories, personal accessories

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, inherited, owned, used and or donated by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. Machine woven tapestry evening bag on metal frameevening bags, women's clothing -- accessories, bags -- handbags, bags -- reticules, bags -- purses, fashion accessories

Old aerial photograph of Yarra bend Park labelled with park facilitiesFramed annotated aerial photograph of Yarra Bend Park. The white frame is original to the work.yarra bend park, sports facilities - kew - fairfield, sir herbert olney oval, fairfield hospital, chandler bridge, deep rock swimming basin, kane's footbridge

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Black crepe bodice with front opening featuring numerous buttons, covered with the same fabric as the bodic. It has short sleeves and a square scalloped neck line.australian fashion - 1940s, costumes - bodices, fashion design, fashion -- 1940s

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products.Brown crocodile skin handbag manufactured by Hollywood Handbags of New South Walesbags - handbags, fashion accessories

Set of three ceramic miniature racquets decorated with city heraldry. (.1) by Shelley with Rothesay heraldry; (.2) by W&R china with Herne Bay heraldry; (.3) by the Corona China Co. with City of Exeter heraldry. Materials: Ceramic, Pigmenttennis

The River Yarra was a traditional place of recreation for children and adults in Kew. Often swimming in the Yarra was made from platforms attached to the bank such as this one.Original black and white photograph. Group of five children in bathing costumes on a rudimentary diving board attached to the bank of the River Yarra.Reverse: "M Holmes"river yarra, recreation --- swimming

Landscape photograph of Kew and Fairfield. Undated but possibly 1930s.View of Latrobe Course from the Kew side of the River Yarra. River in middle foreground. Aged pine tree central foreground. Inscribed reverse: "M Holmes"kew (vic.), latrobe golf course

Old tin, perhaps originally used for tea but later used by the family of Dorothy Rogers, historian, to store biscuits.Four-sided tin with degraded enamel decoration. Separate lid and moveable handleNiltins, containers, dorothy rogers

Ormiston Rubber Co. Pty Ltd started in Moonee Ponds Melbourne in 1937. Its origins can be traced back to 1876 when Barnet Glass migrated from Manchester, England and established Barnet Glass Rubber in Carlton. Container used to house 'Ormiston Type Cleaner', a product used for cleaning typewriter and adding machine type, rubber and metal stamps. . Made in Australia by the Ormiston Rubber Company Pty Ltdgummed labels, containers

Printed cardboard container used to retail nickel plated 'best lills', which were small pins.4 oz nett / Dandy / Solid Headed Nickel Plated / Best Lills / Made in Australiadandy pty ltd, containers, pins

This bag is one of a number of objects gifted to the Kew Historical Society in 2015. A number of the items relate to F.C.M. McArdle, the donors' father. Others belonged to his relatives. Some of the items testify to the family's close connection with the Sacred Heart Church in Cotham Road, Kew.Brown leather gladstone bag with intact metal fittings. The bag is embossed in gilt with the initials of the owner - J.M.Embossed initials: "J.M."gladstone bag, mcardle family, bags

Homecraft Book: A Work Compiled for the Home Lover / retailed by the Victorian Association of Creches. Sold to aid the funds of the Victorian Association of Creches. Price 1/-. 38 p. ; 21 cm. non-fictionvictorian association of creches, homecraft

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.A teal green felt woman’s hat in three layers of felt surmounted by a felt bow. Green sequins set in inverted triangular shapes surround the top of the second layer.Nilwomen's clothing -- hats, headwear

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Royal blue crushed velvet hip length evening cape held at the front with large buttons of the same fabric and colour. The top has a wide rounded collarcapes, women's clothing, outerwear, evening wear

The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. Unused wood, metal and jute skipping rope.skipping ropes

The building was the former Sunbury Fire Station. It was in Evans Street on the site where the shopping square has been built. Mount Holden can be seen in the background. A newer building was built for the CFA on the opposite side of Evans Street and closer to Macedon Street. As the shopping centre expanded and Sunbury grew, the CFA moved from the town centre to a site in Jackson Street and another one in Elizabeth Drive.Over the years the CFA has played an important role in numerous fire fighting activities over summer months.A scanned coloured photograph with a fine white border of an old weatherboard building with a metal roof by an unmade roadway. A hill is in the background and two bare trees are growing near the building.sunbury cfa.

A black and white photograph with a cream border go four little girls and a boy sitting on the porch of a large house, possibly Rupertswood.

A black and white photograph with a narrow cream border, of a man wearing light sports clothes standing in a garden and holding a dog. A house is visible in the distance.