Part of collection donated to the Museum by Mr. Bernard Grayden. 1975View of man driving horse and cart with dog, crossing bridge on unmade road (Road to Nobbies)The Road to the Nobbies, Cowes Phillip Island, Victoria. The Rose Series P3427local history, documents, postcards, horse and cart, cowes, phillip island, sepia postcard, bridge

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph inside Forrest Caves South Coast Phillip Island. Man inside looking out. local history, photography, photographs, coastline, caves, phillip island, forrest caves phillip island, john jenner, bryant west

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Photo shows man standing beside car he is wearing a hat, jacket and plaid tie.people, evans

Photo shows Jack & George McKeon. Both brothers worked at Chandler's Saw Mill. One copy is a transparency held at slide box no. 235.Photo shows Jack and George McKeon and a third man with bullock team, hauling a load of pipes.people, mckeon, transport, bullock team

Photo is of Augustus Knight, owner of Knight's tea-rooms. Gus was part German.Photo shows a seated man holding a pipe to his mouth. A sapling fence is behind him.people, knight

Halls Gap's First Wedding between Maud Langley And Charles Perry which happened at Morningside.Slide of a young man with blonde hair, dressed in a winged tipped collar,cravat and suit coat.people, perry

Black and white photograph showing a copied illustration of the head of a man. Partial caption underneath image Murdered by the Kelly Gang (written in ink on rear)kelly gang, edward kelly, ned kelly, aaron sherritt, murders, joe byrne

Ford Mainline with unidentified man in full uniform standing beside passenger door. Circa 1958police vehicles; wireless patrol; motor transport branch; motor transport section; ford mainline car

Stories told by women who served in World War 2. historical research of women in World War 2Cover has a brown/pink hue with photos of aeroplanes, cars and sheds, and a man and woman dancing. inside the cover: "To the Orbost Historical society. Best wishes, Jacqueline" women, world war 2, jacqueline dinan

Black and white photograph of mobile crane with large cross suspended from it. Man standing by crane.Typed below photograph, "Cross erected outside new Methodist Church Cnr. Station St. and Greenwood Ave."

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .8)A tintype portrait of a man's head, attached to a card. The cheeks have been hand coloured.little gem

Arthur Nicholson former member of the Ballarat School of Mines Council for many years, Councillor of the City of Ballarat (mayor several time), Master Builder, Chairman of the Ballarat Water Commission, and much else.Head and shoulders of a balding man with grey hair wearing a suit and tie. He is Arthur Nicholson. portrait, ballarat school of mines, arthur nicholson, city of ballarat, ballarat water commission

Port of Portland Authority archivesFront: (no inscriptions) Back: Capt Bown HM (blue pen, lower right)port of portland archives, captain brown

Port of Portland Authority archivesFront: (no inscriptions) Back: Lady Bay/ Dec 1966. (blue pen, centre)port of portland

Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, shed

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Port of Portland Authority archivesFront: (no inscriptions) Back: BILL SWEETLAND (black pen, upper left)port of portland archives

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