Showing 20155 items
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Australian Queer Archives
Photograph, B-News, Lesbians and Gays for Reconciliation, Queers stick with Wik, Pride March, Melbourne, 1998 (5), 1998
aboriginal and torres strait islander -
RMIT GSBL Justice Smith Collection
Book, The Law Book Company Limited, Commercial arbitration, 1986
arbitration and award -- australia -- cases, arbitration and award -- australia, arbitration agreements, commercial -- australia -
RMIT GSBL Justice Smith Collection
Book series, Hewitt, Edgar Percy et al, White & Tudor's leading cases in equity with notes, 1928
Previous owners: T. H. Smith, T. W. SmithNinth edition No. of volumes: 2 Volume range: Vol. 1-2equity -- great britain -- cases, equity pleading and procedure -- great britain -- cases, trusts and trustees -- great britain -- cases -
RMIT GSBL Justice Smith Collection
Journal series, Dorter, J. B, Building and construction law, 1985
Previous owner: T. H. SmithNo. of volumes: 66 Volume range: Vol. 1 No. 1 (1985) - Vol. 13 No. 6 (1997) ISSN: 08150605building laws -- australia -- periodicals, law reports: digests: etc -- australia -
RMIT GSBL Justice Smith Collection
Report, Cairns, B. C, The use of discovery and interrogatories in civil litigation, 1990
ISBN: 0959002987discovery (law) -- australia, interrogatories -- australia -
Kew Historical Society Inc
Book, Rose E B Coombs, Before Endeavours Fade : A guide to the battlefields of the First World War, 1986
160 p. : ill. ; 30 cm. non-fictionwar memorials -- europe -- guidebooks, world war 1914-1918 -- campaigns -- western front, world war 1914-1918 -- monuments, europe -- guidebooks, wwi -
Kew Historical Society Inc
Book, Brief History 1925-1975, East Kew Presbyterian Church, 1970
non-fictionchurches -- kew (vic.), presbyterian church -- kew (vic.), east kew presbyterian church -
Wheen Bee Foundation
Publication, Harbo, J. R., Bishop, J. B., Reynolds, G. J. & Harp, E. R, Stock Center Inventory - 1973 (Harbo, J. R et al.), London, 1973
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Wheen Bee Foundation
Publication, Dollin, A., Batley, M., Robinson, M. & Faulkner, B, Native Bees of the Sydney Region: A Field Guide (Dollin et al.), North Richmond, 2000
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Robin Boyd Foundation
Book, Noel Carrington, Design and Decoration in the Home, 1952
Hardcoverwalsh st library -
Robin Boyd Foundation
Book, Norman Wymer, English Town Crafts, 1949
Hardcover w/Dust Jacketwalsh st library -
Robin Boyd Foundation
Book, Sacheverell Sitwell, British Architects And Craftsman, 1947
Hardcover w/ Dust JacketThank you notes to Robin Boyd from Alice C. Dixon, 1948architecture, british architecture, walsh st library -
Robin Boyd Foundation
Book, Paul Hawken, Amory B. Lovins, L. Hunter Lovins, Natural Capitalism: The Next Industrial Revolution, 1999
Softcoveramerican economic policy, economic forecasting, capitalism, united states, economics, walsh st library -
Surrey Hills Historical Society Collection
Book, Lost and almost forgotten towns of colonial Victoria: a comprehensive analysis of census results for Victoria, 1841 - 1901, 2003
Purchased from the author when he spoke at a meeting of the Surrey Hills Historical Society. This meticulously researched book lists all towns and villages with entries in the Victorian censuses between 1841 and 1901. There are over 1400 entries. It includes the latitude and longitude for each town. It indicates how many males and females lived in the town, and the number of occupied dwellings (where available). For many of these settlements the only visible trace of them today is in the census results collected by the fledgling governments of Colonial Victoria. It is a comprehensive reference and a fascinating insight into the movements of early populations of new Australians and the forces that shaped them and is useful to historians, researchers and all readers with a fascination for colonial history.This book lists all the towns and villages with entries in Victorian censuses between 1841 and 1901. There are over 1400 entries. 518pp, with place name index. cities and towns, ghost towns, victoria, 1841, 1901, angus b watson -
Tatura Irrigation & Wartime Camps Museum
Booklet, K Gregory, B Pearson, W Stewart et al, From Protectorate to Smaller Town, 1985
2nd book. L3518. Incorporating 125 years of education and achievement Murchison Primary School 1860-1985. Booklet for "Back to Murchison" 18-20 October 1985.Yellow soft cover booklet. Green test and 2 pictures on front. Top on of river scene. Lower scene of street buildings. Aerial scene of town on back cover. 79 pages -
Benalla Art Gallery
Painting, W. B. MCINNES, Moonrise, 1910
Born: St Kilda, Victoria, Australia 1889; Died: Melbourne, Victoria, Australia 1939ImpressionismGift of Wooleen Pty. Ltd., 1980Evening rural landscape with buildings, trees and moon. Gold brushed timber frame.Recto: Signed and dated 'W.B. / McINNES 10' in brown oil in l.l.c of composition; Not titled painting, landscape, tree, sky, house, farm, moon -
Benalla Art Gallery
Painting, W. B. MCINNES, Volendam fisher folk, Not dated
Born: St Kilda, Victoria, Australia 1889; Died: Melbourne, Victoria, Australia 1939ImpressionismLedger Gift, 1985Expressive brushstrokes in muted colours of two figures fishing in foreground with buildings, tower and trees in background. Timber frame.Recto: Signed "McINNES" in dark brown oil in l.r.c of composition; Not dated; Not titledpaintings, rural, buildings, figures, clouds -
Benalla Art Gallery
Watercolour, B. E. MINNS, Bathers at the beach, 1935
Born: Dungog, New South Wales, Australia 1864; Lived and worked: England and France 1895-1915; Died: Taronga Park, New South Wales, Australia 1937InterwarLedger Gift, 1987Figures relaxing under trees overlooking beach with buildings and hills in the distance. Thin gold brushed timber frame.Recto: Signed and dated "B.E.MINNS / 1935" in brown watercolour in l.l.c of composition; Not titled watercolour, seascape, trees, figures, beach, buildings -
Koorie Heritage Trust
Journal - Serials, Birdsell, Joseph B. et al, Records of the Queen Victoria Museum Launceston. Contents - The racial origins of the Extinct Tasmanians. A survey of possible sea routes available to the Tasmanian Aborigines. The Tasmanians - a summary, 1949
Some of the points raised seem rather dated, but an interesting set of theories historically.105-145P.; plates; refs. figs.Some of the points raised seem rather dated, but an interesting set of theories historically.tasmanians - racial origins., australian aboriginals - origins., migration theories - tasmanians., bass strait - geology. -
Koorie Heritage Trust
Book, Bessant, B, The land hunger - commentary and documents, 1980
Bob Bessant draws on legislative, administrative as well as private documents to show how the vast 'uninhabited' continent of Australia represented a golden opportunity for Europeans who otherwise would have no chance to gain wealth and power. The result is an analysis of the pre-occupation with land by both Australian and British interests for a century.iii-v; 90 p.; ill; maps; index; bib.; ref.; 26 cm.Bob Bessant draws on legislative, administrative as well as private documents to show how the vast 'uninhabited' continent of Australia represented a golden opportunity for Europeans who otherwise would have no chance to gain wealth and power. The result is an analysis of the pre-occupation with land by both Australian and British interests for a century.land settlement -- australia -- history. -
Stawell Historical Society Inc
Magazine, Home Chat B>W. Young, Home Chat, November 12.1898
Woman's Magazine, Stories, fashion, Craft, Song with Music, Recipes, ads, Poetry, Religious Reflection.No Cover: English Magazine for Womenphotos clothing women -
Stawell Historical Society Inc
Book, Angus B Watson, Lost and Almost Forgotten Towns of Colonial Victoria - Census Results for Victoria 1841-1901, 2003
stawell -
Stawell Historical Society Inc
Book, Una B Potter, Address - Mr F John Cato & Una Beatrice Porter, 1981
stawell -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin. Pugh's Gate, before the Fire, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Sunlight, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph -
Nillumbik Shire Council
Print (lithograph) Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) detailing Clifton Pugh's garden at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, lithograph -
Nillumbik Shire Council
Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Print Studio, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting the Print Studio at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, studio, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Artist's Gallery, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Pond Reflecting Pugh, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting bushland and a pond reflecting light.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, pond, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Evening at Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Print - lithographBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, evening, lithograph