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Kew Historical Society Inc
Audio - Sound Recording, Cyril Stevens Recording Studios, Geoff Brooke Sings All Time Favourites, 1950s
Geoffrey (Geoff) Brooke was newspaper columnist, radio commentator, magazine writer and television broadcaster. He wrote a regular column for The Argus titled 'Your night out'. He opened his own restaurant, Geoff Brookes Steak Cave, in 1965. Later in his life he was a resident of Wellington Street, Kew. He died in 2003, aged 86. The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Audio recording of Geoff Brooke singing All Time Favourites.Inscribed: "All for my darling Robin - with my love Geoff 1990"performing arts - victoria - australia, geoffrey (geoff) brooke, sound recordings -
Kew Historical Society Inc
Audio - Sound Recording, Geoff Brooke Sings French Refrains, 1950s
Geoffrey (Geoff) Brooke was newspaper columnist, radio commentator, magazine writer and television broadcaster. He wrote a regular column for The Argus titled 'Your night out'. He opened his own restaurant, Geoff Brookes Steak Cave, in 1965. Later in his life he was a resident of Wellington Street, Kew. He died in 2003, aged 86.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Audio recording of Geoff Brooke singing well-known French songs.performing arts - victoria - australia, geoffrey (geoff) brooke -
Kew Historical Society Inc
Sound Recording, Sing Australia Camberwell, Annual Concert 2012, 2012
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. DVD of a performance by Sing Australia Canmberwell including a track featuring Robin Kelly singing Danny Boy.robin kelly, performing arts - victoria - australia, sing australia camberwell -
Kew Historical Society Inc
Photograph, Robin Vanser & Lennie Holmes Four, Kew Town Hall, circa 1963, c.1963
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Print copy of an original performance photograph of Robin Vanser (Vandersluys) in performance at the Kew Civic [Town] Hall with Lennie Holmes FourKew Town Hall c.1963 | Robin Vanser (Vandersluys) | Lennie Holms Fourperforming arts - australia - 1960s, robin vanser, kew civic hall - kew town hall -
Kew Historical Society Inc
Print, Robin Vanser & Lennie Holmes Four, Kew Town Hall, circa 1964, c.1964
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Print copy of an original performance photograph of Robin Vanser (Vandersluys) in performance at the Kew Civic [Town] Hall with Lennie Holmes FourLennie Holmes Four | Kew Town Hall | c.1964 Kew Town Hallperforming arts - australia - 1960s, robin vanser, kew civic hall - kew town hall -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Blossom Time, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Faded photograph of Jeanette Rayment in full costume in the Royal Botanical Gardens to promote The "Q" Theatre Guild's performances of Blossom Time during the Moomba Festival of 1959. The performances took place in the Alexandra Gardens. Rayment played the role of Therese in the production.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Jeanette Rayment, Botanical Gardens, promoting Blossom Time."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew recreation hall -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Blossom Time, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Faded photograph of Esme Melville and Jeanette Rayment in full costume in the Royal Botanical Gardens to promote The "Q" Theatre Guild's performances of Blossom Time during the Moomba Festival of 1959. The performances took place in the Alexandra Gardens. In the production, Melville performed the role of Countess Fritzi Frangipani, while Rayment played the role of Therese.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Esme Melville, Jeanette Rayment, Botanical Gardens, *** Blossom Time."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Document - Invitation, Invitation to Meet Mr Menzies and Dame Pattie Menzies, City of Kew, 1955
Robert (later Sir Robert) Menzies was the member for Kooyong from 1934 to 66, and Australian Prime Minister from 1939 to 41, and again from 1949 to 66. The City of Kew was within the boundaries of his electorate. Civic events, before the opening of the new Kew City Hall in 1960 were frequently held at the Kew Recreation Hall (demolished 1960) in Wellington Street.The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.Card formally acknowledging the acceptance of an invitation to an event in the Kew Recreation Hall. The printed response was issued by the Town Clerk - W.D. Birrell - on behalf of the Mayor - Cr. Marie Dalley. The event was held to meet Mr Menzies and Dame Pattie Menzies.arthur dear collection, robert menzies, dame pattie menzies, kew recreation hall, city of kew - invitations -
Kew Historical Society Inc
Programme - Theatre Programme, Our Miss Gibbs / by Lionel Monckton & Ivan Caryll, 1954
The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s.The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for a production of Our Miss Gibbs in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. 4 pp.arthur dear collection, kew light opera company, kew recreation hall, musicals, programmes, theatre, theatrical performances, performing arts, our miss gibbs -
Kew Historical Society Inc
Programme, Fourteenth Subscription Concert / Kew Philharmonic Society, 1951
The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.Concert programme of the fourteenth subscription concert of the Kew Philharmonic Society. The program was advertised as an "All-English Programme". arthur dear collection, kew philharmonic society -
Kew Historical Society Inc
Photograph - Programme, Fifteenth Subscription Concert / Kew Philharmonic Society, 1951
The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.Concert programme of the fifteenth subscription concert of the Kew Philharmonic Society. The concert program was advertised as a "Special Xmas Programme"arthur dear collection, kew philharmonic society, music - victoria, music - kew, kew recreation hall, concert programme -
Kew Historical Society Inc
Document, Sixth Annual Report / Kew Philharmonic Society, 1952
The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.The sixth annual report of the Kew Philharmonic Society. The 8-page report covers the period 1 October 1951 to 30 September 1952. arthur dear collection, kew philharmonic society, music - victoria, music - kew, kew recreation hall, concert programme -
Kew Historical Society Inc
Programme, Nineteenth Subscription Concert / Kew Philharmonic Society, 1952
The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.Concert programme of the nineteenth subscription concert of the Kew Philharmonic Society.arthur dear collection, kew philharmonic society, music - victoria, music - kew, kew recreation hall, concert programme -
Kew Historical Society Inc
Programme, Seventeenth Subscription Concert / Kew Philharmonic Society, 1952
The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.Concert programme of the seventeenth subscription concert of the Kew Philharmonic Society. arthur dear collection, kew philharmonic society, music - victoria, music - kew, kew recreation hall, concert programme -
Kew Historical Society Inc
Programme, Twentieth Subscription Concert / Kew Philharmonic Society, 1953
The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.Concert programme of the twentieth subscription concert of the Kew Philharmonic Society. arthur dear collection, kew philharmonic society, music - victoria, music - kew, kew recreation hall, concert programme -
Kew Historical Society Inc
Programme - Concert Programme, Free Concert / Kew Philharmonic Society, 1960
The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.Concert programme of a Special Concert on 27 April 1960, held to mark the opening of the new City Hall in Kew (the location of the current Kew Library). The concert was led by a special Guest Conductor, Stuart Wilkie. The programme has a drawing of the new City Hall on the cover.arthur dear collection, kew philharmonic society, performing arts -- kew -- victoria, kew civic hall -- cotham road, theatre memorabilia -
Kew Historical Society Inc
Document - Invitation, Invitation to a Special Get-Together / from the Steering Committee for the proposed Kew Recreation Council, 1975
Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.One page flyer issued by the Steering Committee for the proposed Kew Recreation Council to individuals to attend a Special Get-together in No.3 Hall, Kew Civic Centre, on 27 November 1975 at 7.15 p.m.arthur dear collection, city of kew, kew civic centre, mrs henri serroni -
Kew Historical Society Inc
Leisure object - Handheld Pinball Game, Louis Marx & Co, Skee Skor, 1950s
The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. There were clearly a huge range of toys produced for the Australian and International children’s market in the Nineteenth and Twentieth centuries. The examples of toys in the collection include examples of alphabet toys, arcade toys, baby toys, construction toys, dolls, doll accessories, educational toys, soft toys, tin toys, toy animals, toy blocks, toy machines, toy typewriters, etc. Handheld pinball game. The game requires the player to roll a ball-bearing to the front of the container and score a 1, a 5 or a 10. The self-contained container has the name of the game on coloured paper inside the toy. Name: "Skee Skor"skee skor, louis marx & co (usa), musical toys -
Kew Historical Society Inc
Journal, Kewriosity : September 1984
Mayoral Column / Cr Robin Saunders p1. Local Area Traffic Management / p1. Community News / p2. Kew's new mayor [Cr Robin Saunders] / p3. Retiring Councillors [Cr Martin Solomons; Cr Joe Leaman] / p3. 1985 Kew Community Festival / p3. Library News / p3. 'Germs' - a musical [East Kew Primary School] / p4. "Kiss Me Kate" comes to Kew [Starlight Theatrical Company] / p4. Hyde Park Fellowship / p4. Dance / p4. Missionary Sisters of St Peter Claver / p4. What is the Rotary Club of Kew doing? / p4. WORCO [Worco Recyclotron Project] / p4. Youth pages - Welcome; Teen Club; St Hilary's Earth Club / p5. So you need help with housing? / p6&11. Community [Classes for older adults; Baby sitting clubs; Kew Historical Society; Children's Services; Probus Club of Kew] / p7. Municipal Depot update / p8. Council wants E6 and park / p8. Have you enrolled your child for kindergarten yet? / p9. Kew Toy Library / p10. Full Day Care Centre / p10. Things to do in Kew / p11. A bit further afield / p11. [Multilingual information about incinerator use] / p13. [Kew] Community House / p13-15. Disability access in Kew / p15. Heidelberg Tip / p16. New Residents Kit / p16. Kew Swimming Club / p16. Little Athletics / p16. Child restraints / p16.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionMayoral Column / Cr Robin Saunders p1. Local Area Traffic Management / p1. Community News / p2. Kew's new mayor [Cr Robin Saunders] / p3. Retiring Councillors [Cr Martin Solomons; Cr Joe Leaman] / p3. 1985 Kew Community Festival / p3. Library News / p3. 'Germs' - a musical [East Kew Primary School] / p4. "Kiss Me Kate" comes to Kew [Starlight Theatrical Company] / p4. Hyde Park Fellowship / p4. Dance / p4. Missionary Sisters of St Peter Claver / p4. What is the Rotary Club of Kew doing? / p4. WORCO [Worco Recyclotron Project] / p4. Youth pages - Welcome; Teen Club; St Hilary's Earth Club / p5. So you need help with housing? / p6&11. Community [Classes for older adults; Baby sitting clubs; Kew Historical Society; Children's Services; Probus Club of Kew] / p7. Municipal Depot update / p8. Council wants E6 and park / p8. Have you enrolled your child for kindergarten yet? / p9. Kew Toy Library / p10. Full Day Care Centre / p10. Things to do in Kew / p11. A bit further afield / p11. [Multilingual information about incinerator use] / p13. [Kew] Community House / p13-15. Disability access in Kew / p15. Heidelberg Tip / p16. New Residents Kit / p16. Kew Swimming Club / p16. Little Athletics / p16. Child restraints / p16. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.2 No.8 : February 1981
1981 Kew Festival [programme] / p1&2. What's doing in Kew for February / p2. Those empty spaces [community calendar] / p3. Arts Victoria Music '81 [programme] / p3. A musical history [Kew Philharmonic Society] / Elizabeth Mackie p3. Polyglot puppets / p4. Welcome to ... ? / p4. Community work by Kew Young Liberals / p4.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fiction1981 Kew Festival [programme] / p1&2. What's doing in Kew for February / p2. Those empty spaces [community calendar] / p3. Arts Victoria Music '81 [programme] / p3. A musical history [Kew Philharmonic Society] / Elizabeth Mackie p3. Polyglot puppets / p4. Welcome to ... ? / p4. Community work by Kew Young Liberals / p4. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.) -
Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.4 No.11 : July 1983
Art exhibition: Trinity Grammar School / p1. A new Musical at St Hilary's Kew ('Rocky & the Bloke' / p1. Visitors welcome (Rheumatism and Arthritis Association of Victoria) / p1. Uniting Church Congregational Casserole Dinner / p2. 1st Kew Scout Group bottle recycling depot change / p2. Native Plant Group / p2. Save the Children Fund / p2. Kew Citizens' Advice Bureau / p2. Kew Historical Society / p2. Kew Library (displays) / p2. Billabong Club for boys and girls primary school age (Kew Baptist Church) / p2. Th treasures of our city (Villa Alba; Historic houses; Heritage planning; Louis Kahan - Kew Synagogue windows) / p3. C.A.B. volunteers need (Citizens' Advice Bureau) / p3. Daytime Garden Club / p3. East Kew Uniting Church (calendar of events) / p4. Kew Garden Club / p4. Evening Mission Group (Kew Uniting Church) / p4. Hyde Park Fellowship (Hyde Park Uniting Church) / p4. 'Rotaract Rave' / p4. Scrabble / p4.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fictionArt exhibition: Trinity Grammar School / p1. A new Musical at St Hilary's Kew ('Rocky & the Bloke' / p1. Visitors welcome (Rheumatism and Arthritis Association of Victoria) / p1. Uniting Church Congregational Casserole Dinner / p2. 1st Kew Scout Group bottle recycling depot change / p2. Native Plant Group / p2. Save the Children Fund / p2. Kew Citizens' Advice Bureau / p2. Kew Historical Society / p2. Kew Library (displays) / p2. Billabong Club for boys and girls primary school age (Kew Baptist Church) / p2. Th treasures of our city (Villa Alba; Historic houses; Heritage planning; Louis Kahan - Kew Synagogue windows) / p3. C.A.B. volunteers need (Citizens' Advice Bureau) / p3. Daytime Garden Club / p3. East Kew Uniting Church (calendar of events) / p4. Kew Garden Club / p4. Evening Mission Group (Kew Uniting Church) / p4. Hyde Park Fellowship (Hyde Park Uniting Church) / p4. 'Rotaract Rave' / p4. Scrabble / p4. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.) -
Kew Historical Society Inc
Programme, The "Q" Theatre Guild, The Geisha, 1957
The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'The Geisha' by Sidney Jones and Harry Greenbank. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, theatre groups (kew), theatre (kew), the geisha (musical) -
Kew Historical Society Inc
Programme, The "Q" Theatre Guild, Blossom Time, 1959
The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'Blossom Time' in conjunction with Moomba. Performances were held in March in the Alexandra Gardens and subsequently at the Kew Recreation Hall in October and November. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, performing arts, moomba, alexandra gardens, theatre groups (kew), blossom time (musical) -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Maritana, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Maritana, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The annotation underneath the photo identifies the two men as Ian Young and Bernard Meagher who played Don Cesar and the Alcade Marchese.Marion Tilley, the creator of the scrapbook, wrote the following names underneath the photograph: "Iaan Young, Burne Meagher".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Maritana, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. An annotation underneath the photo identifies two of the leads: Carla Jeffries and Alan Wilson. The photograph was taken on the night of 21 or 27 June when Jeffries performed the title role, a role she shared with Val Breen. Stan Wilson played Don Jose on these same nights.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Carla Jeffries, Stan Wilson - I made the men's and women's costumes including hats".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Maritana, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Stan Wilson in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The photograph was taken on the night of 21, 23, 26, 27 or 28 June when Wilson performed the Don Jose, a role he shared with James Dinsdale.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Stan Wilson."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Maritana, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Thelma Hiscock in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The photograph was taken on the night of 24 or 27 June when Hiscock was performing the role of Lazarillo.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Thelma Hiscock."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Blossom Time, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.One of five small black and white photographs of members of the cast in The "Q" Theatre Guild's production of Blossom Time in 1957. The were presumably promotional photographs as they are shot in the Royal Botanical Gardens in Melbourne. A newspaper report in the Age on 27 October noted that the performance was held in the Kew Recreation Hall. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Blossom Time, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.One of five small black and white photographs of members of the cast in The "Q" Theatre Guild's production of Blossom Time in 1957. The were presumably promotional photographs as they are shot in the Royal Botanical Gardens in Melbourne. A newspaper report in the Age on 27 October noted that the performance was held in the Kew Recreation Hall. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria