White china vegetable tureen with lid and decorated with green flowers and vines, lid with handle and bowl with 2 handles.Tokio 1790 K&Co B Late Mayersdomestic equipment, table setting, tureen

Slide. Bendigo Views. Bendigo Technical College float in the Easter Procession. Decorated white truck surrounded by people.slide, bendigo, bendigo views, bendigo views

Given to Acting Captain Austin Appleby by and internee. Used by the Appleby family for over 50 years. Originally sent out by the German Red Cross to POW's and internees in the Tatura area in 1943.Artificial Christmas tree on wooden stand decorated with bells, stars and candles, supplied to Camp 3 by the Red Cross. Inscription on original box: Weihnachtszweige Die "Goldenen Nuisse" sind gefult also knacken 15 stuch. Translation reads: Christmas branches. The "Golden Nuts" are filled, therefore crack (them). 15 pieces.christmas, appleby, red cross, camp 3, german pows, camp 3 tatura

This is a photograph of the entry submitted by Our Lady of Mt Carmel Primary School in the Back to Sunbury celebrations.A photograph of the winning float in the street parade in the "Back to Sunbury" procession. It shows the girls sitting on the decorated tray of the truck.1860-1952parades and processions, our lady of mt carmel, back to sunbury, schools, sunbury, social life and customs, flintoff, mary, dunn, lorraine, o'brien, joan, morrison, dorothy, leake, alfred, boardman, eric, forbes, john, dignam, william, 1952, george evans collection

Black and white photo of Mitcham State School decorated to welcome home Servicemen from the 1914-1918 War.mitcham state school no 2904, world war 1914 -1918

11 pieces of velvet heavily decorated with jet beads of various sizes. Probably taken from dress/dresses.costume accessories, female

Photograph of the decorated interior of the Rutherglen Memorial Hall full of people in Ball dress for the opening of the Memorial Hall in 1927.On verso: "Doris [Cross?]. Opening of Memorial Hall, Rutherglen" memorial hall, ball, dances

Photograph of the decorated interior of the Rutherglen Memorial Hall full of people in Ball dress for the opening of the Memorial Hall in 1927.On verso: "Donated by Ray Herrin Aug 85. Ball for opening of Memorial Hall 1927"memorial hall, ball, dances

Photograph of the decorated interior of the Rutherglen Memorial Hall full of people in Ball dress for the opening of the Memorial Hall in 1927.memorial hall, ball, dances

Also four colour photographs of St Nicholas Centenary Display, inside the foyer of the Church.Colour photograph of the cake made and decorated to celebrate the Centenary of St Nicholas Anglican Church, Lakes Entrance, Victoria.celebrations, religion

Large cream quilt with red edging, decorated on front with hexagonal pieces of various materials. Backed with cream materialNo visible markingsmanchester, needlework, quilt, hexagonal, bed linen, handicrafts

This waistcoat belonged to Olga Black, a long-time Brighton resident. Part of a Greek national costume, it was designed by Olga in the 1950s, with the silver cornelli work completed by a Collins Street workshop. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Black velvet waistcoat, decorated with silver cornelli work. Pale blue cotton lining. Fastens with hooks and eyes.greece, ithaca, migration, olga black

This item is from a collection donated by descendants of John Francis Turner of Wodonga. Mr. Turner was born on 6 June 1885. He completed all of his schooling at Scotts Boarding School in Albury, New South Wales. On leaving school, he was employed at Dalgety’s, Albury as an auctioneer. In 1924 John was promoted to Manager of the Wodonga Branch of Dalgety’s. On 15/03/1900 he married Beatrice Neal (born 7/12/1887 and died 7/2/1953) from Collingwood, Victoria. They had 4 daughters – Francis (Nancy), Heather, Jessie and Mary. In 1920, the family moved From Albury to Wodonga, purchasing their family home “Locherbie” at 169 High Street, Wodonga. "Locherbie" still stands in Wodonga in 2022. The collection contains items used by the Turner family during their life in Wodonga.This item comes from a collection used by a prominent citizen of Wodonga. It is representative of ceramic domestic items used from the 1920s onwards.A fine china rectangular cheese dish. It is decorated with a floral pattern including red/pink roses and green foliage.domestic items, fine china

Colour photo of silver jubillee decorated tram at night, neon sign above - long live our queen.basil miller, bendigo trams

Framed print of an original painting in colour by COULSON Gerald - titled "Long Night Ahead". Painting of Auro Lancaster flying above sunset clouds, brass caption plate. Frame - timber, light brown stain with gold paint highlights.Brass Caption Plate - "LONG NIGHT AHEAD/by Gerald Coulson 6 AV.A./ Presented by Alan Whatman/ to RAAF Association".framed print, history, airforce, ww2

Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Oil pastel painting of a weatherboard house behind a wooden fence. A bare tree is next to the house and another outside the fence next to a boat. A green shrub at the right. The painting is signed by W.A. Delecca '52. Untitled. William Delecca collection.Signature of the artist at bottom rightaustralian bush, william delecca, landscape

Colour photograph. Four boys painting scenery. Gum tree. Hills. Bird in sky. Gravel Hill Primary School. 1988 Production 'The Wallaby Track'' Back of photo reads: Damon Mlekuz LHS Designed and ran the painting crew.photo, group, four boys

This portrait was presented by the Victorian Bar to the Library in 1917 to commemorate Schutt’s fifty years as the Supreme Court Librarian. The portrait was presented at a ceremony presided over by Mr Mitchell KC who noted the “unanimity with which the members of the profession had adopted the suggestion that the eminent services of Mr Schutt should be recognised in this way.” Chief Justice Madden also spoke on this occasion and there were a number of judges and members of the legal profession present. John Schutt had been born in England in 1831 and migrated to Victoria as a young man, initially working as a school teacher he was appointed librarian, during Redmond Barry’s time in 1866. He started work in the Old Court in Russell street and would have supervised the move of the library to its new and greatly expanded premises in William Street in 1884. As well as secretary to the Library committee, he also acted as the Secretary of the Board of Examiners on occasion. After his death in 1919 in its obituary, the Williamstown Chronicle noted that Schutt was regarded as a Solon, an ancient greek law giver who gave wise advice. Away from the Court he was a councillor of many years standing in Williamstown, representing the Victoria Ward, what is now the suburb of Newport, it would appear Schutt street in Newport was named after him. His eldest son William Schutt was appointed a Supreme Court judge in 1919. The portrait of Schutt is a companion piece to the Sir Thomas a’Beckett picture painted shortly before the Schutt portrait and for the same client, they share the same frame design with gum leaf motif. This portrait was undertaken early in Meldrum’s career and before he had fully developed his theory of painting. Duncan Max Meldrum (1875-1955) was a controversial figure in his later years as he strongly opposed modernism and non-figurative art. His works are found in most of the state galleries, including a wide selection at the National Gallery of Victoria. This portrait is of interest for whom it portrays and as the work of a well known artistFull length portrait in oils of John Schutt. Schutt is standing up looking out the to the viewer. His hand rests on a small pile of books. He is dressed soberly in a three piece black suit. His white beard and hair all meticulously trimmed and realised. The props used in this painting provide the main colour as the background has become dark over the years. The books sit atop of a red and gold draped table. Behind Schutt is what appears to be a crimson velvet chair and he gives every appearence of having just arisen from the chair to engage with the viewer. The painting has an unusual light source at the foot of the painting with Schutt's legs providing shadows. Signed Meldrum lower right hand corner. Plaque inscription is John Schutt, Esq. Supreme Court Librarian

Ron White's Collection. Possibly a gift as this type of container was popular.Ron White. See KVHS 1282Round pale green 'pumpkin' shaped porcelain container decorated with 'hand painted?' red, blue, yellow flowers and green leaves. The lip & handle are steel. The lid is pewter with a decorated ring on top. The steel wire handle is vertical then bent to join at the centre. The bends have decoration on their inside.Nilron white' collection, porcelain container

These eggs could be ostrich eggs from an ostrich farm which operated just out of Marlo. It is likely that they were donated by Kate and Richard Earle who ran the enterprise. Emu and ostrich eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and aesthetic appeal.Two painted eggs on stands. 1907.1 is painted black and has white emus or ostriches painted on it. 1907.2 is painted white and has black emus or ostriches painted on it. Both stands are wooden with brass pedestals. The eggs are possibly ostrich eggs.handcraft emu-egg ornament ostrich-egg

Negative, copy by Wal Jack of W4 673 decorated for the Victorian Centenary in 1934, at Preston Workshops. Tram was illuminated, showing route 60. Extensively decorated with the State Coat of Arms. See image 7694 for a print.Yields information about W4 673 decorated for the 1934 Victorian Centenary.Black and white negative.trams, tramways, w4 class, victoria, centenary, preston workshops, decorated trams, tram 673

GIZYCKI, Andrzej Roman Witold, AKA GIZYCKI de GOZDAWA, Andrew Roman Witold, Service number: 37505, served in Royal Corps of Australian Electrical and Mechanical Engineers, 7RAR, 1967Painting in Gold Metal Frame ( Oil ) streched canvas depicting Soldier in the reeds combat camoflage and rifle.Australian Army Badge Rank (SLR ) Raeme Badge & 2 YG on hat same artist of soldier in other painting of Ziggy. Same Frame.soldier, raeme, ziggy, gizycki

Watercolour painting of Portland Hospital. The painting shows a bluestone building with a red roof. Above the front entrance is 'Portland Hospital'. Bottom left hand corner of the work has 'Portland Hospital' written and underlined. There are three doors with two lanterns on the wall.K. J / 20.1.'48