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Buninyong Visitor Information Centre
Functional object - Scalpel handle, Swann-Morton, Post 1932
Made in England by Swann-Morton, Sheffield. The company was founded in 1932 and manufactured scalpel handles, blades, and surgical equipment.The metal handle comes to a narrow protruding piece at one end. It has identical indented patterning on both sides. Swamm-Morton scalpel handle BS 2892. Made in England.medicine, scalpels -
Bendigo Military Museum
Equipment - DIXIES, Department of Defence, 1) June 1980. .2) may 1970
Australian Army Pattern issue Mess tins, one fits inside the other..1) Small oblong aluminium tray with folding handles. .2) Large oblong aluminium tray with folding handles..1) Stamped on, “7350 - 66 - 014 - 5895 - SMP/Y 6/80” .2) Stamped on, “7350 - 66 - 014 - 5895 - SMP/Y 5/70”mess tins, dixies -
Mission to Seafarers Victoria
Booklet, Missions to Seamen, London, Patterns, c. 1940
Knitting patterns of objects suitable for use by seafarers, provided by members of The Knitting Association. From the personal Collection of Mrs Pat Dann a former member of the Central MtSV and later with her husband Captain Keith Dann supported and founded the Hastings branch of the Mission to Seamen in the late 20th C. Small thin, paperback booklet, with light blue front and back card covers, and a flag depiction in darker blue of the flying angel insignia at the top of the front cover. knitting, patterns for seafarers -
Eltham District Historical Society Inc
Book, Banyule City Council, Banyule Heritage Places Study - An Urban History, Volume 1 prepared by Allom Lovell & Associates, 1998 March
Describes the broad patterns of development across Banyule in the post-European contact period, 92 p, 30 cmbanyule history, greensborough history, montmorency history, heidelberg history, ivanhoe history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 545
This book was produced by Patons and Baldwins and contains knitting patterns for young childrens garments.PATONS / PATONYLE, 3 and 4 Ply . BEEHIVE Fg., 3 and 4 Ply . HIGHLAND SPORTS / BLUEBELL . SWIFTAKNIT . CAIRN . AZALEA . CATKIN . TOTEM . DOUBLE QUICK / No. 545 / Patons / KNITTING BOOK / No. 545 / FROM 2 TO 6 YEARS / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 577
This book was produced by Patons and Baldwins and contains knitting patterns for adults and childrens garments.No. 577 Featuring PATONS RIPPLE DOUBLE KNITTING / Patons / KNITTING BOOK 577 / WITH T.V. DESIGNS / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 539
This book produced by Patons and Baldwins and contains knitting patterns for adults and child's garments.No. 539 / PATONS PATYONYLE KNITTING YARN, 3 and 4 Ply / PATONS BEEHIVE FINGERING, 3 and 4 Ply / Patons / KNITTING BOOK / No. 539 / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 234
This knitting book was produced by Patons and Baldwins and contains knitting patterns for womens garments.Patons / KNITTING BOOK / No. 234 / "HOOPLA" / See page 12 / 7d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 315
This book was produced by Patons and Baldwins and contains knitting patterns for garments for young boys.Patons KNITTING BOOK NO. 315 / "VERNON" - See page 8 / P&B / WOOLS / 10 1/2d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 221
This knitting book was produced by Patons and Baldwins and contains knitting patterns for girls clothes.Patons / KNITTING BOOK / NO. 221 / "ELSIE" / See page 8 / 6d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 483
This book was produced by Patons and Baldwins and contains knitting patterns for young girls garments.No. 483 / Patons / KNITTING / BOOK / No. 483 / PATONS / FUZZY WUZZY / ANGORA / For Girls / from / 4 to 12 years / P&B / WOOLS / 1'6knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 550
This book was produced by Patons and Baldwins and contains knitting patterns for young childrens garments.PATONS / PATONYLE, 3 and 4 Ply . BEEHIVE Fg., 3 and 4 Ply . TOTEM . DOUBLE QUICK / BLUEBELL . SWIFTAKNIT . CAIRN . AZALEA . HIGHLAND . CONFETTI FLECKS / No. 550 / FROM 18 MONTHS TO 7 YEARS / SIZES 20 TO 27 / Patons / KNITTING BOOK / No. 550 / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Folder, sample
Weaving sample folder: "FANCY WORSTEDS" patterns and 3 blue cloth samplesP. ARUSIC-GOLUB 1964 (ink) FANCY WORSTEDS.weaving textile industry textile design, weaving, textile industry, textile design -
National Wool Museum
Folder, sample
Weaving samples folder: 3 "Fancy Worsted" patterns with dark cloth samplesHUBERT H.C. LEE (ink) RANGE 2 (ink) Fancy Worsted (ink)weaving textile industry textile design, weaving, textile industry, textile design -
National Wool Museum
Folder, sample
Weaving sample folder: 3 "FANCY WOOLLEN" patterns with 3 cloth samples.5651 (ink/smudge) FANCY WOOLLENtextile production weaving, textile production, weaving -
National Wool Museum
Folder, sample
Weaving samples folder: WOOLLEN RANGE" pattern sheet and 3 cloth samplesK. NILA (ink) WOOLLEN RANGE (ink)weaving textile industry textile design, weaving, textile industry, textile design -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: COLOURFUL HISTORY
Bendigo Advertiser "The way we were" from Wednesday, April 6, 2005. Colourful history: the Eaglehawk Clothing Factory staff in Victoria Street, Eaglehawk. The site is now home to King's IGA supermarket, but was previously the roller-skating rink and the YMCA's original Star Picture Theatre, screening open air pictures.newspaper, bendigo advertiser, the way we were -
Hume City Civic Collection
Photograph
Chris. Christiansen was a barber in Sunbury. He also ran a photographic studio from 1892 - 1916. His business was situated on the corner of Evans and Brook Streets. The Gillies Bridge is Situated on the Wildwood Road just off the Lancefield Road.A mounted sepia photograph of the Gillies Bridge at Sunbury. Across the bridge there are three men on a steam roller and one man behind on horseback. There are four men standing across the creek bed. The mounting is cream, 2 cm wide with silver writing under the photo. Cream mounting - 2 cm wide with silver inscriptionsGILLIES BRIDGE / SUNBURY / CHR. CHRISTIANSEN /gillies bridge, wildwood bridge, bridges, horses, christiansen, chris, photographers, animals, steam rollers, sunbury, men, clothing and dress, george evans collection -
Southern Sherbrooke Historical Society Inc.
Photograph - Photo - Bill Hermon with his first daughter, Joy, in the 1940s
B&W photo of Bill Hermon holding a baby of about three months of age. Bill is wearing a sleeveless pullover over a shirt with rolled-up sleeves. They appear to be on the Hermon farm at Menzies Creek. In the field behind them is a metal hand roller. Beyond a small row of shrubs is a child's tricycle. 1940s. -
Melbourne Tram Museum
Document - List, Melbourne & Metropolitan Tramways Board (MMTB), "Destination Signs Cable Lines", Original dated 5/8/1932
Report or List - photocopy of original document printed on A3 sheet - titled "Destination Signs Cable Lines", listing the type of signs and destination names for each of the 8 depots. Notes the type of signs fitted to the both cars and dummies, whether canvas rollers or board and where fitted. Dated 5/8/1932.trams, tramways, cable trams, destination roll, destination indicators, mmtb -
Flagstaff Hill Maritime Museum and Village
Ceramic - Amphora, mid-to-late 1800s
This amphora or jug, with a silhouette shaped like a woman with hands on hips wearing a long flared-out skirt. The design was used in ancient Greece for pottery storage jars, the neck being narrower than the body. The amphora was discovered by Joe O'Keeffe in 1934 in a sand blowout west of Levy's Point west of Warrnambool while he was planting marram grass for Mr Duncan. An article in the Warrnambool Standard newspaper of December 21, 1985, states that the amphora may be linked to the wooden sailing ship called the Mahogany Ship (also called the Ancient Wreck). Thermoluminescence testing indicates the relic was made in the mid-to-late 1800s and experts suggest it was of North African origin. The presence of the amphora in the sand dunes, and the amphora itself, are still a mystery. The amphora was donated to Flagstaff Hill on a long-term loan by the Duncan family and displayed to the public for the first time on December 21, 1985, until February 2023 when the display was returned to storage to rest with the redevelopment of the Assistant Lighthouse Keepers Cottage (Shipwreck Museum). An extensive search for members of the Duncan Family has been undertaken by Flagstaff Hill and stakeholders to resolve the loan term loan, but the family is not known. As such to properly care for the amphora, it has been registered until ownership can be determined.The object is significant for its possible link to one of Victoria’s and Australia’s maritime mysteries, the Mahogany Ship (also known as the Ancient Wreck). It is one of very few known relics that could give evidence of the existence and history of the vessel. It is listed on the Victorian Heritage Register S438 as it is one of Victoria’s oldest recorded shipwrecks. The identity of the vessel has the potential to change Australia’s history.Amphora or jug; earthenware, orange clay with areas of cream. The vessel has a wide mouth, a deep lip, two opposing handles between the neck and shoulder, and a bulbous body. The curved handles have a design of six bands between them. There are three rings of small dots encircling the body. The underside has concentric circles in the clay, uneven edge and pinhole markings. Pinhole patterns: [3 holes above 3 holes] opposite [3 holes above 3 holes], 1 hole] [ 1 hole above 2 holes]flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, amphora, jug, mahogany ship, ancient wreck, joe o'keefe, duncan, thermoluminescence, north africa, levy point, pottery, storage jar -
Coal Creek Community Park & Museum
Bottle, glass, Anglo American Drug Company
JEREMAH CURTIS & BENJAMIN A. PERKINS: BITTERS & MEDICINE In 1848 Jeremah Curtis and Benjamin A. Perkins would become partners in a medical business. The business was located at No. 1 West End Kepduakong Bridge Banger, Maine. The business was called Curtis & Perkins Proprietors. By 1849 they started bottling Jeremah Curtis's mother-in-law, Mrs. Charlotte N. Winslow's syrup which she compounded from sulfate or morphia, sodium carbonate, spirits fueniculi and aqua ammonia. Mrs. Winslow was a physician and a nurse for children for about 30 years. This medicine was made for infants and was named Mrs. Winslow's Soothing Syrup. In time the name was changed to Anglo American Drug Company and was then run by J. Curtis and his son George N. Curtis.Round slender aqua tinted clear glass bottle with embossed text on sides and monogram on base.'MRS WINSLOW'S SOOTHING SYRUP' 'THE ANGLO AMERICAN DRUG CO.' 'SUCCESSORS TO CURTIS & PERKINS PROPRIETORS' The monogram seems to consist of 4 triangular marks in a grid pattern.winslows, syrup -
Greensborough Historical Society
Newspaper - Newspaper supplement, Herald and Weekly Times, Our land our century [incomplete], 1999
A history of rural life in the 20th century, this series covers each decade. Part 4: The great struggle 1930-1930; Part 5: Keeping the home fires burning 1940-1949; Part 7: Easy Street? 1960-1969; Part 8: A roller coaster ride, 1970-1979; Part 9: Feeling the heat, 1980-1989. Incomplete set, parts 1, 2, 6 and 10 missing.5 issues of large format newspaper supplement.country life, australia country life -
Warrnambool and District Historical Society Inc.
Household, Hat Pin Holder, Early 20th century
This hat pin stand would have been a common object in a woman’s bedroom in the past, especially about the end of the 19th century and the beginning of the 20th century when women wore large hats and they needed large pins to hold them in place. This hat pin holder has no known local provenance but it is kept as a memento of the past and will be useful for display.This is a silver-coloured metal stand with a round base with impressed patterns on the top and a central raised oval section containing a circular spike. Near the top of the spike is a circular-shaped piece of metal in a fretwork pattern. This fretwork has been welded on and has space to insert several hat pins women’s accessories, history of warrnambool, hat pin stand -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: SET OF WHITE COTTON CROCHET COLLAR & ONE PAIR OF WHITE COTTON CROCHETED CUFFS, 1960's
Thick white cotton crocheted collar. Half circle scallop pattern and scallop edges. Open pattern. Two matching full circle cuffs of crocheted cotton. Hand made in 1960's by Lillian May Ellison (nee Rogers) Natimuk. Stored inside box 11400 650.Labelled ; Grandma Ellison made these.costume accessories, female, crocheted collar and cuffs. -
Clunes Museum
Domestic object - CROCKERY
White with transfer pattern, gold, mauve and black pattern with yellow roses. Gold rims at top edge and base of cup and jug .1 Cake Plate .2 Cup .3 Saucer .4 Side Plate .5 Milk Jug .6 Side Plate .7 Side PlateStandard China (England)china, teaset -
Mont De Lancey
Hand towel
2 White, rectangular, damask linen hand towel with hand embroidered cross stitch borders at both short ends; red cross stitch pattern along one end and an unfinished red cross stitch pattern on the other. Cotton fringe on both ends to complete the hand towel.towels, hand towels -
Warrnambool and District Historical Society Inc.
Crockery, Serving dish x 2, Between 1900 and 1920
These two serving dishes or tureens have been made by the English firm of Myott, Son & Co. early in the 20th century (Art Nouveau design). Ashley Myott established the business in 1898 and later his brother joined the business. In 1976 the firm merged with the Alfred Meakin Company but today it is owned by the Churchill Pottery Group. The dishes have no known local provenance. These dishes are kept because they are attractive items in good order and examples of the type of dishes bought for use in the more affluent households early in the 20th century They will be useful for display purposes These are two identical china serving dishes with lids. The bases of the dishes are circular with the bowl section having twelve-sided edges and two handles with black patterns. The tops of the bowl have two black lines around the edges with two ornamental patterns in red, grey and black on the top edges. The lids also have twelve sided edges and have the same black lines, four of the coloured designs and handles with black patterning. On the bases are a gold-coloured crown with the maker’s details. ‘Myott, Son & Co. Ltd.’ myott & co, art nouveau, warrnambool, art nouveau serving dishes -
Flagstaff Hill Maritime Museum and Village
Domestic object - Chair, Early 20th Century
The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair wooden varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned' wood. Backrest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry -
Flagstaff Hill Maritime Museum and Village
Domestic object - Chair, Early 20th Century
The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned wood. Back rest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry