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Clunes Museum
Photograph
GROUP PHOTOGRAPH OF MILL EMPLOYEES, AND 2 COPIES.local history, photography, photographs, knitting mill interknit hosiery co. -
Clunes Museum
Photograph, J.R. TANNER PHOTOGRAPHER. CLUNES
ORIGINAL PHOTOGRAPH OWNED BY MRS. ISOBEL FOX. JANE DAVIDSON - SCOOL TEACHER AT CLUNES.1 SEPIA AND 2 BLACK & WHITE COPIES OF PHOTOGRAPH OF JANE DAVIDSON NURSING A BABY SITTING BY A READING TABLE.local history, photography, photographs, costumes - female -
Wyndham Art Gallery (Wyndham City Council)
Bindi Chocka Cole, West of Eden, 2015
West Of Eden is the result of an artistic residency at the Western Treatment Plant that took place over three months in 2015. The residency set out to open the minds of the broader community and challenge some of its perceptions to the Plant. This work highlights the natural beauty of the Plant while embracing the fact that, in many ways, this land is not natural at all. Bindi Cole Chocka is a Wadawurrung woman and the Western Treatment Plant is on Wadawurrung land.western treatment plant, residency, photography, wadawurrung -
Wyndham Art Gallery (Wyndham City Council)
Artwork, other, Jody Haines, Faces Across Africa (Africa...not a Country), 2018
This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital -
Wyndham Art Gallery (Wyndham City Council)
Artwork, other, Jody Haines, DIGITAL PORTRAIT: Lightning, Ope and Aliza, 2018
This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, digital, portrait, photography -
Wyndham Art Gallery (Wyndham City Council)
Artwork, other, Jody Haines, DIGITAL PORTRAIT: Hypnotic, Nayndng, 2018
This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, digital, portrait, photography -
Wyndham Art Gallery (Wyndham City Council)
Artwork, other, DIGITAL PORTRAIT: RAIN, Ope, 2018
This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, photography, digital, portrait -
Wyndham Art Gallery (Wyndham City Council)
Artwork, other, Jody Haines, DIGITAL PORTRAIT: Strength, Tawana, 2018
This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, digital, photography -
Wyndham Art Gallery (Wyndham City Council)
Artwork, other, Jody Haines, DIGITAL PORTRAIT: Culture, Ope and Aliza, 2018
This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital -
Wyndham Art Gallery (Wyndham City Council)
Artwork, other, Jody Haines, DIGITAL PORTRAIT: Rivers, Aliza, 2018
This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital -
Wyndham Art Gallery (Wyndham City Council)
Artwork, other, Don't Touch My Friend, 2018
This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling. african diaspora, portrait, photography, digital -
Wyndham Art Gallery (Wyndham City Council)
Artwork, other, For You, 2018
This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital -
Clunes Museum
Photograph - PHOTOGRAPH AT QUEENS PARK, 1939
PHOTOGRAPH OF CLUNES EASTER CENTENARY CELEBRATIONS. 1939ORIGINAL PHOTOGRAPH OF DECORATED GATE AT QUEEN'S PARK CLUNES.local history, photography, photographs, queen's park garden -
Clunes Museum
Photograph
THE CARTER FAMILY HOME WAS ON THE CORNER OF BAILEY & UPPER FRASER STREETS, CLUNES.SEPIA PHOTOGRAPH OF CARTER FAMILY HOME IN BAILEY STREET, CLUNES.CARTER HOME CORNER OF BAILEY & SERVICE ST.local history, photography, photographs, buildings -
Clunes Museum
Photograph
COPY OF PHOTOGRAPH OF CLUNES FIRE BRIGADE BUILDING IN HILL STREET, PRIOR TO THE NEW FIRE STATION IN ALLIANCE STREET.local history, photography, photographs, fire brigade -
Clunes Museum
Photograph, ALLAN MANSEL - CHEMIST GLENFRRIE RD. GLENFERRIE, 1939
THIS PHOTOGRAPH IS OF PORT PHILLIP MINE CLUNES. VIEW OF MULLOCK HEAPS.BLACK AND WHITE PHOTOGRAPH OF MULLOCK HEAPS OF PORT PHILLIP MINE AT CLUNES.local history, photography, photographs, mining -
Clunes Museum
Photograph, ROGER PURCELL, COPY 1997
THIS COPY OF PHOTOGRAPH WAS TAKEN FROM COLLAGE OF CLUNES GUN CLUB. JANUARY 1903. REG. NO. OF COLLAGE 1001.1.2.3COPY OF PHOTOGRAPH OF MR. A.J. STEVENS. MEMBER OF CLUNES GUN CLUB COPY IS TAKEN FROM A COLLAGE OF CLUNES GUN CLUB JAN 1903local history, photography, photographs, gun club -
Clunes Museum
Photograph, ROGER PURCELL, COPY 1997
THIS COPY OF PHOTOGRAPH WAS TAKEN FROM COLLAGE OF CLUNES GUN CLUB. JANUARY 1903. REG. NO. OF COLLAGE 1001.1.2.3COPY OF PHOTOGRAPH OF MR. T. BURN. MEMBER OF CLUNES GUN CLUBlocal history, photography, photographs, gun club -
Clunes Museum
Photograph, ROGER PURCELL, 1997
COPY OF PHOTOGRAPH TAKEN FROM COLLAGE OF CLUNES GUN CLUB MEMBERS. JANUARY 1903. COLLAGE REG. NO. 1001.2.3PHOTOGRAPH / COPY OF MR. B. SAMPSONlocal history, photography, photographs, gun club -
Clunes Museum
Photograph, RICHARDS & CO. PHOTOS, C. 1863
IT IS ON PERMANENT LOAN FROM HEPBURN SHIRE COUNCIL. CR. C.T. SUTHERLAND WAS ELECTED COUNCILLOR TO CLUNES BOROUGH COUNCIL IN 1861, AND WAS MAYOR 1863 - 1867. THE PHOTOGRAPH ORIGINALLY HUNG IN THE CLUNES TOWN HALL DURING HIS TERM OF MAYOR.FRAMED PHOTOGRAPH OF CR. CHARLES TYTLER SUTHERLANDELECTED MEMBER OF CLUNES MUNICIPALITY 8.10.1861 ELECTED CHAIRMAN 25.2.1862. FIRST MAYOR OF BOROUGH OF CLUNES 1.10.1863 UNTIL 8.8.1867. RESIGNED FROM COUNCIL 14/2/1868 RICHARDS & CO PHOTOSlocal history, photography, photographs, councillors & officers -
Clunes Museum
Photograph, J.R. TANNER PHOTO CLUNES, 1888
SEPIA COPY OF PHOTOGRAPH OF JANE DAVIDSON -BORN SUNDAY FEB.7TH. 1867. LATER TEACHER AT CLUNES. ORIGINAL PHOTOGRAPH OWNED BY MRS. ISOBEL FOXSEPIA COPY OF PHOTOGRAPH OF JANE DAVIDSON.J.R. TANNER - LANDSCAPE & PORTRAIT PHOTOGRAPHER CLUNES. JANE DAVIDSON JNR.local history, photography, photographs, costumes - female -
Clunes Museum
Photograph, J.R. TANNER - PHOTOGRAPHER, CLUNES, CIRCA 1880
JANE DAVIDSON - SCHOOLTEACHER AT CLUNES. ORIGINAL PHOTOGRAPH OWNED BY MRS. ISOBEL FOXSEPIA COPY OF JANE DAVIDSON STANDING BY READING TABLE.local history, photography, photographs, costumes - female -
Clunes Museum
Photograph, 1930 - 1935
PHOTOGRAPH OF CLUNES FIRE BRIGADE COMPETITION TEAM CIRCA 1935 - 2. BERT ALLEN - 3. DAVE DOWIE - 5. NED SPARKS - 6. JACK ALLEN - 8. ARTHUR LEAN - 9. BOB WINGATE.COPY OF SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD OF CLUNES FIRE BRIGADE C 1935. TEN MEMBERS WITH HOSE AND REEL.SOME MEN NAMED BELOW PHOTOlocal history, photography, photographs, fire brigade -
Clunes Museum
Photograph, J.R. TANNER, PHOTOGRAPHER, CIRCA 1864
JANE DAVIDSON WIFE OF ALEXANDER GLADSTONE DAVIDSON MARRIED 20TH. OCTOBER 1864 BY THE REV. JAMES BALLANTYNE. MOTHER OF NINE CHILDREN. ORIGINAL PHOTOGRAPH OWNED BY MRS. ISOBEL FOXTWO PHOTOGRAPHS [COPIES] 1 SEPIA AND 1 BLACK AND WHITE OF JANE DAVIDSON, WIFE OF ALEXANDER GLADSTONE DAVIDSON, MARRIED 24TH OCTOBER 1864 BY THE REV. JAMES BALLANTYNE. MOTHER OF NINE CHILDREN.local history, photography, photographs, costumes - female -
Clunes Museum
Photograph, CIRCA 1862
ORIGINAL PHOTOGRAPH OWNED BY MRS. ISOBEL FOX. ORIGINAL ST. PAULS CHURCH OF ENGLAND CLUNES 1862 MOVED FROM FRASER STREET CLUNES TO TEMPLETON STREET , AND IS NOW THE CHURCH HALL.SEPIA COPY OF PHOTOGRAPH OF ST. PAULS CHURCH OF ENGLAND. ORIGINAL ST. PAUL'S CHURCH OF ENGLAND 1862.local history, photography, photographs, churches st.pauls anglican -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Michael Cook, Nature Morte (Aliment), 2021
A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Nature Morte (Flora), 2021
A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment -
Clunes Museum
photograph, Hornby of Clunes
OLIO - STAGE CURTAIN [PHOTOGRAPH] IN CLUNES TOWN HALL.PHOTOGRAPH OF AN OLIO - STAGE CURTAIN - OIL PAINTING LAND SCAPE PART OF STAGE SET.local history, photography, photographs, town hall -
Bendigo Historical Society Inc.
Document - BAKER & WOODS ELECTRICAL ENGINEERS AND PHOTO STOCK DEALERS, 23/07/1914
Established in 1897, Baker and Woods were initially electricians. The property in Hargreaves was taken over by a saddler and Baker and Woods moved to premises at 313 Hargreaves Street. The business expanded to include photographic equipment, phonographs and phot development. In 1903, Baker and Woods were responsible for converting the gas lighting in the Bendigo Town Hall to electricity. A fire caused by a short circuit caused extensive damage to the building in 1914.Baker & Woods Electrical Engineers and Photo Stock Dealers. Cream paper with Black print. At the top Hargreaves Street, Bendigo, Docket 221. Bought of Baker & Woods, Electrical Engineers and Photo Stock Dealers. Written in Pencil on the Docket is *Prairie. July 18 1914. Mr J. R. Stephens. Items listed:- Developing Film 1/6, Printing 24 Postcards 3/- 6/, postage -4p = 7/10. On the back written in blue biro is - 1290B. Box 625business, retail, photography, hargreaves street bendigo. baker & woods. -
Bendigo Historical Society Inc.
Document - BAKER & WOODS ELECTRICAL ENGINEERS AND PHOTO STOCK DEALERS, 18/07/1914
Established in 1897, Baker and Woods were initially electricians. The property in Hargreaves was taken over by a saddler and Baker and Woods moved to premises at 313 Hargreaves Street. The business expanded to include photographic equipment, phonographs and phot development. In 1903, Baker and Woods were responsible for converting the gas lighting in the Bendigo Town Hall to electricity. A fire caused by a short circuit caused extensive damage to the building in 1914.Baker & Woods Electrical Engineers and Photo Stock Dealers: Cream paper with black print. At the top is *Hargreaves Street, Bendigo 1914. Brought of Baker & Woods, Electrical Engineers and photo Stock Dealers. Docket no. 221. Hand written in pencil is Prairie. Mr J.R. Stephens. Items purchased were:- 1 No. 3 A film, 6 Exposure cost 1/9. Dated July 18th 1914. Box 625business, retail, photography, hargreaves street. baker & woods.