Small head and shoulder portrait of a man with a long beard. He is wearing a jacket. Photographer's name printed in gold on the front. Also a gold border. Photographer's name and address printed on the back with a Coat of Arms.Johnstone, O'Shannessy & Co., 3 Bourke St. East, Melbournephotograph, portrait, male, portrait of a man, johnstone o'shannessy & co.

Small, head and shoulder portrait of a lady. She is wearing a dark dress with a white bonnet and a large white tie at her neck which comes down nearly to her waist and across to her arms. Her hands are folded in front of her.Stanley, 31 & 32 Hertford Street Coventryphotograph, portrait, female, portrait of a lady

Small portrait of a man wearing a three piece suit which has a knee-length coat and a bow tie. He is standing beside a chair with his left hand resting on the back of the chair. There is a long curtain behind him to his right.Paterson Bro's. Photographic Artists. 8 Bourke Street, E. Melbournephotograph, portrait, male, portrait of a man

Portrait of a man standing beside a small table with a vase of flowers on it. He is wearing a long knee length coat, trousers, shirt, waistcoat and a cravat? There is a chair beside him. /Rear shows - Mr C Hood Photographer 138 Camberwell Rdphotograph, portrait, male, portrait of a man

Faded, sepia portrait of a couple. The lady is seated. She is holding a large handkerchief in her hand. She is wearing a long dress, mutton sleeves and a bonnet. The man is standing. He is wearing a three piece suit with a long coat. No information on the photo.photograph, portrait, couple, portrait of a couple

Professor David Battersby, AM, PHD (Waikato), MHED (UNSW), Vice-Chancellor of University of Ballarat, now Federation University Australia, from July 2006 to 2016. Professor Battersby is a graduate with first class honours from the University of New South Wales and recipient of a Commonwealth Fellowship. He was awarded his PHD in the field of Sociology from the University of Waikato, New Zealand. Professor Battersby has been the recipient of numerous academic awards, including Commonwealth Relations Trust, and the Australian-Japan Foundation. He has been a Visiting Professor at universities in a number of countries and undertaken consultancies for UNESCO, OECD and a number of government agencies. Professor David Battersby was the Head of the Albury Wodonga Campus from 2000 to December 2003 and was also the Deputy Vice-Chancellor of Charles Sturt University until 2006, when he took up his appointment at the University of Ballarat. Charles Sturt University has named its annual prize for leadership and good citizenship within the student body, in honour of Professor Battersby. For services to Tertiary Education as a Senior Academic and Administrator, Professor Battersby received the Order of Australia Medal in July 2015. Professor Battersby has served as a member of the Board of IDP Education Ltd, he recently stepped down as the Chair of Education Australia Limited. He is a Founding Chair of Regional Universities Network and Founding Chair of the Museum of Australian Democracy at Eureka. (Education Australia Limited, http://www.educationaustralia.com/education_australia/board_of_directors/david-battersby.aspx). This item is part of the Federation University of Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Seated portrait of male dressed in blue / gold academic gown. It is Federation University Australia Vice-Chancellor David Battersby. Framers' stamp middle bottom back Marking reads: Conserve Framing Anna East Picture Framer 6 Darlot St Horsham 3400 Phone (03) 5382 5147 ABN 33 324 854 836portrait, vice chancellor, academic, seated, academic portrait, university of ballarat, federation university australia, david battersby, academic regalia

One of 11 similarly presented b/w half portrait photographs showing various councillors within Glen Eira City Council. Copyright for this image is unknown, although likely commissioned by Council. It has been digitised and published here for educational and research purposes. If you believe that you have copyright to this image and would like it removed from the site please contact us through the 'Leave a Comment' tab below. B/w portrait photograph of Cr Max Blair wearing grey suit, white pin striped shirt and dark tie with diagonal stripes.Handwritten on verso in blue ink pen: "Cr Max Blair"

In 1870 the Earl de Grey was Grand Master of England, but his rule was short lived. After being converted to Roman Catholicism, he felt it was essential that he resign from Freemasonry as his church at the time was opposed to Freemasonry. Albert Edward Prince of Wales, later King Edward VII, readily accepted nomination as Grand Master of England and continued in office until his Accession in 1901.This portrait the Prince of Wales was painted by Thomas Flintoff. It is held within a very elaborate gilded frame which comes apart in 3 sections and is one of only two known types existing.Portrait oil painting of Prince Albert on canvas stretched over stretcher/strainer. Framed in a very elaborate qilded wood and rosen frame. Heavy ornamentation on top and bottom of the frame. Signed: 'T. Flintoff 1880', Placque: 'Grand Master U.G.L. of England 1874-1901 H.R.H. Albert Edward Prince of Wales by T. Flintoff'. portrait, painting, his royal highness albert edward prince of wales, freemasonry, freemasons, freemasons victoria

Oval sepia photograph which has slight colouring of a young woman. She has short brown hair and is wearing an off the shoulder white dress. She is also wearing a necklace. Photo is roughly cut around the edges. Head and shoulder portrait.photograph, portrait, female, photograph of lady

Small oval, head and shoulder portrait of a man with a beard. He is wearing a jacket and a white shirt. Photo mounted on dark brown card with gold printing on front and back. Card has slightly rounded corners.Bartlett Bros, View Place, Sandhurstphotograph, portrait, male, portrait of a man, bartlett bros.

Small, full length portrait of a man standing beside a chair with his right hand resting on the back of the chair. He is wearing a three piece suit with a long jacket and a watch chain. He has a beard.Batchelder & O'Neill, 41 Collins Street, East, Melbournephotograph, portrait, male, portrait of a man, batchelder & o'neill

This is a smaller version of the large framed photograph donated to the new City of Kew by Cr Wishart. The framed photograph was hung in the Walpole Street Town Hall. Presumably, each of the Councillors in the portrait was presented with a smaller version.This photograph was donated by a descendant of the Kellett family. This picture, like it framed counterpart, is historically significant as a record of a major civic event in Kew's history. It is also aesthetically significant as the last official photograph taken by the photographer Josiah Earl Barnes before his death in the same year.Kew Becomes a City, 1921. Small photograph mounted on card of the official portrait of the Mayor and Councillors of Kew in 1921. Josiah Earl Barnes, the photographer, posed the group in front of the Jubilee Rotunda in the Alexandra Gardens in Cotham Road, Kew. At the centre of the group in mayoral robes is the then mayor of Kew, Cr. F.G.A. Barnard. This was to be the last major commission by the Council for J.E. Barnes, who had been responsible for creating the series of 19th Century portraits of former mayors that was displayed in the Kew Town Hall in Walpole Street.J. E. Barnes / Photoj.e. barnes, kew (victoria), kew city council, alexandra gardens, f.g.a. barnard

Two sepia photographs of gravesite of Basil Watson (taken at Booroondara Cemetery, Kew): a. showing floral tribute from AFC (Australian Flying Corps); b. wreath on a flower-covered object (possibly a part of Watson's plane?)Portrait Studio, 131 Chapel St. Balaclavaperson, individual, basil watson

James John Thomson was the first secretary of the Snowy River Shipping Company. The Snowy River Shipping Company was formed by Mr Henry James in 1880 with Captain McNeil as master. This photograph was taken off a one inch daguerrotype which was the first publicly available photographic process, widely used during the 1840s and 1850s.James John Johnston was a prominent citizen of Orbost in the late 19th / early 20th century.A black / white photograph of a man - an octagonal shape on a white buff card.on front above portrait - "One Inch" and a hand-drawn ruler. on front below portrait - in capitals and underlined "Mr J.J. THOMPSON"johnston-j.j. snowy-river-shipping-company

James Tissot is most famous for his artwork that depicts the European bourgeois society of the late 19th century. This societal period is often referred to as La Belle Époque, where affluent bourgeoisie living created a complicated mode of manners and dress. This subject matter used in his art made Tissot popular with the bourgeois society, however it made him unpopular with critics who deemed his works as of loose morals due to his subject matter. Tissot’s art style of Realism also put him at odds with his fellow artists and friends such as Degas and Manet who were greats of the European Impressionist movement. This print was made using the printmaking technique of etching, which allowed Tissot to make multiply prints of a particular artwork to sell on mass at a more affordable price to the general population who wished to emulate the bourgeoisie lifestyle of the wealthy.RealismRural City of Wangaratta Collection, Purchased with funds from the Wangaratta Art CouncilA rectangular portrait etching of a 19th century European young lady dressed in her best attire seated in a fashionable manner, printed in black ink on white paper. Obverse: J J Tissot/ 1883 (Artist's signature and date - located in the bottom right corner of the print)james tissot, 19th century, print, etching, portrait, tissot, wangaratta art gallery

Small head and shoulder portrait of a lady. The portrait is very pale. She is wearing a dark dress with a wide lacy collar and a brooch at the neckline. She is wearing a lacy type of hat. Photo mounted on cream card with rounded corners and black printing on the front and back. The back has a Coat of Arms and printing: - By Special Appointment. Photographer to His Excellency the Lord Lieutenant of Ireland and patronized by H. R. H. The Prince of Wales and H. R. H. the Duke of Cambridge. Date printed on the back is 1887.J. T. Haden, 255 Broad Street, Birminghamphotograph, portrait, female, portrait of a lady, j t haden

Small head and shoulder portrait of a lady. She is wearing a high neck dress with a small white collar and a brooch at the neck. The dress has ruffles down each side front of the bodice. She has a dark ribbon round her neck and is wearing a locket.T. M. Cleaves, View Point, Eagle Hawkphotograph, portrait, female, portrait of a lady t m cleaves

COLLECTION OF PHOTOGRAPHS FROM MISS E.W.WELLS - PHOTO OF GREAT AUNTIE , foot of photograph - Stewart & Co Melbourne. Rear of photo Stewart & Co , 217 & 219 Bourke Street East Melbourne -Photographers miniature and Portrait Painters - enlarged copies from 20 ShillingsStewart & Co Melbournephotograph, portrait, female, stewart & co melbourne

Framed photographs 7864P and 7865P - both unknown persons. Item in Coates Family collection.Photograph - black and white mid length portrait photograph of a woman dressed in evening wear. Studio type photograph with window, plants and plant stand in background. c.WW1. Frame - timber with dark brown stain. Decorative moulding with inner edge of gold colour decorative timber. Mount - dark brown cardboard, glass front and cardboard backing.framed accessories, portrait, coates family

Small portrait of a child seated on a chair and holding a toy in its hands. The child is wearing a long jacket with a wide lacy piece down the front and breaches both with lace trim. The child has long blond hair.Albert Lomer, 775 George St., Sydneyphotograph, portrait, child, portrait of a child, albert lomer

Small portrait of a lady sitting in a chair beside a small pot plant stand? She has her left elbow resting on it and her hand up to her face. She is wearing a long dress with a jacket over it.Roberts Bros, Sturt St, Ballaratphotograph, portrait, female, portrait of a lady, roberts bros

Black & white half portrait of two young women. Both are wearing a light coloured blouse under dark jackets. One has a lacy handkerchief in her top pocket. Both have their hair swept up.photograph, portrait, female, foster & wilson collection, photograph

Black & white portrait of a girl holding a Tamborine. She is wearing a white blouse with a dark skirt, stockings, shoes, fingerless gloves and bolero. She has long curly hair. Photo is mounted on dark grey cardboard.W. Vincent Kelly, Mitchell St., Bendigophotograph, portrait, female, foster & wilson collection, photograph

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Undated portrait photograph of Alma Figuerola."KO91/7 / Alma Figuerola / coat sea green, hat *** cerise with pink feathers"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938)

Small portrait of a couple. The lady is sitting on a chair and the man is standing beside it with his right hand resting on the back. He is wearing a three piece suit with a long jacket, watch chain and bowtie. The lady is wearing a long, high neck voluminous dress with a white collar.John Burton & Sons Artist and Photographers, Leicester, Derby, Birmingham and Burton Upon Trentphotograph, portrait, couple, portrait of a couple

Rick AMOR (1948- ) Born Frankston, Victoria After completing a Certificate of Art at the Caulfield Institute of Art in 1865 Rick Amor studied at the National Gallery School, Melbourne from 1966 to 1968. Amor has held over 60 solo exhibitions, and has worked in Barcelona, New York and London. In 1999 Rick Amor became the first official Australian war artist since the Vietnam War. He was appointed by the Australian War Memorial to document the devastated land in East Timor, and the reconstruction efforts of peacekeepers. Professor David Caro OAM was Chancellor of the University of Ballarat for two terms, between 1998 and 2004. His contributions to academia and science have recognised on a national and international global scale. His appointments include Officer in the Order of the British Empire (OBE) and Officer in the Order of Australia (AO). This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. ContemporaryFramed portrait of Professor Emeritus David Caro, University of Ballarat (later Federation University Australia)art, artwork, rick amor, amor, chancellor, david caro, caro, academic portrait, portrait, oil, oil on linen, commissioned, academic regalia

Small full length portrait of a man standing beside a chair with his right hand resting on the back of the chair. He is wearing a three piece suit and a watch chain. He has a beard. Behind the chair is a garden scene.T. M. Cleaves, Eaglehawkphotograph, portrait, male, portrait of a man, t m cleaves

Small, full length portrait of a lady standing beside a table with her right hand resting on the table with a book on it. Her dress is long with the back of the skirt longer than the front. It has wide gathered sleeves with lace on the cuffs.Bent late Batchelder, Centre of Pall Mall, Sandhurstphotograph, portrait, female, portrait of a lady, bent late batchelder