A collation of reminiscences, anecdotes and recorded histories of the pioneer families and their descendants in Arthurs Creek, Victoria by Bruce Draper. From the back cover "Up the Creek is a window into the community spirit and achievements of former generations. This book is an enduring legacy to the families who were pivotal to the early settlement of Melbourne."Softcover book with a part of the painting "Arthurs Creek" by Harry Harwood (1878) wrapped around the front and back covers in green and blue tones, black lettering and 144 pages.#arthurscreek, #localhistory, #arthurscreekfamilies

A paperback book of 58 pages with text and black and white photographs stapled together with a cardboard cover and a coloured reproduction of a painting by George Rowe of an early race meeting in Sunbury. non-fictionA short local history covering 140 years of European Settlement in Sunbury from 1836 to 1972. The booklet was produced by Dr. John Patterson with help from local Sunbury people.local history, sunbury, dr. john patterson

Framed print of the Allan Waite 1993 painting 'Attack at Lone Pine - 6 August 1915' Image details an artists interpretation of trench warfare at Lone Pine in 1915. Print has 'Attack at Lone Pine - 6 August 1915', 'Allan Waite - August 1993', and 'Printed by the Royal Australian Survey Corps 1993' printed along the bottom of the print. lone pine, allan waite, ww1, gallipoli, turkey

Monoprint - Mounted and framed titled: "The Gathering" Colour painting featuring three Tasmanian tigers in the foreground, one in the background near trees painted with various decorative Aboriginal patterns.

Mixed media painting depicting a male and female nude embracing with a plate of three cherry tarts and the remains of a butterfly embedded in the paint (U.l) against a green and orange background. Signed (L.r) 'Clifton July '74'. On reverse auxiliary support 'Steps and Lovers No. 4'.clifton pugh, painting, male nude, female nude, tarts, butterfly, mixed media

Wayne C. Wemba Wemba This work was donated to the student engagement team at Mount Helen. Aboriginal dot painting featuring a turtle, fish, and crocodile. If you can assist with information on this artist or artwork please make contact using the email link below right.aboriginal, turtle, fish, crocodile

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2003. Reporting period was changed from a calendar year to a financial year in 2002.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.28 page booklet, colour cover with logo, comparative photographs of clubhouse in 1928 and 2003 and a painting of golfers in plus fours, internal text black and red. 3 copies. annual reports, financial reports

Portland Library Exhibition, 2005Abstract painting with predominantly green, pink and yellow colours. Swirls and blotches giving the impression of movement. Mounted in cream double matt, in dark wood frame with glass glazing.Bottom right: Vinall 03bruce vinall, warrnambool artist, watercolour, abstract, seascape

Represents the Victorian Navy in 1888. Reproduction of original painting by Arthur Victor Gregory.Reproduction of the original held by the Royal Historical Society of Victoria.

Jim Willoby and Reece painting the National Hotel Wakeham Street Stawell c1900stawell

and pic of coloured painting of of SS Riverina 16 April 1927 off MallacootaColour photograph showing double doors removed from the wreck of the SS Riverina in the hotel at Cann River, Victoria.shipwrecks, ships and shipping

Photo of Will Rees painting of The Reefs Hotel Pleasant Creek with Bullock team in front.stawell

Photograph of a Painting by Will Rees of the Grant and Lamont Crushing Plant. Black Range in Background.stawell mining

Waa Waa – Crow Feathers is a painting from Aunty Marlene Gilson’s 2022 exhibition ‘Bunjil Wour Kun Ya – Spirit of My Ancestors’. This work tells the story of Waa-Waa, the first Wadawurrung to see a white man, Matthew Flinders and his crew surveying the southern Australian coastline near the You Yangs on 1 May 1802. Speaking to Wyndham Art Gallery’s curatorial framework themes of Foregrounding, Habitat and Localism, the work portrays in Wadawurrung lore the first sighting of a European and acknowledges Australian First Nations peoples original and ongoing connections with land, history, politics and knowledges of place. The scene is overlooking the You Yangs which is deeply connected with the local place and habitat of the Werribee Plain. Aunty Marlene Gilson is a Wathaurung (Wadawarrung) Elder living on country in Gordon, near Ballarat. Marlene Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist’s meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. australian first nations art, cultural story, australian painting, wathaurung, female artist

A children's painting class conducted by Terese Crea held at Diamond Valley Arts Society 2 colour photographsdiamond valley arts society, terese crea, painting classes, art classes

164 pages, softcover with colour illustrations.non-fictionThe first comprehensive study of the life and work of Ray Honisett [1931-2019], one of the most significant illustrators of his generation and the doyen of Australian aviation art.ray honisett, gavin fry

Photo of 502 School Painting by John Glover. Cynthia Bodey & Helen Greenberger 1987stawell education

The painting belonged to the Wied family who were in Camp 3 Tatura. Artist unknownThree budgerigars, one blue, one yellow, one green sit on a thin branch of a tree with a Major Mitchell Cockatoo to the right of the picture. Another bird is in the air attempting to land on the branch. The sky is blue and the landscape is yellow with a tinge of green. A blue mountain range is on the horizon. Painted on board with a brown wooden frame.major mitchell cockatoo, australian birds, budgerigars, australian landscape

Undated black & white photo of a painting of the Shortland's Bluff timber 'high' lighthouse at QueenscliffeRealismBlack & white phot of HMVS Childers torpedo boat, with a moored lifeboat in the foreground and tri-masted square-rigged boat and steamship in the background .On the reverse - Childers Torpedo Boat, RAN 1911, 1st Class, Gift MAAV T. Arnottqueenscliffe, shortland's bluff, timber construction, lighthouse