Port of Portland Authority archivesFront: (no inscriptions) Back: p. 6 (circled, blue pen, upper centre) Sheep (circled, blue pen, centre) Reduce to 90%/ -2/col (circled, blue pen, centre)port of portland archives

Conservation work of sills - see notes in object file.Two windows, composed of three panels each, arranged vertically. The top and bottom panels of each window are composed of six square glass sections depicting line drawings and figurative depictions in a range of different styles. The centre panels have eight square sections, with similar styles and motifs. A double border of shades of blue in small rectangles surrounds the central sections, which are in shades of yellow, with central rectangular glass in green. Clear glass panels are set on either side of windows.

Port of Portland Authority archivesFront: (no inscriptions) Back: 'DANNY F' (blue pen, centre right) 1 DEC '81 (faded black ink stamp, top right)port of portland archives

Gannet in flight over seascape. Blue and white checks form an abstract background in a little over half the top area of image.Front: 7/25 (lower left, pencil) Lawrence Rocks and Point Danger from Crumpets (lower centre, pencil) Mayor of Portland (lower left, blue stamp) Back: Portland Proclaimed a City October 28th 1985 (lower centre, blue stamp) Minister for Local Government (lower right, blue stamp)

Scene of Portland Harbour. View includes people walking on beaches, jetties, morred boats (some with sails, some without). Upper centre of image shows a town, with a church to the right. To the left centre is a planned garden with people promenading. In foreground is empty land with a few seagulls. A train track enters the image on bottom centre. Print is predominantly in shades of blue, grey and brown. Framed, no glass.Front: A. H. Fullwood Back: (no insciptions)print, portland harbour

Port of Portland Authority archivesFront: (no inscriptions) Back: Livesheep export/ protest (blue pen, centre)port of portland archives

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting a man in raincoat and wide-brimmed rain hat at a ship's wheel. Behind him are flying birds and in front of him is the tail of a seal diving into waves on the left and the front of a seal on the right.

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting two horses pulling a plow, which a man is walking behind and guiding. Three birds are flying close to the ground in the foreground, and there is a stylized sunburst (a partial circular form with radiating lines) depicted in the background. More abbreviated bird forms are depicted against the sun and sky.sculpture, bas-relief, copper

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting of port with 14 large silos and a large domed shed in background. On horizon line is a wharf with a ship berthed. In foreground left is a pier stump with wood nailed to it, and leaning on it is a large anchor with a rope tied to it. In foreground left is a beach area, diminishing rapidly toward port in background.Front: (no inscriptions) Back: (unknown)sculpture, bas-relief, copper, port of portland, portland harbour

Four-part black and white photographic collage of a panorama of Fawthrop Lagoon, Portland.Front: (no inscriptions) Back: Fawthrop Lagoon, Portland (blue pen, centre). Grahame McDonald, August 1978 (blue pen, signature, lower right).graeme mcdonald, fawthrop lagoon, collage, photography, 1970s, 1978

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper relief work. View of a man from behind sawing a tree. He is flanked by two tree trunks, and is leaning to his right while pulling a band saw through the tree on the left. Leaning against tree on right is a large axe. Houses are rudimentarily designated by lines in the background visible between the trees.sculpture, bas-relief, copper, industry, forestry, forest

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting a man bent over to shear a sheep. His shirt sleeves are rolled up and he is bent toward the viewer.sculpture, industry, rural, copper, bas-relief, shearing, sheep, shearer

Clircular tapa cloth painted and sewn to a round wooden frame. View of a village painted on front of cloth, depicting a pole and wire fence with palnts at base, and palm trees and bushland in the background. The huts have thatched roofs.Front: Tonga Friendly Islands (lower centre, black dye)

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 3/2 Neg. No P57/ Date taken 30-11-53/ SUBJECT./ Office Extensions (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Print Council of Australia Members' Print Commission, 1973Image of a carnival enclosure - one continuous tent wall with an open back. No roof. Front entrance is indicated by a partition to one side of the tent, edged in brown, opening in an inverted 'v'. Inside the tent is a swing with a seat and chains aloft in swinging motion. A black rope lies on the ground. Five black poles hold up the tent walls, secured by green cords to black pegs in the ground/ Mounted in dark cream matt and in a wooden frame with glass glazing.Front: 30/60 (lower left) "Play in swing in carny tent" (centre) Sigi Gabrie 73 (lower right) (pencil) Back: Sigi Gabrie "Play - in wing in carny tent" (1973) Silk screen and Litho (top left) (Typed table)

Visitors group seated in site office. The redevelopment of the Greensborough Pool into the Watermarc aquatic centre is documented in this collection of photographs from the collection of Rosie Bray. These photographs taken on a ‘Community Consultative Committee’ walkthrough prior to completion of Watermarc, May 18 2012.Digital copy of colour photograph.watermarc, greensborough swimming pool, rosalie bray

Rosie Bray and Cr Steve Briffa. The redevelopment of the Greensborough Pool into the Watermarc aquatic centre is documented in this collection of photographs from the collection of Rosie Bray. These photographs taken on a ‘Community Consultative Committee’ walkthrough prior to completion of Watermarc, May 18 2012.Digital copy of colour photograph.rosalie bray, steve briffa, watermarc, greensborough swimming pool

Outside view of worksite. The redevelopment of the Greensborough Pool into the Watermarc aquatic centre is documented in this collection of photographs from the collection of Rosie Bray. These photographs taken on a ‘Community Consultative Committee’ walk through prior to completion of Watermarc, May 18 2012.Digital copy of colour photograph.watermarc, greensborough pool, swimming pools, rosalie bray

Sections of Waterslide. The redevelopment of the Greensborough Pool into the Watermarc aquatic centre is documented in this collection of photographs from the collection of Rosie Bray. These photographs taken on a ‘Community Consultative Committee’ walkthrough prior to completion of Watermarc, May 18 2012. These photographs taken on a ‘Community Consultative Committee’ walkthrough prior to completion of Watermarc, May 18 2012.Digital copy of colour photograph.watermarc, greensborough pool, rosalie bray, swimming pools