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Glenelg Shire Council Cultural Collection
Photograph, Bearded Man and Fish, n.d
Black and white photo of bearded man dressed in period costume 'wearing' a large, crafted fish, holding it in place with both hands, and a plaque reading 'THIS BIG FISH CAUGHT BY BOB BURNETT ON THE LONG PIER'. The man is standing near the door of small wooden building which is possibly an outdoor toilet.betty vivian collection, bob burnett, maritime, fishing -
Glenelg Shire Council Cultural Collection
Painting, Travis Webber, Greenmount, c. 1955
CEMA Art Collection Previously located in History HouseThe painting depicts a large stone building with two smaller buildings in the foreground. Within the foreground is a small patch of dirt and grass with a side view of a small building to the right and a front and side view of a small stone building to the left. In the background is the large building which features two chimmneys. To the left of the building is a leafless tree and pale blue sky. The work has a gold and green frame with glass.Front: "GREENMOUNT" (brown, lower left) TRAVIS WEBBER (brown, lower right) 23 (white sticker attached to glass Back: (No inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph, Man with Fish, n.d
Black and white photo of bearded man dressed in period costume 'wearing' a large, crafted fish, holding it in place with both hands, and a plaque reading 'THIS BIG FISH CAUGHT BY BOB BURNETT ON THE LONG PIER'. The man is standing near the door of small wooden building which is possibly an outdoor toilet. -
Glenelg Shire Council Cultural Collection
Photograph, Glenelg Manufacturing Co, c. 1963
SOURCED FROM CASTERTON TOWN HALL (FORMER SHIRE OF GLENELG)Black and white photograph. Glenelg Manufacturing Co. Pty. Ltd building, Casterton. This was originally Casterton Flour Mill.Back: 'Glenelg manufacturing Co. Pty Ltd (originally Casterton flour mill) handwritten in blue biro Blue biro line, arrowed both ends, drawn across photo, '3"' above lineglenelg manufacturing co, casterton flour mill -
Glenelg Shire Council Cultural Collection
Painting, Jessie Shevill, The Lonely House, 1894
CEMA Art Collection Previously located in History HouseThe painting depicts a house set amongst trees with a small body of water in front. Within the water is a small wooden boat, and to the right of the house stands a person. In the background is a green hill with with buildings set in the foothills. The hill and trees of the foreground are set against an orange sky. The work has a gilded ornate frame with no mounts and exposed canvas.Front: Jessie Shevill 1894 Plaque attached to frame: The Lonely House Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Painting, Ina Watson, Miss Beauvaise's Cottage, 1967
CEMA Art Collection Previously located in History HouseThe painting depicts a small building surrounded by trees and shrubs. The building is completed in shades of white and grey with green window frames and door, and a pink/orange roof. Behind this is a partial view of another small building depicted in shades of pink. Surrounding the buildings are shrubs and trees of various shapes and sizes. The shrubs in the foreground are completed in various shades of green, yellow and pink. The work is unframed and glued to a piece of faded blue cardboard.Front: I. Watson '67 (yellow paint, bottom right corner) Back: Green label: Artist: Ina Watson 3 Palmer Street Portland Vic 3305 Title: Miss Beauvaise's Cottage (where Darby & Joan flat's now stand) Yellow Sticker: 3021 Yellow Sticker: 8 1999 written in pencilcema -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Epacris lanuginosa (Woolly-style Heath), 1970-1990
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of a cutting and flower heads of a plant with brown stem, green long and narrow foliage and star-shaped flowers in clusters. Seven drawings, including one branch with flowers and foliage, two white and brown flower heads (side view), one star-shaped flower head (above view), one detail of flower stamen and two leaf details. The work is mounted in a double matt (pale grey on apricot) and framed under glass in a gold and grey-green frame.Front: Epacris lanuginosa Woolly-style Heath (lower left) (pencil) Back: 7 (upper left) (pen)collin woolcock, botanical, cema -
Glenelg Shire Council Cultural Collection
Painting, Ruth Denny, Old Cottages Richmond St. Portland, 1967
CEMA Art collectionThe painting depicts a street scene with three buildings and a fenced area. The centre focus of the work is two small buildings. The building on the left is yellow with red roof and green door. Standing in front of the house is a female figure with red shirt and white skirt. Tthe building to the right is pale yellow with green roof, red chimney and green door. The work has plain wooden frame with a mount and glass.Front: Old Cottages Richmond St.Portland Ruth Denny 1967(black, handwritten) Back: Sticker:DEAN'S MU 8291 FOR FRAMING 346 LT.COLLINS ST., MELB. NO. 20438 Yellow sticker: 3034 -
Greensborough Historical Society
Calendar, Banyule City Council, Banyule Community Calendar 2008: places of heritage in Banyule, 2008_
This community calendar is distributed to residents of the City of Banyule each year. Each year it focusses on an aspect of the local community. The 2008 calendar contains photographs of heritage buildings and locations in the city of Banyule. Council information is given on the back pages.The annual calendar is a record of the activities and services in the Banyule City Council area.28 pages. Colour illustrations.banyule city council, banyule community calendar -
Greensborough Historical Society
Newspaper - Newspaper Clipping, Diamond Valley Leader, Greensborough Pool re-opens 2009, 2009_03
The Greensborough outdoor pool reopened for the 2009 summer after being closed in preparation for the building of Watermarc.3 newspaper clippings, text and colour images.greensborough pool, banyule city council -
Greensborough Historical Society
Magazine, Banyule Banner September 2022, 2022_09
The Banyule Banner is published bi-monthly by Banyule City Council to advertise upcoming events in the City of Banyule and to report on past events. This edition contains reports on YouthFet22, Development and building in Banyule and an invitation to Seniors Festival high tea. The wrap around calls for community consultation on the North East Link and its impact on Watsonia.A record of events within the City of Banyule.24 pages, colour illustrations. 2 copies. This edition has wrap around sheet.banyule banner, banyule council, north east link -
Greensborough Historical Society
Magazine, Banyule Banner June 2022, 2022_06
The Banyule Banner is published bi-monthly by Banyule City Council to advertise upcoming events in the City of Banyule and to report on past events. This edition contains reports on supporting social enterprise, building a better Banyule and recycling and waste management.A record of events within the City of Banyule.28 pages, colour illustrations. banyule banner, banyule council -
Mission to Seafarers Victoria
Photograph - Digital photograph, Geraldine Brault, 25 August 2019
The foundation stone of the Victorian Seamen's Institute, which is to be erected in Beach street, Port Melbourne, was laid on Wednesday afternoon by His Excellency the Governor, in the presence of Lady Loch, the Post master-General (Mr. F. T. Derham), Sir James MacBain, Colonel Sargood, and Mr. S. Fraser, M's.L.C., the Dean of Melbourne, the members of the local council, Mr. John Blyth, and a large concourse, of spectators. Captain Pasco then presented His Excellency with a silver trowel and a silver-mounted ivory mallet, whereupon the stone was lowered into position. The stone was placed in the 1937 building then given into the care of the Port Melbourne Historical and Preservation Society during the demolition in 1995. Then it was placed in the bluestone wall in front of the building with the other building stones.The 1888 Mission was sold in the 1930s when the new building, designed by Harry Norris was open in 1937. The 1888 building is still standing but is now for commercial use (restaurant). Colour photograph depicting the foundation stone of the Port Melbourne Mission to Seamen 1888.THIS MEMORIAL STONE WAS LAID BY HIS EXCELLENCY SIR HENRY B. LOCH C.C.M.C. K.C.B. GOVERNOR OF VICTORIA ON WEDNESDAY THE 5TH DAY OF SEPTEMBER A.D. 1888.lord henry brougham loch, frederick sargood, sir james mcbain, simon fraser, john blyth, captain crawford pasco, port melbourne, beach street, nott street, frederick williams, brick, frederick thomas derham, pmhps, port melbourne historical and preservation society, port melbourne mission -
Seaworks Maritime Museum
Shipbuilders model, R W Miller
Original ship - 11,741 gross tons. 589' x 70' x 30' (179.5 x 21.34 x 9.14m). Oil tanker built by Eriksberg Motor Vessels at Gottenburg, Sweden in 1951 for Hjalmar Bjorge of Norway as the Storheim. Purchased November 1964 and renamed R W MILLER. Had a crew of 39 seamen, including the officers. 1973 sold to Independent Shipping Company Pty Ltd of Singapore. Renamed Cherry Victor. Scrapped 1979. Robert Miller traded under the name R W Miller and Company from early 1912. One of Miller's first contracts was to pick up overburden and spoil from the sinking of the Balmain Colliery shaft and dump it at sea. Miller saw the opportunity to sell this material and he ended up getting a sixpence a ton from a local council and other contractors for use as road bases and building foundations. This close association with coal led to Robert W Miller on 15th January 1913 being given the contract for coal distribution from Sydney Harbour Colliery (Balmain mine). So began a long association with coal. Miller built a fleet of lighters that were used to transport blue metal, sand and coal around Sydney Harbour. This introduction into coal transport opened a prospect for him to enter the larger coal shipping transport. During 1917 Miller purchased a vessel, the taking over 1985 by Howard Smith Industries Pty Ltd, Melbourne. Build date 1951-1979. Ship builders model of the tanker R W Miller in a glass case. The body is painted in colours of maroon, green and grey, the deck with detailed fittings and superstructure, an Australian merchant flag flying from the stern, within a mahogany framed glazed display casePlaque at foot of model: M/T R.W. MIILRT/ BUILT GOT. 1951/ OWNERS R.W. MILLER & CO. PTY. LTD/ LENGTH OVERALL 559.04"/ LENGTH BETWEEN P.P 526.06"/ EXTREME BREADTH 70.00"/ MOULDED DEPTH 39.03"/ DEADWEIGHT TONNAGE 18,500/ MACHINERY B & W TYPE A I.H.P 7, 600" on model: "R.W Miller" painted in black -
Mission to Seafarers Victoria
Flyer - The Elephant Room, 1988
Louise Hearman used the Norla Dome and painted a mural which had taken her around a year to complete. The exhibition called Elephant Room was shown from May 1988. The work was vandalised in June 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white flyer with dual lengthways ribbings on the back side, possibly indicative of an intent to fold the flyer in three.The Elephant Room You are invited into the dome at the “Mission to Seamen” building, no. 717 Flinders St (ext), painted by Louise Hearman. Opening night Thurs May 28th 6 pm - 9 pm Visiting hours 11am -6 pm Tues to Sun from May 29th to June 11th Or by appointment ph (03) 328 1400 a.h. Sponsored by: Australian Council, Crown Hire, Art Stretchers Oliver-Davey Glass and Box Archer Emery.cultural events, exhibitions, paintings, artists, norla dome, 1988, louise hearman, elephant room, flinders street, melbourne -
Mission to Seafarers Victoria
Article - Clipping, photocopy, Sarah Turner, It’s Louise’s masterpiece, come heaven, hell or high water, 1988
Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.It’s Louise’s masterpiece, come heaven, hell or high water Report: SARAH TURNER PICTURE: LEIGH HENNINGHAM When her Little Bourke St studio was pulled down to make way for a carpark, artist Louise Hearman, above, contacted The Seamen’s Mission in Flinders St to see whether she could use their cottage. They agree. But neither knew what it was going to lead to. When Hearman saw ‘the Elephant Room’ at the mission, a big domed room, she felt she “just had to do something with it”. She applied for and was granted a $3250 grant from the Australia Council, with which she was able to buy the necessary scaffold and paint, and then set about transforming the room. Now, a year later, her masterpiece is complete. Hearman emphasised the the mural doesn’t represent “heaven and hell”. Rather, she said, “people should make their own interpretations”. She said it was “not particularly heaven and hell, it’s not particularly anything”. And there is “no narrative” to the mural. It “just developed with the building”, out of whatever images and feeling Hearman had at the time. Sadly though, Hearman said the mural was likely to fall off the walls and domed ceiling unless the room was waterproofed - water damage is a serious problem at the mission. louise hearman, norla dome, exhibitions, 1988, elephant room, flinders street, melbourne, leigh henningham, cultural events -
Phillip Island and District Historical Society Inc.
Photograph, 1978/79
Shire Hall in Thompson Avenue, Cowes. Built early 1930's. Demolished 1984/1985. The Shire Hall was also used as a Picture Theatre and Ballroom catering for 200 persons. On the right hand side was the Library which later was moved downstairs. The Council Chambers were on the third floor.Shire Hall in Thompson Avenue, Cowes. Box like building with windows overlooking the street. Note entrance at the middle of the building - also the Notice Board on the right advertising the forth coming films. The building was on three levels. Note Balcony above front door in the middle of the building.local history, photographs, historic, buildings - historical, coloured photograph, john cook, phillip island, cowes shire hall -
Mission to Seafarers Victoria
Film - Documentary, Glenford Noble, Sacred Spaces, 2010
Documentary produced in 2010 part of the series Sacred Spaces and broadcasted on community channel C31, produced by Glen (Glenford) Noble.The Mission to Seafarers building is a significant heritage building in Victoria.Documentary part of the series Sacred Spaces and broadcasted on community channel C31, produced by Glen Noble.glen noble, c31, sacred spaces, andrea fleming, mission to seafarers, melbourne, 717 flinders street, heritage victoria, grocon, glendford noble, heritage council victoria -
Greensborough Historical Society
Photograph - Digital Image, Marilyn Smith, Primary Medical Centre, 9-13 Flintoff Street Greensborough, 18/06/2018
... Greensborough. This building was previously Banyule Council's...-13 Flintoff Street Greensborough. This building ...Views of Primary Medical Centre, 9-13 Flintoff Street Greensborough. This building was previously Banyule Council's Greensborough offices. Banyule Council offices are now (2018) situated on the Watermarc site.Digital colour photographsflintoff street greensborough, primary medical centre greensborough -
Greensborough Historical Society
Document, Statement of evidence: VCAT Application P2461/2003, prep. by Marco Negri, Contour Consultants Aust Pty Ltd, 2004_03
Lawyers for the City of Banyule commissioned a report on the town planning implications of a proposal to construct a multi-level building on land at the corner of Lambourn and Devonshire Roads Watsonia, relating to the Council's refusal of a permit and the subsequent hearing by VCAT22 p., black & white with col. plans.watsonia, lambourn road watsonia, devonshire road watsonia -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - view of Portland Bay, n.d
Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary celebrations in Portland.Black and white photograph showing a coastal scene with from left, foreshore with buildings, cars, people, pier and ocean.Back: "View of Portland Bay to E.W. Hall from Marg..."esther winifred hall, 1934, centenary, portland, photography -
Glenelg Shire Council Cultural Collection
Book, Ira D. Sankey, Sacred Songs and Solos and New Hymns and Solos, n.d
Maroon cloth binding over carboard covers, with title and author in gold on spine and cover, within framing design. Repairs made to spine with green thread stiching visible on both edges of spine.Front: W.S. Malseed (black ink, front page verso) (numbers in pencil on same page) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - view south of London Inn, 1853, n.d
Black and white photo of lithograph. 4 sailing ships in harbour. 5 small boats in bay. Trees on Battery Point. 3 small building under cliff. Pier.Front: Looking South from London Inn 1853. -
Glenelg Shire Council Cultural Collection
Functional object - Brick, n.d
Brickbricks, industry, trade, building -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - St Kilda Road, Melbourne, Esther Winifred Hall, 1934
Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white sepia photograph of four-storey building at street intersection. Street sign on left "St. Kilda Rd".Front: (no inscriptions) Back: Chevron corner St. Kilda and Commercial Roads Nov: 1934 V. Hursthouse (?)esther winifred hall, henty, 1934 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - View of the Cemetery at South Portland, Victoria, n.d
On display at History House.Sepia photograph of a cemetery. A tall monument is located in the centre of cemetery. To the right is a path leading towards a small building. Mounted on card within a decorative border bearing photographic company's name. Framed under glass in Tasmanian maple frame.Front: 140 (on emulsion, printed, lower left). Yeoman & CO. (printed, lower left). ROYAL ARCADE, MELBOURNE (printed lower right).portland, cemetery -
Glenelg Shire Council Cultural Collection
Functional object - Roof tiles, n.d
3 slate roofing tiles, various dimensions.roof, tiles, building, industry, trade -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Portland Harbour, 1930s
Owned by James and Ada Brimblecomber, Heywood, and then by Merle Lewis, Mt. Gambier.Black and white photographic image of a harbour with two long piers running into it and a shorter jetty with a building on it and a circular jetting protruding from it. In the foreground are trees, a dirt road with an RACV sign bridging it to the right and a railway track visible between the trees.Front: THE HARBOUR, PORTLAND (printed, lower centre) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Pioneer Dinner 1912, 1912
Black and white photograph, mounted on cardboard. Group of people with row of flags in background. Bluestone building on left, with large lamp. Brick and timber building at rear.Front: Pioner Dinner 1912 hosted by Mayor and Mayoress, Cr. & Mrs. W.J. Williamson. Bottom - Old Pioneers Dinner given by Mayor and Mayoress, Cr. & Mrs. W.J. Williamson, 1912. Back: Date 1914 approx. Back row from left: 7th Willie Tulloh, 8th Jo Porter. Gathering of Old Pioneers Dinner given by Mayor and Mayoress, Cr. & Mrs. W.J. Williamson.pioneer dinner, 1912, portland -
Glenelg Shire Council Cultural Collection
Postcard, "Burswood": The old home of the Henty's, Portland, 1930s
Owned by James and Ada Brimblecomber, Heywood. later owned by Merle Lewis, Mt. Gambier.Black and white photographic image of a large house (Burswood) with vines growing up the right side of the building, and an enclosed front verandah with white steps leading up to it on the left.Front: "Burswood": The old home of the Henty'sburswood, western district, henty, squattocracy