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Kew Historical Society Inc
Journal, Kewriosity : February 1987
Kew's Premier Youth Theatre in performance / p1. SEC act threatens [street] trees / p1. Dates for February / p2. [Community] Notices / p2&8. Commentary - a challenging year ahead / Cr Joe Ormando, Mayor of Kew p3. Good gardening / Peter Davies p2. Kew Festival - eat your way through Fun Day / p3. Profile - Cr David Timms / p4. Calling artisans and craft persons [Senior Citizens' Week] / p3. After School program for Kew Primary School / p5. A gentle reminder about Kew's By-Laws [Mini bike riding] / p5. Get your entry in! [Images of Kew competition and exhibition] / p5. Kinder for there year olds [North Kew Municipal Kindergarten, 152 Pakington Street] / p5. Kew Community House [A new year starts; Volunteer tutoring for adult literacy; 1st semester pamphlet; Now open on Wednesdays] / Rhonda McCaw p6. Gymbaroo offers early learning / p6. Hassle free apprenticeship training [Inner Eastern Group Apprenticeship Training Scheme] / p7. Children's Services update [Kew Children's Services Consultative Committee] / p7. Care-Force needs volunteers [Care-Force Family Support Services] / p7. Footy news [Kew Football Club] / p8. Keeping you informed [Citizens' Advice Bureau] / p8. Babysitting? [Babysitting clubs] / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionKew's Premier Youth Theatre in performance / p1. SEC act threatens [street] trees / p1. Dates for February / p2. [Community] Notices / p2&8. Commentary - a challenging year ahead / Cr Joe Ormando, Mayor of Kew p3. Good gardening / Peter Davies p2. Kew Festival - eat your way through Fun Day / p3. Profile - Cr David Timms / p4. Calling artisans and craft persons [Senior Citizens' Week] / p3. After School program for Kew Primary School / p5. A gentle reminder about Kew's By-Laws [Mini bike riding] / p5. Get your entry in! [Images of Kew competition and exhibition] / p5. Kinder for there year olds [North Kew Municipal Kindergarten, 152 Pakington Street] / p5. Kew Community House [A new year starts; Volunteer tutoring for adult literacy; 1st semester pamphlet; Now open on Wednesdays] / Rhonda McCaw p6. Gymbaroo offers early learning / p6. Hassle free apprenticeship training [Inner Eastern Group Apprenticeship Training Scheme] / p7. Children's Services update [Kew Children's Services Consultative Committee] / p7. Care-Force needs volunteers [Care-Force Family Support Services] / p7. Footy news [Kew Football Club] / p8. Keeping you informed [Citizens' Advice Bureau] / p8. Babysitting? [Babysitting clubs] / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Melbourne Athenaeum Archives
Theatre program, Programme of entertainment [tableaux vivant] in aid of Convalescent Fund of the Sick Children’s Hospital and the Episcopalian Church Upper Macedon, 9-10 October 1884, 1884
Silk programs, at that time, were only produced for a very prestigious night at the theatre. Historical note: The town of Gisborne was named after one of the members of the first committee of the Mechanics’ Institution (renamed in 1872 to Melbourne Athenaeum), formed in November 1839. His full name was Henry Fyshe Gisborne 1813-1841. The program, crafted of printed silk with a silk fringe all around the four edges is unique in the program collection. The program reveals an interesting fund-raising entertainment held at the Melbourne Athenaeum theatre in 1884. As the theatre was available for hire by everyone in the Melbourne community, over the course of its history it was hired by a large variety of theatrical performers, political groups, sporting and arts groups, in addition to fundraising groups, as found here. Proceeds of this concert were donated to the Melbourne-based Sick Children’s Hospital and the Upper Macedon Episcopalian Church – an unusual combination of charities. The Mount Macedon area became a popular place for holiday- makers from Melbourne in the 1870s and many professional people built holiday retreats with beautiful gardens in the area. The development of the area created a further need for places of worship. The names of the people taking part numbered over 70, several having the same family names as those listed as members of the Melbourne Athenaeum at that time but there is no proof that the people involved with the performance were subscribers to the Melbourne Athenaeum. At the time the Athenaeum hall consisted of a large flat space requiring chairs to be placed in lines, with hand-written alphabetical signs to indicate the rows and individually numbered chairs. The hall seated 900 patrons. When the hall was used for balls, banquets and exhibitions all the chairs were removed and stored under the stage and in a room at the side of the hall. The layout of the hall can be seen in this photograph from the archives, taken in the early 1900s. This fringed, silk program was produced for a concert held on 9-10 October 1884 under the patronage of the Governor Sir H Brougham Loch at the Athenaeum Hall in aid of the Convalescent Fund of the [Melbourne] Sick Children’s Hospital and the Episcopalian Church of Upper Macedon. The evening of light entertainment comprised eleven solo musical performances and thirteen tableaux, some humorous, referencing biblical and classical themes from plays, paintings and operasm enhanced with painted scenery and a multitude of costumes.melbourne athenauem hall, the sick children's hostipal, episcopalian church -
Robin Boyd Foundation
Book, Norman Wymer, English Town Crafts, 1949
Hardcover w/Dust Jacketwalsh st library -
Brimbank City Council Art Collection
Pencil Sketch, Marilyn Mendenbach (Cardinal), Daffodils, 1979
Marilyn Medenbach was a local community craft worker at Deer Park community health centreGraphite drawing of a daffodils, loose treatment, pencil -
Brimbank City Council Art Collection
Drawing - Pencil Sketch, The Transplant, 1982
UnknownMendenbach, Marilyn. The Transplant. 1982, pencil sketch, Brimbank City Council Art Collection, BrimbankMixed media, water soluble pencil and gouchemarilyn mendenbach, 1982 -
Brimbank City Council Art Collection
Pencil sketch, Marilyn Mendenbach (Cardinal), Leaf study, 1982
Marilyn Medenbach was a local community craft worker at Deer Park community health centreWater soluble pencil and gouache -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, The Age, Crafted by Nature, 2014
Describes Sandra McMahon's (Grad Dip Hort) garden which was open for the Garden Desinfest on 15-16 November, 2014.Article in the gardening section of "The Age" November 15, 2014 by Megan Backhouse.the age, megan backhouse, sandra mcmahon -
Albert Park-South Melbourne Rowing Club
APRC 1956 Olympic Banner, 1957
"The banner has been with the Club since it was created in 1957. Recent research has confirmed that it was made by Joan Eddy, the wife of club member Kevin Eddy and a professional seamstress. Grace Blake’s interview notes record her conversation with Mr Eddy on 24 October 2014: Kevin confirmed that the banner was made by his wife, Joan Eddy, in time for the opening of the new shed after the Olympics (1957). Kevin was the Social Secretary at the time, and co-opted his wife, who had worked as a machinist for Harford Clothing in Carlton before they married. Her mother had also worked there as a sewing hand (hand sewing the linings for jackets). The company was later taken over by Sires. ... It was made at home (Joan had ‘retired’ from work by then)." Excerpt from the 2014 Significance Assessment, p32.Banner Celebrating Albert Park Rowing Club Olympic Representatives, 1956 Statement of significance by Margaret Birtley, October 2014 Harry Gordon, the distinguished Australian sports historian, wrote of the 1956 Melbourne Olympic Games: "When the Olympic Games moved into Melbourne ... it was as if the city had been brushed by a certain magic. Nothing before or since ... has ever evoked such sheer emotional involvement from the whole community." Gordon refers to the large crowds that massed in Melbourne with anticipation and exhilaration on the day before the official opening, ‘with little apparent motive other than just to be there, and be happy’. The hand-crafted banner celebrating Albert Park Rowing Club’s representatives at those Olympic Games seems to exude that same sense of joy and exhilaration. Made by the wife of the club’s social secretary, it testifies to the admiration felt by individuals and organisations for the success of their own on a world stage. The banner has historic significance for its accurate documentation of the great achievement of a single rowing club in contributing six outstanding athletes to the relatively small Australian rowing team. Additional historic significance derives from the fact that this is an unofficial expression of tribute and pride. The banner’s incorporation of the Olympic rings would now be likely to require licensing by the Australian Olympic Committee, a process that can dampen social engagement. While definitely a hand-made item, there is some aesthetic significance in the design and execution of the banner. Good judgement has been demonstrated in the selection of fabrics and the choice of colours. The workmanship is quite skilful. The vertical symmetry and the horizontal balance of the design are pleasing to the eye. The use of red for the heading lines and black for the Olympians names is well-chosen and aesthetically pleasing. The collection holds black and white photographs of the same oarsmen at the Olympic regatta. This banner complements their role in the collection by providing colour and a sense of connection with an affectionate and supportive community. Its social significance transcends the local context for which it was created and used, to become part of the large body of art, craft and memorabilia that are associated with the Olympic movement worldwide. A handmade embroidered banner to commemorate the Albert Park members who were part of the 1956 Olympic Rowing team.A.P.R.C. / REPRESENTATIVES OLYMPIC GAMES MELBOURNE 1956 / R. DUNCAN / R. DICKSON / K. McMAHON / R. LIBBIS / I. ALLEN / J COCKBILL coxrowing, apsm rowing club, olympic games, albert park rowing club, albert park lake, duncan, robert, dickson, bruce, allen, ian, libbis, reg, mcmahon, kevin, cockbill, john -
Tatura Irrigation & Wartime Camps Museum
Functional object - Handkerchief, 1940's
Square white linen handkerchief with "S" inside an oval shape design, hand worked in one corner.as abovecamp 3 hand crafts, handkerchief, dr silke hesse, beinssen family -
Tatura Irrigation & Wartime Camps Museum
Calendar, 1942
Calendar made by internee at Camp 3 Tatura. January sketch is of the ship Queen Elizabeth; February - December sketches are scenes at the campHandmade notepad type calendar featuring pen and ink drawing or sketch above every date/month. Has a black cotton tie at top for handing. Hand written information on backcalendars, queen elizabeth, internee calendars, internee hand crafts, gudrun gallong -
Tatura Irrigation & Wartime Camps Museum
Chair - folding
Used by internees at Camp 3.Hand made folding wooden chair. Orange, green, blue, fawn, black and red canvas seat and back.folding chairs, internees wood craft, camp 3 wood craft -
Tatura Irrigation & Wartime Camps Museum
Buttons, Gertrud Streker, 1940's
Made by Gertrud Streker as an internee at camp 32 small leather buttons, made from old leather shoes. Each button is made of 2 circles of leather over sewn around the edges and thread in the centre where they have been sown onto a garment.gertrud streker, buttons, leather buttons, internee hand crafts -
Tatura Irrigation & Wartime Camps Museum
Scarf, 1940's
Made in camp 1 for Albrecht KazenwadelWoven woolen black and white scarf with black and white tassels on each end.albrecht kazenwadel, woolen scarf, camp 1 hand crafts -
Tatura Irrigation & Wartime Camps Museum
Suitcase, 1940's
Made by internees at camp 1 for Albrecht KazenwadelWooden suitcase covered with hessian material and printed brown. 2 black clips and a centre lock on the lid. Wooden strips around the case and leather handle. Metal around all edges and corners. Lined with paper. Stored inside this object are C7787, C7788, C7789 and C7790.albrecht kazenwadel, internees camp 1, internee hand crafts, wooden suitcase -
Tatura Irrigation & Wartime Camps Museum
Handkerchief holder, 19640's
made by Gertrud Hermann an internee in camp 3Beige linen sachet embroidered with blue flowers and border. Drawn thread work along hem. Hand sewn to form a pocket to hold handkerchiefs.gertrud hermann, camp 3 internees, camp 3 hand crafts -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Sampler, 1944
Made by Gertrud Hermann an internee in Camp 3.Open weave beige sampler showing 2 embroidered, 3 darning and 4 inserts in gold, brown and pink cotton. Threads have been drawn and cut away at the back. Blanket stitch around the hems.gertrud hermann, camp 3 internees, sampler, internment camp crafts -
Tatura Irrigation & Wartime Camps Museum
Cherub, 1943
Pair of cherubs: 1 - cherub on crescent moon cut out of 3 ply wood. Painted orange with yellow hair. Stars drawn on the moon. 2 - Cherub sitting on clouds holding a star. Cut out of 3 ply. Lightly painted. Skin colour (white).cherub, woodwork, camp 3 woodwork, camp 3 craft -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1988
Photographed at Exhibition of Camp Memorabilia displayed at Temper Home for Aged, Bayswater, Victoria, in 1981.Colour photograph. Variety of tools made from whatever material one could lay one's hands on. Negative no 20.hand crafts, pow, internment camp, hand tools -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1988 copy
Photographed at Exhibition of Camp memorabilia displayed at Temper Home for Aged, Bayswater, Victoria, in 1981.Colour photograph of items in daily use at camp. Plate, mug and cutlery. Laundry scoop, grater and iron used with hot coals. Negatives no 3. hand crafts, pow, camp internees -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1988 copy
Photographed at Exhibition of Camp memorabilia displayed at Temper Home for Aged, Bayswater, Victoria, in 1981.Colour photograph. "Tatura Silver". Made from jam tins - biscuit cutters, tea pot, funnel shaped beaters used to agitate washing in the coppers. Embroidered table cloth (material supplied by Red Cross). Negative no 17.tin craft, hand craft, embroidery, red cross, pow, camp internees -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1988 copy
Photographed at Exhibition of POW memorabilia displayed at Templer Home for Aged, Bayswater, Victoria in 1981. Colour photograph. Toys made by prisoners. Oven (door opens), saucepans (possibly made from jam tins), wardrobe, bath, bed and small cupboards. Negative no 5.furniture - toy, woodwork, craftwork, tin craft, pow, internment camps -
Tatura Irrigation & Wartime Camps Museum
Suitcase, 1940
Made by POW's in Camp 13, at Murchison, VictoriaGreen painted hessian covered handmade wooden suitcase with metal handle, clips, lock and corners.suitcase, handmade suitcase, wooden suitcase, pow crafts -
Tatura Irrigation & Wartime Camps Museum
Template - bag making, 1940
made by internee in Camp 3.Cardboard template for bag makingG. Wiedbag making, g. wied, internee crafts, camp 3 -
Tatura Irrigation & Wartime Camps Museum
Tool - AWL, 1940
Used by internees at Camp 3 Tatura . Part of shoe making kitHand tool for shoe making. Has turned and polished wooden handle, metal shaft and bladeshoe making, camp 3, internee crafts, gisela wied -
Tatura Irrigation & Wartime Camps Museum
Template - bag making, 1940
Used by internees at Camp 3 Tatura . Part of bag making kitCardboard template for bag makingG.W.camp 3, internee crafts, gisela wied, bag making -
Tatura Irrigation & Wartime Camps Museum
Template - bag making, 1940
Used by internees at Camp 3 Tatura . Part of bag making kitCardboard template for bag makingK. Wiedcamp 3, internee crafts, gisela wied, bag making -
Tatura Irrigation & Wartime Camps Museum
Template - bag making, 1940
Used by internees at Camp 3 Tatura . Part of bag and shoe making kitCardboard template for bag and shoe makingN. Wiedcamp 3, internee crafts, gisela wied, bag making -
Tatura Irrigation & Wartime Camps Museum
Handle - bag, 1940
Used by internees at Camp 3 Tatura . Semi circle shaped leather bag handle machine stitched around outer and inner edgescamp 3, internee crafts, gisela wied, bag making -
Tatura Irrigation & Wartime Camps Museum
Template - shoe/bag making, 1940
Used by internees at Camp 3 Tatura . Buff coloured piece of card forming pattern for bag or shoe makingNelly Wiedcamp 3, internee crafts, gisela wied, bag making -
Tatura Irrigation & Wartime Camps Museum
Templae - bag handle, 1940
Used by internees at Camp 3 Tatura . cardboard cut out pattern for bag handlecamp 3, internee crafts, gisela wied, bag making