Showing 5489 items
matching iron
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Glenelg Shire Council Cultural Collection
Weapon - Harpoon, n.d
City of Portland Collection|Kurtze Museum|19/4/2000Iron utensil featuring shaft with V shaped section on one end and solid cone shaped section on the other end. Painted with glossy black paint. -
Glenelg Shire Council Cultural Collection
Tool - Harpoon, n.d
City of Portland Collection|Kurtze Museum|19/4/2000Iron utensil featuring shaft with V shaped section on one end and soldi cone shaped section on the other end. Painted with glossy black paint. -
Glenelg Shire Council Cultural Collection
Tool - Harpoon, 1850-1859
City of Portland Collection|Kurtze MuseumIron utensil featuring shaft with V shaped section on one end and soldi cone shaped section on the other end. Painted with glossy black paint. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Group of Town Criers, n.d
black and white photo. Group of Town Criers in regalia, standing on a verandah in front of historic building iron lacework on verandah. Syd Cuffe part of groupBack: White sticker ' Copyright Portland Observer' '2239/3' - hand written blue biro -
Dookie Historical Society
Flat Iron, T. & C. CLARK & CO
Of caste iron construction with a wooden handle; a shutter covered opening for hot coals; a wooden knobbed steel lever for lifting the lid. The lid features a funnel Printed on the shutter cover are the words - T. & C. CLARK & CO. WOLVERHAMPTON On the top of the funnel is a moulded lined pattern. -
Glenelg Shire Council Cultural Collection
Equipment - Shot Flask, n.d
Leather lead shot flask. Brass dispensing fitting, iron ring on bottom. Flask contains lead shot. String wound around neck of flaskFront: Stamped circle in leather 'WARRANATH SOLID' around border, indecipherable writing in centre of circle. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - South Portland Cemetery, n.d
Alexander Davidson arrived in Australia in 1838 as a poor Scotsman, a mason by trade. Alexander was to work hard and amass enough savings to allow him to invest in an established Squatting Run in 1848. As stated in his obituary "by patient industry and perseverance acquired considerable wealth as a squatter on the Satima station, near Casterton" on the Wando River in Victoria. He was at first a part-owner of the Satimer Run with his brother-in-law Duncan Robertson, but was able to buy out his brother-in-law's share in 1860. In 1864, with proceeds of his squatting income, he built a two storey stucco rendered bluestone house in Portland which he called "Wando Villa", which is today a Heritage Listed Building.Black and white photo. Alexander Davidson's grave, South Portland Cemetery. Granite monument with urn on top, surrounded by wrought iron fence. Inscription unreadableBack: 'ALEXANDER DAVIDSON'S GRAVE SOUTH PORTLAND CEMETERY, PORTLAND VICTORIA 1971' - hand printed, black biro Purple stamp 'ALEX PRIESTLEY BOX 155 PHONE 309 HEYWOOD VIC 3304squatter, squattocracy -
Emerald Museum & Nobelius Heritage Park
Cow Bell
Iron bell and clapper. The bell is a trapezoid shape of thin, flattened sheet metal with an attached thin metal handle. The clapper is like a thin match stick. -
Orbost & District Historical Society
peephole
This is a peephole from a solitary confinement cell cell at Port Arthur. There were 12 cells, measuring 3m x 1.5m, used for solitary confinement. Convicts there would sleep on a narrow wooden shelf, the only furnishing in the cell, and were watched through a peephole in the cell door.A rectangular iron peephole from a prison door. it has a bolted metal flap that can be pushed aside to allow an outside person a view of the inside of the cell.peephole port- arthur convict -
Cheese World Museum
Churn, butter
Butter churn with silver galvanised tin bowl and agitator on a green cast iron support. The handle with wooden hand-hold is operated by 2 toothed cogs.butter churns, butter factories -
Glen Eira Historical Society
Photograph, Beauville Avenue, 17, Murrumbeena, 2001
Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of the porch of an unpainted variegated brown brick house. The porch features decorative brickwork with arched entrances, lantern light and cast iron gates. murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, cast iron gates, cast iron lights -
Flagstaff Hill Maritime Museum and Village
Kettle, Clark and Co
Kettle and lid, iron. Large kettle with hook attached to swivel handle and a brass tap attached to side of kettle. Manufactured by Clark and Co., made in England.Pressed into base "ENGLAND - - - -" (unable to read)flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, kettle, clark and co england, cast iron kettle -
Flagstaff Hill Maritime Museum and Village
Tongs
Marcell Tongs for curling hair, metal iron rod with covering metal piece for holding hair around rod. Two green wooden handles and spring.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Milliners block
Milliners block of wood-shape comprising of base and four removable blocks set on vertical protruding iron rods, two of the side blocks have lobes.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Bendigo Historical Society Inc.
Photograph - ROSALIND PARK FOUNTAIN
Sepia image mounted on board : three tiered fountain surrounded by iron fence, ferns in background. Picket fence on slight rise behind the fountain and ferns.bendigo, parks and gardens, rosalind park fountain, bendigo, sandhurst, rosalind park, fountain, picket fence -
Bendigo Historical Society Inc.
Domestic Object - CHEESE PRESS
Cheese Press (previously #41 from Mechanics Institute Eaglehawk) Two piece cast iron with screw down mechanism. 15cm diameter 18cm highdomestic equipment -
Bendigo Historical Society Inc.
Photograph - CENTRAL DEBORAH MINE, BENDIGO
Photo, black and white. Image shows Poppet head, galvanised iron buildings surrounding poppet head. On bottom ; Central Deborah Mine, Bendigo, No. 19'bendigo, mining, central deborah mine, bendigo, central deborah mine -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: MEDICAL CERTIFICATE
May 18th 1868. I hereby certify that ? Luffsman of Iron Bark is unable to follow his usual employment. Signed H. L. Atkinson. M.D.societies, aof, correspondence, ancient order of foresters no. 3770 collection - medical certificate, court king of the forest, ? luffsman, h l atkinson -
Coal Creek Community Park & Museum
Mudstone with fossils and secondary minsral
8343.1 - Irregularly shaped grey mudstone containing some carbonised plant fragments, but most prominently (most likely) secondary iron mineralisation pseudo fossils -
Bendigo Historical Society Inc.
Photograph - MINE SHED WITH TRESTLEWAY IN BACKGROUND
Corrugated iron shed, large rectangular opening in front, shed attached on side. Possibly South New Moon Mine site, Eaglehawk, 1940's.gold mines, mining equipment, south new moon mine site -
Puffing Billy Railway
NKs 5 - Victorian Railways 2'6" gauge trolly
NKS 5 - NKS Type Gangers Trolly - Victorian Railways 2'6" gauge trolly - a KS series Section Car often called the Kasey Jones The narrow gauge version of the broad gauge KS series cars. They were classed NKS with two stroke motors. These cars were built by the Spotswood Workshops, with castings coming from the Newport Workshops. KS is lighter car capable of carrying 4 men or sevenhundredweight Historic - Victorian Railways Narrow Gauge - Track Patrol Vehicle used by Puffing Billy Preservation SocietyMotorised small rectangular trolly made of wood and wrought iron Engine Type: 1 Cyl. reversible Fuel: 2 stroke Transmission: Belt driveNKS 5trolley, nks5, puffing billy, victorian railways, narrow gauge, 2'6" gauge, trolly -
Puffing Billy Railway
NKS Type Trolly - Victorian Railways 2'6" gauge trolly, NKS 8
NKS Type Gangers Trolly - Victorian Railways 2'6" gauge trolly - a KS series Section Car oftern called the Kasey Jones The narrow gauge version of the broad gauge KS series cars. They were classed NKS with two stroke motors. These cars were built by the Spotswood Workshops, with castings coming from the Newport Workshops. KS is lighter car capable of carrying 4 men or sevenhundredweight Historic - Victorian Railways Narrow Gauge - Track Patrol Vehicle used by Puffing Billy Preservation SocietyMotorised small rectangular trolly made of wood and wrought iron Engine Type: 1 Cyl. reversible Fuel: 2 stroke Transmission: Belt driveNKS 8puffing billy, victorian railways, trolley, narrow gauge, 2'6" gauge, kasey, trolly -
Puffing Billy Railway
14NB - Compartment Passenger Carriage, 16/12/1912
14NB - Carriage (NB 2nd series) 6 compartments (40) Awaiting restoration NB There were three types: -Nos. 1-6 were Saloon cars having end platforms and a ladies toilet, and were built from 1899-1904. Nos. 7-23 were 5-compartment side loading cars, built from 1906-1915. Nos. 24-27 were the former NAB class cars mentioned previously and were also side loading, having 6 compartments and two ladies toilets. VR Service History *NB 14.VA - 16/12/1912 NWS Built new - / 5/1926 - Modified AC Malco 15/ 7/1931 NWS Into Workshops - 20/10/1931 NWS Out of Workshops (98 days) 5/ 8/1936 NWS Into Workshops - 6/11/1936 NWS Out of Workshops (94 days) 26/ 2/1951 - Scrapped - Body and underframe purchased by the Puffing Billy Preservation Society from Pakenham.Historic - Victorian Railways Narrow Gauge - Passenger Rolling Stock: NB Passenger carriage Victorian Heritage Register (VHR) Number H2187 The Puffing Billy Rolling Stock Collection Passenger Rolling Stock: Passenger carriage 14NB - Carriage (NB 2nd series) 5 compartments - Made of Timber on a Wrought iron frame Awaiting restoration14NBpuffing billy, 14nb, nb passenger carriage, 2'6" guage, victorian railways, narrow gauge passenger rolling stock -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, German Eagle on stone, 1989 copy
Copy of original black and white photograph of memorial to German POW's erected in grounds of Camp 13.Copy of black and white photograph. German eagle surmounting iron cross set in stone work. Garden beds on both sides. Tree and hut in background.camp 13, murchison victoria, internment camps, german pow's, interment camp memorials -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1989 copy
Christmas in an internment camp (Camp 3 Rushworth).Black and white photograph. Taken inside a corrugated iron hut. There is a pine tree in the foreground, decorated with Christmas decorations. At the base of the tree is a small replica of a house.camp 3 rushworth, christmas celebrations -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin. Pugh's Gate, before the Fire, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Sunlight, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph -
Nillumbik Shire Council
Sculpture (finial): Malcolm Laurence (b.1974 Melb), Malcolm Laurence, Chocolate Lilies: The Spirit of Nillumbik Location: Eltham Town Square - Main St, Eltham, 2001
In October 2000, Council invited three artists from the region (Deborah Halpern, Matcham Skipper, Tony Trembath) to submit designs for a sculpture / public art work for the Eltham Town Square. The commission was paid for by supermarket giant Safeway (Woolies) as part of its supermarket permit, which required them to contribute to beautification work in the Town Square.This is the third of three parts. The 'Spirit of Nillumbik' is a celebration of the artistic spirit of Eltham and surrounding communities. Each area is identified through the flora and fauna represented in the panels. The work honours the many creative artists and architects, past and present, who have built homes and shaped lives and livelihoods with their unique creative spirit. Halpern describes her work as a public expression of their individual and collective visions. Halpern acknowledges these contributions to our hand-made history and the influence they have on the character and identity of Eltham and Nillumbik.Realistic depiction of 'chocolate lilies' in wrought iron (three flowers in bloom, four large buds and six small buds). Chocolate lilies are indigenous to Nillumbik.N/A -
Stawell Historical Society Inc
Photograph, New Court House in Patrick Street
Court House Patrick Street with photo taken directly in front.B/W Photograph of Stawell Court House, taken from in front of the Court house Showing the building and iron fence, not including gate to the right of the photograph.stawell building, court houes -
Stawell Historical Society Inc
Photograph, 13 Campbell Street
Colour Photpgraph: White House with Brown Iron Roof, with hald length Veandah with brick wall. Wood & Wire fence in foreground, a For sile sign on fenceSign reads: For Sale Inspection ??? R P Monaghan Ltd ( 2 Phone Numbers) On Reverse: 1985/86 13 Campbell Streetcampbell street