Slates were used in the junior grades at primary school probably from the 1900's to the early 1940's. The children wrote on the slate with a special slate pencil. A small slate framed with wood and a piece of string through a hole at the top and knotted.school, education, teaching, writing, george evans collection

Colour Photograph: Brick Home with Tile roof, Wood and wire Fence in front.On Reverse: 25 Seaby Streetseaby street, john m bennett

Used as a wrapping paper dispenser in the Houghton Department and Haberdashery Store Yarrawonga perhaps about the 60'sOld shop fittingMetal and wood structure. Metal uprights with a wooden top and base and metal blade Canberra 24 emblazoned into metal

See Ref. No. 4362Wood Wedge - gold coloured disc in centre. Brass label stating the award.V.S.M.A. Recorder Ensembletrophies & awards, education

Belonged to Margaret Scarletts mother Mrs Ord,mother of flower farm Ely Road South Box Hill.Grey slate bound by shaped wood. Hole in top . Slotted corners (brown)nilschool, equipment

Coloured photo of Wood Turners' Display on Heritage Week Open Day 1997.nunawading and district historical society, heritage week 1997, gardiner, bob, wood turning

Coloured photo of Wood Turners' Display at Heritage Week Open Day 1998.nunawading and district historical society, heritage week 1998

Exported to Australia. Fit male shoe size 8 approximately.Wood shoe shaped but with copper spring to collapse the heel to reduce storage space.Spring has copper handle with 'Cyclops Patent'. On toe area an oval gold and black stamp with manufacturing name and location. Centre picture St. George and Dragon?costume accessories, footwear accessories

Metal Plaque mounted on wood for hanging. Plaque commemorates Korean Veterans Association. Presentation mount has engraved plates stating 'Navy' 'Army' 'Airforce' 'Presented to the Tramways East Melbourne Sub Branch RSL By F Wyatt, EX 1BTN 1952 - 53' 1 btn, korea, plaque, 1952, 1953, korean veterans association

Edwin Wood Peacock S/No. #11103 - Photos, service details and other papers.documents, ww1, ran

Brace for holding drill bits for drilling holes in wood or steel, with wooden handles.tools, multipurpose, drill

A Wilson 'Legacy' racquet. Materials: Wood, Boron, Fibreglass, Leather, Plastic, Nylontennis

A pair of spiked wooden tennis net posts. Materials: Wood, Lacquer, Metaltennis

A Feltham flat top tennis racquet. Materials: Wood, Metal, Gut, Leathertennis

A Feltham flat top tennis racquet. Materials: Wood, Metal, Gut, Leathertennis

A Williams & Co. Volla tennis racquet with no net. Materials: Wood, Metal, Leathertennis

Wooden brush with carved panel depicting a tennis match Materials: Wood, Fibretennis

Miniature wood cricket bat and stumps, carved from an original cricket stumpJ.F. Scott Trophy for Inter-house Cricket

A Legacy torch emblem painted on a wooden panel mounted on a stick for carrying in demonstrations or parades. It is seen in some photos of annual demonstrations with the children marching behind it. In particular one at the Glasshouse in 1961. It is painted in black and gold paint.A prop that was used for many years in the Annual Demonstrations.Gold painted Legacy Torch emblem painted on wood mounted on a wooden pole.torch, prop

the symbol contains a crocodile is in the centre of the plaque, its fixed onto a wood plaque

Wood and metal plaque. Army apprentices possibly from Balcombe Army Camp

Professor Alan Merry commissioned the work from New Zealand artist Heke Collier as a gift to the College at his retirement from Council. This artwork was carved by Heke Collier in May-July 2016. It is made from native New Zealand Rimu timber. Heke named this carving Mauri Ora which translates to vitality, well-being or the healing life-force. Tihei Mauri Ora (breath of life) is a well-known Māori saying that was uttered by the first human being. Māori believe that all people and all things have mauri. This carving symbolises the many shapes and forms of mauri with reference to the Māori creation story, and the spiritual and natural worlds. Māori refer to the heavens as Ranginui the sky-father and according to the Māori creation story, Ranginui was pressed against Papatūānuku the earth mother. Their children did not like living in the cramped, dark space between them. One of their sons Tāne separated Ranginui and Papatūānuku to allow light and life into the world. The central male figure carved into Mauri Ora (above) is Tāne. To his right (far right) is his mother Papatūānuku and to his left (far left) is his father Ranginui. Papatūānuku gives birth to all things including human kind and provides the physical and spiritual basis for life. The takarangi (spiral) design in the carving (to the left of Tāne) symbolises the life cycle. Whenua, the word for land also means placenta - organ that nourishes the baby in the womb. Women are associated with the land (whenua) because the land gives birth to people and so do women. In tribal history women have had influence over land and men. Papatūānuku is depicted in the carving to the right of Tāne. Ranginui played a pivotal role in the birth of the sun, moon, planets, stars and constellations – collectively called Te Whānau Mārama (the family of light). Human life and knowledge were said to originate in the realm of Ranginui. Tāne ascended the heavens to retrieve three baskets of knowledge: te kete-tuatea (basket of light), te kete-tuauri (basket of darkness) and te kete-aronui (basket of pursuit). Ranginui is depicted in the carving to the left of Tāne. Tāne had many different roles, and he was given different names to reflect these roles. He is called Tāne-mahuta as god of the forest, Tāne-te-wānanga as the bringer of knowledge, and Tāne-te-waiora as the bringer of life, prosperity, and welfare. His teachings and knowledge are relevant in contemporary times, and the cell-phone carved into his left hand represents this. Tuatara feature in the Māori creation story and some tribes view Tuatara as kaitiaki (guardians) of knowledge. Given that they have lived for more than 220million years. There are birds or manu surrounding Tāne in the carving, who represent Tane’s voice or the voice of the forest. The flax or harakeke depicted in the carving represent the family unit and reinforce the importance of kinship ties. There are plants, ferns, and birds carved into Mauri Ora play an integral role in the life-cycle which represent rongoa Māori or Māori medicine. Traditional Māori carving in Rimu, a native New Zealand wood, with paua insets.merry, alan, anzca council, collier, heke, kaiwhakairo, master carver, rimu

W E Coward builder came to Stawell around 1919 and had a workshop in Campbell Street Stawell. Tools kept by his son Frank Coward. Donated by grandsons Ron and Jeff Coward of Stawell. Ten Moulding Planes, Wooden Mallet, Woodworking Drills, Three rounded Chisels, Counter sink Auger, Scouring Tool, Spoke Shave, Sawblade Tooth setting tool, simple Caliper, Wooden Plane, Hand Drill, Moulding Plane with Offsets, Two Handled routing tool, Two flat Blade Screwdrivers Wood working tools including set of Moulding Planes, mullet drills etcSome tools have makers stamps on them