A super comet known as the 'Great September Comet' and renowned by some to be the brightest comet ever seen. Visible by the naked eye in the Southern skies in 1882. Depicts visual record of a local sighting by early settlers of a special astronomical event in the Daylesford area in the 1880's.A print of art work depicting a man and woman near their hut in forest clearing, looking up to comet in sky. Rectangular shape, sepia colour and adhered on card. On front bottom; THE COMET of 1882 as seen from Sailors Creek near Daylesford Sept 6 at 4.30am. On back; Donated by O.Bell Musk Vale written in ink. Olive Bell of Bells Reef Road family hist Mathew Bell written in pencil. At bottom written in ink; Seen at 4.30a.m Sept 6 1882astronomy, comets, daylesford, sailors creek, bell, bell family

Pink tin container with ink pad. Blue material pad with tin base. Hinged top with some ornate design work. Square edging around edge.No. 1 Dalma Self inking stamp pad. Made in Australia.

The aim of this work is to provide a guide to those reference works, bibliographies, encyclopedias, dictionaries and similar works which are likely to be useful to research workers in the field of Victorian historyvictorian history, local history, bibliographies

The aim of this work is to provide a full bibliographical listing of all published materials and theses on Aboriginal and Torres Strait Islander languages and linguistics, plus relevant theses and dissertations.linguistics, bibliographies

Pugh was one of many artists who brought an Australian experience to attention. His landscapes reveal the colour and textures of the natural bush, often with a dramatic emphasis. His reference to the harshness of the bush consistently arises, with angular forms dominating the composition. White Choughs in the Landscape is typical of his representations of the bush as a dynamic environment. White Choughs in the Landscape, 1958, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come White Choughs in the Landscape is typical of Pughs' representations of the bush as a dynamic environment. The brittleness and fragility of the landscape is recorded in the surface of the work, where paint is applied in thin layers.Signed 'Clifton Sept. 1958'clifton pugh, dunmoochin, white choughs

Colour Photograph: Art work on exterior of building featuring a prisoner in white with balck arrows on his top, right arm missing, arm raised with clenched fist

Donated by Heather McNamara on behalf of her mother-in-law Isobel McNamara.Oval doiley with crochet edge and needle worked Australia wild flowers, scalloped edge, beige coloured green leaves, red, pink, gold embroidered flowersneedle work, heather mcnamara

Photocopies of Hume Weir photographs 1928-29One of three black and white photographs, photocopied onto a single sheet of A4 paper. This one is of construction work on a cliff face, with train lines, tunnel and cable.Written on paper next to photo: "Detail of open cut for [illeg.]. Train lines for taking rock to crusher tunnel & stay ropes of suspension bridge showing"hume weir, suspension bridge, bridges, tunnels, construction

Coloured Photograph of Colin McKirdy OAM, a resident of Blackburn. Involved with the Blackburn Deaf & Dumb Home. Was awarded the OAM for his work over many years with the community.mckirdy lindsay, blackburn deaf & dumb home, blackburn

Two women, Dorothy Wickham and Sue Snell, pose for a photograph at the Freemason's Library, London. Dorothy Wickham was on a research trip for her work on the history of the Freemasons in Victoria. freemasons, fremasons library, dorothy wickham, sue snell

White folder with black border and text containing a transcript of 1999 student interviews of past Student teachers who studies/worked at the school during 1909-1920

White folder with black border and text containing a transcript of 1999 student interviews of past Student teachers who studies/worked at the school during 1920-1930

White folder with black border and text containing a transcript of 1999 student interviews of past Student teachers who studies/worked at the school during 1930-1940

White folder with black border and text containing a transcript of 1999 student interviews of past Student teachers who studies/worked at the school during 1940-1950

White folder with black border and text containing a transcript of 1999 student interviews of past Student teachers who studies/worked at the school during 1950-1960

White folder with black border and text containing a transcript of 1999 student interviews of past Student teachers who studies/worked at the school during 1970-1980

White folder with black border and text containing a transcript of 1999 student interviews of past Student teachers who studies/worked at the school during 1960-1970

Honour the Work, Bendigo School of Domestic Arts to Bendigo South East College 1916-2016, 108 pages in soft cover with colour and black & white photographs.Michele Matthewsbooks, school, bendigo south east

The Bendigo Ordnance Factory began operating in 1942, producing heavy artillery and naval guns. In the late 1990s the then Federal Government-owned facility was sold to the multinational Thales, which continues to operate the factory today. The Ted Hocking collection of photos were digitized onto two CDs in 2014. As well the Bendigo Historical Society has a collection of glass negatives includes some slides of women working in the munitions factory. Seven slides were included in an album that was prepared for Dr Edith Summerskill who visited Australia in 1944 as part of an Empire Parliamentary Delegation. The album included photographs of Australian women working at the factory during WW2. A copy of the album is in the Collection of the Australian War Memorial.Nineteen photos produced by the Bendigo Munitions Factory, later known as the Ordnance Factory and then the Australian Defense Industries. The photos are mainly of staff carrying out construction work.history, bendigo, bendigo munitions factory, bendigo ordnance, bendigo adi, doctor edith summerskill, ww2, slide box 1 10165, slide box 2 10166, slide box 3 10167, ted hocking collection

Original and framed etching of Princess Bridge Melbourne, created by John Shirlow in 1931.Framed black and white etching by John Shirlow of the view across Princes Bridge [Melbourne] looking north. The work is signed in pencil below the signed and dated etching.Artist's signature lower rightaustralian art, etchings, john shirlow, princes bridge - melbourne (vic)

37 slides used for teaching Arboriculture. Jun 86. Some of work on Agathis robusta near Bull Paddock. 2 Apr 86. 10 Nov 86. 21 labelled "5/86"; "Sue & Phyl 1986 BHC", "Marcus BHC 1986", "Nichol & Phyl 1986" arboriculture, agathis robusta, bull paddock

Gift to Mont De Lancey from Miss Eva Sebiresilver open work cruet set - ornate stand with handle with five compartments for five bottles, three with glass stoppers and two with silver lids. Some etching on it.condiment sets, cruet sets

Trousseau of Mrs. A. Mitchell (1877)White cotton drawers with embroidery and Richelieu work. Darted waist onto waistband, side placquet openings with tie and buttons. Blue ribbon threaded though inserts.drawers (underpants), underwear