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Uniting Church Archives - Synod of Victoria
Photograph, 1985
Caroline Kitto at the Tasmanian Synod 1985.B&W photo of Caroline Kitto sitting at a typewriter."Caroline Kitto C&N 30/10/85 p 18"kitto, caroline, uniting church, tasmanian synod -
Uniting Church Archives - Synod of Victoria
Photograph, Margaret Banham, 1986
Margaret Banham of Maribyrnong Presbytery puts a question to Synod.B&W photograph of Margaret Banham standing at a microphone, addressing a Synod meeting in 1986."Margaret Banham C&N 15/10/1986 page 21"banham, margaret, synod, maribyrnong presbytery -
Nillumbik Shire Council
Sculpture: Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, Man in Shock (from the 'Black Saturday' series), 2010
The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wearing a long hooded coat clutching his hands underneath his chin in shock. Surface treatment is textured. Dark metallic brown colour. Hand carved on base, back of figure '2/6 WEGNER 10'wegner, bronze, figurine, black saturday, sculpture -
National Wool Museum
Sample, Textile, "Alexana"
"Alexana"/ 90%wool 10% mohair/ exclusive fabric/ by ALEXANDER LAUtextile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Photograph
Acquired when "Classweave Industries" closed down.87 10 8 H L S POTTER/ PHOTO STORES/...textile mills woollen mills textile machinery, classweave industries pty ltd federal woollen mills ltd, textile mills, woollen mills, textile machinery -
National Wool Museum
Photograph, [Worsted room, Noble combing]
Acquired when "Classweave Industries" closed downWorsted room, Noble combing 10 P. HENDER O [...] Rtextile mills woollen mills, classweave industries pty ltd federal woollen mills ltd, combing, textile mills, woollen mills -
Stawell Historical Society Inc
Book - Laboratory Reference Book, Modern Yarn Production, A Symposium, G.R.Wray
Textbook. Lab Reference - Norwellan & AUNDE North Western Woolen Mills became Norwellan Textiles then AUNDEDark Blue Cover with Beige Dust CoverJohn T Bennett, Lyddon Hall Leeds, 8/10/1969manufacturing -
Stawell Historical Society Inc
Book - Laboratory Reference Book, Handbook of Textile Febres, J. Gordon Cook
Textbook. Lab Reference - Norwellan & AUNDE North Western Woolen Mills became Norwellan Textiles then AUNDEDark Blue hardcover with light purple Dust CoverJohn T Bennett Lyddon Hall Leeds 8/10/1969manufacturing -
Stawell Historical Society Inc
Book - Laboratory Reference Book, Handbook of Polyolefin Fibres, J. Gordon Cook
Textbook. Lab Reference - Norwellan & AUNDE North Western Woolen Mills became Norwellan Textiles then AUNDEDark Blue hardcover with light blue Dust CoverJohn T Bennett Lyddon Hall Leeds 8/10/1969manufacturing -
Stawell Historical Society Inc
Book - Laboratory Reference Book, Fibre Structure, J.W.S. Hearle and R.H. Peters
Textbook. Lab Reference - Norwellan & AUNDE North Western Woolen Mills became Norwellan Textiles then AUNDEDark Blue hardcover with light blue Dust CoverJohn T Bennett Lyddon Hall Leeds 8/10/1969manufacturing -
Stawell Historical Society Inc
Book - Laboratory Reference Book, Manual of Cotton Spinning Raw Cotton Production and Marketing, The Textile Institute & Butterworths
Textbook. Lab Reference - Norwellan & AUNDE North Western Woolen Mills became Norwellan Textiles then AUNDERed hardcover with Gold writing and Brown DustcoverJohn T Bennett, Lyddon Hall Leeds 17/10/1968manufacturing -
Stawell Historical Society Inc
Book - Laboratory Reference Book, Knitting, Pitman's Common Commodities and Industries by Harry Wignall
Textbook. Lab Reference - Norwellan & AUNDE North Western Woolen Mills became Norwellan Textiles then AUNDERed hardcover with Red and Cream DustcoverJohn T Bennett, Lyddon Hall Leeds 8/10/1969manufacturing -
Stawell Historical Society Inc
Book - Laboratory Reference Book, Wool an Introduction to its properties, Varieties, uses and production, W.J. Onions
Textbook. Lab Reference - Norwellan & AUNDE North Western Woolen Mills became Norwellan Textiles then AUNDELight Brown hardcover with Gold title on spineJohn T Bennett, Lyddon Hall Leeds 17/10/1968manufacturing -
Stawell Historical Society Inc
Archive - Record Book, Employee Records 1953-3-4-5 →18.10.55
Employee Records from Norwellen - Now ClosedCardboard oblong book Spine covered with tapeEmployee's Records 1952-3-4-5 18/10/55norwellen -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 205
This knitting pattern leaflet was published by Patons and Baldwins and contains knitting patterns for womens garments. The garments have all been photographed on women in sporting situations: tennis, cycling, yachting, skiing, golf, ice skating, horse riding.Patons / KNITTING BOOK / NO. 205 / "TOURNAMENT" / See page 10 / 6d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 235
This knitting pattern leaflet was published by Patons and Baldwins and contains knitting patterns for womens garments.Patons / KNITTING BOOK / NO. 235 / "ENTRANCE" / See page 10 / 7d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 245
This knitting pattern leaflet was published by Patons and Baldwins and contains knitting patterns for mens garments. All the garments have been named after Australian explorers.Patons / KNITTING BOOK / NO. 245 / "DAMPIER" / See page 10 / 7d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
Whitehorse Historical Society Inc.
Decorative object - Sampler, 1836
Originally framed by William Hayward, carver - gilder and picture frame manufacturer 54 Upper Richmond Road, Putney, EnglandFramed needlework sampler - five lines of alphabet and numbers worked in red cross stitch on a light brown material, followed by a verse, then a house, birds, boat, windmill, animals worked below. Cross stitch sampler. (See 'Other Information' for verse).Signed in cross stitch by the embroiderer, Sarah Moats, aged 10, 1836.handcrafts, embroidery -
Rutherglen Historical Society
Image, 1937
Black and white photograph of a large group of children, in fancy dress, at a ball.At bottom of photo: "A Memento of Children's Ball, Rutherglen. 8-10-37"childrens ball, balls, dances -
Rutherglen Historical Society
Image, Main Street Rutherglen, 1917
Photocopy of an old faded photograph of Main Street taken from the eastOn back of photo: "No. 10 Post Card dated 11/8/1917"main street -
Ballarat RSL Sub-Branch Inc.
Jug - RAAFA Insignia Porcelain Medium
Inscription = 24 No. 10 North Staffordshire Pottery, Hanley, Made in Englandcollectables, ballarat rsl, ballarat -
Melbourne Legacy
Document - Memoir, Life and Times of a Melbourne Legacy Junior Legatee (Arthur Woodley). A Legacy Family Story, 1990
First hand account by Arthur Woodley of his time with Melbourne Legacy as a Junior Legatee and its influence on his life. He was a boy that stayed at the children's home, Holmbush in the 1940s. It has a foreword written by Legatee F H Wood who was involved with the residences committee. The introduction says the purpose of the following story, written in plain simple terms, is to put on record for Legacy, the life, times, achievements, and experiences of just one grateful Junior Legatee.An authentic description of what it was like to be a Junior Legatee in a Melbourne Legacy residence, exemplifying the work of Melbourne Legacy in the 1940s.White A4 with black type x 26 pages and an A5 handwritten memo on Melbourne Legacy letterhead.JL 13, Box 10, Arthur Woodley Author, Nov 1990residences, junior legatee, holmbush, arthur woodley -
Ballarat Tramway Museum
Photograph - B&W print of donated negative - set of 2, John Webster, 1955
Yields information about Geelong Depot and tramcar No. 5 and its repainting with zebra stripes in 1955Two Black and white digital print from scan of a donated negative showing Geelong No. 5 in the depot after it was repainted with strips. Also fitted with mirrors. Shows the coupling arrangements. Photo by John Webster, 1955. See page 44 of Destination Eaglehawk for details. Black and White prints made from scan of negative. Original Negative stored with Negatives. Negative scanned at hi res 2/6/2020 and image updated.On left hand side of the negatives in ink is "EI 9" and "EI 10"tramways, trams, geelong, tramcars, tram 5 -
Kew Historical Society Inc
Photograph - 'Fernhurst', 13 Fernhurst Grove, 1978
George Wharton arrived in Melbourne in 1844. An architect and surveyor, he was appointed to lay out the 'Village of Kew' by N.A. Fenwick following the land sales of 1851. A protagonist for Kew's separation from the Boroondara District Road Board, he was elected chairman when Kew achieved municipal status in December 1860. His home, 'Fernhurst', was built in 1866 on eight acres in Studley Park, with a four-storey tower and pyramidal roof. The Italianate home was a prominent Kew landmark. It was demolished in 1979 and replaced by St Paul's College in 1980.Rare colour photograph of what was once a significant mansion in Kew.Original colour positive photograph (Kodak print) of 'Fernhurst' in 1978. Photographed by Stewart West in May 1978, one year before it was demolished, the photograph gives little idea of the large landholding once surrounding the house. Originally accessed from near the corner of Princess Street and Studley Park Road, its gardens had been subdivided in the 1900s and its footprint restricted to 13 Fernhurst Grove. Like many other grand houses, by the 1970s it had been converted into apartments. From the photograph, one can see that the house had retained many of its original features such as the distinctive tower and the wide bow-fronted verandah. The slates on the roof (apart from those on the tower) had been replaced by tiles and the cement render of the exterior painted white. Annotated reverse: "View of Fernhurst Home Taken from Street / 10"fernhurst, 13 fernhurst grove -- kew (vic.), george wharton, italianate architecture, vila maria society, st paul's school for the blind -
Stawell Historical Society Inc
Archive, Cooinda Kindergarten Minute Book 1968 – 1973, 29/2/1968 - 4/10/1973
Blue Covered Invicta Minute BookContains meeting details 29/2/1968 - 4/10/1973stawell, education -
National Wool Museum
Book
Bound book of wool samples in the grease and throughout the various processing stages, produced by Mr V. Dorron.Bound book of wool samples in the grease and throughout the various processing stages, produced by Mr V. Dorron. Bound book of wool samples in the grease and throughout the various processing stages, produced by Mr V. Dorron.V. DORRON GORDON TECHNICAL COLLEGE GEELONG JUNE 10 1922woolclassing, gordon technical college - woolclassing department, dorron, mr v -
Vision Australia
Text, Newspaper clippings 23 (1986), 1986
News stories including fundraising events and from the blind and low vision community.1 folder with newspaper cuttingsVarious articles from 10/12/1986 - 18/9/1987association for the blind -
Hawthorn Historical Society
Drawing - Property Illustration, 10 Pine Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.10 PINE ST, HAWTHORN Margaret Picken `94 WOODARDS -HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 10 Hunter Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.10 HUNTER ST, HAW Margaret Picken ~95 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 10 Kembla Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.10 KEMBLA STREET, HAWTHORN Margaret Picken ~93 WOODARDS - HAWTHORNartist - margaret picken 1950-