Students cheering at a House Swimming Day, c. 2000s. Please contact [email protected] to request access to this record.sport, event, competition, weizmann

Students cheering at a House Sports day, c. 2000s. Please contact [email protected] to request access to this record.sport, szold, event, competition

Students cheering at a House Sports day, c. 2000s. Please contact [email protected] to request access to this record.sport, herzl, event, competition

Salinger's House Great Western. Front on View from road shows Winery and Shed. 1959 Residence at Rear.stawell

Built in 1953, the Rice House was leading Melbourne architect Kevin Borland's first commssion and was one of two houses of its kind. The design of the shell-like structure was inspired by the Arch of Ctesiphon, built in the second century south of Baghdad. Cement with a waterproofing agent was applied in layers to a form of regularly spaced timber arches covered in hessian. This ctesiphon system was developed in the United Kingdom by engineer J.H. de Waller in 1947. Commissioned in 1951 by Harrie and Lorna Rice, after Harrie, then an art student, met Borland at The Age Small Homes Service. Borland suggested they buy land in Eltham because at that time it was the only council in Melbourne that would grant a permit for such an innovative house. Covered under Victorian Heritage. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p157 Inspired by an ancient arch in Iraq, a house stands on top of a hill in a private position, off Ryans Road, Eltham. One of only two houses of its kind, it was leading Melbourne architect Kevin Borland’s first commissioned house, which he built in 1953. The shell-like structure, partially screened by giant trees and cacti, was inspired by the Arch of Ctesiphon south of Baghdad, built in the second century.1 Cement with a waterproofing agent was applied in layers to a form of regularly spaced timber arches tightly covered by hessian. This ctesiphon system was developed in the United Kingdom by engineer J H de Waller in 1947. This house was the first of three such structures built in Victoria, of which only one other remains, although substantially altered.2 It is the Wood House and supermarket, at the corner of Cleveland Road and High Street Road, Ashwood, designed by Robin Boyd in 1952. The Rice House demonstrates Kevin Borland’s innovative and experimental work. It is an outstanding example of the post-war period of experimentation in domestic architecture in Melbourne – by Robin Boyd, Kevin Borland and others – for The Age Small Homes Service from 1947 to 1953. This was partly an expression of late-Modernism and also necessitated by the post-war shortage of building materials. In Eltham, the post-war shortage of building materials largely resulted in mud-brick houses. Examples of Borland’s public work include contributions to the Olympic Swimming Pool in Melbourne and the Preshil Junior School in Kew. After more than 50 years of living in the house, Harrie and Lorna Rice still love it. Facing north-east with large windows overlooking the garden and two courtyards, it is well lit and benefits from a through breeze. The couple commissioned the extraordinary house after Harrie, then an art student, met Borland in 1951 at The Age Small Homes Service. Harrie was so impressed by the recently graduated Borland’s enthusiasm, that he asked him to design them an interesting house for a low budget.3 The unusual design presented several hurdles for the young couple before they could construct it. Borland suggested that they buy land in Eltham, because at that time it had the only council in Melbourne that would allow such an innovative house. Another hurdle was to gain finance for this remarkable house. The State Savings Bank Manager refused finance on the grounds that it was ‘unliveable’ and a ‘disgrace’. Fortunately, through a family connection, the couple borrowed money from the National Bank. But they discovered years later, that the bank’s evaluation stated the two ‘concrete sheds’ were of no value!4 The house built in off-white concrete, consists of two sections. The main house has four arches supported by brick and concrete walls that create a series of inter-connected rooms. Inside, the ceiling follows the roofline. Originally this section was only ten square metres, because of building restrictions at the time. But in 1973 Borland added two rooms and a carport. The second structure of two arches was originally a garage and a studio for art teacher Harrie Rice. To accommodate the growing family, in the mid 1950s, Borland converted the second structure into two children’s bedrooms, a kitchenette, a bathroom and a living room. The two structures were originally linked by a covered way of suspended draped-concrete, but this collapsed in the 1980s. The design has several maintenance problems. Cracks developed where two halves of the shells were joined. Then the material sprayed over the cracks became brittle, causing leaks. Fortunately Harrie found another material he could use. The valleys between the arches collect water, requiring annual painting with a waterproof material to prevent leaking. Lorna framed the house with native and exotic plants, which provide privacy and as a bonus, the garden attracted the rare Eltham Copper Butterfly.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, rice house, ryans road

Mud brick house first owned by naturalist and artist Neil Douglas and Helen (Abbie) Heathcote at the Bend of Islands. They were original residents in the 1970s. This house is on the Victorian Heritage Database and is considered locally significant. Covered under Heritage Overlay, Nillumbik Planning Scheme Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; CoverThis collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, bend of islands, neil douglas house, neil douglas

Series consists of 18 colour photographs of the interior and exterior of Murphy's House, a property purchased by Eltham Shire for community use.shire of eltham archives, series listing

Series consists of 20 colour negatives of the interior and exterior of Murphy's House, a property purchased by Eltham Shire for community use.shire of eltham archives, series listing

Saunders house No 391, Lot 10 Overbank Rd, Eltham (incorrectly listed as No. 105) https://alistairknox.org/buildings/334Black and white printalistair knox design, eltham, houses, octagonal house, overbank road

Article stating the Robin Boyd will start assessing designs for extensions to Britain's House of Parliament, as part of a Committee of five men.S and date in blue pen.britain's house of parliament, walsh st library

From the Ida Bevan Collection. The Children's Hospital purchased Redmond Barry's house on Rathdowne Street and moved to Carlton in 1876.The photographic collection at the RCH has been identified as especially significant, and comparative research suggests that it is one of the biggest and most diverse visual records of children’s health held by any hospital in Australia. Spanning more than a century, the collection traces the changes in how children have been cared for. It also reveals the daily experiences of hospital staff and patients over its long history, and the deeply personal stories of medical care that can result in sorrow or relief.Black and white photograph adhered to a card

Gas Company – Stawell Ammonia Scrubber. Purifier. Condenser. Washer. Tower Scrubber with Retort house and Coke plant in the background.stawell

Girls' running race at a House Sports Day, c. 2000s. Please contact [email protected] to request access to this record.event, competition, athletics, herzl, szold, weizmann

Origins and history of this heritage house and of the Wiseman family who were the builders and owners. Subsequent use of the building is also included.Printed booklet produced by Bev Lacock and Ian Keeble in May 2003, revised in June 2008.

Life time friends since school days at Lakes Entrance taken at Nursing Home Lochial House in Orbost, VictoriaColour photograph of Mavis Smith nee Muir on left and Gladys Scarce nee Legg on right, people, nursing home, accommodation

A black and white postcard of Buxton Farm Guest House near Marysville. This postcard was produced by Rose Stereograph Company as a souvenir of Marysville.A black and white postcard of Buxton Farm Guest House near Marysville.THE ROSE SERIES P. 1847/ COPYRIGHT BUXTON FARM GUEST HOUSE, MARYSVILLE, VIC.marysville, victoria, australia, buxton farm, buxton farm guest house, rose series, p. 1847, postcard, souvenir, rose stereograph company

Photocopy of image of house and farm of William and Jessie Cant, Salters Rush, Queenstown. The orchard grew cherries, apples, plums, pears, quinces and berries - raspberry, blackberry, gooseberry, red currants and black currants. Also vegetables and flowers. All cultivation done by hand. (Chancellor photograph)houses, farming, orchards, salters rush, queenstown, smiths gully, william cant, jessie cant

Title of property shows the property was owned by Emily Henty in 1894. " Charman Dene" was Alfred Herbert and Edith Blanche Holdsworth’s holiday house. The property was sold following Alfred Herbert’s death in 1929. Mrs Champion later owned the property. Charmandene Guest House was located on the beach front along Lover's Walk. It was relocated in the 1980s to Osborne Road in Cowes , where it still stands.HistoricalTwo sheets of photos of original wallpaper and a sample of coloured floral wallpaper, "crab apple"Wall paper fragments 1-4, layer 1 - cabbage rose, layer 2 - crab apple print number, layer 2- crab apple border, layer 2 - crab apple wall,charmandene cottage, guesthouses, home decor

A landmark house in the Greensborough area (belonging to Dr Woods in he 1920s), situated on the corner of Diamond Creek and St Helena Roads.Digital copy of colour photograph.diamond creek road, st helena road

Discusses the quality of the architecture of the Sydney Opera House, its use as a concert hall, design by Jorn Utzon and continuation by Peter Hall.Typewritten, quarto, (carbon copy), 10 pages. A second copy has pencil edits and additions. (Two copies)sydney opera house, jorn utzon, peter hall, william davis hughes, exterior shells, concert hall, pier luigi nervi, buckminster fuller, eero saarinen, nikolaus pevsner, robin boyd, manuscript

Student competing in the long jump at a House Sports Day, c. 2000s. Please contact [email protected] to request access to this record.athletics, event, competition, weizmann

Student competing in the high jump at a House Sports Day, c. 2000s. Please contact [email protected] to request access to this record.athletics, event, competition

Student competing in the long jump at a House Sports Day, c. 2000s. Please contact [email protected] to request access to this record.event, competition, weizmann, athletics

Student competing in the long jump at a House Sports Day, c. 2000s. Please contact [email protected] to request access to this record.event, athletics, weizmann

Student competing in the long jump at a House Sports Day, c. 2000s. Please contact [email protected] to request access to this record.athletics, event, competition

The ‘Wonga Park Homestead’ in 1984. Although renovated in the 1940’s, part of the original ripple-iron structure remains at the back of the house.

The photograph shows the interior of a Melbourne cable tram engine house, or powerhouse, with the steam cylinders and flywheels in the view. Location and date unknown.Yields information about the interior of an cable tram engine house.Photograph, black and white, plain papertrams, tramways, cable tram, engine house, power house

Memorandum - 3 quarto ruled sheets + part of a former poster with a cover note, dated 20/10/1921.   Written in ink to Mr. J. W. Duncan General Superintendent by William Pollock Acting Supt. about the issues at the Toorak Road Engine House regarding poor coke, recording the times of the fireman and trimmer, and problems in keeping up the power required due to the high percentage of breeze.  Looks at the use of staff to fire and maintain supplies. Handwritten cover note was written on a torn poster from the Brunswick line noting a complaint from Thomson Fireman at the engine house about the lack of assistance.   Was pinned to the three-page note and written in pencil."date stamped 20/10/21trams, tramways, boilers, power house, winding houses, personnel

Printed on textured paper which has suffered significant colour degradation towards orange/red. Margaret Ball (who took the photograph) has written "Auntie Millie's old house" on the back. Before becoming the Eltham Living and Learning Centre, the house was occupied by Claire Fitzpatrick, and before then by Mr and Mrs Matthews with their daughter Millicent and their two sons. "Auntie" Millie was not actually related to Margaret, but was her godmother. Colour photographeltham, community centres, living and learning centre, 1976, margaret ball