Showing 10148 items
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Bendigo Historical Society Inc.
Book - GERMAN HERITAGE SOCIETY COLLECTION: THE BEILHARZ FAMILY
Booklet with pale yellow front cover and a bright green back cover. The front has 2 illustrations and Printing: Passages from 'The Story of the Beilharz Family' pages 195-218 by Dr. Paul Sauer, Published by Heinz W. Beilharz; 2nd Edition, revised and in English 1988. Introduction by Kurt Beilharz, Ravenswood. Mentioned are German people who had migrated to Palestine because of religious persecution and during W.W.2 they were imprisoned by the British, and when the war got closer they were moved to Australia where they were placed in prison camps. The booklet is an insight into life in the camps.Introduction by Kurt Beilharz, Published by Heinz W. Beilharz. Dr Paul Sauer.biography, family, beilharz family, german heritage society collection - the beilharz family, 'the story of the beilharz family', dr paul sauer, heinz w beilharz, kurt beilharz -
Eltham District Historical Society Inc
Folder, Military camps in the Eltham area, 2008
Folder of information including a list of Military Camps in the Eltham area 1930-1940. Including photocopy of pages from unknown book, printout of photo from State Library Victoria and various copies of historial newspaper articles researched by Jim Allen in 2008HG Booklet 4harry gilham collection, military camps, eltham -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Photograph, AIF, Horses that left with original 8 Light Horse Regiment, abt 1918
Black and white photo, 195 x 147 mm, notated "Horses that left with original 8 Light Horse Regiment". Photo shows group of horses with mounted soldiers each with about three unsaddled horses. Camp and motor transport lines in backgroundStamp on back: Official Photograph AIF in Egypt Copyright Reservedphoto, 8 light horse, ww1 -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Photograph, The Argus Newspaper, 1950's
Previously, band members had a war function as stretcher bearers.Black & white photo of a soldier on a stretcher having his leg bandaged. A dozen or so are standing around watching. There are band instruments in the left foreground. This appears to be members of 4/19 PWLH Band receiving first aid training at an annual camp of the Regiment.Copyright photo - stamp of "The Argus" on backband, first aid -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: HOSPITALITY
Bendigo Advertiser '' The way we were'' from 2003. Hospitality: the staff and friends of the G.J. Coles store in Mitchell street, Bendigo entertain troops from the army camps around Bendigo at a dance in the Railway Institute Hall; circa 1940. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Tatura Irrigation & Wartime Camps Museum
Work on paper - Painting - Watercolour, Camp 2 Tatura
Alfred Landauer was Born in Vienna 13/06/1910. He was a commerical artist who arrived in Australia on board the "Dunera".Pen & Ink and watercolor of three camp huts. Large trees at the rear of the huts. Several internees are reclining in chairs outside each hut. A guard tower is in the distance . A fence runs along the side of the painting and a garden and green grass follow the length of the fence. A. Landauer 1942camp 2, dunera, landauer, watercolor, 1942 -
Tatura Irrigation & Wartime Camps Museum
Aeroplane model, 1944
This object was purchased in Murchison under the hotel veranda in 1944 by the donors father for him. There were also others for sale.Wooden WW2 type plane painted light grey (aged silver frost). 2 engine - propellers turn. Wheels turn. Sold to donors father in 1944 by Camp guard in Murchison. Some decoration added by donor as a boy. Plane made by POW.No 86 Transport Wing RAAF A65-86models, planes, camp 13, internees, camp guard -
Tatura Irrigation & Wartime Camps Museum
Photograph
The boiler made instant historyBlack and white photograph of the graphic explosion/demolition in the aftermath of the boiler explosion at the shower block. A mother had a broken leg and her small son, burns to back and chest. Both treated at Camp hospital. The family had come from Taiwan (Formosa).camp 4 incidents -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1994
Photo appeared in the Lakes Post 16 February 1994, p 16 with captionBlack and white photograph of a bulldozer driven by a person in singlet and shorts in the process of knocking down the sign Carpenters Central Motor Camp at the corner of Church St And Carpenter St,. Site being cleared for building of a new hardware store. Lakes Entrance Victoria.machinery, occupation -
Williamstown High School
High Tide 2016
Full colour A4 sized magazine with cardboard cover representing the 2016 Williamstown High School year.166 pages the yearbook containsreports from all departments and year levels, camp, sport and club reports, student work and many colour photographs.williamstown high school, high tide, 2016, yearbooks -
8th/13th Victorian Mounted Rifles Regimental Collection
Booklet - Sabre Camp 1975
The journal is a mixture of humour, general information and serious historical articles relative to the unit's role. The journal was edited, typed and produced by unit members as extracurricular activity.'Sabre' an 8/13 Victorian Mounted Rifles regimental journal edited by Lieutenant Len Shefford and produced using unit resources usually during annual camp. Fourteen A4 pages single sided with colored cover sheets, stapled on long edge. camp, training, vmr, annual, esprit de corps, sabre, shefford -
8th/13th Victorian Mounted Rifles Regimental Collection
photograph
Remount Units were an important Support Unit supplying replacement horses to Light Horse regiments.Black and white photograph mounted on card of 8 soldiers believed to be members of 1st Remount Unit located at Broadmeadows Camp 1915.Centre front row wearing a cap is robably Veterinary Officer. standing either end are two soldiers of Aboriginal appearance.On reverse " Remount Depo: Mr. J. Bell. Box 5 Wangaratta." -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. THE GOLD LICENCE, c1854
Diggers & Mining. The gold licence. The Government Camp. (Hughen) and, in December, 1854, the unrest came to a head in an armed clash between the Government and the diggers at Ballarat. Slide depicts the battle that took place. Markings: 40 994.LIF. 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. THE GOLD LICENCE, c1852
Diggers & Mining. The gold licence. The Government Camp. Slide shows Gaol at Forest Creek. Labelled 'Gaol, Forest Creek, 1852'. Failure to produce the licence on demand was punishable by fine or imprisonment. Markings: 33 994.LIF. 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. THE GOLD LICENCE, c1852
Diggers & Mining. The gold licence. The Government Camp. HQ or Assit. Commr. at Myer's Creek, B'go. 1852. . . . Others were stationed at outlying digging to maintain order and, in particular, to issue licences. Markings: 28 994.LIF. 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - Russell
Jaffles were a very popular meal using tinned stew and issued sliced bread. Freshness of bread was not important.Good study of officer of 8/13 VMR cooking in the field.Black and white photograph of Lieutenant Bill Russell in beret and tank suit kneeling beside fuel stove holding a jaffle iron. Probably taken at Puckapunyal during 8/13 Victorian Mounted Rifles Annual Camp, 1986. Plastic mug in foreground.Lt. Russellmilitary, training, stove, jaffle, cmf, vmr -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith et al, Janefield Precinct: Looking toward grave area from camp, 27/11/2014
Janefield Precinct: Looking toward grave area from camp. The remains of this site are between Greensborough and Janefield. A RAAF Hygiene Training Camp was located on the Plenty River, just south of the Janefield community. It was in use from 1944 to 1946. The Camp was constructed from salvaged materials. Instruction included building and maintenance of grease traps, latrines, elementary plumbing and carpentry.Early remains of a WW2 training camp Digital colour photograph. -
Tatura Irrigation & Wartime Camps Museum
Suitcase
Made by POW at Camp 13, Murchison who was a crew member of the "Ramses". Suitcase made for owners possessions Many of the Internees & POW's who arrived in Australia with all their belongings in a canvas hold-all, made wooden suitcases for their possessions. Some were hoping for repatriation, others used them when moved from camp to camp. then lastly on their release.Handmade wooden suitcase with metal handle and clips- canvas straps attached to inside of case (Lid)suitcase, wooden, hahn j, asboth s, camp 13, tatura, camp 13 wooden suitcase, personal, effects, travel, goods -
Tatura Irrigation & Wartime Camps Museum
Autograph Book, During World War 2
Autograph book of poetry gifted to internee Marianne Kirsch upon leaving Camp 3. Marianne has translated 2 of the poems into English for display at the Tatura Museum's Wartime Camps Collection.fawn coloured autograph book filled with German poetrygewidmet vom präsidium des deutschen roten kreuzescamp 3, internment camps, marianne kirsch, poetry -
Tatura Irrigation & Wartime Camps Museum
Book, Joe's Fruit Shop and Milk Bar
All covers have fruit boxes with apples in them. Hanging on them is a picture in a wooden frame of a man holding a baby and a lady. Title and authors name on front. Back is a narrative about the book. Spine has title in brown and authors name in red.non-fictiontatura internment camp, millmerran qld, zoe boccabella, annibale boccabella -
Tatura Irrigation & Wartime Camps Museum
Drawing, Foundry Drawing
Herman Bernhard SCHMIDT was a foundry owner in Queensland. He was interned and sent to Gaythorne internment camp for 6 months and then sent to Tatura Camp 1 until 1946 when he was released.Coloured drawing on fawn paper of a foundry. Framed in a dark coloured wood and under glass. In German across the top is Technisches - Zeichnen (Technical Drawing) Orthographische Projektion (orthographic projection) Blatt 14 (sheet 14). Across the bottom is gezeichnet (drawn by) B Schmidt November 1943. Gepruft (checked).label on back "Donated by the Gunther Schmidt Family Trust" (son of Herman Bernhard Schmidt - Tatura WW2) March 2023herman bernhard schmidt, queensland foundry owner, camp 1 tatura, gunther schmidt trust, gaythorne camp queensland -
Tatura Irrigation & Wartime Camps Museum
Sculpture, Mary, Mother of Christ, 1943
Sculpture made by Hans Knorr, Africa "Arandora Star" and "Dunera". Former internee in camps 1 and 13 WW2. "Mary, mother of Christ" was the first piece Hans Knorr sculptured in the camp.Wooden sculpture of woman with hooded gown and hands together as in prayer.HK 43hans knorr, internment camp 1, internment camp 13, internement camp artists, wooden sculptures, mary, mother of christ sculpture -
Tatura Irrigation & Wartime Camps Museum
Folio, Hilde Knorr, A Profile of Hans Knorr, 1986
A profile of Hans Knorr, sculptor, ex Arandoora Star and Dunera. Interned in camp 1 Tatura Group and later POW camp 13 when status for merchant seamen changed to POW.Black plastic cover, ring binder, spine. 8 plastic pockets contain A4 sheetshans knorr, hilde knorr, arandora star, dunera, internment camp sculptors, wooden sculptures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Eberhard Schuster, September 1991
Eberhard Schuster was a German wool buyer and interned in Camp 1 during WW2. He is standing in front the skittle alley which he operated at Camp 1. Photograph taken in 1991.Colour photograph of Eberhard Schuster, standing in front of a stone wall, behind which are gum trees. Mr Schuster is attired in brown strides, white jacket, black beret and walking stick.german wool buyers, eberhard schuster, camp 1, skittle alley -
City of Ballarat Libraries
Photograph - Card Box Photographs, Army camp, Queenscliff circa 1915
World War 1 training camp at Queenscliff. The photograph was taken by Mr J.J. Griffith. He was the manager of E.R. Rowlands Aerated Waters. Their vans were used by Ballarat Troops at the camp.military, queenscliff, army camp, world war 1, world war one, j.j. griffith, e.r. rowlands aerated waters, vehicle, ballarat -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth I, c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MARCUSE / B.worth (in pen) Reverse: BEECHWORTH NOSTALGIA / BW – 01 (crossed out) / B2 / CORNER CAMP + FORD STREET / (on masking tape) 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, 1949, c1949
List of soldiers below photograph - black ink pen in copperplate style. "Back Row, Left to Right: Capt. G.V. Phillipson, Capt. R.H. Gaze/ Centre Row: Lieut. S.H. White, Capt. K.A. Evans, Maj. C.E. Lee, Comd. Officer Lt-col. P.M. Shanahan, Capt. J.F.N. Kearne, Capt. W.H. Arthur, / Chaplain Fabian/ Kneeling: Capt. F.S. Wenbon, Capt. F.S. Smith, Lieut. I.V. Ham, Capt. H.R.C. Rarnard, Capt. T.S. Dave, Lieut. J.E. Prentice, Lieut. M.V. Bolitho." Photograph - black and white on paper, an informal group of soldiers, standing and kneeling with, corrugated iron building in the background. Battalion nameplate above photograph and list of soldiers below photograph. Black ink pen handwritten on beige coloured card. Mount - cardboard, off white colour. Frame - timber with brown varnish finish, glass front and cardboard backing.Battalion nameplate - black ink pen, handwritten in copperplate style. "38th Infantry Battalion/ The Northern Victorian Regiment/ May-June 1949 Annual Camp/ Puckapunyal".passchendaele barracks trust, framed accessories, photograph, 38th inf battn -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, MOUNTED, F L Andrews, C.late 1915 or early 1916
Sepia photo of D Coy 8th Btn 1st Aust Division marching along tree lined road. Photo is mounted with brown border on cardboard backing.Written in pencil on back: “The 7th & 8th Battalion marching from Ismailia, Egypt on their way back to camp after going to Gallipoli” Sticker on backing: “Colarts Studio”photograph, mounted, 8th bn, d coy, eygpt -
Bendigo Military Museum
Card - CARDS, GREETING WW1, 1) Viso Paris et al, c.1914 - 1918
.1) Hand written: Wishing you many happy returns of the day from your old pal Tom. .2) Letter from Frank Barnes dated 10.11.16. .3) Hand written in ink: To Una with love from Tom. Refer Cat No 2380 for details re Frank Barnes. Tom is possibly Thomas Comini, refer Cat No 2380 also.Three x Rectangular brightly coloured greeting cards, two are silk embroidered..1) Embroidered bottom: “1914 Right and Liberty 1917” .2) Embroidered bottom: “Greetings from France” .3) Hand painted: “Love from Flemington Camps”documents - greeting cards, military history, silk -
Federation University Historical Collection
Artwork - Drawing, Edith Alice Watson, [Good Camping] 1931-1933, 1931-1933
The full folio of work undertaken while Alice Watson was a student at the Ballarat Technical art School is held by Federation University Australia.Double sided. Sketch depicting a campfire and tents with a Girl Guides badge upper, right corner on one side and a graphite transfer on verso. GOOD CAMPING written on top, left side. Girl guides badge with the motto "Be Prepared" at top right corner. Small practice sketch above main drawing ballarat technical art school, edith alice watson, alumni, alice watson, pencil, pencil rubbings, graphite transfer, camping, girl guides