A small oval photo of a man, unable to open it but it looks either Daguerreotype or Ambrotype. The frame is gold in colour with a fancy edging. The man has dark hair with a chin strap beard. He is wearing a dark suit with a large bow tie and light coloured shirt The back is a black solid material.person, individual, male, daguerreotype. ambrotype.

Sepia portrait of a young woman standing in the garden and holding a flower. She is wearing a dark dress with a white frill around the sleeves and front edges and collar. Her hair is tied in a bun and she is wearing glasses. Photo is mounted on a dark brownish card with indented frame around the edge of the photo.photograph, portrait, female, foster & wilson collection, female portrait

Document. Greeting Cards. Small, single white card with a brown basket of pink roses in the bottom left corner. The basket has a blue ribbon tied on the handle. At the top are stems with leaves which have 6 flags standing among them. Underneath on an angle, printed in blue is: Sweetheart mine.person, greeting cards, malong collection, malone collection, greeting cards

A small photograph of Edgar Rotherham Shapland. A relative of Elma Winslade Wells. Edgar is shown standing next to a pillar, a dog is sitting on the pillar. Edgar is wearing a dark jacket, shirt and tie. At the bottom the name Henry Wayland, Blackheath. On the back the logo of Henry Wayland photographer Rembrandt House, Blackheath.person, individual, edgar shapland

A small black and white photograph of Alice Winslade Shapland. A relative of Elma Winslade Wells. Alice has hair tied back and she is wearing a dark dress with a white collar. On the back the logo of T. C. Turner, photographer, 10 Barnsbury Park and 17 Upper Street, Islington, London.person, individual, alice shapland

Photocopied photo of a male laying in a hospital bed and a second male in a suit and tie, sitting beside the bed. Another hospital bed is visible in the background. Over the patient in the bed are the following printed words: Jack Allen and Joe Davis the Goldfields Consolidated Hero .... (rest is unreadable). Taken at the Bendigo Hospitalperson, group, hospital patient, jack allen, joe davis, goldfields consolidated

Dr. Joseph Clover (1825-1882), an English physician, first described his Portable Regulating Ether Inhaler on Jan. 20, 1877. Clover was an especially sought after anesthesiologist and early pioneer in the specialty. This was the best-known of many inhalers that Clover designed. The dome-shaped reservoir was turned to points on a control dial to gradually increase or decrease the percentage of the air that passed over the ether. Several inventors based new inhalers on this, while the original continued to be manufactured as late as the beginning of WWII.Metal dome chamber with flat base and two circular pains of glass on each side of the dome as viewing holes. There is a long connector tube with an elbow joint attached to a bulb for a rebreather bag. A previous exhibition label, typed in black ink on buff coloured card, has been tied to the connector.Moulded into the connector for the rebreather bag: MAYER & MELTZER No 212827 •Printed in white on blue sticker: O.2.9. •Stamped into dome: MAYER & MELTZER / LONDON •Typed onto exhibition label: MODIFIED CLOVER'S INHALER. / c.1906. / Name unknown. the modification consists / in windows to shew the ether-level in the / bowl. The inhaler has otherwise the same / restricted channels as the model of 1877 / and shares its faults. / (Gift of Dr. A.E. Rowden White, 1939).joseph clover, wilson smith

Studio Portrait of Man standing and Woman seated. The Stawell Portrait reflects an example of clothing worn around this period c1900. There is no name on the photograph of who the portrait was taken of.Sepia photograph on a heavy mounted card in high gloss finish. The portrait is of a young man & woman. The gentleman is wearing a suit, high collar and wide tie. The woman is seated with her arm on the table. Her dress has an elaborate yoke and high neckline on the frock. The photo is in a studio setting. c1900Stawell Photographic Co., Main Street Close Railway C. Hewitt, Manager. The back of the card is stamped with the photographers details repeated.stawell clothing

Fan was made for Mary Jane Schroder for her marriage to Ralph Pardy Rudd on 24th Nov 1886 in Ceylon. Later carried by three family members at weddings during 1941 by Mrs Kathleen Hubbert then Mrs Mary Barry in 1947 and finally by Sharlene Barry, now Mrs Ron Draeger.1886 bamboo fan mounted with white feathers. Spray of artificial flowers and cream satin ribbon tied in bows and wound round the bamboo handle. Back of fan has circle of boa to conceal joins of white feathers. See also Bodice NA3580, shoes NA3578 and bridal headdress NA3489.costume accessories, female

Tram crew number badges, engraved into a layered plastic backing - black plastic with a white underlay, used by tram crews to indicate their assigned personal employee number. Used by MMTB drivers and conductors. Badge No. 490 - with brass clip on rear - e.g. a large tie clip or dress collar clip.tramways, trams, mmtb, badges, crews, drivers, conductors, personnel

Un Named colour Debutante ball photo in Brown heavy paper folder. Boys in black suits with bow tie white ruffle fronted shirt and pink buttonholes. Girls in white dresses with pink bouquets. Flower girls in pink. Chaperones to left. Cream brick walls red carpet.photo, group, mixed group

Lady's hat made from cream coloured straw like synthetic fabric with a matching cream ribbon around the crown. The band is tied in a bow with a decorative faux pearl clasp stitched onto the band. Hand stitching presents as the hat being hand made. Black chin elastic attached.hat, millinery

Small booklet. Strathfieldsaye Brass presents: ''An evening with Denis Walter'' in Concert 'n' Cabaret. Strathdale Community Centre. Friday, November 16th, 1990. musical Director: Mark Ford, Compere: Mal Meikle. Grey cover with red ribbon tying the pages. Logo of the Strathfieldsaye Brass at top centre.entertainment, music, strathfieldsaye brass

3 part book set: 'Tennis: Nostalgia & Playing the Game'. (1) Cardboard cover for two books with ribbon tie. (2) Book: 'Tennis: Nostalgia', 96 pages. (3) 'Tennis: Playing the Game', 97 pages. All hardcover. Copyright 1998. Materials: Paper, Ink, Cardboard, Ribbontennis

Wooden trinket box, comprising of two horizontal books, with 11 small vertical books sandwiched between with a secret behind the 6th book. Has painted blue swallows on lid. Box contains - 7 brooches, 1 hat pin, 1 half sovereign case and 3 tie pins.boxes, jewellery boxes, trinket boxes

Produce grown in market gardens in what is now Kingston were taken to market by horse-drawn wagon. Black and white image of two men standing in front of a heavily loaded horse-drawn wagon. There are two horses attached to the wagon and the tray is filled with what appear to be hessian bags and covered in canvas which is tied to the wagon. The men have been identified as Roy Northrop and Thomas (Dick) Marriott.Text printed in black ink on a white sticker on reverse of image: 33 Handwritten in red ink on reverse of image: 60%market gardens, transport, horse drawn wagon, horses, commerce

Set of 'Physician' blanket samples produced by Collins Bros Pty Ltd.Book of ten blanket samples in various colours held together with navy blue vinyl binder with two metal rivets. Sixteen samples of various colours and designs. The spine at the top of the book has a length of 6mm white nylon rope tied through to act as a carry handle for the sample book.[printed] Physician Blanket Range / Fashion Award Mill / AUSTRALIAN / MADEphysician, blankets, samples, textiles, collins bros mill pty ltd, marketing, wool

Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Backless lamé one-piece swimsuit (.1) with pattern of silver, blue and bronze circles in various sizes. Waist ties knotted at front for cinched-in waist. Built-in underwire bra. Sleeveless A-line jacket (.2) in same fabric, falling past hips. Front zip and close-fitting hood.Label in bra, blue with yellow sunburst logo containing the word “Watersun” in red, above the text: “32 / Unquestionable Bra”.swimwear, watersun, david waters, ada productions, melbourne designers

The spoon was given to Maxwell Barry Cowden VX19297 2/2 Pioneer BN by an American POW. He carried the spoon tied to the side of his loin cloth. Max worked on the Burma Railway and in the Coal Mines in Japan, Senryu 24 and Fukuoka camps. After the war he could not sit on a chair for a long time and would just squat on the floor with his back to the wall as he had done as a POW. Refer Cat No 7076P for more service details.Framed brown timber with gold edge, inset background is green, within is a silver spoon and medal displayed. The medal is a Commemorative unofficial Prisoner of War. On the spoon stamped in "U.S"framed, pow, souvenir, u.s

Common Starlings are a noisy bird that typically inhabit urban and rural areas, especially those with short grass for easy foraging, though can occasionally be found in open forests or along costal areas. They are native to a wide area of Eurasia and the North of Africa, though have been introduced to North America, some nations in South America, Fiji, South Africa, Australia, and New Zealand. They live in large flocks that fly together in strong unison, and have a range of loud calls. Male Common Starlings usually have brown eyes, in contrast to the light coloured eyes of the taxidermy mount. Otherwise, the specimen bears a reasonable resemblance to a typical Common Starlings. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Common Starling is covered in black feathers that each have a metallic orange edge. This gives the appearance of small dots across its head and neck, larger dots along its underbelly and back, and lines along the outer feathers of the wings. Its beak is yellow and its eyes are a light blue with a black pupil. The bird is stretched tall with its head turned towards the left and slightly tilted right. The specimen stands on a brown, wooden perch with a circular bar, curved stand, and circular base. The left leg has a metal tag and a swing-tag tied around it and the right leg has two swing-tags tied around it, one of which is torn.Metal Tag: 4256 Swing-Tag 1: Sturnus vulga[illegible]is / male, adult / 25 January 1861 / near Leiden / Swing-Tag 2: Tris grey-brown / Feet black - brown / Bill brown / 4256 / Swing-Tag 3 (torn): ng / e Page 58taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, starling, european starling, common starling, european bird

Snow shoes were used to move between places on the snow fields at Falls Creek and the Bogong High Plains especially during the construction of the Kiewa Hydro Scheme.Historical: Snow shoes were used on the Bogong High Plains during winter. The body is made of light wood 'bamboo' with a back and front wooden cross bar. Between the front cross bar and toe, blue nylon is tied to form diamonds 'lacing', similarly the back. Between the bars, in the middle is cream coloured rope tied to form a strong basket. A shoe harness made of olive green vinyl to which is clipped brown strong woven material tape with a circular steel loop through which the tape is threaded. There are 3 steel fasteners on 1 side and 2 on the other with a black plastic fastener. At the front between the cream and blue woven baskets there is a gap called the toe hole. The rope is attached either side of the toe hole to the front wooden bar.snow. falls creek. bogong high plains. transport. victorian alps.

This outfit was worn for competitive riding by Nancy Bland in 1930's.A woman's riding costume. It consists of a brown felt cap (2524.1); a long-sleeved, hand-made black lined coat made of serge with two black buttons and two pockets (2524.2); a cotton cloth badge with "MLC" inside an eight-pointed star pinned to the coat (2524.3); a gold tie clasp with a horse and rider jumping through a horseshoe (2524.4); a black silk tie (2524.6); a hand-made black and white herringbone patterned waistcoat, lined with blue striped silk material (2524.7); a pair of light brown jodhpur style riding breeches with patching on the inside of legs (2524.8); a pair of black leather calf high riding boots with leather soles (2524.9 and 2524.10).2524.6 - "LOWES" 2524.8 - "Rankine & Dorrs Melbourne ARMY STORES REG"equestrian horses jodhpurs outfit-riding bland-nancy

Baby clothes worn by Una Reynolds, member of the Society. Born 1927, died 2003.Creamy-white, fine voile baby's dress.Bodice and short sleeves in magyur (dolman) style with buckingham point lace inserts. Square neck in lace edged with lace edging gathering. Skirt with lace inserts and handkerchief hem, edged with gathered, wider buckingham point lace. Side seams of bodice and skirt are lace inserts. Back opening with two buttons and buttonholes and white cotton tape tie from lace at neck.|Bolero in same fabric and lace. Has Peter Pan collar edged and trimmed in lace with silk ribbon insert tied at neck. Sleeves and front opening edged and trimmed with lace; lower edge has handkerchief points trimmed with lace.costume, infants'

A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Official Occasions Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The Official Uniform was used for both travel and official functions. This included a tailored blazer and trouser/skirt set (all water repellent) by Fletcher Jones in pure olive green faille fabric by Foster Valley, a cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, a printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy.8116.1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a green skirt and green woollen vest over a yellow button up shirt with printed neck tie. Three smaller drawings on the left side of the page show the details of the vest, necktie and shirt. 8116.2 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a black skirt and printed scoop neck, button up blouse, cinched at the waist with a black belt. Around the central drawing are smaller drawings showing the details of the skirt, belt and shoes. 8116.3 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a black skirt and black blazer with detailed striping across the right front and right arm. There is a small detailed drawing of the blazer to the right of the main figure which includes the design of a scarf. 8116.4 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a green skirt, a yellow printed, sleeveless shirt, yellow gloves, along with a matching headband and scarf.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform

The spotted quail thrust is a heavily patterned bird native to Australia. It expresses many calls, including a long, very high-pitched "seeeeeep” and a long sequence of doubled whistles, but the main call in inaudible to humans. Due to their heavy camoflague pattern, they are often very difficult to observe. They are often found on the forest floor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The spotted quail thrush is characterised by yellow and brown tones with black spots on the flanks. The females (10056) have a yellow ochre-coloured throat patch. This particular quail has lost its tail feathers. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 43a. / Spotted Ground Thrush / See Catalogue, page 15. /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, spotted quail thrust, quail

Worn by the grandmother of Marjorie Burton (nee Whiteman) in England early 19th century. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. When she was admitted to Waratah Lodge, Orbost, following a stroke, her daughter Ann Quaadgras donated a number of her mother's personal belongings to the Orbost & District Historical Society. Marjorie died in 2015.These items are examples of the needlework skills of women in the 19th century. They are items which are no longer commonly worn.Two night caps. 2483.1 is a pink lady's night cap, hand sewn and cotton edged in lace. It has been embroidered with pink flowers. the straps are red. 2483.2 is a hand sewn man's night cap of pale striped cotton. It is brown, and grey stripes on a white background with white tapes for tying. night-cap sleepwear burton-marjorie

David Dixon RAN R112262. Enlisted July 1972 as a Junior recruit age 15 years 9 months at HMAS Leeuwin. Passed out as Ordinary Seamen QMG and posted to HMAS Sydney 111 in Sept 1973. Jan 1974 - Feb 1981 with HMAS Derwent River Class Destroyer. Feb 1981 posted to HMAS Flinders Survey Ship. Sept 1981 promoted to Provisional Petty Officer QMG and then to HMAS Cerberus Gunnery School. Promoted to Petty Officer QMG then to HMAS Yarra 1984 then to HMAS Gladstone. Discharged from the RAN June 1987. Re Enlist 1996 and did a refresher course and posted to HMAS Success Fleet Tanker then HMAS Brisbane till 2001. Posted to HMAS Kuttabul with Recurring Back Injury and Discharged from the RAN May 2002. Total 21 years service with 17 off at Sea.1. Jacket - Black, Wool/Polyester, Insignias, yellow metal buttons. 2. Trousers - Black, Wool/Polyester. 3. Shirt - White, Polyester/Cotton. 4. Tie - Black, Polyester/Viscose. 5. Officers Peaked Cap - Plastic, White and Black, polyester, Elasticised band, Petty Officer Insignia.1. On Jacket - 3 stipes in gold braid. Petty Officer Insignia on Left Shoulder. Category Insignia on Right shoulder - Quartermaster Gunner.uniform, navy

Items issued to Wayne Forbes 3176337 1 Field Sqd RAE. Refer Cat 754 for service history also 2586. Ribbons are Vietnam, ICB being Infantry Combat Badge..1) jacket khaki polyester, gold colour metal buttons, lapel buttons, black lanyard, service ribbons and ICB .2) trousers khaki polyester. .3) shirt polyester light khaki colour .4) tie, cotton Kahki colour .5) belt, nylon webbing with silver belt buckles uniforms, service dress, vietnam, icb

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting of port with 14 large silos and a large domed shed in background. On horizon line is a wharf with a ship berthed. In foreground left is a pier stump with wood nailed to it, and leaning on it is a large anchor with a rope tied to it. In foreground left is a beach area, diminishing rapidly toward port in background.Front: (no inscriptions) Back: (unknown)sculpture, bas-relief, copper, port of portland, portland harbour