A personal memoir of Changi POW, Keith Wilson. The author details the daily lives of prisoners & their interaction with their Japanese captors.Black, buckram hard cover with title on spine in gold letters. Blue end papers. Blue & white dust cover with illustrations front & back. Title on front in white letters. Title on spine in black letters.On front end paper: L K Morgan 8/90books, military, history, imprisonment

Soft cover book. Front cover has orange background with a black and white photo of a Bobby and a bomb victim sharing a brew. Writing is in black, grey and white ink. Pages 212 Illustrated with a few photos"Donated by Bendigo YMCA"books, military history

Tobruk panorama. Black plastic frame, glass front, white cardboard backing, black & white photograph with cream border. Photo in 5 sections showing Tobruk township & surrounding landscape of desert & military vehicles. LHS bottom front: Donation info sticker Centre front: Tobruk sticker Blue sticker on backing: Bendigo City Framersphotograpy - photographs, frame accessories, tobruk

MEDIUM: Screenprint of drawing. DESCRIPTION: Black and white, signed print under glass, black outer frame, white board inner frame.Two figures are central on a light background. A man approaches a woman on a period chair. Signed across bottom of print (proper right).print, boyd, signed, limited, edition

Black and white photograph of John (Jack) McMonigal a sympathiser of the Kelly Gang. Photograph is in an oval frame and shows head and shoulders of a short bearded man wearing a jacket, white shirt and black tie facing left.john mcmonigal, kelly sympathiser, kelly gang, edward kelly, ned kelly

Knitted orange, purple, white, yellow, red and black poppies mounted on two attached canvas panels. Orange - troops, Purple - animals, White - nurses, Yellow - indigenous, Red - previous wars and black - dogsPresented to NVVA by Phillip Island Patchworkers Inc and Friends 2016. In memory of those who lost their lives.poppy, orange, poppies

Tray cloth was purchased in Assissi, Italy in August (approximately) 1958, outside a Church.Pale green tray cloth with white hand embroidery around edges and in each corner. Corner design features small birds outlined in black, within white cross stitch triangles. Triangles are outlined in black. tray cloth, embroidery

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). This cloak represents a traditional shield and stands for strength, resilience and standing proud. It protects us as we move forward. The gold represents the gold fields of Ballarat and Golden Plains shire. It also represents fool’s gold (pyrite) as First People had no use of gold, instead the people are the gold.Black, white, and red stripe design with flower and stem motif on outer cloak. Lining is a red and white stripe motif. Trimming is solid black. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong

Black and white portrait of a man. and a jumper. He has shoulder length hair and a beard. He wears black rimmed glasses. The man is Gordon Stokes. White matt board, blonde wood frame. 'Dignified'1/3 / Dignified / Lynne Hollisgordon stokes, portrait

From the Foreword: "It is once more the obligation of the AAF to submit a report of its/ activities to the American people". WW11. Part of the William (Bill) THOMASON Collection.' Refer Cat. No. 4136P for more items.Soft cover book: Cover - light grey colour cardboard with black ink print on front. 93 pages, cut, plain, gloss white colour paper. illustrated black and white photographs, posters and maps.publications, "books, army air forces, usa, ww2, william (bill) thomason collection

Black and white photograph taken at sign for Snowy Mountains Hydro Electric Scheme in Australian Alps. Also five other black and white photographs taken at Snowy Mountain project 6 x 8.5 cm government, civil engineering, topography, water resources

Black and white photograph showing the Esso work boat Lady Penelope towing disabled yacht Moga in Bass Strait. Also a second black and white photograph of vessel 04821.1 7 x 11 cmboats and boating, oil and gas industry

Looking toward the main house on the Esplanade Lakes Entrance Black and white photograph of main driveway in Carpenters Camp Park.. Also four other black and white photographs showing various aspects of Carpenters Camp Park Lakes Entrance 04382.2, 04382.2, 04382.3, 04382.4caravan parks, accommodation, vehicles, social history

Black and white stereoscopic postcard of statue Queen Victoria 1A Fairy Cave Buchan Victoria. Also two extra black and white postcards in Buchan Caves The needle Royal Cave The Niagara Royal Cave celebrations, parks

Black and white photograph of cottage of Alf Fish in Roadknight Street on fire showing three men with furniture and belongings in yard Lakes Entrance Victoria. Also three similiar black and white photograph of house on fire fires, disasters, fish family

Black and white photograph of five children Cora Lynn, Enid Easton, Jim Jean and Ivan Trewin in a hollowed out pumpkin boat at Orbost Victoria. Also a black and white photograph of a baby in a pumpkin bed events

Marlin PlatformBlack and white photograph of jacket of first oil/gas platform being built at Barry Beach South Gippsland Victoria. Also two similar black and white photographs taken at same time at different angles. oil and gas industry, engineering, social history

This painting was inspired by an original painting by Wilhelm Melby held at the National Gallery of Victoria. Melby is a Danish artist (1824-1882). It depicts a famous Devonshire coastal region famous now for its lighthouse and the pick up point for the pilot when entering waters approaching Dartmouth. The sailing vessels pre-date the construction of the famous lighthouse. Over the centuries the view would have been familiar to many sailors as they left or approached the English mainland and south coast ports in the English Channel. Madeline Mary Ravenna Lewellin (1854 – 24 November 1944) was born in Victoria to Dr John Henry Hill Lewellin, a physician, and Grace Elizabeth (née Danneby). She was one of five daughters, and the family lived in Prahran. Lewellin's brother, Captain Herbert Gordon Hill Lewellin, was a commander in the P. and O. fleet (apprentice on the Romanoff, Lieutenant RNR on the HMS Arethusa in 1899, RMS Mongolia in 1913 sunk in 1917, Naldera in 1920). She studied painting at the National Gallery School in 1879 under Eugene von Guerard. She's also known for collecting and painting specimens, and became a member of the Field Naturalists Club of Victoria in 1885. In 1884 she won a silver medal for her studies of fungi. She collected plants for Australian botanist Ferdinand von Mueller, and the variety of Dicrastylis lewellinii (Purple sand-sage) is named after her. Miss Lewellin, who had a love of the sea and ships as subject matter is listed in 1910 as a donor as a 10/6 member donating to the motor launch fund and in 1918 as a working member of the Ladies Harbour Lights Guild which involved regular volunteer shifts at the Mission to Seamen on canteen and other duties.Marine art, Maritime artThis oil painting has a dark polished wood and gold leaf slip. The painting depicts two masted boats. The choppy sea takes up the lower-third of the painting, and the other two-thirds of the image of made up of stormy grey clouds. A rocky cliff face can be seen on the right-hand side of the painting. A small church can be seen on the hillside. The ship on the left third of the painting sits on the horizon line of the sea. The centre ship with two masts appears to be leaning to the right and its deck is exposed to the viewer showing four men attempting to handle the masts and rigging. The left-hand ship with three masts is surrounded by two grey distant silhouetted mast ships. There are three seagulls at the upper left-centre of the image. There are another three gulls down on the lower-left of the image. Front: ENGRAVED PLAQUE: Start Point Light. Devonshire. SIGNATURE: After W. Melby / M.M.R Lewellin. 1875. Reverse: IN BLACK MARKER PEN: * Hang from two points * WHITE STICKER WITH CONSERVATOR DETAILS: Art Conservation Frames / 118 Bridport Street, Albert Park, VIC, 3206 / 9696 9066 / artconservationframers.com.aupainting, ships, mast, church, sea, storm, oil painting, seagulls, madeline r. lewellin, artwork-paintings, ngv, wilhelm melby, eugene von guerard, botanist, rms mongolia, captain herbert gordon hill lewellin (1862-1935), paddy lewellin, reproduction

This poster is a time table for the coaches operated by Armstrong and Fraser.Their stables were in Liebig Street, Warrnambool next to the Commercial Hotel (The Whalers Hotel today) Armstrong and Fraser commenced business in 1882 and were prominent in Warrnambool at the end of the 19th century and the beginning of the 20th century. The kept as many as 70 horses in their stables and operated a daily timetable for tourists especially those going to the mouth of the Hopkins River and to the breakwater. This poster is of considerable interest as the time table indicates the extensive business of an early coach service in Warrnambool over 100 years ago. The poster comes possibly from the old Warrnambool Museum.This is a sheet of paper containing black printing and handwriting in black ink. It is encased in a black wooden frame with a white cardboard surround and a black border. It has glass protection. There is string and wire at the back for hanging the item . ARMSTRONG* AND * FRASER Special line of buses Running to HOPKINS AND BREAKWATER TIME TABLE (Also other detail re fares, Proudfoot's boating establishment and horses and conveyances) ( Handwriting 87,90, 91 January to March July to Sept. April to June Jany to March) warrnambool, bus timetable, armstrong and fraser

Printed on the occasion of the 50th anniversary of the arrival in Australia. Interviews with 69 of the original Dunera men and their families done by 15 Hay students from Hay War Memorial School.Light blue covered folio side bound in black. Contains 70 pages of printed text and photos. Black and white picture on cover. Title in black ink above picture. Black taped spine.The Dunera Tapes Conversations on a Windy Day in Hayhay internment camp, 50th anniversary of dunera arrival, hay war memorial school, internment camp interviews, peter alsberg, paul altmann, max arnott, herbert barber, michael brent, gerald cunningham, peter danziger, reinhold eckfield, peter feistmann, adi felder, henry felder, john fletcher, werner frank, fred freitag, ernest green, john gresham, dennis goodman, frank heymann, horst jacobs, ernie katz, walter kaufmann, jimmy king, heinz kuehlenthal, george lederer, kurt leiser, kurt lewinski, hans loewe, franz menzel, rudi meth, albert meyer, martin moore, fred parkinson, fred reich, howard rickenberg, ernest rodeck, max rubinsohn, fren schonbach, ernest schonfeld, henry seaman, martin shelton, mike sondheim, ralph stern, george strauss, henry teltscher, roy thalheimer, herbert treidel, harry unger, fred warschauer, harold weinberg, mendel weisser, victor wieselmann, walter weyl, ernst wolf, christoph wolkenstein, oswald wolkenstein

The Boyds brought this vitamiser from their Camberwell home. Mandie Boyd, Robin and Patricia's eldest daughter, has very vivid memories of this gadget. "It made everything from milkshakes for us to mayonnaise, stuffing for chicken, soups, but especially I remember Robin in the kitchen using it to make daiquiris, endless ice, rum and lemon juice crushed and blended in the good old Vitamiser. He was wearing an amazing pale grey suit. American fabric beautifully cut, must have been synthetic, and had flecks of a darker grey through it, sounds hideous and was “of the time”. His American cotton business shirts were also beautifully tailored, with loads of room to move your arms unlike the daggy Aussie shirts." "Semak" Vitamiser, with a white plastic base, with 'on/off' switch at front of base. 4 black holders. Glass jug with black plastic lid. Black power cord. 3 black rubber stoppers at base.SN 7-81. 50 CYCLE 240v 120Wcookware, walsh st appliances, robin boyd

David James Wallace HAMILTON. Prior to WW1 he had 6 years service in the RAN until his time expired. He enlisted in the AIF No 329 in the 14th Batt Machine Gun section on 10.9.1914 age 24 years 11 months. Promoted to Cpl 4.12.1914, embarked for Egypt 22.12.1914, embark for Gallipoli 12.4.1915, WIA 19.5.1915 SW Left Thigh, WIA 2nd occasion 20.8.1915 GSW to Back, embark for France 7.6.1916, promoted to Sgt 22.8.1916, transfer to 12th MG Coy 23.8.1916, promoted to W.O 20.10.1916, promoted to 2nd Lieut 24.3.1917, KIA Belgium 7.6.1917. Items relating him, Photo, Commemorative plaque etc have been framed & are in the SMIMM collection. Refer 2354.4P re his brothers service..1) Photo, black & white, portrait of a soldier on white ornate cardboard backing, re DJW HAMILTON. .2) Photo postcard, black & white, portrait of sailor re DJW HAMILTON, full page letter on the reverse in ink. .3) Photo postcard, sepia, sailor standing by a column. .4) Photo postcard, sepia, group of 9 sailors. .5) Photo postcard, black & white, 2 sailors on ships deck..1) April 1908 D HAMILTON. .2) Yours truly DAVID 17.5.08. .3) Your Aff son Dave, Portsmouth, England 18.12.1912. .5) H Brew HMAS Protector 12.11.17.photography-photographs, ran