F44-1 and F44-2 sepia print of the head and shoulders portrait of Rev. John Thomas, BA. On front: "REV. JOHN THOMAS, B.A., President of the Conference, 1914."rev john thomas ba methodist minister, president methodist conference 1914

The Rev. Henry Griffiths was Director of the Methodist Inland Mission. He was stationed at Katherine, originally, as a patrolling unit of the Methodist Mission.Gloss, black and white, head and shoulders photograph of Mrs. Dorothy Griffiths, wife of Rev. Henry Griffiths.northern territory, inland mission, methodist, griffiths, dorothy, griffiths, henry

See entry for F53-1Matte, sepia, head and shoulders portrait of Rev. Henry Griffiths and his wife Dorothy, mounted on card.northern territory, griffiths, henry, griffiths, dorothy, methodist, inland mission

Hugh Bourne and William Clowes were the founders of the Primitive Methodist Connexion.Black and white print on card featuring illustrated head and shoulder portraits of Hugh Bourne and William Clowes.Des & Eng By T.W. Huntbourne, clowes, primitive methodist connexion

Rev. Dr. James Harrison Rigg (1821-1909) was a Methodist minister and educationist and was principal of Westminister Wesleyan Training College.Matte, black and white, head and shoulders, studio portrait of Rev. Dr. James Harrison Rigg on card.rigg, jm, methodist

George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. This work chosen for the folio is from an incomplete edition from 1966. It has been printed on Baldessin's original 1974 cast aluminium Enjay press (designed and made in collaboration with Neil Jeffreys) and restored specifically for this project by Dan Jones. In addition Deanna Hitti has used Baldessin's original Japanese Torinoko paper, stored safely in his studio for over forty years. ‘Portrait II’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print is a fine example of Baldessin's primary interest of the figure, which displays great sensitivity to and observation of the human condition. Distortion, exaggeration and fragmentation were employed by Baldessin as tools to animate and scrutinize the displaced, dispossessed and alienated figure, flattened against the picture plane. Black and white distorted and exaggerated figure (head and shoulders), with hands raised to the face and the figure's right eye. acquatint, etching, baldessin, ekphrasis2018, figure

Portrait of Bow HutchingsB/W Photograph Portrait of a young male, head and shoulders, He is wearing a Jacket and cardigan with a tieBow Hutchingsstawell

Black and white photo of Vermont state School, Classes 3-6 with Head Teacher, Mr. Watchhorn.watchhorn, mr., vermont state school, no. 1022, primary schools

Head and arms of china doll attached to wire frame. Covered with mauve satin and lace to form dress.ornaments, mixed media

In 1882 the railway from Melbourne to Camberwell was extended to Lilydale, Blackburn Station was then known as Blackburn Greek Station and was opened on 2 December 1882. At this time the Lilydale line had only a single track. On 12 August 1889 Blackburn was designated as a 'crossing station' as it had 2 platforms. In 1891 a second line was added between Box Hill and Ringwood stations. Service termination at Blackburn began in the late 1890's due to the large number of passengers visiting the Blackburn Lake Sanctuary. The Lilydale line was electrified to Ringwood in January 1923. Automatic signalling reached Blackburn in 19568. Boom gates replaced hand gates in 1970. in 1980, the goods siding was removed and the old station was demolished.Coloured photograph of the south side of the Blackburn Station. People using this platform are headed towards the city - 2012blackburn railway station

Roger de Stoop was born in Flanders, Belgium in 1912 and died in Australia on 18th April 1999. The de Stoop textile factory was closed due to German occupation and when Roger de Stoop received an offer from Australian Dick Best to begin a a partnership in similar venture in Australia, he agreed, bringing looms and skilled workers with him. The company was the first to produce Belgian damask ticking in Australia. The firm was sold to the British firm, Smith and Nephew in 1960.One coloured and one black and white head shot of Roger de Stoop wearing a suit and tie.de stoop, roger. de stoop and best textile factory. belgians in australia

Coloured photograph of the Stanley Works head office, Nunawading in 1989. Grey building with an underground car park.stanley works pty ltd tools manufacturing industry nunawading

Jean APPLETON (1911-2003) Jean Appleton was a painter and craftworker who studied at East Sydney Technical College and at the Westminster School, London. After seeing French sculptor Maillol's work 'The Cyclist' she was inspired to try sculpture and consequently studied under Eric Schilsky in London. With the outbreak of war she returned to Australia, thereafter teaching at high schools in the ACT and NSW and at the Julian Ashton and National Art Schools in Sydney. The first of her thirteen solo exhibitions was held at Sydney’s Macquarie Galleries in 1940. Resident in England from 1969 to 1981, she continued to teach intermittently into the late 1970s. After a difficult first marriage to artist Eric Wilson, who died, she married painter Tom Green and they settled in Moss Vale. Though her work is now represented in major state and regional collections, Appleton was like many women artists of her generation in that recognition of her work came late in life: she was in her eighties when a public gallery first presented a retrospective exhibition of her art. (https://www.portrait.gov.au/portraits/2013.92/self-portrait, accessed 15 September 2019) Jean Appleton won the inaugural Portia Geach Memorial Award in 1965 with this work. She dies in 2003.A sketched portrait of a man's head by Jean Apppleton. It may be Jean Appleton's first husband, Eric Wilson. drawing, portrait, jean appleton

Teacher and children not named.Second photp alsoBlack and white photograph of twenty six students and head teacher at Dargo State School. Dargo Victoriaschools

Photograph of Daisy Rowse, daughter of settler W. Rowse who purchased the Richardson home and sixty surrounding acres when the Richardsons left the district c1913. Daisy Rowse married Hubert Jeeves in 1926. Black and white head portrait of young woman wearing a white blouse with her hair worn up.daisy rowse

Bone handled dagger with Arabic writing on the blade and fitted copper scabbard. Handle in the shape of animal head.

metal handle lion head on pummel Gurkha symbol on leather scabbard with engravings missing sharpening knives

Golden rams head shaped badge with red eyes and a Japanese flag with blue and white plastic packaging.

Narrow brown fur wrap comprised of three separate sable pelts including heads, feet and tailsfurs, costume accessories, stoles

Dr Rose was a member of the Surrey Hills Medical Centre for approximately 50 years. Norman was the son of Maurice Rose (1889-1963) and Gertrude nee Gordon (1891-1972) and was born in Birkenhead, Cheshire, UK, on 15 September 1916. Norman had an older sister, Irene. As with many migrant families, Maurice departed from London for Melbourne on 27 October 1927 on the ‘Ballarat’ ahead of his family, who sailed on the ‘Bendigo’ on 8 May, 1928. Norman was 12 years old. The family lived in a number of locations including St Kilda, Balaclava and later Elwood. Norman attended Wesley College, following which he enrolled at the University of Melbourne, where he studied medicine, graduating MB BS in 1939. For unknown reasons, post-graduation Norman moved to Perth in March 1940. It was at the Fremantle General Hospital that he met his future wife, Helen Beatrice (Betty) Mackie, and began training in anaesthetics. When World War 2 was declared, Norman enlisted in the army. He was attached to the 2/13th Field Ambulance (AIF). He served in the Middle East and Borneo. Upon their return to Melbourne after the end of the war, Norman completed hospital rotations as a Resident Medical Officer at the Alfred Hospital (1946-1947) and at the Royal Women’s Hospital in 1948. Norman was a close friend of Dr Bill Vorrath, which probably explains how he came to join the Surrey Hills Medical Centre in either 1948 or 1949. Although technically a General Practitioner, Dr Rose focused on Anaesthetics. He was often on call for the Emergency Department at Box Hill Hospital and he also taught many students how to administer an epidural. In 1972, under the so-called ‘Grandfather Clause’, he was registered as a Specialist Practitioner in Anaesthesia. Dr Rose’s long service to Box Hill Hospital was recognised with the award of Life Governorship of the Hospital in 1978. Dr Rose married for a second time after his first wife Betty died in 1997. He retired in 1998 or 1999 and died in 2010 in his 94th year. Dr Norman Rose worked at Surrey Hills Medical Centre as a General Practitioner / Anaesthetist for 50 years, and thus had a significant role in and influence on this community.A formal head and shoulders portrait photo of a man with greying hair, wearing glasses and jacket and striped tie.norman rose, general practitioner, doctor, anaesthetist, surrey hills medical centre, box hill hospital, fremantle general hospital, 2/13th field ambulance aif, alfred hospital, royal women's hospital, bill vorrath, helen beatrice mackie, betty mackie, betty rose

Painting depicting an abstract composition of a prone male with blue pants and white shirt and the disembodied head of a female. Signed and dated lower right 'Clifton April 1974'. clifton pugh, painting, abstract, assassination

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. Bruce Smeaton (born 5 March 1938) is an Australian composer who is well known for a variety of Australian film and television scores in all genres, including features, shorts, television, documentaries and advertisements.[1] His scores include Picnic at Hanging Rock, Seven Little Australians, Roxanne, Iceman, and Circle of Iron. He has won the Australian Film Institute 'Best Original Music Score' Award for The Cars That Ate Paris (1974), The Great McCarthy (1975), The Chant of Jimmie Blacksmith (1978) and Street Hero (1984, shared with Garth Porter and others). (Wikipedia).1) Portrait of Bruce Smeaton in oil on an unframed stretcher. .2) Charcoal sketch of the head of Bruce Smeatonwes walters, portrait, artist, artwork, bruce smeaton, musician, sketch, walters, alumni, available

Mairin Ni Shiochain Máirín Ní Shíocháin’s practice reflects a lifelong affinity with non-human animals. Her observation of animals and birds in natural habitats in and around Ballarat and district was the foundation for this research. She won a Ballarat Art Foundation Award in 2012. This item is part of the Federation University Art Collection. The Art Collection features over r000 works and was listed as a 'Ballarat Treasure' in 2007.Blue headed bird perched on a wooden stand. Individual feathers are made from paper, coloured with watercolour. art, artwork, mairin ni shiochain, bird, sculpture

Port Fairy views - gardens, river, beachMontage of 5 Photographs headed with a large flourishing banner announcing Greetings from Port Fairy (postcard)published by Wm.Thompson Port Fairy- Greetings from Port fairy,View in the gardens Port fairy ,Government wharf Port Fairy Bathing boxes Port Fairygardens, river, beach, crags, botanical gardens, bathing boxes, battery hill, wharf, government wharf, moyne river, port fairy

Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 69. The caption in the book reads, "George Russ among some of the dahlias, of which he was such an excellent judge." "Demonstrator in Horticulture from 1910 to retirement in 1936. An Englishman thoroughly trained in the old school and highly respected by all who were privileged to know him." E.B. LittlejohnColour photograph of a b/w photograph on a table of George Russ, Head Gardener standing in a bed of Dahliasgreen grows our garden, a.p. winzenried, george russ, dahlias, demonstrator in horticulture

Restored by Mr. Perce Sebire, 1923 and in working order.Crystal wireless receiver and head phones. Using Galena crystal cat-whiskers detector, on a wooden base.Receiver:- 'Using Galena Crystal Cat - Whisker Detector' Headphones:- 'Superior - BBC Patents ready'crystal receiving sets