Coloured - House at 41 Rooks Road, Mitcham. An example of an early residence in the districtrooks road, mitcham, no. 41

Black/white early photo of corner of Canterbury and Mitcham-Boronia Roads, Vermontcanterbury road, vermont, boronia road, mitcham, armstrong, ian

Black and white early photo of Schwerkolt Cottage taken while still inhabited.schwerkolt cottage

Black and white early photo of Schwerkolt Cottage taken while still inhabited.schwerkolt cottage

One of several photographs of different periods in the existence of the ANZ Bank Rutherglen, this one when it was the Bank of Australasia. After several changes of the Bank's name, it ceased as a bank in 1996. Under private ownership, it became Bank on Main, as a bed & breakfast. In 2016 it changed hands again, becoming Amberesque B&B.Early black and white photograph of Bank of Australasia building in Main Street, Rutherglenbank of australasia, anz bank, bank on main, amberesque, australia and new zealand bank

One of several photographs of different periods in the existence of the ANZ Bank Rutherglen, this one when it was the ANZ Bank. After several changes of the Bank's name, it ceased as a bank in 1996. Under private ownership, it became Bank on Main, as a bed & breakfast. In 2016 it changed hands again, becoming Amberesque B&B.Early black and white photograph of the ANZ Bank building in Main Street, Rutherglenbank of australasia, anz bank, bank on main, amberesque, australia and new zealand bank

First owner of Fairfield House was George Francis Morris. This sketch is believed to be the concept sketch from the architects.Early coloured sketch of Fairfield House with a horse drawn carriage in front of the house.At bottom right of sketch: "Gordon & Gordon, Architects" fairfield cellars, fairfield house, wine industry, morris family

School PhotoEarly black and white school photo on brown/grey cardboard with students and teachers frankston, frankston primary, davey st, school

Figure of historical significance?An early Black and White Photograph, portrait of Ebenezer Bonfield, printed by Stubbs and Davison.

Grey Book with a red spine containing records of early students exam results

Queenscliffe Maritime Museum historyQueenscliffe Maritime MuseumEarly black & white photos of the east elevation of Queenscliffe Maritime Museum, c1987.Reverse " NIL "queenscliffe maritime museum

The QUEENSCLIFFE lifeboatLifeboatsblack & white photograph of the Lifeboat QUEENSCLIFFE, probably after the early 1930'sReverse - "Fisherman's Pier (demolished about 1955) - (c1947-49) - lifeboat shed before moved to new pier because of "sanding-up"- P & H [Ports & Harbour] shed on left [on S arm of Fisherman's Pier]"community information, the queenscliffe lifeboat

The Bendigo & Region Branch is the National Trust’s voice in the region. The Branch works with council and the community on local heritage issues. New members are always welcome at any of the Branch’s meetings and events.2 William Street Long Gully Bendigo Early Cottage 1860 - SlideOn the slide is No 14 William Street; but most likely from Google Street View it is now No 2history, bendigo, national trust collection bendigo, 2 william street long gully bendigo

No 145-149 Carpenter Street Bendigo Early cottage - current address unknownhistory, bendigo, national trust collection bendigo, 145-149 carpenter street bendigo

No 6 Brodie Street Quarry Hill Bendigo - Early Edwardian/Victorian - c1900history, bendigo, national trust collection bendigo, 6 brodie street quarry hill bendigo

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The eastern part of Collins Street. Coloured postcard of early Melbourne. Weir collection."Collins Street East, Melbourne"postcards, collins street - melbourne, george and edith weir, weir collection

Trickey Collection, Cream Coloured Octagonal Shaped Jewellery Box of early plasticstawell

Photograph taken by a staff member of the main entry of the Kooyong building, with 'Wicking Centre' signage. vision australia, buildings, john wicking, janet wicking

Porcelain Insulating Shield, early make, has rested over a sooty burner

Early lamp with green shade and clear glass flue on a decorative metal baselamps

Early English, Cut throat razor with black bakelite handle in metal case."Taylor's Trade Mark Witness The 1008 Razor Regd.cut-throat razors

A SEPIA PHOTOGRAPH OF GROUP OF LADIES IN EARLY DRESS, MISSES KATE AND ELSIE PATIENCE.MISS KATE PATIENCE + MISS ELSIE PATIENCE.local history, photography, photographs, costumes, female

Photograph, from a publication, of Bourke St looking east from the south side between Queen and Elizabeth Streets. The cable tram tracks can be seen in the street pavement. Has many double deck and some single deck buses. Very busy and congested traffic scene between Elizabeth and Swanston Streets. In the view are the General Post Office, the Myer Store, Foys, Parliament House and London Stores.Yields information about Bourke Street prior to conversion to electric trams.Black and white photograph of Bourke St looking east early 1950'stramways, mmtb, buses, double deck buses, bourke street, cable trams, traffic

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Blue pen written on paper - perhaps this is a press release - written about the lengths that Frank Wright, although ill and in hospital earlier in the week, went to, to honour his commitment to be a part of the jury to judge the World Music Contest at Kerkrade.Hand written documentfrank wright, kerkrade, world music contest, adjudicator, bands

Green Fuji Film green plastic slide during of a group of 3 trams on a tram tour, led by tram 26, at the Grey St loop waiting for a tram in the other direction. Possibly late 1960's early 1970s.On each slide in ink "Roy Mitchell" , "Tram" circa 1971". tramways, trams, sebastopol, albert st, tours, grey st, tram 26

Black and white photograph of Bendigo No. 11 at the eastern end of High St. Eaglehawk, late 1950's or early 1960's. Tram has the destination of Eaglehawk. Taken by John Alfred. Photo printed on half weight paper.On rear written in black ink "Eaglehawk / No. 11" and on bottom edge, stamp "Photo by John Alfred / No." in red ink.tramways, trams, eaglehawk, high st, tram 11

Colour print of Ballarat No. 18 at St Aidans Drive terminus, running in BTM service. Based on the fare board ($1.50 adult, 80c child fare), early 1990's photo. Photographer unknown. Printed on Konica paper.btm, st aidans drive, tram 18